Here are 55 books that The 60s fans have personally recommended if you like
The 60s.
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I’ve always been a bit of a daydreamer and drawn to books that look through a window into the "other world." These novels, often dubbed dystopian, are reflections or exaggerations of our own world, and this always appealed to me. Like the question, "What if?”. The premise of “What if we lived in a world where you had to pay for words?” inspired my first novel, The Qwerty Man. Although I love fiction, I’m more of a nonfiction reader these days and interested in Buddhism (as an education, not religion), geography, and history. I’ve also written travel guidebooks for Lonely Planet and a children’s travel poetry book called Rhyme Travels.
I admit that Huxley’s final novel is a rather difficult one to read. It’s long, it goes on too long in some places, it’s kind of fiction and philosophy together, and it includes a book within a book. However, The Island is a work of genius.
There’s the utopian island of Pala (not dystopian), and all through the book, there’s the threat of the invading Rendang kingdom. It includes some Buddhist ideas with the birds on the island that say karuna (meaning compassion) and "attention" to remind islanders of the now, yet ultimately, in the end, the island is invaded, and the utopia becomes exposed as a fake.
For over a hundred years the Pacific island of Pala has been the scene of a unique experiment in civilisation. Its inhabitants live in a society where western science has been brought together with Eastern philosophy to create a paradise on earth. When cynical journalist, Will Farnaby, arrives to research potential oil reserves on Pala, he quickly falls in love with the way of life on the island. Soon the need to complete his mission becomes an intolerable burden and he must make a difficult choice.
In counterpoint to Brave New World and Ape and Essence, in Island Huxley gives…
I became a young man near the end of the sixties, and I have always been enthralled by the era's various idiosyncrasies, both good and bad. For instance, I loved the complex yet pleasant rock music and the freewheeling lifestyle. On the downside, the war in Vietnam cast its pall over the times, and I narrowly escaped being drafted and sent off to Southeast Asia. Overall, it was an era in which good and evil were starkly defined, and many people were attempting to create a better, more peaceful world. There is still much we can learn from this time.
Although this book is ostensibly set in the future, countercultural enthusiasts of the sixties were quick to claim it for their own, with its references to transcendental enlightenment, out-of-body experiences, communal living, and free sex.
It became a best-selling phenomenon as contemporary young people reacted positively to its iconoclastic attitudes. That's what happened to me, too, when I came across the book shortly before the move to the Bay Area that opened my eyes to the reality of the psychedelic sixties.
The original uncut edition of STRANGER IN A STRANGE LAND by Hugo Award winner Robert A Heinlein - one of the most beloved, celebrated science-fiction novels of all time. Epic, ambitious and entertaining, STRANGER IN A STRANGE LAND caused controversy and uproar when it was first published and is still topical and challenging today.
Twenty-five years ago, the first manned mission to Mars was lost, and all hands presumed dead. But someone survived...
Born on the doomed spaceship and raised by the Martians who saved his life, Valentine Michael Smith has never seen a human being until the day a…
I was a teenager in the up-tight, homophobic, misogynist 50s that today’s right wing-nuts would like to inflict on us again. Born in 1941, I was a few years older than friends and relatives who homesteaded where land was cheap and neighbours tolerant, I shared their abhorrence of the Vietnam War. I admired them for daring to reject “the system,” but I was also troubled by their lack of foresight, which so often led to calamity. A lifetime later, some survivors of those hopeful times remain where they homesteaded; and many of those who left are still pursuing love, peace, and happiness.
TWEC is a hippie homesteading encyclopedia: 450 tabloid-size pages of “mind-blowing,” semi-practical idealism. The back cover photo is of the earth from space. The caption reads, “We can’t put it together. It is together.”
The first pages of the 620,000 copies published in 1971 featured Buckminster Fuller on systems, Arthur Koestler on consciousness, Teilhard de Chardin on spirituality, and Paul Ehrlich on The Population Bomb.
TWEC primarily offered mail-order sources for books and tools about agriculture, farming, edible plants, gardening, raising goats, chickens, pigs, building solar-heated buildings, well-drilling, gold mining, and much more, including a
continuing story of how Divine Right crossed the USA Urge, his ’63 VW Microbus.
Like youth culture in the 60s, The Last Whole Earth Catalog was varied, challenging, seditious, profound, silly, exciting, practical, confusing, and confused. I loved it.
We are as gods and we might as well get used to it. So far remotely done power and glory - as via government, big business, formal education, church - has succeeded to the point where gross defects obscure actual gains. In response to this dilemma and to these gains a realm of intimate, personal power is developing - the power of individuals to conduct their own education, find their own inspiration, shape their own environment, and share the adventure with whoever is interested. Tools that aid this process are sought and promoted by The Next Earth Catalog.
I was a teenager in the up-tight, homophobic, misogynist 50s that today’s right wing-nuts would like to inflict on us again. Born in 1941, I was a few years older than friends and relatives who homesteaded where land was cheap and neighbours tolerant, I shared their abhorrence of the Vietnam War. I admired them for daring to reject “the system,” but I was also troubled by their lack of foresight, which so often led to calamity. A lifetime later, some survivors of those hopeful times remain where they homesteaded; and many of those who left are still pursuing love, peace, and happiness.
Walt Kelly’s tales of Pogo Possum and Albert the Alligator in the Okefenokee Swamp began in 1948. Like many daily cartoon strips it featured anthropomorphic characters. The humour was sweet, gentle, and “ridickelwockle,” letting Pogo fly under the radar of censorship until they noticed that Kelly was lampooning politicians. “Family” newspapers banned the strip, but Kelly had captured his readers’ hearts.
Walt Kelley expressed the essence of the anti-Vietnam War protest when he had Pogo say, “We have seen the enemy and he is us.”
I’m a literary historian and I love reconstructing times in the past with enough factual detail that a reader feels as if they are there with the characters, side-by-side. I didn’t start this way. In fact, I wrote fiction for over a decade. It was only after writing eight atrocious, tension-less, now-in-a-box novels that I realized the books I enjoyed reading most were in the history and biography sections of a bookstore. Still, I was undeniably affected by my years in the trenches of fiction writing. As you may see from my choices, I love reading material from writers attempting to check the pulse of the country at that time.
Perhaps you’re already aware of all of these books. Well, allow me to introduce Nebraska-born author Wright Morris—a perpetually ignored force of nature. Morris mainly wrote award-winning fiction, but this collection of essays was a refreshing and straightforward way of looking at, to take one offbeat example, hippies: “Hippies share some knowledge of where they have been, but no demonstrable insight into where they are going…What they share is a condition, not a direction.” Morris even temporarily torpedoes his own genre to make his point. “Who needs fiction? What could be stranger than the news on the hour?” In 1968 America, the ‘truth’ was indeed stranger than fiction.
As an author of historical fiction, I have a number of time periods that I go back to again and again. Both the 1960s (specifically, the late 1960s) and the 1990s are two of those eras that I just can’t get enough of. The parallels between these two time periods are very compelling: both were times of political upheaval and amazing music, with young people leading the charge, hoping to create a better world than the one they were disenchanted with.
A sweet story of a young woman named Joanne, coming of age in California during the height of the Flower Power movement, who meets and falls in love with a “hippie”, much to the chagrin of her parents.
Martin introduces her to a world of drugs, protests, and music, and her life will never be the same.
It's 1967 and fifteen-year-old Joanne's San Francisco neighborhood of Haight-Ashbury has become inundated with hippies for the "Summer of Love," which thrills her but appalls the rest of her family. In the midst of preparations for her sister's wedding, Joanne meets Martin, an enigmatic and irresistible hippie, and begins to see him secretly. Over the course of the next year, Joanne discovers a world of drugs, antiwar demonstrations, and psychedelic dances that both fascinates and frightens her. As this world collides with her family's values, Joanne must decide whether to stay with her middle-class family and pursue her love of…
From my term paper in 11th grade on Life After Death, I’ve always been fascinated with what happens when we pass away, reincarnation, and all things unexplained. After I lost a few important people in my life, I was more compelled than ever to find answers. A trip to a medium, who mentioned the challenges we’re meant to learn and the fact that we reincarnate with the same “soul family,” sent me off to the races reading every book I could find on the topic. What I uncovered left me wanting to tell a story of my own that would leave people wondering if there’s more than we realize—before, during, and after this life.
From my eleventh-grade term paper about life after death, I’ve always been fascinated with the idea of reincarnation.
This extremely insightful book only fueled that interest. It explores the idea that our souls pre-plan the challenges in each lifetime with purpose.
This book made me look at the struggles I’ve experienced much differently. Now the question I always ask myself is, “What was I supposed to learn from that?”
In his groundbreaking first book, Your Soul's Plan: Discovering the Real Meaning of the Life You Planned Before You Were Born, Robert Schwartz brought the idea of pre-birth planning into the mainstream. Now, his compelling sequel delves even deeper. With detailed discussion and the deeply personal stories of his interviewees, Schwartz offers an incredible guide map to the soul and encourages his readers to heal at a profound level. Through complex ideas such as the development of greater self-love, an emergence from victim consciousness, and understanding the qualities you came into this lifetime to cultivate and express, Schwartz bestows practical…
I’m a Canadian writer, and a mother of three. I think I do qualify as an ACOH (Adult Child of Hippies). My mom taught elementary school, and my dad was a university professor, but otherwise they fully embraced the hippy movement. It was a rich childhood in terms of nature, literature, art, and foreign cultures, but dysfunctional and confusing on the emotional front. Sadly, dropping a lot of acid leads to a lifetime of anxiety and depression. My father descended into mental illness and opiate addiction when I was an adult, eventually leading to his suicide. I came to terms with his death by writing Corridor Nine.
Gayle Brandeis’s intimate memoir of wrestling with her mother’s suicide following a long mental illness kept me company in the ways it mirrored my own experience. It is sometimes easier to mourn a stranger’s pain, as you edge towards your own grief. Brandeis’s reading through her mother’s letters, with their paranoid delusions and grandiose aspirations, “passionate and creatively punctuated,” rang true to my father’s crazy literary outpourings. Her experiences of entering her mother’s home to witness the evidence of her last activities, to the almost physical trauma of learning the stark details of her mother’s suicide method, comforted me in their familiarity. The suicide of a mentally ill parent leaves a lot of guilt and confusion in its wake. Anger and resentment aren’t what one “should” feel after a death of a parent, but Brandeis doesn’t sugarcoat the complex mess of emotions that needs to be untangled.
Award-winning novelist and poet Gayle Brandeis’s wrenching memoir of her complicated family history and her mother’s suicide
Gayle Brandeis’s mother disappeared just after Gayle gave birth to her youngest child. Several days later, her body was found: she had hanged herself in the utility closet of a Pasadena parking garage. In this searing, formally inventive memoir, Gayle describes the dissonance between being a new mother, a sweet-smelling infant at her chest, and a grieving daughter trying to piece together what happened, who her mother was, and all she had and hadn’t understood about her.
I’ve always been fascinated by the American counter-culture and its promise to change society, be it with radical lifestyles, drugs, or creating new cultural settings. I was going to study this from a more sociological approach until I discovered the history of the psychedelic movement and its promise to create a new society by reforming American individuals from within. Although I wound up becoming more interested in what the counter-culture actually achieved rather than dwelling on its excesses, I am currently working on a new book project that will shed light on an organization that managed to achieve both.
I found this book extremely important because it finally put to bed the myth that counter-cultural women were merely subservient to their male counterparts, while these women did so much to actually shape the counter-culture.
I recommend reading this alongside Nina Graboi’s criminally neglected autobiography–One Foot in the Future–that serves as a perfect illustration of American women successfully looking for empowerment in these counter-cultural enclaves.
It was a sign of the sixties. Drawn by the promise of spiritual and creative freedom, thousands of women from white middle-class homes rejected the suburban domesticity of their mothers to adopt lifestyles more like those of their great-grandmothers. They eagerly learned 'new' skills, from composting to quilting, as they took up the decade's quest for self-realization. 'Hippie women' have alternately been seen as earth mothers or love goddesses, virgins or vamps - images that have obscured the real complexity of their lives. Gretchen Lemke-Santangelo now takes readers back to Haight Ashbury and country communes to reveal how they experienced…
Almost all of my books have been historical novels, but this one is the one most dear to me, an attempt to understand the fault line that the Vietnam War laid across American society, leaving almost every man of my generation with scars physical or psychic. My picks are all books that illuminate the multiple upheavals of that time.
This is a classic account of the rebellious souls of the counterculture who attempted to disentangle themselves from a society they found stifling and parasitic.
Coyote’s memoir is sometimes bleak, sometimes funny, almost always endearing even through the worst of unintended consequences.
A brutally and beautifully written picture of a time that sought to remake America for the better.
In his energetic, funny, and intelligent memoir, Peter Coyote relives his fifteen-year ride through the heart of the counterculture—a journey that took him from the quiet rooms of privilege as the son of an East Coast stockbroker to the riotous life of political street theater and the self-imposed poverty of the West Coast communal movement known as The Diggers. With this innovative collective of artist-anarchists who had assumed as their task nothing less than the re-creation of the nation’s political and social soul, Coyote and his companions soon became power players.
In prose both graphic and unsentimental, Coyote reveals the…
