Fans pick 100 books like The Book of Beasts

The unicorn and the dragon are still the two most ubiquitous animals to emerge from the host of fantastic creatures that began spreading through popular books, art, and film in the late 1970s. Years before the unicorn’s commercial popularity, Odell Shepard’s classic book, The Lore of the Unicorn, traced the millennia-long cultural transformations of the mysterious animal, beginning with an early traveler’s tale of the wild asses of India. 

I admire Shepard’s blending of personal voice with wide-ranging research and commentary. He opens his introduction with, “On the table before me, there lies a long straight wand of ivory,” a walking stick made of narwhal tusk, which for centuries had been accepted as unicorn horn.

As the late 1970s popularity of fantastic creatures continued to spread, professor Malcolm South edited a research guide that follows twenty imaginary animals and creatures through time. The substantial 1987 book is highly schematic in South’s earnest attempt to sum up what was known about particular mythical beasts and imaginary creatures during their recent surge in popularity. Illustrations, a glossary, and even a taxonomy supplement specialists’ articles and bibliographies about creatures from the unicorn and other major mythical animals to the vampire and werewolf, giants, and fairies. 

All my previous recommended books are cited in South’s sourcebook. I’ve been much indebted to it for research leads over the years and highly recommend it as a standard source for any reader following mythical beasts and other creatures.

I love this lavishly produced 2013 book. It overarches my other recommended “best books for following mythical beasts through time.” Titles of early chapters—“What is an Imaginary Animal?” “Every Real Animal is Imaginary,” and “Every Imaginary Animal is Real”—encompass the book’s interplay between nature’s animals, imaginary ones, and human beings.

Open Imaginary Animals anywhere to get a glimpse of its variety and scope. Boria Sax’s interdisciplinary, learned, and conversational text sweeps across folklore, legends, myths, and natural history of worldwide cultures from antiquity to today. Accompanying art, much in color, spans a Lascaux cave painting and a photograph of a human-looking robot; throughout are fantastic creatures in paintings, early natural history engravings, and other pictorial forms.

As Dr. Sax writes, “Imaginary creatures can be overwhelming in their multiplicity.”

Don’t be scared off by this 1646 book. It’s essential for anyone who follows mythical beasts through time. One of the best-known parts of Browne’s influential book is Book III: “Of divers popular and received Tenets concerning Animals, which examined, prove either false or dubious.” By discrediting the classical and medieval authorities that perpetuated them, he considers the griffin, basilisk, unicorn, amphisbaena, and phoenix to be “fabulous,” thus separating them from the actual animal kingdom after centuries of general belief.

The now obscure Alexander Ross, “Champion of the Ancients,” refuted Browne’s book virtually point for point in his 1652 Arcana Microcosmi. Ross lost that Battle of the Books between the ancients and the moderns. Mythical animals rarely appeared in eighteenth-century literature, but they rose again a century later.

Terence Hanbury White is famous for writing The Sword in the Stone, The Once and Future King, and The Book of Merlin, all about King Arthur and his court. But he wrote many other books, both fiction and nonfiction.

This book is a translation of a Medieval bestiary, filled with strange animals like the Unicorn, the Dragon, the Phoenix, and the Amphisbaena. As White points out, the book was not meant as a mere rainy-day diversion, but was a serious attempt to catalog the animals of the world and how they related to man and the world.

White, a believer in the high knowledge and science of the often belittle Middle Ages, provides extensive footnotes showing that many of the apparently fantastic creatures and behaviors documented in the Bestiary do, indeed, have factual roots.

The Basilisk might stem from an imperfectly understood description of the King Cobra,… show more.

Imagine a medieval bestiary of whimsical creatures, but with a twist. Instead of being imaginary, the animals here really exist. The book moves alphabetically from axolotl to zebrafish, with a new delight on every page. It’s a perfect reminder of what biologist J.B.S. Haldane once said: that the universe is not only stranger than we imagine, it’s stranger than we can imagine.

Today, the Christmas season is a festival of sparkling lights and happy carols, but I love the dark side of the Holidays too...the long nights, the spirits of the dead, and the menagerie of folkloric characters who are just as likely to leave a Christmas trick as a Christmas treat.

I didn’t find anything in this book scary, but I did find myself looking over my shoulder a few times wondering if I had unwittingly invited a Christmas gnome or elf into my home. I also appreciated the crafts and activities included throughout the book by the author, making for the perfect mix of the practical and the historical. 

This palm-sized book tells the story of mythical creatures worldwide. As an illustrator, I’m always fascinated by interesting and experimental book designs, and this book instantly caught my attention with 250 illustrations of more than 100 mythical beings.

I couldn’t stop myself from bringing this book home. It was such an inspiration for me because it tells the story of some creatures that I had never heard of before. This book is still on the bookshelf closest to my computer desk.

Though Bestiary is not set in Taiwan, K. Ming Chang’s debut novel incorporates a sense of enchantment not only in her queer retellings of Taiwanese folk tales, but also in her dazzling language. She casts a spell on the reader as a magician of language, making nouns and verbs work together in innovative ways. 

If you, like me, have to consciously choose to read more poetry, this is a fascinating book to add to your collection. The poems’ subjects range from pop culture to body horror to the titular implications of algorithms and AI, and every one of them is a well-structured look at an apocalypse, large or small. Chances are excellent that you will encounter an English word you can’t readily define. Many of the poems are illustrated with haunting and/or humorous line art which even the ebook format renders well. Everything ends, but not every description of those endings are as beautiful as the ones in this book.