Here are 100 books that Mother Country fans have personally recommended if you like
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I was born in Odessa, USSR, a Southern Ukrainian city that many more people know now than when my family and I immigrated in 1977. Growing up in the US, everything I read about Soviet immigrants was either cliched, stereotyped, or plain wrong. A 1985 short film, Molly’s Pilgrim, about a (presumably Jewish) Soviet immigrant girl showed her wearing a native peasant costume and a scarf on her head which, for some reason, Americans insisted on calling a “babushka.” “Babushka” means “grandmother” in Russian. Why would you wear one of those on your head? I was desperate for more realistic portrayals. So I wrote my own. And the five books I picked definitely offer them.
Math reigned supreme in the USSR. I was never particularly good at it. I had to immigrate to the United States to marry an American nuclear engineer turned math and physics teacher. In Divide Me By Zero the heroine’s widowed mother describes love in mathematical terms. The passage reminded me of my husband. I forced him to listen to me read it out loud to him. “Wow,” he said. "That’s hot." Read this book for the heart-wrenching story—and the hot math.
As a young girl, Katya Geller learned from her mother that math was the answer to everything. Now, approaching forty, she finds this wisdom tested: she has lost the love of her life, she is in the middle of a divorce, and has just found out that her mother is dying. Nothing is adding up.
With humor, intelligence, and unfailing honesty, Katya traces back her life’s journey: her childhood in Soviet Russia, her parents’ great love, the death of her father, her mother’s career as a renowned mathematician, and their immigration to the United…
I was born in Odessa, USSR, a Southern Ukrainian city that many more people know now than when my family and I immigrated in 1977. Growing up in the US, everything I read about Soviet immigrants was either cliched, stereotyped, or plain wrong. A 1985 short film, Molly’s Pilgrim, about a (presumably Jewish) Soviet immigrant girl showed her wearing a native peasant costume and a scarf on her head which, for some reason, Americans insisted on calling a “babushka.” “Babushka” means “grandmother” in Russian. Why would you wear one of those on your head? I was desperate for more realistic portrayals. So I wrote my own. And the five books I picked definitely offer them.
Most books about the USSR, World War II, and refugees, feature saintly people suffering in noble silence. Something Unbelievable reminds us that the Soviet citizens fleeing Communism and Nazis were all individuals, not one-dimensional ciphers. They were sometimes vain, sometimes selfish, sometimes bored, and sometimes frustrated. They were real, flesh and blood, petty, complicated human beings who lived through the unthinkable… while still managing to think about sex, romance, jealousy, and betrayal. The granddaughter in Something Unbelievable is moved to learn all this and more about her grandmother’s evacuation to Asia during World War II. And so is the reader.
An overwhelmed new mom discovers unexpected parallels between life in twenty-first-century America and her grandmother’s account of their family’s escape from the Nazis in this sharp, heartfelt novel.
“A fresh perspective—one that’s both haunting and hilarious—on dual-timeline war stories, a feat that only a writer of Kuznetsova’s caliber could pull off.”—Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue
Larissa is a stubborn, brutally honest woman in her eighties, tired of her home in Kiev, Ukraine—tired of everything really, except for her beloved granddaughter, Natasha. Natasha is tired as well, but that’s because she just had…
I was born in Odessa, USSR, a Southern Ukrainian city that many more people know now than when my family and I immigrated in 1977. Growing up in the US, everything I read about Soviet immigrants was either cliched, stereotyped, or plain wrong. A 1985 short film, Molly’s Pilgrim, about a (presumably Jewish) Soviet immigrant girl showed her wearing a native peasant costume and a scarf on her head which, for some reason, Americans insisted on calling a “babushka.” “Babushka” means “grandmother” in Russian. Why would you wear one of those on your head? I was desperate for more realistic portrayals. So I wrote my own. And the five books I picked definitely offer them.
Mariza Kuznetsova (Something Unbelievable), Irina Reyn (Mother Country), and I all left the Soviet Union as children, before Putin and before all the changes he brought. Kristina Gorcheva-Newberry came of age in the new Russia. The Orchard is a tale of what our own lives might have been if our families had stayed. This loose retelling of Chekov zeroes in on how a childhood begun in the USSR and a young adulthood lived in Russia affected everyone who went through it, how it shaped worldviews, and how it continues to resonate even after decades of immigrant life in America.
Four teenagers grow inseparable in the last days of the Soviet Union—but not all of them will live to see the new world arrive in this powerful debut novel, loosely based on Anton Chekhov’s The Cherry Orchard.
“Spectacular . . . intensely evocative and gorgeously written . . . will fill readers’ eyes with tears and wonder.”—Minneapolis Star Tribune
Coming of age in the USSR in the 1980s, best friends Anya and Milka try to envision a free and joyful future for themselves. They spend their summers at Anya’s dacha just outside of Moscow, lazing in the apple orchard, listening…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I was born in Odessa, USSR, a Southern Ukrainian city that many more people know now than when my family and I immigrated in 1977. Growing up in the US, everything I read about Soviet immigrants was either cliched, stereotyped, or plain wrong. A 1985 short film, Molly’s Pilgrim, about a (presumably Jewish) Soviet immigrant girl showed her wearing a native peasant costume and a scarf on her head which, for some reason, Americans insisted on calling a “babushka.” “Babushka” means “grandmother” in Russian. Why would you wear one of those on your head? I was desperate for more realistic portrayals. So I wrote my own. And the five books I picked definitely offer them.
Part poetry, part flash fiction; part memoir, part imagination; part history, part fantasy. The Naked World is like a dream, images, and snatches of phrases wrestle with fact and trauma. It’s a story of survival, it’s a story of suffering. It’s a story of immigration, it’s a story of remaining stuck. It’s ephemeral and it stays with you. Did it happen to you? To someone else? To all of us?
The Naked World begins with Mashinski’s birth:“Stalin had been dead for 5 years 1 month and 4 days.” The concluding notes tell us that currently “38% of Russians consider Stalin the greatest man in history.” The eerily exact figures underline the survivor’s dilemma: do I live in the past and allow my identity to be determined by atrocities, or do I cling to the present and sanitize my own experience?
Mashinki’s response is a brilliant poet’s: “each time when you raise your eyes to the stars, you see the past, and each time when you raise your eyes to the…
A writer friend asked me, "If you could write about anything you wanted, what would that be?" I thought immediately of Sicily and then of women (and men) trying to break free from cultural definitions that have historically kept us in traditional roles of housewife, cook, and mother, or breadwinner and protector. Having choice and being able to carve one's path is paramount, a deeply held value for me, both as an individual woman and as a psychotherapist. The courage of some of my clients who have dared to follow their own paths, along with my challenge to steer my own path, were also inspirations for the books I chose.
Ellis Lacey, the protagonist of this book, embodies the spirit of both autonomy and connection that I hold as a core value.
Even as Ellis discovers herself and her sexuality in America, she doesn't lose her connection to family and Ireland. Besides, I love Colm Toibin's writing. I get the sense he understands women.
Colm Toibin's Brooklyn is a devastating story of love, loss and one woman's terrible choice between duty and personal freedom. The book that inspired the major motion picture starring Saoirse Ronan.
It is Ireland in the early 1950s and for Eilis Lacey, as for so many young Irish girls, opportunities are scarce. So when her sister arranges for her to emigrate to New York, Eilis knows she must go, leaving behind her family and her home for the first time.
Arriving in a crowded lodging house in Brooklyn, Eilis can only be reminded of what she has sacrificed. She is…
Marita Golden is an award-winning author of over twenty works of fiction and nonfiction. Her books include the novel The Wide Circumference of Love and the memoirs Migrations of the Heart, Saving Our Sons, and Don’t Play in the Sun One Woman’s Journey Through the Color Complex. She is the recipient of many awards including the Writers for Writers Award from Barnes & Noble and Poets and Writers, an award from the Authors Guild, and the Fiction Award for her novel After, from the Black Caucus of the American Library Association. She has appeared on The Oprah Winfrey Show, been featured as a question on Jeopardy!, and is a two-time NAACP Image Award nominee.
This memoir informed me of the psychological price of immigration and displacement on young children in ways that were searing and deep because of Wang’s mastery of the child’s perspective.
She lived in New York’s Chinatown with her parents two professionals who immigrated from China and experienced poverty, isolation, fear of deportation, working in a sweatshop. She was saved by her love of books and reading, and her mother’s determination to realize the life she left China to have. Wang creates innocence and trauma with a deft, poetic skill that makes this a classic.
BBC RADIO 4 BOOK OF THE WEEK, OBAMA 2021 BOOK PICK and INSTANT NEW YORK TIMES BESTSELLER
'Hunger was a constant, reliable friend in Mei Guo. She came second only to loneliness.'
In China she was the daughter of professors. In Brooklyn her family is 'illegal.'
Qian is just seven when she moves to America, the 'Beautiful Country', where she and her parents find that the roads of New York City are not paved with gold, but crushing fear and scarcity. Unable to speak English at first, Qian and her parents must work wherever they can to survive, all while…
This book is set in Montauk, under looming threat from a warming climate and overdevelopment. Now outsider Clancy, a thirty-six-year-old claims adjuster scarred by his orphan childhood, has inherited an unexpected legacy: the power to decide the fate of Montauk’s last parcel of undeveloped land. Everyone in town has a…
As a Jamaican migrant, I often read Jamaican fiction to feel recognized, but I struggle with the word “best,” so consider this an exceedingly tentative ranking. I read each of these texts to learn about what it means to be a part of the Jamaican diaspora and to write a Jamaican novel, and each one elicited in me something that I often did not know about myself. Their attention to gender, to migration, to family, and more are as enlightening as they are captivating. And if that is not enough, then come for the plots, all of which are gripping, and the prose, all of which delights.
If you have not yet read Patsy, just read it. I won’t regale you with tales of its critical and commercial success, as you may already have heard about it. What I will say is that this is a book that will stick with you. Its portrait of longing, of love, of motherhood, and of childhood is so attentive to the thought of its central two characters—a mother and child—that they will feel so real to you that you will think of them when you encounter their facsimiles in your own life.
Heralded for writing "deeply memorable . . . women" (Jennifer Senior, New York Times), Nicole Dennis-Benn introduces readers to an unforgettable heroine for our times: the eponymous Patsy, who leaves her young daughter behind in Jamaica to follow Cicely, her oldest friend, to New York. Beating with the pulse of a long-withheld confession and peppered with lilting patois, Patsy gives voice to a woman who looks to America for the opportunity to love whomever she chooses, bravely putting herself first. But to survive as an undocumented immigrant, Patsy is forced to work as a nanny, while back in Jamaica her…
My mom was an anthropologist, and when I was two, she took me to Sri Lanka, the island off the tip of India. After years of insisting that I wanted nothing to do with any social science, let alone anthropology, I ended up in graduate school studying… anthropology. Long story. Having taken up the family mantel, I returned to the village where I lived as a child and asked what had changed in the intervening years. Since then, my Sri Lankan interlocutors have suggested book topics that include labor migration, the use and abuse of alcohol, the aftermath of the Indian Ocean Tsunami, and the challenges of aging.
This book gets at questions near and dear to my own ethnographic explorations, namely how migration changes gender roles in households. Women don’t leave home without figuring out care for young children and frail elders. Tanja Bastia looks at how Bolivian families handle the challenge of transnational parenting. Grandmothers often fill in for their migrant daughters (there’s the aging connection!), and migrant women struggle to balance their financial opportunities with the social stigma of having ‘abandoned’ their children in search of wealth.
Intersectionality can be used to analyse whether migration leads to changes in gender relations. This book finds out how migrants from a peri-urban neighbourhood on the outskirts of Cochabamba, Bolivia, make sense of the migration journeys they have undertaken.
Migration is intrinsically related to social transformation. Through life stories and community surveys, the author explores how gender, class, and ethnicity intersect in people's attempts to make the most of the opportunities presented to them in distant labour markets. While aiming to improve their economic and material conditions, migrants have created a new transnational community that has undergone significant changes in…
I discovered labor history during a decade-long hiatus between my first and second years in college. Before that, I had never enjoyed reading about the past, unless it was in a novel. Then I discovered slave narratives and they inspired wider reading about workers’ lives. I loved both the drama of stories about resistance to oppression and the optimism I derived from understanding working people as historical protagonists. Now, as a professional historian, I often approach the past in a more academic way, but dramatic stories continue to attract me and knowledge that working people united have achieved great things in the past still gives me hope for humanity’s future.
When workers organize, it’s not only for themselves and for generations to come, but also a response to suffering by generations past.
Thomas Bell (born Adalbert Belacyk) brings this to light in his saga of Slovak-American life in steel town of Braddock, Pennsylvania, where he grew up in a family much like the one at the novel’s center. The story stretches from the 1880s into the mid-1930s, culminating with the unionization of U.S. Steel, a megacorporation that had previously crushed all efforts at labor organizing.
No book offers a more intimate view of what it took to bring this company to the bargaining table, and the unforgettable chapters on family members who didn’t live to see that victory make clear that the fight for a contract manifested a longer, more fundamental struggle for justice and human dignity.
Out of This Furnace is Thomas Bell’s most compelling achievement. Its story of three generations of an immigrant Slovak family -- the Dobrejcaks -- still stands as a fresh and extraordinary accomplishment.
The novel begins in the mid-1880s with the naive blundering career of Djuro Kracha. It tracks his arrival from the old country as he walked from New York to White Haven, his later migration to the steel mills of Braddock, Pennsylvania, and his eventual downfall through foolish financial speculations and an extramarital affair. The second generation is represented by Kracha’s daughter, Mary, who married Mike Dobrejcak, a steel…
Ava Winston likes her life of routine in Lexington, Kentucky. Then a tornado blows it away. Ava is safe in the basement, but when she emerges, only one corner of her home stands. Rather than crumbling under the loss, she feels a load lifted. Maybe something beyond the familiar is…
I’m the child of immigrants and my role in the family was to be my parents’ American expert and translator. I learned my expertise by living, of course, but my understanding of the interior life and thoughts of Americans often came from reading American novels. Immigration-themed novels are catnip to me because they remind me, often with warmth, of my own childhood and parents.
This book is a true labor of love, an oral history about a community of Eastern European Jewish chicken ranchers that lived in Petaluma, California for decades. The voices ring with the cadence and language of my own childhood although the era is older and the political leanings of those interviewed are different than those in my own neighborhood. What distinguishes this book from many is that the community has no wish to assimilate.
Given its tumultuous history, one would hardly have expected Petaluma, California, to become transformed into the San Francisco bedroom suburb that it is today. It had been a small-town agricultural community, where Jewish chicken ranchers and radicals enjoyed a vigorous Yiddish cultural life, maintained intense political commitments, and took part in sharp conflicts among themselves and with the society beyond.
In this unique work of oral history, Kenneth Kann has ingeniously arranged and edited interviews with more than two hundred people, some of them telling their life stories in their own Yiddishized English. We meet an array of striking characters…
