Here are 72 books that Lud-In-The-Mist fans have personally recommended if you like
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I have always loved fairy tales, myths, and fantasy, having developed a vivid imagination during childhood because we lived far from friends. When I began studying French, I discovered a love for medieval legends such as Tristan et Yseult. During trips to France, I explored troglodyte caves of the Loire Valley and prehistoric grottos, such as La Grotte de Lascaux. The more I researched legends and myths, the more my fantasy world of paranormal romance and shapeshifting warriors evolved.
This story is a retelling of a fairy tale of six brothers who transform
into swans due to an evil enchantment. Their sister Sorcha, the Daughter of the
Forest, painfully weaves shirts from starwort nettle to break the spell and
save them. Filled with romance, otherworldly elements of medieval Celtic
legends such as fairy folk and magic spells, this novel is a powerful testament
to love and loyalty.
I have always loved legends and fairy tales and felt totally immersed in this magic world of Marillier’s Celtic forest.
Sorcha, the seventh child and only daughter of Lord Colum, faces the difficult task of having to save her family from its enemies, who have bewitched her father and six older brothers while forcing her to choose between the life she has always known and a special love.
Since I was a child, I’ve loved stories of people who live, unseen, among or close to us. I prefer the spelling “Faerie.” Fairies are pretty, butterfly-like creatures that fly around gardens. “Faeries” suggest, to my mind, the word “fear.” They can be both benevolent and malevolent, but are primarily other. In my novel, Beautiful, and the follow up that’s in progress, faeries feature as characters both in their own realm and ours. They can cause a lot of trouble for humans, but also be well-intentioned. These books feature faeries that play similarly ambiguous roles.
October (Toby) Daye, is half human, half faerie. She’s done trying to earn the respect of her immortal relatives, and begins to make a nice, human life for herself. Until spell and a murder pull her back into the dangerous immortal tangle of shifting alliances and strange bedfellows. In spite of her supernatural origins, Toby isn’t a superhero. But when she gets sucked into the fantasy stuff there’s no “oh, no, this is impossible! How can this be real?” to wade through. She knows what the deal is and she dives, somewhat reluctantly, into it.
The first instalment of the highly praised Toby Daye series. The world of Faerie never disappeared; it merely went into hiding, continuing to exist parallel to our own. Secrecy is the key to Faerie's survival: but no secret can be kept forever, and when the fae and mortal worlds collide, changelings are born. Outsiders from birth, these children spend their lives fighting for the respect of their immortal relations. Or in the case of October 'Toby' Daye, rejecting the fae completely. Toby has retreated into a 'normal' life - spending her nights stocking shelves at a San Francisco grocery store…
Since I was a child, I’ve loved stories of people who live, unseen, among or close to us. I prefer the spelling “Faerie.” Fairies are pretty, butterfly-like creatures that fly around gardens. “Faeries” suggest, to my mind, the word “fear.” They can be both benevolent and malevolent, but are primarily other. In my novel, Beautiful, and the follow up that’s in progress, faeries feature as characters both in their own realm and ours. They can cause a lot of trouble for humans, but also be well-intentioned. These books feature faeries that play similarly ambiguous roles.
This book, the first in a trilogy, ticks off several of my favorite genres and tropes. It’s a retelling of the Scottish ballad of Tam Lin (which I love), it’s set in a small college town, and it deals with a strange otherworld community beneath the surface. Following her older sister’s suicide, Finn Sullivan and her father relocated to upstate New York. Here, Finn’s path crosses that of the powerful, mysterious Fata family, and gets herself pulled into a strange new world that’s as beautiful as it is threatening.
Combining the sorcery of The Night Circus with the malefic suspense of A Secret History, Thorn Jack is a spectacular, modern retelling of the ancient Scottish ballad, Tam Lin-a beguiling fusion of love, fantasy, and myth that echoes the imaginative artistry of the works of Neil Gaiman, Cassandra Clare, and Melissa Marr. In the wake of her older sister's suicide, Finn Sullivan and her father move to a quaint town in upstate New York. Populated with socialites, hippies, and dramatic artists, every corner of this new place holds bright possibilities-and dark enigmas, including the devastatingly attractive Jack Fata, scion of…
Since I was a child, I’ve loved stories of people who live, unseen, among or close to us. I prefer the spelling “Faerie.” Fairies are pretty, butterfly-like creatures that fly around gardens. “Faeries” suggest, to my mind, the word “fear.” They can be both benevolent and malevolent, but are primarily other. In my novel, Beautiful, and the follow up that’s in progress, faeries feature as characters both in their own realm and ours. They can cause a lot of trouble for humans, but also be well-intentioned. These books feature faeries that play similarly ambiguous roles.
The publishers describe this as “a bedtime story for adults.” Like the best bedtime stories, this novel straddles the lines between comforting, unsettling, and thought-provoking. Inspired by the poem of the same name, by William Butler Yeats, it tells the story of a child, stolen at the age of seven by a group of wild, childlike creatures. He is turned into one of them, and In his place, they leave one of their own. The two changelings grow up in parallel and the setting alternates between small town America in the mid-20th century and a strange community of creatures who may soon be nothing more than a story.
Seven-year-old Henry Day is kidnapped by fairy changelings living in the dark forest near his home - ageless beings whose secret community is threatened by encroaching modern life. They give Henry a new name, Aniday, and the gift of agelessness - now and forever, he will be seven years old.
The group has left another child in Henry's place. This changeling boy, who has morphed himself into Henry's duplicate, must adjust to a new way of life and hide his true identity from the Day family. But he can't hide his extraordinary talent for the piano, and his near-perfect performances…
I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.
I love, love, love fairy lore, but a lot of books with fairies cut out some of the darker aspects—and this one decidedly leans right into the morbid, deceitful side of fairies.
I adored the setting of the fairy court, and while I don’t always consider fairies to be monstrous, the Fae Queen has unique, see-through, glass anatomy and a decidedly inhuman demeanor that made it all the more satisfying when she started to fall for the human main character. I found the thrill-seeking personality of the main character to be refreshing, and her encounters with the icy queen had strong chemistry (in addition to being super steamy).
Save some of your screams for the queen, there's a good girl...
Janneth Carter has given up on magic these days. She's done being curious, insatiable, dreamy; she just wants to finish her graduate degree and spend the rest of her life as a sensible archeologist. So the last thing she expects when she goes to her dig site on Halloween night is three mysterious strangers standing outside an ancient Scottish grave.
Okay, well the actual last thing she expects is for those strangers to kidnap her and drag her into fairyland.
I’ve been reading fantasy since before I could read (thanks, Mom and Dad!). I certainly never outgrew my love of fairy tales. But over the years, I discovered I also love historical romance. Then, I stumbled across books that combined the two. They were the best of both worlds. The comfort of a well-fitted waistcoat with the whimsy of an enchanted jewel. Naturally, I gravitated to writing what I loved: books full of magic and manners, castles and balls, romance and intrigue.
I was in love with this book after just reading the blurb. And it lived up to that promise: a ridiculous bet, a male lead who falls first (and hard), and so much tension.
I connected with Edwina easily in this book, and was rooting for her happily ever after. It was so satisfying to see her unwilling to give up her dreams or allow William to win the bet, even when her heart protested the competition between them. Plus, there were so many moments of humor I was smiling or laughing during the entire time I read.
Two rival writers. One prestigious publishing contract. A bargain of hearts and desire.
They say never bargain with the fae. They also say don’t get drunk on fae wine. Yet romance author Edwina Danforth has managed a blunder with both on her first visit to the infamous faelands. Now she's trapped in a magic-fueled bet she barely remembers with a man she’d be happier to forget. The terms? Whoever can bed the most lovers during their month-long dueling book tour wins a coveted publishing contract.
The win should be easy for Edwina. She’s known for penning scintillating tales of whirlwind…
I love to read (and write) books about badass heroines who do the saving. They’re not passive. They’re not dragged along by the alpha a-hole, swooning over his muscles and domineering personality. They take charge. They wield the sword, or the gun, or their fists and rescue the dude in distress, who may act the monster but is really just a secret cinnamon roll who wants to be loved. These heroines are the real role models, the women I want to be like. Their stories are the ones I get lost in and remember long after I’ve put the book down.
I have never come across a writing style quite like this. The author has a truly unique voice that some may detest at the first sentence, but I adored it. The prose in this book is a wild ride, but I was along for it.
I loved the monstrous fae male character. He appeared cruel on the outside but was just broken and lonely on the inside and wanted someone to love him. All my favorite things in a male love interest.
I firmly believe that everyone, especially teenage girls, should own their right to pick and choose. Life guarantees you’ll run across the opportunity to make “bad” decisions, but these are so much more fun to read about than a path that’s straight and narrow. Cultivating radical empathy for my fellow humans, even those I don’t agree with, is a passion that makes me a kinder person and a more nuanced writer. Plus, I like shouting at books as much as the next reader. It makes my cats come running, which makes them tired, which makes them sit and cuddle. Diabolical, indeed.
This Final Fantasy and DnD-inspired contemporary fantasy has 5 POVs, but we’re really here for prickly leather queen Nausicaä. Nos is a sarcastic ex-Fury with a short temper, a sword, and a serious grudge against the Deities who exiled her to the mortal realm. She’s old, she’s cranky, and she’s totally soft for Arlo, an adorable half-fae girl on a mission to uncover the mystery behind unsolved magic murders in Toronto. I seriously can’t resist a grump and sunshine team-up.
“Beautifully written and deliciously complex…I couldn’t get enough.” —Nicki Pau Preto, author of the Crown of Feathers series
The Cruel Prince meets City of Bones in this thrilling urban fantasy set in the magical underworld of Toronto that follows a queer cast of characters racing to stop a serial killer whose crimes could expose the hidden world of faeries to humans.
Choose your player.
The “ironborn” half-fae outcast of her royal fae family. A tempestuous Fury, exiled to earth from the Immortal Realm and hellbent on revenge. A dutiful fae prince, determined to earn his place on the throne. The…
Science fantasy uniquely combines elements of science fiction (advanced technology, futuristic settings) with those of fantasy (magic, mythological creatures, and supernatural elements). This fusion creates rich and versatile storytelling that often comes with a deep sense of mystery beyond what science fiction or fantasy achieves on their own.
This blend also requires greater “buy-in” from the reader to believe in the world we’re being presented. As readers, we often accept dwarves in fantasy with little to no explanation. We do the same with spaceships in science fiction. But dwarves in spaceships require truly creative storytelling to achieve a much higher buy-in threshold. The author who can pull this off has my attention.
The only Young Adult book on this list but firmly deserving of its place, this book is the perfect example of how to successfully blend science fiction and fantasy.
Colfer takes a traditional fantasy fairy society and gives them advanced weaponry, surveillance gadgets, and time-stopping devices. It works incredibly well, and through convincing world-building I was immediately bought into the idea of fantasy creatures with sci-fi technology.
A standout feature of the novel is the characters, whose backstories, motivations, and behaviours all help to build this science fantasy world. We get an elf “LEPRecon” officer with access to bionic wings, a centaur who heads the technology department of the “Lower Elements Police,” and a dwarven thief who sells stolen human property on the black market. They were all enormously fun to read.
Twelve-year-old criminal mastermind Artemis Fowl has discovered a world below ground of armed and dangerous--and extremely high-tech--fairies. He kidnaps one of them, Holly Short, and holds her for ransom in an effort to restore his family's fortune. But he may have underestimated the fairies' powers. Is he about to trigger a cross-species war?
Disney's “Artemis Fowl” is directed by Kenneth Branagh and stars Ferdia Shaw, Lara McDonnell, Tamara Smart, Nonzo Anozie, with Josh Gad, and Judi Dench.
I’ve been obsessed with fantasy since my grandmother bought me the entire Dorothy and the Land of Oz series as a kid. I love discovering new types of fantasy characters, spins on characters, new lore in genres, and mythology woven in creative ways. For my fantasy group, I’ve researched many interpretations of fae, witches, elves, vampires, and shapeshifters. I’m always looking to add to my list, and I love finding Indie authors new to their niche. I feel so privileged to interview many authors like these and Jennifer L. Armentrout (squeal) for my podcast, The Finding the Magic Book Podcast. I hope you love these books as much as I did.
I’m a huge fan of anything fae, so this book is an easy pick. I live for new spins on traditional characters and love that Rose’s take on the fae is genius. I love the creative way Garcia gets these fae between their realm and the human realm.
The laws that govern the fae realm, and some misuses of those, unfold as you read making the book a great suspense. I couldn’t have predicted the storyline, and I love that it intertwines fae lore with witches and magic in an urban fantasy-ish setting.
A restless fae princess. A human with special powers. Two realms at risk.
Despite being born into the most powerful house in the faerie realm, Celyse dreads her life of duty and obligation. That all changes when she finds a portal that offers a glance at the forbidden human realm. If discovered with the portal, it could mean her death. Yet she peeks anyway and meets a gorgeous human. Soon, she is visiting him nightly, until she is forced to cast her fancy aside for courting season. But when she is threatened by a malicious suitor and learns of a…
