65 books like Image and Exploration

As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.

As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.

As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.

As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.

I am a Scottish Ottoman historian who has lived half my life in Istanbul. Realising that the archive-based research of my PhD and after was read by too few, I wrote Osman's Dream, which has been translated into several languages and is read generally, as well as by students. I am fascinated by the 'where' of history, and follow historical routes the slow way, by foot or on horseback, to reach the sites where events occurred. That's the thing about living where the history you study happened: its traces and artefacts are all around, every day. I hope I have brought a sense of Ottoman place to Osman's Dream.

I am fascinated by how societies conduct war. Who is expected to fight, and how are they organized? How is technology developed, implemented, and improvised in the heat of battle? And, most importantly, how do its participants make sense of the carnage around them? History is replete with tales of savagery and courage, of honor and depravity. Perilously few of these have been formed into novels, leaving an incomplete and disjointed understanding of thousands of years of struggle. Many authors, including those listed here, paved the path for holistic depictions of historical battle fiction – my hope is to contribute tales from oft-neglected societies, beginning with Belisarius and the 6th-Century Roman Empire.

I’m a professor of history at the University of Nevada, Las Vegas where I teach and write about topics ranging from feminism to World War. I became interested in the history of the Armenian Genocide because my grandmother was a survivor. Other books I’ve written include: Women Making News: Gender and Journalism in Modern Britain; Smyrna’s Ashes: Humanitarianism, Genocide and the Birth of the Middle East and The British Empire and the Armenian Genocide. 

In the Spring of 2006, I went to the south of France searching for troubadours. It was my MA year and my thesis was looking at the influence of the courtly love tradition on Chaucer’s writing. Troubadours (and the female, trobairitz) were nowhere to be found. The closest I came was a café named Le Troubadour. However, evidence of their lyrics was there in the beauty and lushness of Languedoc in spring. I'm always drawn to the poetry, landscapes, and love stories of the past and have experienced how these connections enrich my life. I've completed a PhD in seventeenth-century literature and become an historical fiction novelist and a devotee of history and historical fiction. 

I’m a Sydney, Australia born sociologist and writer and back in 1990 I hitchhiked through the UK, travelled in Europe and arrived in Turkey just as the Gulf War was starting. After three months in the country I was hooked. I now live in Istanbul and write about the people, culture, and history. Using my less than perfect Turkish language skills I uncover the everyday extraordinary of life in modern Istanbul even though it means I’ve accidentally asked a random stranger to give me a hug and left a butcher convinced I think Turkish sheep are born with their heads on upside down.

I'm a historian who teaches strategic studies at the National Defense University and Georgetown University in Washington, DC. I'm fascinated by how we write and teach history, how we interpret it, and how we use it. To use history, we have to “get it right,” but we also have to think about how the past impacts the present. One of the foremost challenges confronting historians is how to write the history of their particular subject well while making it applicable (and interesting) more universally. The following books are all particular to the region I study most closely—the Eastern Mediterranean—but their grasp of humanity is profound. Their power and perspectives ring true across millennia.