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Mischief in Maggody.
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To be a successful sales exec, required my being an observant student of human nature. The same skill applied to my becoming a successful author. I discovered the most unforgettable people I encountered throughout my career were a lot like the zany oddballs my favorite authors created and the perfect models to base my cast of characters on.
As a woman who was raised to have a moral compass, I am outraged whenever someone in authority abuses their power and gets away with it.
While I don’t condone revenge, nonetheless, I have to admit I cheered when lewd, lecherous, law-bending Florida Judge Robert “Maximum Bob” Gibbs finally gets his comeuppance and is judged guilty by a grudge-bearing malefactor and sentenced to death-by alligator, a unique means of execution, to say the least.
Ingenious, more than slightly off-kilter Elmore Leonard is the undisputed king of criminal mayhem. His wacky, raucous Maximum Bob is a delightfully dark humorous tale chocked full of zany characters; a group of magnificent miscreants Mr. Leonard created, knowing his readers would love to hate.
The New York Times bestselling author of Be Cool and Get Shorty
When someone delivers an alligator to Judge Bob Gibbs' porch, there's no shortage of suspects - hard-sentencing, womanising redneck 'Maximum Bob' is pretty much the most unpopular man in Florida.
Throw into the mix the Crowe clan - about as primitive and aggressive as any alligator - a doped-up doctor on early release with a tag, quick-witted probation officer Kathy Baker, a mermaid and a long-dead slave girl called Wanda, and things get a tad complicated. And inevitably, they don't work out the way you might expect...
To be a successful sales exec, required my being an observant student of human nature. The same skill applied to my becoming a successful author. I discovered the most unforgettable people I encountered throughout my career were a lot like the zany oddballs my favorite authors created and the perfect models to base my cast of characters on.
Before I became an author, I enjoyed a successful career as a ladies’ swimwear sales exec. So, naturally, I spent a tremendous amount of time in the swimwear Mecca of the USA…better known as Florida.
While in the Sunshine State, I encountered my fair share of zanies…better known as buyers; a cast of kooky characters who loved to add some spice to the human stew we all simmer in with some pretty hair-brained schemes. So, it’s only natural that no one tickles my funny bone more than Tim Dorsey’s protagonist, trivia buff and certifiably crazy as a loon Serge A. Storms and his drug-addled partner Coleman who loves cartoons.
In Florida Roadkill, Tim Dorsey’s debut novel of the series, the author introduces us to socially conscious, but misguided Serge who eliminates those he deems either jerks or pests of humankind. Serge’s zany brand of frontier justice is nothing short of…
If you like your humour dark and twisty, then you'll love Tim Dorsey's outrageous Serge Storms series of crime novels. Introducing Serge Storms, America's most cheerful serial killer. Local trivia buff Serge loves eliminating jerks and pests. His drug-addled partner Coleman loves cartoons. Hot stripper Sharon Rhodes loves cocaine, especially when purchased with rich dead men's money. On the other hand, there's Sean and David, who love fishing and are kind to animals and who are about to cross paths with a suitcase filled with stolen insurance money. Serge wants the suitcase. Sharon wants the suitcase. Coleman wants more drugs…
To be a successful sales exec, required my being an observant student of human nature. The same skill applied to my becoming a successful author. I discovered the most unforgettable people I encountered throughout my career were a lot like the zany oddballs my favorite authors created and the perfect models to base my cast of characters on.
Maybe it’s because I’ve always been a sucker for a righteous cause that Carl Hiaasen’s riotous, rollicking, tale of muckraking to the max had me cheering his zany protagonist and one-man-wreaking-crew, Twilly Spree from the first page to the last.
Twilly Spree has dedicated himself to saving Florida's wilderness from runaway destruction. He favors in-your-face political statements - such as torching Jet-Skis or blowing up banks - that leave his human targets shaken but taught a lesson in what happens when they choose not to do what Twilly considers the right thing.
Dognapping eco-terrorists, bogus big-time hunters, a Republicans-only hooker, an infamous ex-governor who's gone back to nature, thousands of singing toads, a horde of hungry dung beetles, and a Labrador retriever greater than the sum of his Labrador parts - these are only some of the zany denizens of Carl Hiaasen’s outrageously funny Sick Puppy.
Brilliantly twisted entertainment wrapped around a powerful ecological plea—from the New York Times bestselling author of Squeeze Me.
When Palmer Stoat notices the black pickup truck following him on the highway, he fears his precious Range Rover is about to be carjacked. But Twilly Spree, the man tailing Stoat, has vengeance, not sport-utility vehicles, on his mind. Idealistic, independently wealthy and pathologically short-tempered, Twilly has dedicated himself to saving Florida's wilderness from runaway destruction. He favors unambiguous political statements—such as torching Jet-Skis or blowing up banks—that leave his human targets shaken but re-educated.
To be a successful sales exec, required my being an observant student of human nature. The same skill applied to my becoming a successful author. I discovered the most unforgettable people I encountered throughout my career were a lot like the zany oddballs my favorite authors created and the perfect models to base my cast of characters on.
Maybe it’s because the protagonist and her group of amateur sleuths in my series manage to make every mistake imaginable before they finally succeed in bringing the real killer to justice, that I am tickled pink by Donald E. Westlake’s cast of over-the-top-miscreants.
Starring in Bank Shot, Westlake’s zany characters are more like the gang that couldn’t shoot straight. Gang leader John Dortmunder and the most inept group of criminals ever to stumble and bumble their way through an ill-fated caper are a rollicking treat that combines fast-moving suspense with laugh-out-loud wit as they attempt to steal a temporarily relocated bank that is inside a mobile home.
All Dortmunder has to do is get past seven security guards, put the bank-on-wheels in gear, and drive away. It’s a simple plan, until it all goes wrong…
A crew of thieves hopes to hijack a mobile home full of money in this crime caper from “the funniest man in the world” (The Washington Post).
John Dortmunder has been working an encyclopedia-selling scam while waiting for his next big heist. Unfortunately, his latest mark seems to be wise to the con, and he has to cut his sales pitch short and make a quick escape.
But opportunity awaits: Main Street bank has temporarily relocated to a mobile home. All Dortmunder has to do is get past seven security guards, put the bank-on-wheels in gear, and drive away. It’s…
I was a teenager in the up-tight, homophobic, misogynist 50s that today’s right wing-nuts would like to inflict on us again. Born in 1941, I was a few years older than friends and relatives who homesteaded where land was cheap and neighbours tolerant, I shared their abhorrence of the Vietnam War. I admired them for daring to reject “the system,” but I was also troubled by their lack of foresight, which so often led to calamity. A lifetime later, some survivors of those hopeful times remain where they homesteaded; and many of those who left are still pursuing love, peace, and happiness.
Walt Kelly’s tales of Pogo Possum and Albert the Alligator in the Okefenokee Swamp began in 1948. Like many daily cartoon strips it featured anthropomorphic characters. The humour was sweet, gentle, and “ridickelwockle,” letting Pogo fly under the radar of censorship until they noticed that Kelly was lampooning politicians. “Family” newspapers banned the strip, but Kelly had captured his readers’ hearts.
Walt Kelley expressed the essence of the anti-Vietnam War protest when he had Pogo say, “We have seen the enemy and he is us.”
From my term paper in 11th grade on Life After Death, I’ve always been fascinated with what happens when we pass away, reincarnation, and all things unexplained. After I lost a few important people in my life, I was more compelled than ever to find answers. A trip to a medium, who mentioned the challenges we’re meant to learn and the fact that we reincarnate with the same “soul family,” sent me off to the races reading every book I could find on the topic. What I uncovered left me wanting to tell a story of my own that would leave people wondering if there’s more than we realize—before, during, and after this life.
From my eleventh-grade term paper about life after death, I’ve always been fascinated with the idea of reincarnation.
This extremely insightful book only fueled that interest. It explores the idea that our souls pre-plan the challenges in each lifetime with purpose.
This book made me look at the struggles I’ve experienced much differently. Now the question I always ask myself is, “What was I supposed to learn from that?”
In his groundbreaking first book, Your Soul's Plan: Discovering the Real Meaning of the Life You Planned Before You Were Born, Robert Schwartz brought the idea of pre-birth planning into the mainstream. Now, his compelling sequel delves even deeper. With detailed discussion and the deeply personal stories of his interviewees, Schwartz offers an incredible guide map to the soul and encourages his readers to heal at a profound level. Through complex ideas such as the development of greater self-love, an emergence from victim consciousness, and understanding the qualities you came into this lifetime to cultivate and express, Schwartz bestows practical…
As an author of historical fiction, I have a number of time periods that I go back to again and again. Both the 1960s (specifically, the late 1960s) and the 1990s are two of those eras that I just can’t get enough of. The parallels between these two time periods are very compelling: both were times of political upheaval and amazing music, with young people leading the charge, hoping to create a better world than the one they were disenchanted with.
A sweet story of a young woman named Joanne, coming of age in California during the height of the Flower Power movement, who meets and falls in love with a “hippie”, much to the chagrin of her parents.
Martin introduces her to a world of drugs, protests, and music, and her life will never be the same.
It's 1967 and fifteen-year-old Joanne's San Francisco neighborhood of Haight-Ashbury has become inundated with hippies for the "Summer of Love," which thrills her but appalls the rest of her family. In the midst of preparations for her sister's wedding, Joanne meets Martin, an enigmatic and irresistible hippie, and begins to see him secretly. Over the course of the next year, Joanne discovers a world of drugs, antiwar demonstrations, and psychedelic dances that both fascinates and frightens her. As this world collides with her family's values, Joanne must decide whether to stay with her middle-class family and pursue her love of…
I’m a literary historian and I love reconstructing times in the past with enough factual detail that a reader feels as if they are there with the characters, side-by-side. I didn’t start this way. In fact, I wrote fiction for over a decade. It was only after writing eight atrocious, tension-less, now-in-a-box novels that I realized the books I enjoyed reading most were in the history and biography sections of a bookstore. Still, I was undeniably affected by my years in the trenches of fiction writing. As you may see from my choices, I love reading material from writers attempting to check the pulse of the country at that time.
Perhaps you’re already aware of all of these books. Well, allow me to introduce Nebraska-born author Wright Morris—a perpetually ignored force of nature. Morris mainly wrote award-winning fiction, but this collection of essays was a refreshing and straightforward way of looking at, to take one offbeat example, hippies: “Hippies share some knowledge of where they have been, but no demonstrable insight into where they are going…What they share is a condition, not a direction.” Morris even temporarily torpedoes his own genre to make his point. “Who needs fiction? What could be stranger than the news on the hour?” In 1968 America, the ‘truth’ was indeed stranger than fiction.
I was a teenager in the up-tight, homophobic, misogynist 50s that today’s right wing-nuts would like to inflict on us again. Born in 1941, I was a few years older than friends and relatives who homesteaded where land was cheap and neighbours tolerant, I shared their abhorrence of the Vietnam War. I admired them for daring to reject “the system,” but I was also troubled by their lack of foresight, which so often led to calamity. A lifetime later, some survivors of those hopeful times remain where they homesteaded; and many of those who left are still pursuing love, peace, and happiness.
Finder curated a retrospective collection of 60s books, theatre, music, television, poetry, architecture, and politics. It opens with passages from Rachel Carson’s Silent Spring, Truman Capote’s In Cold Blood, James Baldwin on civil rights, and Hannah Arendt on Eichmann.
Then John Updike muses on the big bang theory, E. J. Kahn, Jr. captures Harvard professors’ view of student protest. Next Kenneth Tynan reviews Bye Bye Birdie, Lillian Ross listens to Sergeant Pepper, then teams with Jane Kramer to parse Marshal McLuhan. Robert Rice muses on the humour of Mike Nichols and Elaine May, and A. J. Liebling looks at Cassius Clay before he became Muhammad Ali… and much more.
It’s a cornucopia of well-written, intellectually stimulating prose and poetry written in and about a perplexing decade. It illuminates what I remember—even when I don’t agree—and makes me aware of much that I missed, misunderstood, or misinterpreted at…
This fascinating anthology collects notable New Yorker pieces from the most tumultuous years of the twentieth century—including work by James Baldwin, Pauline Kael, Sylvia Plath, Roger Angell, and Muriel Spark—alongside new assessments of the 1960s by some of today’s finest writers.
Here are real-time accounts of these years, brought to immediate and profound life: Calvin Trillin reports on the integration of Southern universities, E. B. White and John Updike wrestle with the enormity of the Kennedy assassination, and Jonathan Schell travels with American troops into the jungles of Vietnam. Some of the truly timeless works of American journalism came out…
I was born in Georgia but grew up in Florida during Jim Crow. My earliest memory of racism was when my mother took me downtown to buy new school shoes. I grew thirsty, so I went to drink from the “colored” water fountain. My young mind may have been attracted to water that might have been blue or pink or green. Quickly my mother whisked me to the “white” fountain, and it was then that I first began to question the racism that was part of my Southern heritage. I wrote Spite Fences to explore the historical barriers erected against equal treatment for African-Americans. All of those prohibitions are fences, limiting opportunity, begging to be torn down.
I had long been familiar with the events of Little Rock Central High, having read books, articles, and online accounts of the attempt to integrate this Arkansas school. I found The Lions of Little Rock an accurate and compelling novel that provides young adults with a masterful introduction to how attempts to integrate the Jim Crow South impacted its children. Built on the seminal events to integrate Arkansas’s Little Rock High in 1958, the friendship of young Marlee and Liz portrays how segregation damages not just communities, but friendships. Young adults will be pulled in by Levine’s blend of plot, humor, and emotion to make this a memorable work of historical fiction that may inspire young readers to engage in the cause of civil rights.
"Satisfying, gratifying, touching, weighty—this authentic piece of work has got soul."—The New York Times Book Review
As twelve-year-old Marlee starts middle school in 1958 Little Rock, it feels like her whole world is falling apart. Until she meets Liz, the new girl at school. Liz is everything Marlee wishes she could be: she's brave, brash and always knows the right thing to say. But when Liz leaves school without even a good-bye, the rumor is that Liz was caught passing for white. Marlee decides that doesn't matter. She just wants her friend back. And to stay friends, Marlee and Liz…
