Here are 24 books that Lorraine Connection fans have personally recommended if you like
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I am a veteran novelist who believes this over all else: The opening is everything. This has been my modus operandi as a storyteller for over thirty books, as well as a half dozen screenplays. I love a great opening. It is how a reader or viewer will subconsciously decide whether they will devote themselves to a story. It is the first kiss. The first shot over the bow. The ignition, the countdown, and the launch. It is the alpha and omega… because the beginning dictates the ending. Oh my, how I love the beginning!
Donald Westlake was the consummate professional, a writer’s writer with more than a hundred novels to his credit.
Specializing in crime fiction, he created the blockbuster Parker series and was so prolific he needed a half a dozen pseudonyms just to avoid competing with himself in the marketplace. This book is his masterpiece. Period. Full stop. And if the first sentence doesn’t grab you, nothing will:
I’ve never actually killed anybody before, murdered another person, snuffed out another human being.
The multi-award-winning, widely-acclaimed mystery master Donald E. Westlake delivers a masterpiece with this brilliant, laser-sharp tale of the deadly consequences of corporate downsizing.
Burke Devore is a middle-aged manager at a paper company when the cost-cutting ax falls, and he is laid off. Eighteen months later and still unemployed, he puts a new spin on his job search -- with agonizing care, Devore finds the seven men in the surrounding area who could take the job that rightfully should be his, and systematically kills them. Transforming himself from mild-mannered middle manager to ruthless murderer, he discovers skills ne never knew…
I was born in the Bronx, New York. I arrived in Paris, France at the age of 32. Thought I would stay for one year. That was thirty years ago. I'm still in Paris, and the author of a memoir, a play, and seven novels. Many of my novels fit the term "social thriller," popularized by Jordan Peele to define his ground-smashing classic film Get Out. Peele identified a genre that has been with us, particularly when it comes to crime fiction, for a long time. I've always been fascinated by dark, suspenseful stories that explore the nature of greed, of racism, of political power. And how the three are so often wrapped around each other.
Hammett is the great-grandaddy of hard-boiled crime fiction and I devoured The Maltese Falconwhen I was still a middle schooler.
Only as a published author myself did I discover The Glass Key, this strange, complex thriller in which private perversity mirrors political corruption in an unnamed American city a brief train ride away from New York.
Ned Beaumont, a gambler and fixer, winds his way through a labyrinth of mixed motives, class conflicts, double crosses, and ambiguous bromance. Hammett's tight storytelling and lean, mean prose were a great inspiration for my book.
Ned Beaumont is a tall, thin, moustache-wearing, TB-ridden, drinking, gambling, hanger-on to the political boss of a corrupt Eastern city. Nevertheless, like every Hammett hero (and like Hammett himself), he has an unbreakable, if idiosyncratic moral code. Ned's boss wants to better himself with a thoroughbred senator's daughter; but does he want it badly enough to commit murder? If he's innocent, who wants him in the frame? Beaumont must find out.
I was born in the Bronx, New York. I arrived in Paris, France at the age of 32. Thought I would stay for one year. That was thirty years ago. I'm still in Paris, and the author of a memoir, a play, and seven novels. Many of my novels fit the term "social thriller," popularized by Jordan Peele to define his ground-smashing classic film Get Out. Peele identified a genre that has been with us, particularly when it comes to crime fiction, for a long time. I've always been fascinated by dark, suspenseful stories that explore the nature of greed, of racism, of political power. And how the three are so often wrapped around each other.
Only when I arrived in Paris did I discover the works of this major African American writer.
Back then, Himes—still under-recognized in the USA—was a long-time household name in France. Himes not only brought the American crime novel to the Black part of town, he did it with a satiric bite that is his distinguishing feature.
The Black police detectives Grave Digger Jones and Coffin Ed Johnson are at the center of the nine novels in Himes's Harlem Cycle, an epic achievement in crime fiction.
Himes's Harlem is a violent phantasmagoria where Digger and Ed—in order to protect the poor, ordinary working folk of the community—are forced to be the baddest of the bad.
Cotton Comes to Harlem is my favorite work in the collection. Published in 1965, it skewers both Black militants and white racists with wicked glee.
From “the best writer of mayhem yarns since Raymond Chandler” (San Francisco Chronicle) comes a hard-hitting, entertaining entry in the trailblazing Harlem Detectives series about two NYPD detectives who must piece together the clues of the scam of a lifetime.
Flim-flam man Deke O’Hara is no sooner out of Atlanta’s state penitentiary than he’s back on the streets working a big scam. As sponsor of the Back-to-Africa movement, he’s counting on a big Harlem rally to produce a massive collection—for his own private charity. But the take is hijacked by white gunmen and hidden in a bale of cotton that…
I was born in the Bronx, New York. I arrived in Paris, France at the age of 32. Thought I would stay for one year. That was thirty years ago. I'm still in Paris, and the author of a memoir, a play, and seven novels. Many of my novels fit the term "social thriller," popularized by Jordan Peele to define his ground-smashing classic film Get Out. Peele identified a genre that has been with us, particularly when it comes to crime fiction, for a long time. I've always been fascinated by dark, suspenseful stories that explore the nature of greed, of racism, of political power. And how the three are so often wrapped around each other.
This witty and suspenseful tour-de-force is set in a Paris most tourists never see: the Nineteenth Arrondissement, a sprawling, multicultural district where working-class grit coexists uneasily with encroaching gentrification.
The author, who doubles as a well-known documentary filmmaker, is also a friend of mine from the French noirworld.
Arab Jazz, first published in 2012, sardonically explores the religious fanaticism of Jews, Muslims and evangelical Christians while weaving a thrilling intrigue that earned it France's top prize for crime fiction.
Kosher sushi, kebabs, a second-hand bookshop and a bar: the 19th arrondissement in Paris is a cosmopolitan district where multicultural citizens live, love and worship alongside one another. This peace is shattered when Ahmed Taroudant's melancholy daydreams are interrupted by the blood dripping from his upstairs neighbour's brutally mutilated corpse.
The violent murder of Laura Vignole, and the pork joint placed next to her, set imaginations ablaze across the neighbourhood, and Ahmed finds himself the prime suspect. But detectives Rachel Kupferstein and Jean Hamelot are not short of other leads. What is the connection between a disbanded hip-hop group and…
As an American novelist and Anglophile who enjoys writing about British history, I never planned to venture into world war fiction, but once a story led me there I was hooked. I love doing deep-dive research and learning about real men and women of the past who faced high stakes: life and death situations and having to make impossible decisions, both on the battlefield and in the hidden world of espionage. Their courage and resourcefulness inspire me, and I realize that even when we’re at our most vulnerable, we can still rise to become our best and bravest when it counts.
Whenever I research for a novel, I love discovering those little-known nuggets of history. This 1918 action memoir is chocked full of them, revealing life in enemy-occupied Brussels during WWI. I was immediately drawn into this world and imagined the Belgian people’s shock and fear at the rumbling wheels of mitrailleuse guns and thundering horse’s hooves that announced the German army rolling into town. I sympathized with their hardships in being prisoners in their own city and I cheered them as they began to retaliate against their oppressors in subtle and sometimes humorous ways. Their fighting spirit became my inspiration for the story setting of my book.
I was born in Santiago, Chile, took my first steps in Antwerp, Belgium, and grew up in British Columbia, Canada. In other words, I was a third culture child with an identity crisis that carried on into my twenties. These books have helped me turn my past mistakes into a craft others can enjoy. Like many of the authors on my list, I’ve said yes to just about anything and lived with people from every walk of life. I’m an expert in making mistakes, but I have done one thing well, and that’s learning from people who think differently than I do.
Okay, fine, this book isn’t actually nonfiction, but it’s so accurate and believable that it may as well be. You might not question Clarke’s life choices, but you’ll question Paul West, the protagonist. Have you ever wanted to know what it’s like to be a bureaucrat? Neither have I. But that didn’t stop me from reading this book. As someone who has had to deal with funcionarios (Spanish government employees), bureaucrats aren’t high on my list as people I’d invite to a dinner party, but this book gave me a chance to learn about their lives at a safe distance. I learned something new and laughed out loud on almost every page.
THE POST-BREXIT EDITION - brand new chapters with extra EU chaos for Englishman Paul West.
An Englishman, Paul West, goes to Brussels to work for a French MEP. There he gets an insider's view of what really goes on in the massive madhouse that is the EU Parliament. With the referendum on the horizon, things are even more hysterical than usual.
When the Brexit result comes in, Paul has to make a decision. If he wants to work in Europe, should he apply for a French passport?
But can an Englishman really become French? Can he sing the bloodthirsty 'Marseillaise'?…
I grew up on the high plains of eastern Montana. Like most rural folks, we lived close to the bone, even in the best of times. Then, when I was nine, my father died—and things got even harder. We finally had to put our acres up for lease, and I made a goal to leave that hard place. Though I worked hard for this new life I find myself leading—I studied, won scholarships, earned an MFA, and became a professor—ever since I left Montana, I’ve been trying to understand the distance between there and where I find myself now. I’ve been trying to understand rural America.
Loads of commentators are talking about the struggles of rural America, but Bonnie Jo Campbell brings those hardships to life in the stories in this book. She intimately knows her place—the rust belt counties of rural Michigan—and her characters are sharply drawn and utterly convincing.
She makes me care about each and every one of them, even when I disagree with them, even when I don’t really like them at all! Still, I understand and respect them, and I’m forced not to treat them as statistics but as human beings. I love the brutal honesty and hard-won moments of hope in this book.
American Salvage is rich with local color and peopled with rural characters who love and hate extravagantly. They know how to fix cars and washing machines, how to shoot and clean game, and how to cook up methamphetamine, but they have not figured out how to prosper in the twenty-first century. Through the complex inner lives of working-class characters, Bonnie Jo Campbell illustrates the desperation of post-industrial America, where wildlife, jobs, and whole ways of life go extinct and the people have no choice but to live off what is left behind.
Although I’m neither a healthcare professional nor a historian, my passions are reading great fiction and continually striving to write it. Degrees in literature led to college teaching and then full-time writing. And that, to the publication of six works of fiction, including four historical novels. So, add to the mix, then, the years spent studying and teaching literature as well as those spent writing and rewriting—and, too, being an inveterate reader—and you have, in brief, the sum of my expertise. Each of the works listed below, I feel, has super qualities. I certainly enjoyed reading such masterful work and hope you will as well.
Terri Arthur, a retired registered nurse, obviously wroteFatal Decision: Edith Cavell,World War I Nurse, as an homage to a British nurse whose heroism not only saved hundreds of Allied lives when the penalty for doing so was death by execution but also inspired thousands to join the Allied war effort. I appreciated the numerous historical photographs throughout this prize-winning biographical novel. The narrative and incorporated historical context beautifully dramatize the courageous actions and inner life of a great WWI hero. In an Author’s Note, Terri Arthur states that her intention in telling the story of Edith Cavell in fictional form was so that readers could fully experience Cavell’s “amazing journey.” For me, Arthur achieved her objective. This is history richly conveyed,
An inspiring story everyone should know…and will never forget!
Based on historical fact, this captivating novel tells the story of the legendary Edith Cavell, a British nurse whose duties as a healer clashed with the demands of a ruthless occupying regime during World War I. At the request of a brilliant, hot-headed surgeon, Edith went from London to Brussels to create Belgium's first school of nursing. At the height of her success, the German army marched into neutral Belgium and took over her hospital and school.
Knowing the dangers of working against the repressive and brutal control of the German…
Yohanan Petrovsky-Shtern is the Crown Family Professor of Jewish Studies and a Professor of Jewish History in the History Department at Northwestern University. He teaches a variety of courses that include early modern and modern Jewish history; Jewish mysticism and Kabbalah; history and culture of Ukraine; and Slavic-Jewish literary encounters.
Although it is published as a coffee-table book with beautiful and carefully prepared illustrations, this is the best biography of Pieter Bruegel and a cultural study of his times and works. Magnificently written, exuberantly rich, it will please anybody interested in early modern history, art, Reformation, and colonial wars. This is the book to read slowly, as one drinks vintage wine.
The life and times of Pieter Bruegel the Elder (c. 1526/30-1569) were marked by stark cultural conflict. He witnessed religious wars, the Duke of Alba's brutal rule as governor of the Netherlands, and the palpable effects of the Inquisition. To this day, the Flemish artist remains shrouded in mystery. We know neither where nor exactly when he was born. But while early scholarship emphasized the vernacular character of his painting and graphic work, modern research has attached greater importance to its humanistic content.
Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that were…
As a nonbinary trans guy, I grew up obsessed with novels about women disguising themselves as men. I loved everything about the trope, and always felt disappointed when they had to go back to living as women. It is a trope I eagerly embraced when I wrote Shrouded Loyalties, and though I didn’t yet know the term “transgender,” I was already exploring my own gender identity through my reading and writing of this theme. The books I’ve chosen to highlight here are ones that became some of my very favorites, and also feature action-packed wartime settings like the one used in Shrouded Loyalties.
Based on a true story, this book was a treasure of a find, detailing the rebellion of artists in Nazi-occupied Belgium in 1943. Helene, a girl disguised as a male newspaper hawker, is only a side character – a cog in the machine of the farce newspaper being published by the rebels – but her incredible voice brings the movement to life, while expertly weaving in her own questions about gender and sexuality in a world she’s not sure has a place for her. The author later came out on the nonbinary spectrum as well, which really brought home for me how many of us explore our identities through our writing before coming to terms with significant truths about ourselves.
In this triumphant debut inspired by true events, a ragtag gang of journalists and resistance fighters risk everything for an elaborate scheme to undermine the Reich.
The Nazis stole their voices. But they would not be silenced.
Brussels, 1943. Twelve-year-old street orphan Helene survives by living as a boy and selling copies of the country’s most popular newspaper, Le Soir, now turned into Nazi propaganda. Helene’s world changes when she befriends a rogue journalist, Marc Aubrion, who draws her into a secret network that publishes dissident underground newspapers.
