Here are 57 books that The Last Whole Earth Catalog fans have personally recommended if you like
The Last Whole Earth Catalog.
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I’ve always been a bit of a daydreamer and drawn to books that look through a window into the "other world." These novels, often dubbed dystopian, are reflections or exaggerations of our own world, and this always appealed to me. Like the question, "What if?”. The premise of “What if we lived in a world where you had to pay for words?” inspired my first novel, The Qwerty Man. Although I love fiction, I’m more of a nonfiction reader these days and interested in Buddhism (as an education, not religion), geography, and history. I’ve also written travel guidebooks for Lonely Planet and a children’s travel poetry book called Rhyme Travels.
I admit that Huxley’s final novel is a rather difficult one to read. It’s long, it goes on too long in some places, it’s kind of fiction and philosophy together, and it includes a book within a book. However, The Island is a work of genius.
There’s the utopian island of Pala (not dystopian), and all through the book, there’s the threat of the invading Rendang kingdom. It includes some Buddhist ideas with the birds on the island that say karuna (meaning compassion) and "attention" to remind islanders of the now, yet ultimately, in the end, the island is invaded, and the utopia becomes exposed as a fake.
For over a hundred years the Pacific island of Pala has been the scene of a unique experiment in civilisation. Its inhabitants live in a society where western science has been brought together with Eastern philosophy to create a paradise on earth. When cynical journalist, Will Farnaby, arrives to research potential oil reserves on Pala, he quickly falls in love with the way of life on the island. Soon the need to complete his mission becomes an intolerable burden and he must make a difficult choice.
In counterpoint to Brave New World and Ape and Essence, in Island Huxley gives…
I’ve narrowed down my fascination with time travel to an event that occurred in my late teens. Hitchhiking in California with a friend, we accepted a ride in a Volkswagen Beetle. My friend and I silently acknowledged a strange energy from the driver. Serial killer energy. After a few miles, we told the driver to let us out, which, thankfully, he did. Over the years I’ve wished I could travel back in time to discover if he was in fact a serial killer. If you read my novel, Watching, A Different Type of Time Travel, Volume 1: The Garden Museum Heist, you'll find aspects of my reading (sci-fi), movie (Hitchcock), and life experiences reflected in the story.
OK, this is an oldie by today’s standards. I read this when I was much younger (high school) and it’s just one of those books that stuck with me. Heinlein is a master of science fiction, and it shows in Stranger.
Between the 2nd and 3rd World Wars, an expedition was sent to Mars. While on its way to the red planet, one Valentine Michael Smith was born. As the only survivor of the expedition, he was raised on Mars by Martians. Upon his eventual return to Earth, now post WWIII and run by politically powerful organized religions, and The World Federation of Free Nations, which includes the demilitarized US, and a world government supported by Special Service troops.
As Smith shows special abilities and roams through the world, fear of the unknown and prejudice raise their ugly heads, forcing Smith to learn the ways of his new world…
The original uncut edition of STRANGER IN A STRANGE LAND by Hugo Award winner Robert A Heinlein - one of the most beloved, celebrated science-fiction novels of all time. Epic, ambitious and entertaining, STRANGER IN A STRANGE LAND caused controversy and uproar when it was first published and is still topical and challenging today.
Twenty-five years ago, the first manned mission to Mars was lost, and all hands presumed dead. But someone survived...
Born on the doomed spaceship and raised by the Martians who saved his life, Valentine Michael Smith has never seen a human being until the day a…
I was a teenager in the up-tight, homophobic, misogynist 50s that today’s right wing-nuts would like to inflict on us again. Born in 1941, I was a few years older than friends and relatives who homesteaded where land was cheap and neighbours tolerant, I shared their abhorrence of the Vietnam War. I admired them for daring to reject “the system,” but I was also troubled by their lack of foresight, which so often led to calamity. A lifetime later, some survivors of those hopeful times remain where they homesteaded; and many of those who left are still pursuing love, peace, and happiness.
Finder curated a retrospective collection of 60s books, theatre, music, television, poetry, architecture, and politics. It opens with passages from Rachel Carson’s Silent Spring, Truman Capote’s In Cold Blood, James Baldwin on civil rights, and Hannah Arendt on Eichmann.
Then John Updike muses on the big bang theory, E. J. Kahn, Jr. captures Harvard professors’ view of student protest. Next Kenneth Tynan reviews Bye Bye Birdie, Lillian Ross listens to Sergeant Pepper, then teams with Jane Kramer to parse Marshal McLuhan. Robert Rice muses on the humour of Mike Nichols and Elaine May, and A. J. Liebling looks at Cassius Clay before he became Muhammad Ali… and much more.
It’s a cornucopia of well-written, intellectually stimulating prose and poetry written in and about a perplexing decade. It illuminates what I remember—even when I don’t agree—and makes me aware of much that I missed, misunderstood, or misinterpreted at…
This fascinating anthology collects notable New Yorker pieces from the most tumultuous years of the twentieth century—including work by James Baldwin, Pauline Kael, Sylvia Plath, Roger Angell, and Muriel Spark—alongside new assessments of the 1960s by some of today’s finest writers.
Here are real-time accounts of these years, brought to immediate and profound life: Calvin Trillin reports on the integration of Southern universities, E. B. White and John Updike wrestle with the enormity of the Kennedy assassination, and Jonathan Schell travels with American troops into the jungles of Vietnam. Some of the truly timeless works of American journalism came out…
I was a teenager in the up-tight, homophobic, misogynist 50s that today’s right wing-nuts would like to inflict on us again. Born in 1941, I was a few years older than friends and relatives who homesteaded where land was cheap and neighbours tolerant, I shared their abhorrence of the Vietnam War. I admired them for daring to reject “the system,” but I was also troubled by their lack of foresight, which so often led to calamity. A lifetime later, some survivors of those hopeful times remain where they homesteaded; and many of those who left are still pursuing love, peace, and happiness.
Walt Kelly’s tales of Pogo Possum and Albert the Alligator in the Okefenokee Swamp began in 1948. Like many daily cartoon strips it featured anthropomorphic characters. The humour was sweet, gentle, and “ridickelwockle,” letting Pogo fly under the radar of censorship until they noticed that Kelly was lampooning politicians. “Family” newspapers banned the strip, but Kelly had captured his readers’ hearts.
Walt Kelley expressed the essence of the anti-Vietnam War protest when he had Pogo say, “We have seen the enemy and he is us.”
We have written 27 “how-to” books on building outdoor projects, including cabins, sheds, and treehouses. David does the illustrations and I do the descriptive writing. Our goal is to make the instructions clear to both right and left brain readers – and to make the two elements complement each other. Our readers often tell us that a computer drawing does not have the same appeal and clarity as hand drawing. We are able to ‘talk’ a reader through the process of building something with our drawings. People often send us photographs of their completed projects – it’s a big part of the satisfaction we get from writing our books.
The Whole Earth Catalog has been inspiring people (including us) to build their own small dwellings since the 60s. Among other things, it’s a how-to manual of construction techniques and a life guide with readers’ recommendations and opinions. Brand coined the term ‘personal computer’ and signed off the final edition of The Whole Earth Catalog in 1974 with “Stay hungry, stay foolish” (famously quoted by Steve Jobs in a commencement speech at Stanford over 30 years later).
In my journey, I've sought to blend my interest in ancient wisdoms into a coherent, accessible philosophy I call "Nowism." My aim has been to simplify and share complex teachings in a way that resonates and helps. Through my writing, performing, and speaking, I try to bring these concepts to life, hoping to ignite a spark of understanding and self-discovery in others. More than anything, before I leave this world, I want to contribute something (no matter how small) to the legacy of personal empowerment. I aspire to help people see the world more clearly, to understand themselves more deeply, and to find joy in the present moment.
Be Here Now transcends the typical book format with its unique blend of illustrations and diagrams, creating an immersive experience.
It inspired me to practice a life-changing exercise: sitting, conjuring the feeling of being enough, without striving for more. This practice, sparked by the book's wisdom, led to a profound shift in how I perceive the world. While watering a garden, I experienced a moment of heightened awareness, where everything felt more electric and alive.
This transformative journey even inspired my TEDx talk 'Using the Present to Create the Future.' I highly recommend this book to anyone on a path of mindfulness and self-discovery.
Beloved guru Ram Dass tells the story of his spiritual awakening and gives you the tools to take control of your life in this “counterculture bible” (The New York Times) featuring powerful guidance on yoga, meditation, and finding your true self.
When Be Here Now was first published in 1971, it filled a deep spiritual emptiness, launched the ongoing mindfulness revolution, and established Ram Dass as perhaps the preeminent seeker of the twentieth century.
Just ten years earlier, he was known as Professor Richard Alpert. He held appointments in four departments at Harvard University. He published books, drove a Mercedes…
We have written 27 “how-to” books on building outdoor projects, including cabins, sheds, and treehouses. David does the illustrations and I do the descriptive writing. Our goal is to make the instructions clear to both right and left brain readers – and to make the two elements complement each other. Our readers often tell us that a computer drawing does not have the same appeal and clarity as hand drawing. We are able to ‘talk’ a reader through the process of building something with our drawings. People often send us photographs of their completed projects – it’s a big part of the satisfaction we get from writing our books.
Lloyd Kahn has long been a leading light in DIY home building, and wrote for The Whole Earth Catalog in its counter-culture heyday. Shelter still inspires the reader with photographs and descriptions of home-built cabins and alternative dwellings from around the world; the range of techniques and materials covered is impressively wide.
Shelter is many things — a visually dynamic, oversized compendium of organic architecture past and present; a how-to book that includes over 1,250 illustrations; and a Whole Earth Catalog-type sourcebook for living in harmony with the earth by using every conceivable material. First published in 1973, Shelter remains a source of inspiration and invention. Including the nuts-and-bolts aspects of building, the book covers such topics as dwellings from Iron Age huts to Bedouin tents to Togo's tin-and-thatch houses; nomadic shelters from tipis to "housecars"; and domes, dome cities, sod iglus, and even treehouses. The authors recount personal stories about alternative…
I’m a researcher, writer, and designer who has spent most of the past twenty-five years working in the technology industry, following an earlier career as a journalist and academic librarian. I've developed an abiding interest in the history of knowledge networks. I've written two books on the history of the information age, as well as a number of newspaper and magazine articles on new and emerging technologies. While the technology industry often seems to have little use for its own history, I have found the history of networked systems to be a rich source of inspiration, full of sources of inspiration that can help us start to envision a wide range of possible futures.
Longtime technology journalist John Markoff explores the origins of the Silicon Valley mythos in this engaging and insightful history of the early personal computer industry.
The book explores how the modern personal computer took shape amid the counterculture of the San Francisco Bay Area in the late 1960s and 1970s, where an eccentric cast of technology visionaries, hackers, and misfits began pushing the boundaries of human consciousness: embracing utopian ideals, experimenting with mind-expanding drugs, and exploring the still-uncharted possibilities of personal computing.
Markoff does a masterful job of connecting the dots between the Sixties counterculture and the revolutionary ethos that undergirded the early personal computing industry, making a convincing case that our present-day technology culture is deeply rooted in this transformative period in American culture. An entertaining and inspiring read.
"This makes entertaining reading. Many accounts of the birth of personal computing have been written, but this is the first close look at the drug habits of the earliest pioneers." -New York Times
Most histories of the personal computer industry focus on technology or business. John Markoff's landmark book is about the culture and consciousness behind the first PCs-the culture being counter- and the consciousness expanded, sometimes chemically. It's a brilliant evocation of Stanford, California, in the 1960s and '70s, where a group of visionaries set out to turn computers into a means for freeing minds and information. In these…
As an author of historical fiction, I have a number of time periods that I go back to again and again. Both the 1960s (specifically, the late 1960s) and the 1990s are two of those eras that I just can’t get enough of. The parallels between these two time periods are very compelling: both were times of political upheaval and amazing music, with young people leading the charge, hoping to create a better world than the one they were disenchanted with.
A sweet story of a young woman named Joanne, coming of age in California during the height of the Flower Power movement, who meets and falls in love with a “hippie”, much to the chagrin of her parents.
Martin introduces her to a world of drugs, protests, and music, and her life will never be the same.
It's 1967 and fifteen-year-old Joanne's San Francisco neighborhood of Haight-Ashbury has become inundated with hippies for the "Summer of Love," which thrills her but appalls the rest of her family. In the midst of preparations for her sister's wedding, Joanne meets Martin, an enigmatic and irresistible hippie, and begins to see him secretly. Over the course of the next year, Joanne discovers a world of drugs, antiwar demonstrations, and psychedelic dances that both fascinates and frightens her. As this world collides with her family's values, Joanne must decide whether to stay with her middle-class family and pursue her love of…
I’m a literary historian and I love reconstructing times in the past with enough factual detail that a reader feels as if they are there with the characters, side-by-side. I didn’t start this way. In fact, I wrote fiction for over a decade. It was only after writing eight atrocious, tension-less, now-in-a-box novels that I realized the books I enjoyed reading most were in the history and biography sections of a bookstore. Still, I was undeniably affected by my years in the trenches of fiction writing. As you may see from my choices, I love reading material from writers attempting to check the pulse of the country at that time.
Perhaps you’re already aware of all of these books. Well, allow me to introduce Nebraska-born author Wright Morris—a perpetually ignored force of nature. Morris mainly wrote award-winning fiction, but this collection of essays was a refreshing and straightforward way of looking at, to take one offbeat example, hippies: “Hippies share some knowledge of where they have been, but no demonstrable insight into where they are going…What they share is a condition, not a direction.” Morris even temporarily torpedoes his own genre to make his point. “Who needs fiction? What could be stranger than the news on the hour?” In 1968 America, the ‘truth’ was indeed stranger than fiction.
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