Here are 100 books that Like a Girl fans have personally recommended if you like
Like a Girl.
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In grade school, when Apollo 11 landed on the moon, I was immediately swept up in the craze for space and dreamt of being an astronaut. Until I was told by my teacher that girls weren’t allowed to be astronauts. I added that to a growing list of things I was told girls couldn’t do. Flash-forward to 2017, when a prominent man insisted that females should “dress like a woman” at work. Women from all walks of life–athletes, astronauts, emergency workers, and scientists posted photos of themselves in gear appropriate for their jobs, not the dress-and-heels implied. I was inspired by those photos and my childhood feelings of injustice.
Celebrate girls who love to tinker and build! It begins with an idea for something big or small. Materials found, tools gathered, and building begins! If a creation wobbles or collapses, “failure isn’t final,” the book reassures.
I am grateful that my parents recognized my early love of woodworking and bought me a tool kit at a young age. This is the perfect picture book to pair with a set of tools for small hands!
A brilliant, inclusive ode to self-expression, girl power, and the many things readers can create.
Have you ever dreamed of building something? Maybe something little—like a birdhouse? Or something big—like a skyscraper? If you can envision it, you can build it! A Girl Can Build Anything is a playful celebration of all the different ways girls can make things—from tinkering to tool wielding, from ideas on paper to big, lived-out dreams that require brick and mortar. This fun and empowering ode to self expression will inspire readers to jump up and immediately start to build. Because they can. They can…
In grade school, when Apollo 11 landed on the moon, I was immediately swept up in the craze for space and dreamt of being an astronaut. Until I was told by my teacher that girls weren’t allowed to be astronauts. I added that to a growing list of things I was told girls couldn’t do. Flash-forward to 2017, when a prominent man insisted that females should “dress like a woman” at work. Women from all walks of life–athletes, astronauts, emergency workers, and scientists posted photos of themselves in gear appropriate for their jobs, not the dress-and-heels implied. I was inspired by those photos and my childhood feelings of injustice.
This book captured my heart from the first time I read it. As a toddler, the main character is praised for being “a big girl,” but as she continues to grow, she discovers that being a “big girl” soon becomes a negative thing that prevents her from doing what she wishes.
The illustrations are amazing, and fold-out pages can barely contain the growing main character and the empathy you’ll have for her.
A book you will hug when you’re done reading it, then immediately read it again.
3
authors picked
Big
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
Once there was a girl with a big laugh and a big heart and very big dreams. She grew and grew and grew. And it was good... until it wasn't.
When the girl grows big, the world begins to make her feel small. She feels out of place and invisible, and soon she isn't herself at all. But with the girl's size comes huge inner strength - and this helps her look past the hurtful words to see how perfect she really is.
With beautiful illustrations and a gatefold flap, this quietly reassuring story explores the experience of being big…
In grade school, when Apollo 11 landed on the moon, I was immediately swept up in the craze for space and dreamt of being an astronaut. Until I was told by my teacher that girls weren’t allowed to be astronauts. I added that to a growing list of things I was told girls couldn’t do. Flash-forward to 2017, when a prominent man insisted that females should “dress like a woman” at work. Women from all walks of life–athletes, astronauts, emergency workers, and scientists posted photos of themselves in gear appropriate for their jobs, not the dress-and-heels implied. I was inspired by those photos and my childhood feelings of injustice.
Cars and trucks and things that go are not exclusively the realm of boys. In this rhythmic read-aloud, a dozen girls hit the road and sky with a rumble, vroom, and roar.
Kids will love the sound words and the repetitive “Go, Girls, Go!” The bold illustrations are a joy. And an invitation near the end (“What about you?”) encourages little imaginations to race away with possibilities.
Come along for a rollicking ride in this picture book celebration of vehicles that puts girls in the driver's seat!
Girls can race...and girls can fly. Girls can rocket way up high!
Piloting fire trucks, trains, tractors, and more, the girls in this book are on the go! Join them for an exuberant journey that celebrates how girls can do-and drive-anything.
In grade school, when Apollo 11 landed on the moon, I was immediately swept up in the craze for space and dreamt of being an astronaut. Until I was told by my teacher that girls weren’t allowed to be astronauts. I added that to a growing list of things I was told girls couldn’t do. Flash-forward to 2017, when a prominent man insisted that females should “dress like a woman” at work. Women from all walks of life–athletes, astronauts, emergency workers, and scientists posted photos of themselves in gear appropriate for their jobs, not the dress-and-heels implied. I was inspired by those photos and my childhood feelings of injustice.
I can’t resist adding this book about being a writer since it’s my job and my passion. As a child, I don’t recall ever reading a picture book about writing. There were spelling books and penmanship books, but nothing about turning an idea into a story.
If you know a budding writer, this book is the perfect place to begin. Written in simple steps, it offers encouragement to keep going and even gives tips on revising. The journey of a future author could start with this book!
The inspiring sequel to the 2015 Parent's Choice Winner, How to Read a Story!
Step 1: Choose an idea for your story. A good one.
Step 2: Decide on a setting. Don't be afraid to mix things up.
Step 3: Create a heroine-or a hero.
Now: Begin.
Accomplished
storytellers Kate Messner and Mark Siegel playfully chronicle the
process of becoming a writer in this fun follow-up to How to Read a Story,
guiding young storytellers through the joys and challenges of the
writing process. From choosing an idea, to creating a problem for their
character to resolve, to coming to…
I’m someone who believes the accomplishments of women have been glossed over for far too long. I'm passionate about sharing the stories of women and girls that the world at large still tends to ignore. It’s critical to share these stores and to give face and voice to women. Social entrepreneurship, the topic of my recent book Girls Solve Everything, has fascinated me for some time: creative problem solving, tackling problems in our communities and the world, creating a business to find and facilitate the solution. Representation matters. I’m determined to write about and share the stories of strong, innovative, creative women and girls. Our future depends on them.
Athletes, Activists, Achievers. Rad Girls Can is chock-o-block with engaging biographical sketches of girls and young women who have taken the world by storm in nearly every discipline. Whether they’re succeeding in traditionally male-dominated sports, fighting for climate action, or for education for girls, or accomplishing great things as scientists and inventors, each story is compelling and awe-inspiring. I wish this existed when I was young – it literally gives concrete examples of real girls doing just about anything they put their minds to. The wide-ranging topics and diverse women enhance the engagement factor. I loved how readers are free to browse and focus on the stories that most appeal to them (chances are good, that will be most, if not all of them). Comprehensive, engaging, inspiring. What more can you ask for?
From the New York Times best-selling authors of Rad Women Worldwide and Rad American Women A-Z, a bold and brave collection of stories and art about inspiring and accomplished girls who have made positive impacts on the world before the age of 20.
You might know the stories of Malala Yousafzai, Anne Frank, Jazz Jennings, and Joan of Arc. But have you heard about Yusra Mardini, a Syrian refugee who swam a sinking boat to shore, saved twenty lives, then went on to compete as an Olympic swimmer? Or Trisha Prabhu, who invented an anti-cyberbullying app at age 13? Or…
I absolutely love the Pre-Raphaelites, they are my utter passion and these books are the fuel for that fire. Who wouldn't want to be a Pre-Raphaelite woman? Smart, talented, resourceful, these women define what it is to make a mark and great some of the most ground-breaking art in history. I'm particularly obsessed with Pre-Raphaelite women, the artists and muses who created the art we love so much today. After spending almost 30 years researching their lives and loves, it's now my absolute pleasure in telling everyone about these astonishing women, and why we should love them and learn from them.
One of the founder members of the Pre-Raphaelite movement, Dante Gabriel Rossetti, is inextricably linked to the women in his life. His beautiful portraits of his sister, wife, and lovers are some of the most recognisable images of the Pre-Raphaelite movement but this wonderful book goes further, uncovering the lives of these women and the context behind these iconic images.
Dante Gabriel Rossetti (1828-1882), best known and admired for his striking and seductive portraits of women, was one of the founding members of the Pre-Raphaelite Brotherhood, a group of artists whose work is inspired by the art of the early Italian Renaissance. Rossetti's powerful and unconventional portraits, with their sumptuous, jewel-like colours, are explored in this beautiful gift book. Examples have been drawn from the full range of Rossetti's work - including paintings, drawings, print illustrations, decorative designs and staged photographs - and chart the artist's lively engagement with mythology, history, literature, biblical subjects and modern life.
I’ve dedicated my life to the study of Chinese history. I received a Ph.D. in History and East Asian Languages from Harvard and have spent my career teaching Chinese history at universities in Taiwan. I am the author of eleven books and many academic articles and book reviews about Chinese history. As an American who has spent decades lecturing about Chinese history in Mandarin to Taiwanese students, I have an uncommon perspective on the subject.
Even though this is a work of anthropology, it also provides unique insights into rural history. In the late 1950s and early 1960s, Margery Wolf did fieldwork in a poor village in rural Taiwan. At that time, modernization was just beginning to affect the countryside, so most aspects of village life were still traditional. Although Taiwanese society differed from the mainland in certain ways, in most aspects of life there carried on the traditions of Chinese village life. This book looks at rural society from a female perspective. Due to poverty, both women and men had few options. They did whatever it took to survive. Many of the people the author interviewed seem very discontent with their lives, but they usually had no other choice.
Studies of Chinese society commonly emphasizze men's roles and functions, a not unreasonable approach to a society with patrilineal kinship structure. But this emphasis has left many important gaps in our knowledge of Chinese life.
This study seeks to fill some of these gaps by examining the ways rural Taiwanese women manipulate men and each other in the pursuit of their personal goals. The source of a woman's power, her home in a social structure dominated by men, is what the author calls the uterine family, a de facto social unity consisting of a mother and her children.
A thing I love about detective stories is that, from the moment they were probably invented by Edgar Allen Poe in 1841, authors have been playing with the form. Poe’s The Murders in the Rue Morgue begins with a display of Dupin’s ratiocinative powers, and detective stories do often involve a protagonist reasoning through clues and red herrings on the way toward the resolution of a central mystery. But the kinds of “clues” we use to make sense of (or make peace with) the world are varied, and the mysteries that obsess us are vast—as illustrated over and over again in this mutable genre.
In classical detective fiction, the story of the crime is like a puzzle, and piece by piece, clue by clue, we arrive at the big picture. Subdivision is, in some ways, a classic puzzle mystery (it even involves a puzzle!)—except it doesn’t start at a crime scene. It starts with a woman arriving at a guesthouse in the surreal and Kafkaesque Subdivision where she now lives. She can’t remember why she is there or really anything from her past. Unlike more classical detective fiction, she is not a guide; I followed her—tracking, assembling, interpreting—but when certain elements of the real (maybe) slid into focus, they did so mostly despite her. I couldn’t put it down, and notwithstanding its fairly cerebral tone, I cried at the end.
An unnamed woman checks into a guesthouse in a mysterious district known only as the Subdivision. The guesthouse's owners, Clara and the Judge, are welcoming and helpful, if oddly preoccupied by the perpetually baffling jigsaw puzzle in the living room. With little more than a hand-drawn map and vague memories of her troubled past, the narrator ventures out in search of a job, an apartment, and a fresh start in life.
Accompanied by an unusually assertive digital assistant named Cylvia, the narrator is drawn deeper into an increasingly strange, surreal, and threatening world, which reveals itself to her through a…
DeAnne Blanton retired from the National Archives in Washington, DC after 31 years of service as a reference archivist specializing in 18th and 19th century U.S. Army records. She was recognized within the National Archives as well as in the historical and genealogical communities as a leading authority on the American Civil War; 19th century women’s history; and the history of American women in the military.
When Lauren Cook and I published They Fought Like Demons, we knew that our book, although groundbreaking, was only the tip of the iceberg in the story of women soldiers in the Civil War, and we always hoped that another scholar would pick up the torch and move the story forward. Shelby Harriel has done just that. Behind the Rifle is a meticulously researched and ably written account of the distaff soldiers who hailed from Mississippi, or found themselves there. Citing previously unknown sources along with revealing newly-located photographs, Harriel’s contribution to the history of women soldiers is remarkable.
During the Civil War, Mississippi's strategic location bordering the Mississippi River and the state's system of railroads drew the attention of opposing forces who clashed in major battles for control over these resources. The names of these engagements-Vicksburg, Jackson, Port Gibson, Corinth, Iuka, Tupelo, and Brice's Crossroads-along with the narratives of the men who fought there resonate in Civil War literature. However, Mississippi's chronicle of military involvement in the Civil War is not one of men alone. Surprisingly, there were a number of female soldiers disguised as males who stood shoulder to shoulder with them on the firing lines across…
My debut duet came out of necessity to handle the grief of losing our first child almost thirty years ago. As part of my writing journey, I searched for stories by people like me, migrants who draw on their upbringing and living with their heritage in their adopted country. One thing I came across was the use of the language, the food, and the many family gatherings and music. I enjoyed reading of people from all communities and liked exploring new cultures and these books do just that for me. They take me to families who embrace the joy of their life in a foreign land.
Syal’s story centres on three childhood friends who grow up in East London. Tania is under pressure to create a cutting-edge documentary on Asian marriages for her employer and is reassessing her life, as a girlfriend to Martin, and a dutiful daughter to her ailing father. While Sunita faces an age-related crisis, her dismal job, her lifeless marriage, and self-harming. The only one who has her life in order is Chila, a naïve, dutiful wife and daughter. As the story unfolds, we find that living in a migrant community and keeping to traditional values is complicated. A poignant insight into the lives of the Punjabi community in the UK and first-generation children who struggle with cross-cultural clashes while keeping their toes in their heritage in different ways.
At home, Meera Syal's women "walk in small steps, talk in sweet tones, pour dainty cupfuls, and refill plates in the shake of a dupatta," but at work, they "kick ass across courtrooms and computer screens." In a book somewhere between Waiting to Exhale and Bridget Jones's Diary, Syal has created an indelible portrait of a close-knit group of Indian women living in London. Life Isn't All Ha Ha Hee Hee is the story of Chila, a nice Punjabi girl married to the urbane Deepak, and her two childhood confidants: Sunita, the former activist law student, now an overweight, depressed…
