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I am a veteran novelist who believes this over all else: The opening is everything. This has been my modus operandi as a storyteller for over thirty books, as well as a half dozen screenplays. I love a great opening. It is how a reader or viewer will subconsciously decide whether they will devote themselves to a story. It is the first kiss. The first shot over the bow. The ignition, the countdown, and the launch. It is the alpha and omega… because the beginning dictates the ending. Oh my, how I love the beginning!
Donald Westlake was the consummate professional, a writer’s writer with more than a hundred novels to his credit.
Specializing in crime fiction, he created the blockbuster Parker series and was so prolific he needed a half a dozen pseudonyms just to avoid competing with himself in the marketplace. This book is his masterpiece. Period. Full stop. And if the first sentence doesn’t grab you, nothing will:
I’ve never actually killed anybody before, murdered another person, snuffed out another human being.
The multi-award-winning, widely-acclaimed mystery master Donald E. Westlake delivers a masterpiece with this brilliant, laser-sharp tale of the deadly consequences of corporate downsizing.
Burke Devore is a middle-aged manager at a paper company when the cost-cutting ax falls, and he is laid off. Eighteen months later and still unemployed, he puts a new spin on his job search -- with agonizing care, Devore finds the seven men in the surrounding area who could take the job that rightfully should be his, and systematically kills them. Transforming himself from mild-mannered middle manager to ruthless murderer, he discovers skills ne never knew…
I was born in the Bronx, New York. I arrived in Paris, France at the age of 32. Thought I would stay for one year. That was thirty years ago. I'm still in Paris, and the author of a memoir, a play, and seven novels. Many of my novels fit the term "social thriller," popularized by Jordan Peele to define his ground-smashing classic film Get Out. Peele identified a genre that has been with us, particularly when it comes to crime fiction, for a long time. I've always been fascinated by dark, suspenseful stories that explore the nature of greed, of racism, of political power. And how the three are so often wrapped around each other.
Only when I arrived in Paris did I discover the works of this major African American writer.
Back then, Himes—still under-recognized in the USA—was a long-time household name in France. Himes not only brought the American crime novel to the Black part of town, he did it with a satiric bite that is his distinguishing feature.
The Black police detectives Grave Digger Jones and Coffin Ed Johnson are at the center of the nine novels in Himes's Harlem Cycle, an epic achievement in crime fiction.
Himes's Harlem is a violent phantasmagoria where Digger and Ed—in order to protect the poor, ordinary working folk of the community—are forced to be the baddest of the bad.
Cotton Comes to Harlem is my favorite work in the collection. Published in 1965, it skewers both Black militants and white racists with wicked glee.
From “the best writer of mayhem yarns since Raymond Chandler” (San Francisco Chronicle) comes a hard-hitting, entertaining entry in the trailblazing Harlem Detectives series about two NYPD detectives who must piece together the clues of the scam of a lifetime.
Flim-flam man Deke O’Hara is no sooner out of Atlanta’s state penitentiary than he’s back on the streets working a big scam. As sponsor of the Back-to-Africa movement, he’s counting on a big Harlem rally to produce a massive collection—for his own private charity. But the take is hijacked by white gunmen and hidden in a bale of cotton that…
I was born in the Bronx, New York. I arrived in Paris, France at the age of 32. Thought I would stay for one year. That was thirty years ago. I'm still in Paris, and the author of a memoir, a play, and seven novels. Many of my novels fit the term "social thriller," popularized by Jordan Peele to define his ground-smashing classic film Get Out. Peele identified a genre that has been with us, particularly when it comes to crime fiction, for a long time. I've always been fascinated by dark, suspenseful stories that explore the nature of greed, of racism, of political power. And how the three are so often wrapped around each other.
It opens with the most brilliant disclaimer I've ever seen: "Warning. This is a novel. Everything is true and everything is false."
Dominique Manotti is a grande dameof French crime fiction, and a friend and mentor to me.Lorraine Connection is widely considered her masterpiece.
It's a sweeping 21st-century epic that starts in what might be considered a French rust belt town, in the region called Lorraine, where the old steel and iron works have been bought by the Korean firm Daewoo and transformed into a cathode-ray factory.
An industrial accident is the triggering event in this novel that explores the murderous effects of the globalized economy on a universe of characters from different classes, ethnicities, and nationalities. Virtuoso writing.
The players in this deadly-serious game of Monopoly will stop at nothing.
In Pondange, Lorraine, the Korean Daewoo group manufactures cathode ray tubes. Working conditions are abysmal, but as it's the only source of employment in this bleak former iron and steel-manufacturing region, the workers daren't protest. Until a strike breaks out, and there's a fire at the factory. But is it an accident? The Pondange factory is at the centre of a strategic battle being played out in Paris, Brussels and Asia for the takeover of the ailing state-owed electronic giant, Thomson. Unexpectedly the Matra-Daewoo alliance wins the bid.…
I was born in the Bronx, New York. I arrived in Paris, France at the age of 32. Thought I would stay for one year. That was thirty years ago. I'm still in Paris, and the author of a memoir, a play, and seven novels. Many of my novels fit the term "social thriller," popularized by Jordan Peele to define his ground-smashing classic film Get Out. Peele identified a genre that has been with us, particularly when it comes to crime fiction, for a long time. I've always been fascinated by dark, suspenseful stories that explore the nature of greed, of racism, of political power. And how the three are so often wrapped around each other.
This witty and suspenseful tour-de-force is set in a Paris most tourists never see: the Nineteenth Arrondissement, a sprawling, multicultural district where working-class grit coexists uneasily with encroaching gentrification.
The author, who doubles as a well-known documentary filmmaker, is also a friend of mine from the French noirworld.
Arab Jazz, first published in 2012, sardonically explores the religious fanaticism of Jews, Muslims and evangelical Christians while weaving a thrilling intrigue that earned it France's top prize for crime fiction.
Kosher sushi, kebabs, a second-hand bookshop and a bar: the 19th arrondissement in Paris is a cosmopolitan district where multicultural citizens live, love and worship alongside one another. This peace is shattered when Ahmed Taroudant's melancholy daydreams are interrupted by the blood dripping from his upstairs neighbour's brutally mutilated corpse.
The violent murder of Laura Vignole, and the pork joint placed next to her, set imaginations ablaze across the neighbourhood, and Ahmed finds himself the prime suspect. But detectives Rachel Kupferstein and Jean Hamelot are not short of other leads. What is the connection between a disbanded hip-hop group and…
Like my main character, Annie Hawkins Green, I’m passionate about photojournalism, and we both love to travel the world capturing images that tell our stories. My training as a photographer has led me to write novels that are visual and cinematic, affording readers authentic and immersive experiences in the places Annie takes us—Afghanistan, Milwaukee, wherever. We’re both seriously committed to empowering girls through education and go to great lengths, and some risk, to make that happen. Readers tend to think Annie and I are brave and gutsy and, well, badass. Annie is, for sure—she goes to dangerous places. Okay, I admit that many of her adventures have an autobiographical twist.
Pam Jenoff’s historical fiction rocks, butAlmost Home is my favorite of her books. Here’s a secret: it’s her favorite, too. With its interwoven past and present storylines and breathtaking suspense, I couldn’t put it down. As a graduate student ten years ago at Cambridge University, Jordan Weiss’s life was shattered when her boyfriend drowned. Now, a U.S. intelligence officer, she finally returns to England to help her terminally ill friend, Sarah, and to make sense of decade-old secrets. As soon as Jordan arrives, she discovers that no one and nothing are what they seem. But she doesn’t give up her investigation—even in the face of grave danger. A true badass! This book kept me up all night—exactly the kind of read I adore.
Ten years ago, American Jordan Weiss's idyllic life as a graduate student and coxswain at Cambridge was shattered when her boyfriend and fellow crew member, Jared Short, drowned in the River Cam the night before the biggest race of the year. Since that time, Jordan, a State Department intelligence officer, has traveled the world on dangerous assignments but has avoided returning to face her painful memories in England. When her terminally ill friend Sarah asks her to come to London, though, Jordan returns. Shortly after her arrival in London, she is approached by a former college classmate who makes the…
I believe many writers suspect they are Strangers in a Strange Land. How ironic that I, a confirmed atheist, should use a biblical quote to describe the mindset of authors. Some discover where they belong through their writing. My book recommendations have a strong sense of place, whether it be the Old West, wartime Berlin, or modern-day Scotland. I was born into a 300-year-old N. Ireland Protestant Plantation family, yet many people saw us as interlopers: we weren’t quite Irish, and we weren’t quite British, yet we held dual passports. It was not until I left Ireland that I realized my Irish Heritage exerted a stronger pull than my British.
With my background, I had to include a book set in N. Ireland during the Troubles. McKinty’s books are a clever blend of fiction and nonfiction. His description and understanding of the absurdities of the Troubles mirror my own beliefs.
His RUC detective is a Catholic in a largely Protestant police force, and McKinty weaves an easily understandable tableau of what it took to live through the Troubles. It is something very difficult to explain to outsiders, though I believe the entire populace still suffers from PTSD.
It was not an easy read as it brought back many painful memories, such as being caught up in the horror of Bloody Friday.
A Catholic cop tracks an IRA master bomber amidst the sectarian violence of the conflict in Northern Ireland in this pulse-pounding thriller from the New York Times bestselling and Edgar Award-winning author Adrian McKinty
"McKinty's writing is dark and witty with gritty realism, spot-on dialogue, and fascinating characters." --Chicago Sun-Times
It's the early 1980s in Belfast. Sean Duffy, a conflicted Catholic cop in the Protestant RUC (Royal Ulster Constabulary), is recruited by MI5 to hunt down Dermot McCann, an IRA master bomber who has made a daring escape from the notorious Maze prison. In the course of his investigations Sean…
I love good stories and I like to learn about other cities even if it is in a work of fiction. With few exceptions, every story I’ve written is in a location I’ve visited. When you can’t visit a place, then reading about a city in modern-day fiction is a close substitute. How many readers feel like they know the English countryside after reading multiple British mysteries? Or feel like you know Boston when reading the Robert Parker Spenser series? That’s the point of a good mystery – to take you someplace you’re not.
This is a cozy mystery that gives the reader a nice tour of Rome from a bargain tourist perspective. The story takes the reader north into Austria and Germany so you gain a feeling for the Alps. The couple that leads the story are suspects in a series of jewelry heists and work their way through Northern Italy and beyond to solve the thefts. It’s a light-hearted story with a little romance, no cuss words, and little violence.
Zoe and Jack’s trip to Rome was supposed to be a romantic one-year anniversary celebration with a little business on the side. Jack’s fledgling security company has landed the plum assignment of providing additional security for the opening night gala of a museum exhibit featuring priceless gems.However, the easy job turns complicated when they discover the exhibit is the next target of a cat burglar who has struck several times in recent months, snatching up a hoard of sparkling jewels. Opening night goes off without a hitch, but then the police accuse them of switching the real gems for fakes.With…
One of my favourite reviews described my book as ‘a bloodstained version of the world of Barbara Pym.’ Perfect! I write crime novels set in the Church of England. I also read mysteries with churchy connections—lots of them. My shelves hold hundreds, featuring clerical sleuths (and even a few clerical murderers), books set in churches, cathedrals, and monasteries (past and present). I love to explore the questions I am so often asked when talking about the books I love: why is there such a plethora of them, and why does the Church, which represents ‘goodness,’ appear so often in novels which feature unspeakable crimes?
Flavia de Luce is surely one of the most original—and the most delightful—detective characters ever written. The precocious eleven-year-old lives in a crumbling manor house in the English countryside, with her vague father, beastly older sisters, and faithful retainer Dogger. Her interest in chemistry—and death—tend her get her into trouble on a regular basis. In this book, Flavia is on the scene when the body of the church organist turns up in the medieval tomb of St Tancred, the parish church’s patron saint. Predictably, she sets out to solve the murder, tearing about the village on her faithful bicycle Gladys. Alan Bradley evokes a world—rural England in the 1950s—that many of us would love to return to (in spite of the murders!) and has created an unforgettable heroine. If you enjoy mysteries that make you smile, rather than…
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • NEW YORK TIMES BESTSELLER
From award-winning author Alan Bradley comes the next cozy British mystery starring intrepid young sleuth Flavia de Luce, hailed by USA Today as “one of the most remarkable creations in recent literature.”
Eleven-year-old amateur detective and ardent chemist Flavia de Luce is used to digging up clues, whether they’re found among the potions in her laboratory or between the pages of her insufferable sisters’ diaries. What she is not accustomed to is digging up bodies. Upon the five-hundredth anniversary of St. Tancred’s death, the…
When it comes to dark and twisted books with jaw dropping twists, I can’t get enough. I love them. I crave darkly creative books that make you think. Anything but your standard, everyday domestic thriller with the traumatized alcoholic main character. As a child I watched Law and Order and Masterpiece Theater mysteries with my mother. I loved a good British thriller. I suppose I got it from her, it was always something we shared. I veered clear of darker reading growing up, you don’t want to freak your parents out, of course. But now as an adult, I love it. No gore, no graphic shock horror for me. Psychological thrillers all the way.
This book is so original. We follow an old man, a retired serial killer, on his journey to read his own newly published true crime story. He stumbles on the book while doing his security rounds and can't resist picking it up, and over the next week finds himself more and more obsessed with reading it, growing fears that he will be discovered after twenty years, and with the author, his only surviving victim- who was a child at the time and is now an adult twenty years later.
I enjoyed this book, it's original in the sense that the killer is an ordinary, cranky old bastard that no one likes. He's just a guy, who doesn't stand out, hasn't been good at anything all his life, a mediocre man that falls into the crowd. The only thing he's ever been able to succeed at was being The Nothing Man,…
I was the girl who survived the Nothing Man.Now I am the woman who is going to catch him...
At the age of twelve, Eve Black was the only member of her family to survive an encounter with serial attacker the Nothing Man. Now an adult, she is obsessed with identifying the man who destroyed her life.
Supermarket security guard Jim Doyle has just started reading The Nothing Man—the true-crime memoir Eve has written about her efforts to track down her family’s killer. As he turns each page, his rage grows. Because Jim’s…
I am the author of the DI Winter Meadows series. I love reading and writing crime fiction, especially books set in rural locations. I live in South Wales where I go hiking mountains, exploring caves, and discovering waterfalls. I take inspiration from these remote areas and close-knit communities to create the settings, characters, and plots for my books.
This was the first book I read by Sharon Bolton and it got me hooked on this author.
The book draws you into the lives of the residents of a small village where beneath the idyllic setting lurks secrets and malice. We follow newcomer Clara, a local vet, who is called upon when poisonous snakes turn up in the residents’ homes. The book has a brooding atmosphere which will leave you checking under the bed before you sleep.
Clara Benning, a veterinary surgeon in charge of a wildlife hospital in a small English village, is young and intelligent, but nearly a recluse. Disfigured by a childhood accident, she generally prefers the company of animals to people. But when a local man dies following a supposed snakebite, Clara's expertise is needed. She's chilled to learn that the victim's postmortem shows a higher concentration of venom than could ever be found in a single snake—and that therefore the killer must be human.
Assisted by a soft-spoken neighbor and an eccentric reptile expert, Clara unravels sinister links to an abandoned house,…
