Here are 100 books that Man o' War fans have personally recommended if you like
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My newest YA novel, Home Field Advantage, is your typical cliché sports romance between a high school quarterback and aspiring cheer captain…except that they’re both girls. Sports is such a fascinating setting for queer YA to me, because it adds a whole extra social dynamic of being teammates and how that can work for or against you, depending on the culture and who you are. It’s also a great venue for subversion of gender norms, which is always welcome to me! And in general, I really just love protagonists who are really passionate about what they do. If they happen to be queer as well, that’s just a nice bonus!
Fitzsimons’s debut, about a stealth trans soccer player named Spencer who’s crushing on a teammate at a new school, is sweet, funny, warm, sporty, and all too relevant. When Spencer’s benched due to the F on his birth certificate, he can either ride the pine with the secret intact, or fight for his right to be on the field, outing himself in the process and risking his crush.
Love, Simon meets Bend It Like Beckham in this feel-good contemporary romance about a trans athlete who must decide between fighting for his right to play and staying stealth.
“A sharply observant and vividly drawn debut. I loved every minute I spent in this story, and I’ve never rooted harder for a jock in my life.” – New York Times bestselling author Becky Albertalli
Fifteen-year-old Spencer Harris is a proud nerd, an awesome big brother, and a David Beckham in training. He's also transgender. After transitioning at his old school leads to a year of isolation and bullying, Spencer gets…
My newest YA novel, Home Field Advantage, is your typical cliché sports romance between a high school quarterback and aspiring cheer captain…except that they’re both girls. Sports is such a fascinating setting for queer YA to me, because it adds a whole extra social dynamic of being teammates and how that can work for or against you, depending on the culture and who you are. It’s also a great venue for subversion of gender norms, which is always welcome to me! And in general, I really just love protagonists who are really passionate about what they do. If they happen to be queer as well, that’s just a nice bonus!
Dugan is one of my absolute favorite authors of queer YA, and this romance between out-and-proud track star Morgan and closeted Ruby is a perfect illustration why, merging a fun high school setting and passionate main characters with the very relevant situation of managing your public level of queerness. It’s thoughtful and sweet, romantic and funny, and above all, real.
In this YA contemporary queer romance from the author of Hot Dog Girl, an openly gay track star falls for a closeted, bisexual teen beauty queen with a penchant for fixing up old cars. Now available in paperback!
Morgan, an elite track athlete, is forced to transfer high schools late in her senior year after it turns out being queer is against her private Catholic school's code of conduct. There, she meets Ruby, who has two hobbies: tinkering with her baby blue 1970 Ford Torino and competing in local beauty pageants, the latter to live out the dreams of her…
My newest YA novel, Home Field Advantage, is your typical cliché sports romance between a high school quarterback and aspiring cheer captain…except that they’re both girls. Sports is such a fascinating setting for queer YA to me, because it adds a whole extra social dynamic of being teammates and how that can work for or against you, depending on the culture and who you are. It’s also a great venue for subversion of gender norms, which is always welcome to me! And in general, I really just love protagonists who are really passionate about what they do. If they happen to be queer as well, that’s just a nice bonus!
She Drives Me Crazy does a fantastic job mashing up two of the greatest tropes—enemies-to-lovers and fake dating—and combining them with a spin on the classic sports romance genre by having both basketball player Scottie and cheerleader Irene be girls. It’s not all fun and games—Scottie is nursing a breakup in a painfully relatable fashion—but it is a lot of fun and games, and Quindlen definitely knows how to write romance, too.
“A little sweet, a little sharp.” —Booklist, starred review
High school nemeses fall in love in Kelly Quindlen's She Drives Me Crazy, a queer YA rom com perfect for fans of Becky Albertalli and Casey McQuiston.
After an embarrassing loss to her ex-girlfriend in their first basketball game of the season, seventeen-year-old Scottie Zajac gets into a fender bender with the worst possible person: her nemesis, Irene Abraham, head cheerleader for the Fighting Reindeer.
Irene is as mean as she is beautiful, so Scottie makes a point to keep her distance. When the accident sends Irene’s car to the shop…
My newest YA novel, Home Field Advantage, is your typical cliché sports romance between a high school quarterback and aspiring cheer captain…except that they’re both girls. Sports is such a fascinating setting for queer YA to me, because it adds a whole extra social dynamic of being teammates and how that can work for or against you, depending on the culture and who you are. It’s also a great venue for subversion of gender norms, which is always welcome to me! And in general, I really just love protagonists who are really passionate about what they do. If they happen to be queer as well, that’s just a nice bonus!
Lundin writes one of the best explorations of internalized and externalized misogyny I’ve ever read in this contemporary YA about Mara, a lesbian who needs a new sport when she’s bounced off of basketball for a fight and finds herself fighting to join football. She’s soon joined by four other girls (including both her crush and her enemy) aiming to join with her, which pisses her off—why do they have to turn it into some girl power thing when she just genuinely loves the sport? But the way things play out teaches Mara a lot about who’s really on her team.
“What if I played football?” I ask. As soon as it’s out of my mouth, I feel stupid. Even suggesting it feels like I’ve overstepped some kind of invisible line we’ve all agreed not to discuss. We don’t talk about how Mara is different from other girls. We don’t talk about how Mara is gay but no one says so. But when I do stuff like this, I worry it gets harder for us all to ignore what’s right in front of us. I direct my gaze to Quinn. “What do you think?” “I think it’s frickin’ genius,” he says.…
After more than 20 years of community work and activism in LGBTQ+ spaces, I couldn’t help but turn these experiences into a novel in which Berlin becomes the world’s first gay state – Proud Pink Sky,released March 14 from Amble Press. My essays and short stories focus on the strange, the queer, and the speculative, and have been published in The Sun Magazine, Guernica, Strange Horizons, PinkNews,andNature Futures,while my campaign work for LGBTQ+ and polyamory rights has been referenced in The Mirror, Buzzfeed, and BBC News. I am also nonbinary queer, have a Ph.D. in Literature, and currently live in Berlin.
Melissa Scott takes worldbuilding to fascinating extremes in her 1995 novel, Shadow Man. Due to changes in human biology, there are five recognised sexes in Scott’s far-flung society, with man and woman joined by fem, herm, and mem – yet despite the variety in body types, the isolated and backward planet of Hara forces its residents to choose between a simple binary. With its bold depictions of gender discrimination and violence, Shadow Manis relevant to our own social battles while also indulging in a fast-paced plot and thought-provoking speculation, all while being just different enough from our own world that it scratches that escapist itch.
In the far future, human culture has developed five distinctive genders due to the effects of a drug easing sickness from faster-than-light travel. But on the planet Hara, where society is increasingly instability, caught between hard-liner traditions and the realities of life, only male and female genders are legal, and the "odd-bodied" population are forced to pass as one or the other. Warreven Stiller, a lawyer and an intersexed person, is an advocate for those who have violated Haran taboos. When Hara regains contact with the Concord worlds, Warreven finds a larger role in breaking the long-standing role society has…
Queer community means what we make it mean—but in the end, we mostly have each other, with our varied histories and problems and capacity to care for our peers and harm them. Intergenerational community is a model for young people that the problems they’re facing aren’t new. I grew up in LGBT youth groups, in a generational moment just before gay marriage, PrEP, and increased access to healthcare for trans people transformed our sense of what “activism” and “solidarity” meant. As the political pendulum swings in the other direction, I think some of the best stories we can tell are ones where we aren’t individuals or couples in our own narrative bubbles.
I don’t know if most librarians would understand or shelve this as YA, but Lowrey’s cast of eighteen-year-old trans punks and squatters have more in common with most trans kids, in 2006 or the present day, than many YA-marketed idyllic stories about teens with accepting families and limited substance use issues.
From nonprofits where suburban children pick fights with homeless teens to squats where young punks pressure each other into conforming to their own specific dysfunctional microculture in Portland, Oregon, this book resonates for me as tracking a moment in history—the youth of all the trans people who were in their twenties when I came out in my early teens, and were trying to devote themselves to the same community projects they had benefited from when they were runaways and train-hoppers.
Click, a straight-edge transgender kid, is searching for hir place within a pack of newly sober gender rebels in the dilapidated punk houses of Portland, Oregon circa 2002. Ze embarks on a dizzying whirlwind of leather, sex, hormones, house parties, and protests until hir gender fluidity takes an unexpected turn and the pack is sent reeling.
Hello! I’m a picture book author and former educator and bookseller. I also spent over a decade as a professor of Children’s Literature. More importantly, I’ve spent hundreds of hours of enjoying picture books with kiddos on my lap or circled up for storytime. (Is there a greater joy?) I was also a queer kid at a time when acknowledging LGBTQIAP2+ kids exist was unthinkable. But that is changing! Especially every time we buy, check out, and share diverse picture books with kids. Or treasure them for ourselves. I do!
As a pastor’s kid, this light, lyrical book about a church community gathering awakens my earliest memories: the bells and banners, candles and choir, warm greetings, and toddler wiggles. This community offers something many of us lacked: “A church for all!” From the first image of a mixed-race queer family waking early for church to the assembling “Weak and healthy/ Neat and messy/ Poor and wealthy/ Plain and dressy” chatting and worshiping together—this brightly illustrated book captures a true spirit of inclusion. Like many queer people, I had to leave my first faith community. Later I was amazed to find houses of faith like this one. I even married a pastor. Young me couldn’t have imagined living out, opening a service with a book like A Church for All.
On Sunday morning, we gather together. We are every color. Every age. Rich and poor. Our church is open, affirming, and accepting. We believe in love instead of hate. There's room for everyone! This book celebrates a spiritual community that embraces all people―no matter their age, race, class, gender identity, or sexual orientation―in love and faith.
Queer community means what we make it mean—but in the end, we mostly have each other, with our varied histories and problems and capacity to care for our peers and harm them. Intergenerational community is a model for young people that the problems they’re facing aren’t new. I grew up in LGBT youth groups, in a generational moment just before gay marriage, PrEP, and increased access to healthcare for trans people transformed our sense of what “activism” and “solidarity” meant. As the political pendulum swings in the other direction, I think some of the best stories we can tell are ones where we aren’t individuals or couples in our own narrative bubbles.
I don’t usually love coming-out stories, since the coming-out narrative tends to replace anything else that happens for trans people, but this one shines—in part because Sasha Masha’s emergence precedes her contact with queer community, but only starts to actually makes sense in the context of knowing other gay and trans people.
It’s one of the only trans girl YA novels I know of, and it feels like it’s written for someone who is, like Sasha, half-out and tripping down the final steps. This is a fantastic book about how we may find our most real selves alone, but it might take a one-sided romantic friendship, a community showing of Querelle, or a couple old drag queens showing you their hallway of photos of Queer Icons to feel like you aren’t going crazy.
Alex feels like he is in the wrong body. His skin feels strange against his bones. And then comes Tracy, who thinks he's adorably awkward, who wants to kiss him, who makes him feel like a Real Boy. But it is not quite enough. Something is missing. Is the missing piece a part of Alex himself?
As Alex grapples with his identity, he finds himself trying on dresses and swiping on lipstick in the quiet of his bedroom. He meets Andre, a gay boy who is beautiful and unafraid to be who he is. Slowly, Alex begins to realize: Maybe…
When I was growing up there were no trans characters in children’s books, and partly because I had no examples I could point to, it took me until my forties to express and claim my gender truth. Now that I am a happily transitioned author, activist, and elected official, I champion middle grade novels by and about gender non-conforming humans because I want today’s trans kids to see themselves in stories. I hope to empower them to lead their best authentic lives from the beginning. I also hope to teach an often uninformed and sometimes prejudiced world to accept gender non-conforming kids as the beautiful healthy humans they are.
I particularly like the dual narration in this 2021 debut, with two characters who challenge gender norms at different levels of intensity as they bond over a secret rescue dog. Daniel is a boy who feels all his emotions intensely, and who has been told over and over that he is too sensitive. Ash cycles through genders, feeling and expressing girl sometimes and boy other times. It’s so good to see a GNC character in a lead role. I also got a hoot out of the graphic elements, which are quirky and original.
*An Indie Next List Pick and a Top Ten Rainbow Book for Young Readers!*
Jules Machias explores identity, gender fluidity, and the power of friendship and acceptance in this dual-narrative story about two kids who join forces to save a dog . . . but wind up saving each other.
Ash is no stranger to feeling like an outcast. For someone who cycles through genders, it's a daily struggle to feel in control of how people perceive you. Some days Ash is undoubtedly girl, but other times, 100 percent guy. Daniel lacks control too-of his emotions. He's been told he's…
I’ve been pondering philosophical questions and trying to understand my queer sexuality since childhood. While checking out The Portable Nietzsche in my high school library, the librarian warned me the philosopher was “a bad man.” Then I had to read the book, which not only taught me to become critical of all forms of authority, but also, perhaps paradoxically, empowered me to embrace my queerness. As a college and graduate student, I studied many of the American academic movements based in Continental philosophy grouped under the rubric, “theory.” When queer theory emerged in the early 1990s’, I found a place for myself. I'm convinced that we should never stop putting our identities under critique.
Profit and Pleasure is the most provocative Marxist intervention in queer theory.
Hennessy charges that queer theory’s focus on representation, identity, and subjectivity works to render the structures of capitalism invisible. Postindustrial capitalism produces “gender-flexible” and sexually diverse subjects to meet the demands of today’s globalized commodity system.
Queer theory, instead of addressing this development, has aided in our commodification by repressing the connections between the multiplication of identities and economic exploitation, connections that capitalism works to conceal. Queer theory needs to extend beyond the cultural purview of identity politics to address contemporary capitalism directly.
Drawing on an international range of examples, from Che Guevarra to "The Crying Game," Profit and Pleasure leads the discussion of sexuality to a consideration of material reality and the substance of men and women's everyday lives.
