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As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.
Many, many years ago, Rose Macauley’s classic book, The Pleasure of Ruins, went a long way to inspiring my sense of wonder at the remnants of past worlds.
In this book, Roloff Beny interprets Macauley’s words in the same way that I attempt to encapsulate and share some of the feelings of awe I get when I visit these magical places.
As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.
For me, poetry from Chaucer to Seamus Heaney can trigger an emotional reaction in the same way that a well-chosen image can.
So, it is natural that photographs and poems of the natural world should be paired. The depths that each adds to the other can hold me in thrall for hours as I delve back and forth and draw out every last emotion.
As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.
I love cities: Rome, Paris, Madrid. These are easy cities to love; all you need do is stroll around the Colosseum, walk along the banks of the Seine, or hang out in the Puerto del Sol.
I love London as well, but it hides itself better. You have to work to see the real London. Great damage was done during the Blitz, but much greater damage was done over the years by thoughtless development.
These photographs allow me to browse through a landscape that no longer exists.
A spectacular presentation of photographs of Tudor, Georgian and Victorian buildings captured just before their destruction - most seen here for the first time. "This endlessly absorbing book that is at once a record of destruction, a haunting collection of relics, and a door into the past." - John Carey, The Sunday Times.
"Each picture contains a novel in this deeply moving, unforgettable book." - Duncan Fallowell, Daily Express. "A magical book about the capital's past." - Sunday Times.
As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.
Antarctica is the one continent I have never taken a photograph in. It has barely changed in the past 100 years, but Hurley’s images still take me to an unknown world and how people have struggled to survive there.
I love the way he can capture the majesty of a landscape that is mostly just one colour and how his photographs give a sense of the puny humans grappling with the harshness of the environment.
I am a Scottish Ottoman historian who has lived half my life in Istanbul. Realising that the archive-based research of my PhD and after was read by too few, I wrote Osman's Dream, which has been translated into several languages and is read generally, as well as by students. I am fascinated by the 'where' of history, and follow historical routes the slow way, by foot or on horseback, to reach the sites where events occurred. That's the thing about living where the history you study happened: its traces and artefacts are all around, every day. I hope I have brought a sense of Ottoman place to Osman's Dream.
Evliya Çelebi's Book of Travels has remained a well-kept secret—until now. Evliya was a seventeenth-century Ottoman courtier who wandered the empire and beyond for over 40 years and recorded his adventures in what is considered to be the longest travel account in world literature. This well-chosen selection of excerpts from his entertaining and informative masterpiece brings glimpses of the many climes and cultures he explored to an English-speaking readership, while luring us irresistibly into his idiosyncratic world.
'Evliya Celebi was the widest-eyed, most intensely curious ... and prolific travel
writer the Ottoman world ever produced. A learned and perceptive gentleman-observer from courtly Istanbul at the height of its power, Evilya's work records and preserves an entire world otherwise lost to history. A proper edition of his massive work has long been overdue, and Robert Dankoff magnificently translates the highlights ... a book which is likely to change for ever our perceptions of the Ottoman Empire.' - William Dalrymple
I am a Scottish Ottoman historian who has lived half my life in Istanbul. Realising that the archive-based research of my PhD and after was read by too few, I wrote Osman's Dream, which has been translated into several languages and is read generally, as well as by students. I am fascinated by the 'where' of history, and follow historical routes the slow way, by foot or on horseback, to reach the sites where events occurred. That's the thing about living where the history you study happened: its traces and artefacts are all around, every day. I hope I have brought a sense of Ottoman place to Osman's Dream.
This lavishly-illustrated volume takes a broad look at Ottoman culinary culture, holding up a mirror to the empire as reflected in the food and foodways of its people, from sultans to commoners. It offers a sweeping panorama of the evolution of culinary traditions that drew on the practices of the many societies inhabiting the Ottoman lands. The author lives in and travels widely in Turkey, encountering dishes that have ancient roots and finding food-related customs that survive until the present day. This is no book of recipes, but a compendium of richer food for thought.
The Ottoman Empire was one of the largest and longest-lasting empires in history. In this powerful and complex empire, the production and consumption of food reflected the lives of people from sultans to soldiers. Food bound people of different classes and background together, defining identity and serving symbolic functions in the social, religious, political and military spheres. Bountiful Empire: A History of Ottoman Cuisine examines the foodways of the Ottoman Empire as they changed and evolved over more than five centuries. The book starts with an overview of the earlier culinary traditions in which Ottoman cuisine was rooted, such as…
Having lived in North America, Europe, and the Middle East, and visited many, many more countries, I am a traveler first and foremost. I travel because I like getting to know different types of people and seeing how they live and how they think about the world and about their place in it. As a historian, I can travel back in time to places even more exotic than one can visit today. My favorite place is the Mediterranean world in the Middle Ages – an exciting environment where Christians, Muslims, and Jews from Africa, Europe, and Asia, came together sometimes in conflict, but as often as not in collaboration or friendship.
Focusing on the period beginning with 1571’s epic battle of Lepanto and extending through the so-called “Northern Invasion” of the English and the Dutch into the Mediterranean, this book examines the central role piracy played in the emergence of an “Ottoman Mediterranean” as a legal space shaped by multiple, ever-shifting factors. In this wide-ranging and beautifully written study, archival sources spanning both religious and imperial spheres of law become windows onto the astonishing complexity of an early modern Mediterranean in which there were “no hard and fast lines separating Christian and Muslim spheres, but rather a culture of legal pluralism in which merchants, travelers, and seamen took advantage of multiple overlapping jurisdictions.” Evocatively written, blending narrative and analysis, White brings this exciting age to vivid life.
The 1570s marked the beginning of an age of pervasive piracy in the Mediterranean that persisted into the eighteenth century. Nowhere was more inviting to pirates than the Ottoman-dominated eastern Mediterranean. In this bustling maritime ecosystem, weak imperial defenses and permissive politics made piracy possible, while robust trade made it profitable. By 1700, the limits of the Ottoman Mediterranean were defined not by Ottoman territorial sovereignty or naval supremacy, but by the reach of imperial law, which had been indelibly shaped by the challenge of piracy.
Piracy and Law in the Ottoman Mediterranean is the first book to examine Mediterranean…
I'm a historian who teaches strategic studies at the National Defense University and Georgetown University in Washington, DC. I'm fascinated by how we write and teach history, how we interpret it, and how we use it. To use history, we have to “get it right,” but we also have to think about how the past impacts the present. One of the foremost challenges confronting historians is how to write the history of their particular subject well while making it applicable (and interesting) more universally. The following books are all particular to the region I study most closely—the Eastern Mediterranean—but their grasp of humanity is profound. Their power and perspectives ring true across millennia.
This book is an extraordinary synthesis of half a century of history (c. 1520-1571) as European powers and the Ottoman Empire fought for control of the Mediterranean Sea. Empires of the Sea focuses on a number of momentous military engagements, the Siege of Rhodes (1522), the Siege of Malta (1565), the Ottoman conquest of Cyprus (1570-1), and the Battle of Lepanto (1571). Crowley writes like an artist evoking the colors and textures of the brilliant seventeenth-century amid a world of emperors, sultans, popes, and pirates. He manages to capture both the extraordinary individuals who shaped momentous events through their personalities and the broader historical trends that led to the defeat of Ottoman expansion during the 16th century and shaped the contours of Europe as we know it today.
Empires of the Sea shows the Mediterranean as a majestic and bloody theatre of war. Opening with the Ottoman victory in 1453 it is a breathtaking story of military crusading, Barbary pirates, white slavery and the Ottoman Empire - and the larger picture of the struggle between Islam and Christianity. Coupled with dramatic set piece battles, a wealth of riveting first-hand accounts, epic momentum and a terrific denouement at Lepanto, this is a work of history at its broadest and most compelling.
I am a Scottish Ottoman historian who has lived half my life in Istanbul. Realising that the archive-based research of my PhD and after was read by too few, I wrote Osman's Dream, which has been translated into several languages and is read generally, as well as by students. I am fascinated by the 'where' of history, and follow historical routes the slow way, by foot or on horseback, to reach the sites where events occurred. That's the thing about living where the history you study happened: its traces and artefacts are all around, every day. I hope I have brought a sense of Ottoman place to Osman's Dream.
The workings of the state and the actions of state functionaries have long supplied the essential narrative informing our understanding of Ottoman history. This new volume by University of Chicago partner scholars is the first to give a platform to a wide spectrum of voices hailing from across the sultan's multilingual realm. Women and men, Muslims, Jews and Christians, prisoners and prostitutes, mystics and scholars, and a host of others, reach across the centuries to beguile us with their dreams and legends, anecdotes and jokes, biographies, and hagiographies. Although billed also as a textbook, as is customary these days in order to reach the widest readership, this book is for anyone who seeks affinity with the people of the early modern Ottoman world.
The Ottoman lands, which extended from modern Hungary to the Arabian peninsula, were home to a vast population with a rich variety of cultures. The Ottoman World is the first primary source reader to bring a wide and diverse set of voices across Ottoman society into the classroom. Written in many languages-not only Ottoman Turkish but also Arabic, Armenian, Greek, Hebrew, Italian, and Persian-these texts, here translated, span the extent of the early modern Ottoman empire, from the 1450s to 1700.
Instructors are supplied with narratives conveying the lived experiences of individuals through texts that highlight human variety and accelerate…
In the Spring of 2006, I went to the south of France searching for troubadours. It was my MA year and my thesis was looking at the influence of the courtly love tradition on Chaucer’s writing. Troubadours (and the female, trobairitz) were nowhere to be found. The closest I came was a café named Le Troubadour. However, evidence of their lyrics was there in the beauty and lushness of Languedoc in spring. I'm always drawn to the poetry, landscapes, and love stories of the past and have experienced how these connections enrich my life. I've completed a PhD in seventeenth-century literature and become an historical fiction novelist and a devotee of history and historical fiction.
A mammoth of an historical novel set in the time of the Ottoman Empire.
A unique love story between the elephant keeper (and royal architect) Jahan, his special white elephant, Chota, and the interesting princess Mihrimah. As funny as it is heartbreaking, with characters so compelling they felt like cherished friends mourned and missed at parting, but whom I’ll always remember with deep fondness.
A dazzling and intricate tale from Elif Shafak, Booker-shortlisted author of 10 Minutes 38 Seconds in this Strange World - chosen for the Duchess of Cornwall's online book club The Reading Room
'There were six of us: the master, the apprentices and the white elephant. We built everything together...'
Sixteenth century Istanbul: a stowaway arrives in the city bearing an extraordinary gift for the Sultan. The boy is utterly alone in a foreign land, with no worldly possessions to his name except Chota, a rare white elephant destined for the palace menagerie.