Here are 100 books that Maeve Fly fans have personally recommended if you like
Maeve Fly.
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In college, I studied Literature with a capital L: those timeless classics the professors worship and revere. Then a woman in a used book store in Seattle handed me a copy of Jim Thompson's Pop. 1280 and said, "Read this." I was hooked. The pulp fiction of the 1950s is visceral and raw. Like Greek tragedy, it examines the darker drives of human nature--greed, lust, loneliness, anger--and their consequences. Pulp writers were paid by the word to crank out lurid thrills. But like Shakespeare writing for the groundlings, some of them just couldn't help going above and beyond. Their work remains in print because it hits on universal truths that still resonate today.
When news editor Earl Janoth murders his mistress, there's only one witness who can tie him to the crime scene. Janoth doesn't know who the witness is, but he knows everywhere the man went in the 24 hours before the murder, because the murder victim told him before he killed her.
Janoth is determined to find and silence him. He assigns reporter George Stroud to track the man down, not knowing that Stroud himself is the man he's looking for. Stroud is forced to assemble a team to hunt himself, knowing that when he's found, he'll be killed.
This is the best-plotted book I've ever read, both in concept and execution. Little details sprinkled through early chapters of the book keep coming back to have major significance as the noose tightens around Stroud.
George Stroud, executive editor at Crimeways magazine, is involved with the wrong woman - his boss's. When Janoth, the boss, kills her in an argument, he tries to pin the crime on a man seen outside her home just before the murder. He assigns his best investigative reporter - Stroud - to find the man. Trouble is, the man was Stroud himself ...An audacious and ironic novel of terror and high tension.
When my late wife Margo Wilson suggested, over 40 years ago, that we should study homicides for what they might reveal about human motives and emotions, her idea seemed zany. But when we plunged into police investigative files and homicide databases, we quickly realized that we had struck gold, and homicide research became our passion. Our innovation was to approach the topic like epidemiologists, asking who is likely to kill whom and identifying the risk factors that are peculiar to particular victim-killer relationships. What do people reallycare about? Surveys and interviews elicit cheap talk; killing someone is drastic action.
Rebecca and Russell Dobash had studied men's violence against their female partners for decades and were already heroes of the women's movement when they began interviewing incarcerated killers in Britain. Two fine books have resulted, one focused on men who killed women, the other on men who killed men. It is the former, especially the section on intimate partner homicide, that I find most captivating. The Dobashes skilfully blend national statistics with the self-serving testimony of their interviewees, who minimize their lethal acts as things that "happened" rather than things that they did, and apparently believe themselves to be the victims. These insights are essential.
In the United States and Great Britain, 20-30% of all homicides involve the killing of a woman by a man, and it is far rarer when a woman is killed by another woman. Unfortunately, this is not a very well understood phenomenon. Most books on the topic discuss serial killings, but those only make up 2% of sexual murder-a sensationalist subset of a subset. There has never before been a comprehensive book that has covered the entire scope of homicide cases in which men murder women.
Dobash and Dobash, two seasoned researchers and longtime collaborators in the study of violence…
From Lehr’s prize-winning fiction to her viral New York Times Modern Love essay, exploring the challenges facing contemporary women has been Lehr’s life-long passion. A Boob’s Life, her first project since breast cancer treatment, continues this mission, taking all who will join her on a wildly informative, deeply personal, and utterly relatable journey. And that’s exactly the kind of books she likes to read – the ones that make her laugh, nod in recognition, and understand a little more about life. She recommends these five books to everyone who asks.
You’d think the subtitle says it all, but nope. Chocano loved reading bedtime stories to her daughter, but when even Alice and Wonderland proved problematic, she peered through the looking glass to see why. She explores the challenges of raising a female in a world of Disney Princesses, Playboy bunnies, and popular TV shows and movies. She even takes aim at the female manifesto, Eat Pray Love, bless her heart. I met Chocano at a reading of this book when I was nervously submitting A Boob’s Life to publishers. I was thrilled to find overlap with such a kindred spirit. You’ll find Chocana’s byline in major magazines featuring celebrity interviews, but without the snark. Personally, I love the snark - it makes the facts more fun.
We all know who The Girl is. She holds The Hero's hand as he runs through the Pyramids, chasing robots. Or she nags him, or foils him, plays the uptight straight man to his charming loser. She's idealised, degraded, dismissed, objectified and almost always dehumanised. How do we process these insidious portrayals, and how do they shape our sense of who we are and what we can become?
Part memoir, part cultural commentary, part call to arms to women everywhere, You Play The Girl flips the perspective on the past thirty-five years in pop culture - from the progressive 70s,…
I came to my passion for history later in life—when I realized I could trade in the endless date memorization I remembered from history class for an exploration of fierce lady pirates like Shek Yeung and unwilling empresses like Sisi of Austria. Historical stories that felt like thrillers, adventures, or mystery novels. Comedies. Tragedies. And most of all: books that didn’t require a history PhD to get swept up in the story. These are the books that made me fall in love with history, and they’re the kind of books I now write. I’m the author of three historical novels, all written first and foremost to sweep you away into a damn good story.
No list would be complete without the writer who changed my life. It was Jason’s blog (now turned into this book) that opened a whole new world of feminist history to me.
The book is a collection of true stories of women from history who were probably a little too wild, too sketchy, or too murderous to make the Disney Princess cut. Each story is illustrated gorgeously and researched meticulously. It’s perfect for adults and also a great gift for any teenagers who you’d like to get more into history (because what teen doesn’t love the story of teen hell-raisers from the past?).
Blending the iconoclastic feminism of The Notorious RBG and the confident irreverence of Go the F**ck to Sleep, a brazen and empowering illustrated collection that celebrates inspirational badass women throughout history, based on the popular Tumblr blog. Well-behaved women seldom make history. Good thing these women are far from well behaved ...Illustrated in a contemporary animation style, Rejected Princesses turns the ubiquitous "pretty pink princess" stereotype portrayed in movies, and on endless toys, books, and tutus on its head, paying homage instead to an awesome collection of strong, fierce, and yes, sometimes weird, women: warrior queens, soldiers, villains, spies, revolutionaries,…
I write women in dystopia. I live in the North West of the UK and I also write psychological thrillers and women’s fiction – I am currently writing my 9th book. I love books set in the near future and in alternate dystopian worlds – I recently discussed this with my brother and we settled on ‘mind-bending’ as our go-to for this genre. I have a PhD in narrative and storytelling and my mission as a writer was to write fiction about issues that affect women, and what better way than to place them in hypothetical but possible situations to explore that reality?
I read The End of Men recently during the pandemic. Without giving the plot away, this book is about a pandemic written before the actual pandemic. The thing I love about this book is the deep feelings it invoked. It is written from many viewpoints and I really cared about the characters – if a book can resonate so deeply that it makes you wonder how your life would be in the same circumstances, the author has succeeded. The women in the book face an almost unimaginable struggle and I rooted for them all the way.
GLASGOW, 2025. Dr Amanda Maclean is called to treat a young man with a mild fever. Within three hours he dies. The mysterious illness sweeps through the…
I first saw the quilts of Gee’s Bend at the Whitney Museum in New York. I was wowed! I viewed the quilts as works of art and included some in a book I was doing, Art Against the Odds:From Slave Quilts to Prison Paintings. But I wanted to show and tell more about the quilters. Who were these women who dreamed up incredible designs and made art out of scraps despite their poverty and hard lives? Since I never quilted I had to find out how they did it, and realized that quilting not only produced covers for their families, but expressed individual creativity, and brought women together.
Faith Ringgold, an acclaimed Black artist who grew up in Harlem, tells about her childhood and explains the process of creating her extraordinary painted quilts such as Tar Beach, Sonny’s Quilt, and Dancing at theLouvre. Each tells a story. “When I was starting out,” she wrote, “there were hardly any galleries that showed the work of black women, or women at all.” Her quilts are now housed in museums and public collections nationwide. Full-color reproductions of her work, as well as vintage photos, illustrate this inspiring book.
In her own words, here is a conversational account of Faith Ringgold's life and work--in an innovative, interactive format. Presented in short sections, such as "Introducing Myself," "Growing Up," and "Being an Artist," the author and illustrator comments on her achievements, how she developed her style, and what some of her works mean to her. Ideal for use in the classroom or at home, the book also contains suggestions for activities and projects.
Having my assumptions fundamentally changed after reading a book is one of my favorite experiences. I have a BFA in design and I’ve always approached my assignments—logos, websites, home renovations—as a problem to be solved. What is a visual and functional solution that fits all the constraints (time, budget, purpose, materials, etc.)? The same part of my brain that likes figuring out elegant solutions to design problems also likes thinking about and re-examining cultural issues. For over 16 years, I’ve written about parenting (I’m a mother of six), design, living in France, and current events on my blog, in my newsletter, in Twitter threads, and on Instagram.
Oh how I love this book! It’s a clear-eyed look at the history of the world, examining when and why women lost their rights and autonomy as governments and societies developed. I think in my head, patriarchy had just always been around; a permanent fixture in our world. Thinking about patriarchy as a system that didn’t exist at one point, and that was created, really helped my brain comprehend the idea that a world that is not based on patriarchy is possible. The book makes clear that patriarchy is not inevitable, but was a deliberate choice, and that we can make another choice.
When precisely did the ideas, symbols and metaphors of patriarchy take hold of Western civilization? When were women, so central to the creation of society, moved on to the sidelines? Where is the evidence to support the notion that male dominance over women is a natural state of things? Gerda Lerner's radical review of Western civilization shows that male dominance over women has nothing to do with biology, and everything to do with cultural and historical habits. Dr Lerner draws her evidence from a host of archaeological, literary, and artistic sources, using them to pinpoint the critical turning points in…
A so-called “recovering lawyer,” after 20 dreary years shuffling papers, I decided to pursue the Life of the Mind with a degree in Historical Studies at the Graduate Faculty of the New School. For an assignment regarding a significant historian, I chose Frances Yates, whose bookGiordano Bruno and the Hermetic Tradition spoke to me. Culling her papers at the Warburg Institute in London led to her first biography, Frances Yates and the Hermetic Tradition. Since then, I've transformed Dame Frances into a sleuth, who explores other unorthodox faith traditions, accompanied by another “recovering lawyer,” whose story mirrors my own, thus enabling me via bio-fiction to further enhance my spirituality.
Writing a Woman’s Life ignited my interest in women’s stories. More significantly, Heilbrun’s feminist Kate Fansler mysteries, written via the pseudonym Amanda Cross, inspired me to transform Frances Yates into a fictional sleuth. To date, Dame Frances (DBE) has encountered other unorthodox faith traditions, as revealed in Tarot; the Convent of Sor Juana de la Cruz in Mexico; among Philadelphia Quakers; and women religious at the Ursuline Convent in Québec. To date, there have been four Frances Yates mysteries.
In this modern classic, Carolyn G. Heilbrun builds an eloquent argument demonstrating that writers conform all too often to society's expectations of what women should be like at the expense of the truth of the female experience. Drawing on the careers of celebrated authors including Virginia Woolf, George Sand, and Dorothy Sayers, Heilbrun illustrates the struggle these writers undertook in both work and life to break away from traditional "male" scripts for women's roles.
Born and raised in New York City, my plans to become an artist got sidetracked by an interest in psychology. While in school, I graduated college, majoring in Fine Arts and Psychology, combining my two interests. I continued my education as a Graphic Designer at The School of Visual Arts. I worked as a freelance graphic artist for a while before starting a career in the creative arts therapies. While I enjoy a dark, brooding, suspenseful mystery, sometimes I need a little humor to round out those dark edges. Despite some bad things happening in the world, most people do silly, goofy, and often stupid things and you have to laugh.
My new best find is the Lacey Luzzi Mysteries by Gina LaManna. Along with smart titles and snappy dialogue, I fell in love with almost stripper Lacey Luzzi and her mafia family. The first book is a lovely introduction to unforgettable characters. Reminiscent of Evanovich’s Stephanie Plum series, La Manna introduces us to gangsters, secret family history, questionable friends (Meg!), and her cousin. It’s a light and easy read for those dipping a toe into humorous cozy mysteries.
Lacey Luzzi's roller coaster of a life has been filled with the highest of highs and the lowest of lows. She just never expected the lows to be so...sparkly.
After falling on her face during an attempt to follow in her recently deceased mother's stripper boots, Lacey realizes she is not cut out for life onstage. She sets out on a yearlong investigation to find her true family, never expecting she'll find it with a capital F.
With a rumbling stomach, a need for money ("check engine" lights don't fix themselves!), and a conscience that operates at 78 percent on…
I'm a trained Economist and Harvard Trained Policy Expert. I was part of the Prime Minister's supporting delegation to the World Economic Forum, ASEAN and APEC Summits in Singapore. I'm the Founder of the Institute on Holistic Wealth and I am the host of the Holistic Wealth podcast. I wrote a viral article entitled "My Husband Died At Age 34. Here Are 40 Life Lessons I Learned From It". The article was viewed by more than 50 million people globally and led to the publication of my first book on Holistic Wealth, where I coined the term "Holistic Wealth". I have now written three books on Holistic Wealth that have been published globally.
I’ve been personally teaching and coaching women about transforming their relationship with money with my work at the Institute on Holistic Wealth, including issues such as financial trauma and money/wealth mindset and one of the major issues women face is a lack of confidence.
A fear of failure, negative thought patterns as well as environmental factors all play a role in women’s lack of confidence. Here are the 3 most empowering lessons I got out of this book: confidence is a connector between what we think and what we do, stereotypes and innate differences between men and women cause women to hold back, and confidence can be learned, even if we’re not predisposed to it.
Katty Kay and Claire Shipman were also recently named Holistic Wealth Trailblazers by the Institute on Holistic Wealth because of their work in empowering women.
The New York Times bestseller, now in paperback and updated with a new introduction
Confidence. We want it. We need it. But it can be maddeningly enigmatic and out of reach. The authors of the New York Times bestseller Womenomics deconstruct this essential, elusive, and misunderstood quality and offer a blueprint for bringing more of it into our lives.
Is confidence hardwired into the DNA of a lucky few, or can anyone learn it? Is it best expressed by bravado, or is there another way to show confidence? Which is more important: confidence or competence? Why do so many women,…
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