Here are 90 books that Lost London 1870-1945 fans have personally recommended if you like
Lost London 1870-1945.
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As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.
Not only am I enthralled by the large images of lost places and people, but I am in awe of the fact that the photographers even reached some of the wildest places on earth with over a hundred pounds of camera equipment and boxes of mostly poisonous chemicals.
I will never again complain about sitting in the cold or the heat with my lightweight 35mm camera, waiting for the lighting to be just right.
In the second half of the 19th century, unprecedented advances in technology resulted in the collision of travel and photography. Explorers were able to document their journeys, hauling enormous amounts of equipment over arduous terrain. The results were breathtaking. This collection of photographs takes readers on a historic global tour that includes five continents and offers a visible record of worlds long-since vanished. Beginning in North Africa amid the pyramids and along the Nile, this book takes readers down through the Sahara to South Africa via Cameroon, Ethiopia, and Zanzibar. The journey continues from South to North America, capturing images…
As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.
Many, many years ago, Rose Macauley’s classic book, The Pleasure of Ruins, went a long way to inspiring my sense of wonder at the remnants of past worlds.
In this book, Roloff Beny interprets Macauley’s words in the same way that I attempt to encapsulate and share some of the feelings of awe I get when I visit these magical places.
As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.
For me, poetry from Chaucer to Seamus Heaney can trigger an emotional reaction in the same way that a well-chosen image can.
So, it is natural that photographs and poems of the natural world should be paired. The depths that each adds to the other can hold me in thrall for hours as I delve back and forth and draw out every last emotion.
As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.
Antarctica is the one continent I have never taken a photograph in. It has barely changed in the past 100 years, but Hurley’s images still take me to an unknown world and how people have struggled to survive there.
I love the way he can capture the majesty of a landscape that is mostly just one colour and how his photographs give a sense of the puny humans grappling with the harshness of the environment.
I fell in love with understanding cities toward the end of my college studies. It was the late 1960s and urban issues were foremost in the nation’s consciousness. The times were difficult for cities and many of the problems, seemingly intractable. That drew me to graduate work in urban studies and afterward, teaching about real estate development and finance. My work on public/private partnerships and the political economy of city building has drawn a wide audience. In explaining how cities are built and redeveloped, my goal has been to de-mystify the politics and planning process surrounding large-scale development projects and how they impact the physical fabric of cities.
I love this short lively book because it brings clarity and criticism of ideas about preservation and landmarks that were new when first published in 1989 yet hold true just as strongly today.
It’s not visual beauty alone that should define what gets preserves, the argument goes, but rather the associations or symbolic meanings that hold for residents of a place. Passionate about the subject, the author makes some of his points with photographs and cartoons sure to delight the reader.
Costonis (law, Vanderbilt U.) bridges the fields of law and design and probes the task of legal aesthetics what the law can and cannot do in response to architectural development that radically changes the environment. Annotation copyright Book News, Inc. Portland, Or.
Why Vancouver? Yes, it's my hometown, but I've lived in other places for about 20 years of my life, and I'm anything but a thoughtless booster. Vancouver is a beautiful city, but it's a conflicted one between dreamers of its potential greatness, people wanting a laid-back West Coast lifestyle, and those for whom it's the end of the poverty road with the mildest climate in Canada. Thinking about it, painting it, and writing about it—it's an itch I have to scratch.
A crash course in how the city's evolution has been shaped by its buildings old and new, their architects and developers, and touching on the campaigns to make the city "world class" while others try to hang on to its historic areas. Presented in an engaging tour format with excellent colour photos.
This new edition of the classic urban guidebook brings the city’s architectural story up to date.
Harold Kalman and Robin Ward, long-time chroniclers of Vancouver, offer an authoritative and highly readable book about Vancouver’s most interesting places and explain how, why and by whom the city’s urban environment was created.
Containing more than four hundred entries, ten self-guided tours highlight significant buildings from all eras in the city and its metro region, and feature new projects that transform the skyline more radically than ever before. The tours―organized by neighbourhood and planned variously for walking, cycling, car and transit―reveal Vancouver in…
For as long as I can remember I’ve been obsessed with figuring out how things work. What started with me pulling apart redundant household tech as a child (thanks to my very supportive parents) has become a lifelong passion in making and restoring one of the most incredible machines invented – the watch. Our millennia-old obsession with making things tells us so much about who we are and the world we like in. I love all of these books as, in varied ways, they inspire curiosity and connect us with our innately human instinct to understand the world around us.
As you’ve probably guessed by this point, I love it when makers and restorers write about what they do.
It brings a history of craft to life in such an infectious way. The Stonemason is a journey back in time that explores how the way we’ve built buildings can tell us stories about our social and cultural histories. It’s incredibly personal, using some of the monuments Ziminski has worked on over his 30-year career as a stonemason, and for my fellow dog lovers it also stars his gorgeous whippet Nutmeg.
A stonemason's story of the building of Britain: part archaeological history, part deeply personal insight into an ancient craft.
In his thirty-year career, stonemason Andrew Ziminski has worked on many of our greatest monuments. From Neolithic monoliths to Roman baths and temples, from the tower of Salisbury Cathedral to the engine houses, mills and aqueducts of the Industrial Revolution and beyond, The Stonemason is his very personal history of how Britain was built - from the inside out. Stone by different stone, culture by different culture, Andrew Ziminski (with his faithful whippet in tow) takes us on an unforgettable journey…
I am a writer, educator, and mother. Finding books in local libraries or bookstores is necessary so children will read a diverse assortment of stories that teach a lesson and engage their interest. I’ve found that all young children at home and in schools like books with interesting pictures that they can follow along. Children want to share stories and have time to read and absorb the content. Sometimes children see details in illustrations that adults might not notice. Kids learn in different ways. These books will capture the child’s attention and teach about kindness, friendship, and determination.
This story about the love between siblings warms my heart. After an older brother makes a promise to his younger brother regarding a keepsake toy that had been in the family for generations, the toy is found in disrepair. The older brother is heartbroken that the toy which meant so much to him cannot be cherished by his brother. Unbeknownst to the older boy, his father and grandfather work all day before Christmas to repair the toy and place it under the tree on Christmas. A great story about how important a special toy is for children and adults.
New York Times bestselling collaborators Mary Higgins Clark and Wendell Minor tell a touching Christmas story of a heartwarming family celebration and the meaning of Christmas.
Johnny's wish had come true. His family would be visiting his grandparents for Christmas. His grandparents lived in an old house in New England where his father had been born. The family together, the smells of the cookies baking, the snowy Christmas tree farm with trees of so many shapes and sizes, and most of all the wooden horse he had told his brother Liam about would make this the best Christmas ever. In…
I have been fascinated by the Tudors since childhood – in spite of, or perhaps because of, the fact that I grew up in the American Midwest, where Tudor artefacts were few and far between. A family holiday to England, when I was fourteen, sparked the beginning of a life-long love affair, which I have been lucky enough to turn into a career focused on all things Tudor. After receiving my PhD from Yale University, I took up a post-doctoral fellowship in England, at Warwick University, with which I have been affiliated ever since. I am currently an Honorary Reader at Warwick and working on a new book, on Hans Holbein.
A learned, yet eminently readable, book which synthesizes and knits together the findings contained in several of Thurley’s earlier, landmark publications, including The Royal Palaces of Tudor England (Yale, 1993) and Whitehall Palace (Merrell, 2008). Houses of Power is a compact volume (and available in paperback, too). I have often taken my copy with me for reference when visiting the sites described in it. Thurley’s illustrations include fascinating conjectural reconstructions of buildings that either no longer survive or have been greatly altered since Tudor times. A wonderful tool when trying to visualize now-lost buildings.
What was it like to live as a royal Tudor? Why were their residences built as they were and what went on inside their walls? Who slept where and with who? Who chose the furnishings? And what were their passions?
The Tudors ruled through the day, throughout the night, in the bath, in bed and in the saddle. Their palaces were genuine power houses - the nerve-centre of military operations, the boardroom for all executive decisions and the core of international politics. Houses of Power is the result of Simon Thurley's thirty years of research, picking through architectural digs, and…
I'm Associate Professor of Economics at Washington and Lee University in Virginia, USA. My expertise is in conflict, war, and peace economics. I'm deeply motivated to understand the broader impacts of violent conflicts in low-income countries with the hope that doing so will pave the way for us to live in a more harmonious world. Recently, I've been interested in economics of cultural heritage destruction during violent conflicts. My aim is to understand patterns of heritage destruction in the past such that we can incorporate heritage destruction in atrocity forecasting models of today. I'm just as passionate to teach what I have learned over the years and what I'm curious to explore in the future.
I recommend this book because it is in part a historical account of wartime architecture destruction, in part a compilation of academic literature on causes and consequences of architecture destruction, and in part a cautionary note on post-war reconstruction of public memory.
With a detailed and vivid description of cultural destruction, Bevan weaves a latticework of examples that helps readers find common threads across seemingly different events.
Whether a war is emergent, on-folding, or terminated, such as the war in Ukraine, Israel-Hamas war, and the Nagorno-Karabakh conflict, the book serves as a roadmap that helps us understand the inextricable link between people and their culture and shows how architectural destruction is most visible as ‘wars greatest picture’ but also least observed as wars greatest fatality.
A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here"that shattered buildings are not merely "collateral damage," but rather calculated acts of cultural annihilation.From Hitler's Kristallnacht to the toppling of Saddam Hussein's statue in the Iraq War, Bevan deftly sifts through military campaigns and their tactics throughout history, and analyzes the cultural impact and catastrophic consequences of architectural destruction. For Bevan, these actions are nothing less…
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