99 books like Long Range

The first thing that drew me in was the format. The entire book, which is 466 pages long, is a response to a letter written on page one by the main character, Vivian. What a neat way to write a book.

In her letter to Vivian, Angela asks, “Vivian, what were you to my father?” It wasn’t the same old “telling” of a story, but Vivian’s detailed response from a historical perspective involving her experiences over the years in love, lust, glamour, and promiscuity and how these affected her life.

Vivian is in her 90s as she responds, and the story is told from her perspective as an old woman looking back on her life. I found myself rooting for her as she described her many struggles in her attempt to answer Angela’s question.

First of all, it’s funny. The Stephanie Plum character is the main protagonist in many Janet Evanovich Books. She doesn’t have a brilliant mind or an amazing education. She doesn’t have a slick job or incredible physical skills. She could be any woman anywhere, and this is what makes her an unlikely hero.

Her adventures as a bail bonds enforcement officer are so silly that they make you laugh. She constantly wiggles out of dangerous situations that defy logic or common sense—of which she has none. You know this as a reader, but you must keep reading to see how she will do it. I have read previous Stephanie Plum books and am still amazed at how Evanovich weaves the stories to make them enjoyable.

This book is emblematic of the struggles that are inherent in any marriage. Robin is an accountant, and Paul is an artist eighteen years her senior. When Paul disappears during a trip to Morocco meant to save their marriage, Robin looks for him and discovers things she wishes she hadn’t.

With all the obstacles and secrets she uncovers, Robin has to decide if staying with Paul is worth the pain. As a reader, I found myself fighting along with Robin as she scoured the landscape of Morocco in her search for her husband. She proves to be a survivor, fighting in dangerous situations against people who cheat, lie, and try to exploit her naiveté. If you like flawed characters and crazy turns of events, you’ll like this book.

This book sharply criticizes today’s educational, financial, and immigration systems. It is the story of three law school students who thought a law degree would enable them to repay huge student loans. Wrong. They are loaded with overwhelming debt and team together to form a bogus law firm and practice law without a license.

Their goal is to seek revenge for their worthless education and on the institutions that profit off the student loan program by handing out huge loans like candy. It’s a popular political topic today, making me wonder if a college degree is worth what it used to be. I wondered if I had to do it over again and if I would choose a different path.

This is the perfect mix of politics and crime fiction, illustrating the old saying that power tends to corrupt and absolute power corrupts absolutely.

Like all the books in this series, I thoroughly enjoy C.J. Box showing me the Wyoming he knows so well, the state’s harsh winters with snow so deep it literally comes up your thighs, the abundant wildlife, and the people.

I love how the story begins with the hero, game warden Joe Pickett, investigating the disappearance of a well-to-do British woman from an elite guest ranch and then unexpectedly spirals headlong into green energy corruption.

Mostly, I appreciate Box’s depiction of self-serving politicians going up against an unassuming game warden who just wants to do his job and go home to his loving family. 

I am a sucker for stories of redemption, especially those that show even the most entrenched people are capable of change.

Make the agent of change a child, and you’ve got me for sure. Place the story in the hands of a lyrical writer and then locate it in the hard-loved, haunting beauty of my native state—Wyoming—and it’s a hopeless match.

An Unfinished Life tells of the escape from an abusive boyfriend by Jean Gilkyson and her ten-year-old daughter Griff. With nowhere left to go, they take refuge with Jean's estranged father-in-law, Einar, a more-than-reluctant host who blames Jean for the death of his son.

Griff is the transformative agent, falling in love with Einar’s sprawling ranch and quiet way of life, and eventually, with the grandfather she didn’t know she had.

This one is a standout of the Longmire series. A bus full of serial killers mashes its potatoes into the side of a mountain during a whiteout and it’s up to Absaroka County Sheriff Walt Longmire to get rounded them up. There’s an epicness about this story that leaves you feeling like you’re riding a literary wave into the pilings and Craig Johnson paints the whole debacle with a Hillerman-esque mysticism and his own singular brand of stoic humor. 

This book delights me. It makes me laugh, it inspires me, and it makes me wish I could have met Elinore Pruitt Stewart. Even though her life certainly wasn't easy, she never lost her hope, her joy, her faith, or her sense of humor.

Stewart wrote these letters to a friend, detailing her successes and failures as a woman homesteader, and hoping to encourage other women to try forging their own lives on the frontier. Wanting to build a better life for herself and her daughter, this widow headed off into the plains of Wyoming, where she took a job keeping house for a rancher while also claiming her own homestead. Her accounts of her new life are funny, moving, and encouraging by turn.

Annie Proulx is a genius with character, and she’s obsessed with how hard humans work to uphold their myths of identity and achievement even when the odds are stacked against them. Close Range is the best of her three very good story collections about the West. It’s famous, and rightly so, for the trail-blazing tale of cowboy queerness "Brokeback Mountain". But each story is taut with observation and image. “The Mud Below,” “The Half-Skinned Steer”—there’s more than one American classic in this book. Some Westerners aren’t fans of Proulx, but I am. She doesn’t pull her punches about what it’s really like to ranch, rodeo, fantasize about retirement, or care for family in a place with no safety net, extreme weather, and no neighbors around the corner.

The king of the cowboy detectives, Walt Longmire, must choose a course for his life after Vietnam. We know our hero devoted his life to serving his neighbors, yet here we confront the moment of stark paths before him. The choice not only represents a personal sacrifice but requires those he loves to sacrifice. The calling to seek justice demands a constant commitment.

Johnson presents a villain who has surrendered to his baser nature. A trope of mystery fiction contrasting with a hero capable of overcoming such self-destructiveness. I listened to the audiobook.