100 books like Kolymsky Heights

Published in 2001, The Constant Gardener is my favorite le Carre Novel. A British diplomat in Nairobi, Justin Quayle, is informed his activist wife, Tess has been killed in a remote part of Kenya along with a doctor friend. As Quayle investigates her life (in a similar way to Eric Ambler unfolds Dimitrios’s life), he uncovers her work exposing large pharmaceutical companies’ unethical experiments in the poorest regions of Africa. This leads to her brutal death and cover-up at a diplomatic and political level. It is an exceptional book that makes you rethink how medicine and the industry behind it operates. After the collapse of the USSR, le Carre seemed to struggle with his work, The Constant Gardener though, kick-started another two decades of great writing from him.

Eric Ambler was the first author to write with realism and authenticity about the world of spies. His work often features ordinary people who are not criminals or professional spies, but who suddenly find themselves caught up in that murky world. In this novel, while in Turkey, mystery writer Charles Latimer meets Colonel Haki, who shows him the body of a notorious criminal, Dimitrios, in the Istanbul morgue. Intrigued and sensing a story, Latimer investigates Dimitrios’ career, which will turn out to be a lot more intriguing and dangerous than anything he bargained for. Ambler’s thrillers keep you on the edge and this one, which includes a ride on the Orient Express, will have you furiously turning the pages. Dimitrios set the standard for every spy thriller that followed. 

From Russia with Love is a short book and is set at the early stages of the cold war. It shakes up the norm by spending close to a quarter of the opening of the novel describing Donald ‘Red’ Grant’s evolution from Irish thug to Russia’s leading spy killer. Bond is targeted by SMERSH to be eliminated by Grant and the lure; a SPEKTOR coding machine that British Intelligence are keen to get hold of. The final showdown between Grant and Bond on a train is a masterclass in tension and violence, like Eric Ambler, Fleming captures Europe and its mindset, this time in its post-war paranoia. It is my favorite Bond book. For me, Fleming never bettered it. 

This book certainly made me stop and think about how I write, and I have altered my style since. Set in modern-day London, the Slow Horses (failed MI6 operatives forced to work in Slough House) under the tutelage of Jackson Lamb eke out a futile existence. The heads of MI6 hope the demeaning work will make them walk away and leave the espionage world. Lamb is one of the great characterizations, a burnt-out spy who still has acres of tradecraft and protects his team against the outside forces at a political and international level. A string of random terrorist attacks around the UK seem to tie in with a show-boating politician riding the Brexit wave and the team goes rogue to find out the connection. A book as far away from Bond as possible but brilliantly written and plotted.

Russia has historically connected to Europe as its significant other. This book describes the nature of the country’s identity development through the love-hate relations with European nations and search for recognition by Western other. Sometimes, Russia has sought to borrow Europe’s institutions and values. Other times, it has positioned itself as a great power and a superior system of internal values relative to “corrupt” Europe. 

Russia’s foreign policy has followed different historical trajectories and relations with the outside world. This excellent collection of works by historians and social scientists focuses on the long “shadows of the past” as a lens through which to assess the country’s international behavior and moments of transformation. The explored themes include the impact of Russian foreign policy on domestic political structures, imperial identity, geographic settings, position within the global economy, and others. 

American observers were endlessly fascinated by Russia long before the Cold War began and before supposed Russian election interference became a news item. However, they could never make up their minds about what made the Russian people tick. In this eye-opening book, David Engerman shows how American journalists, diplomats, and social scientists romanticized and ridiculed Russian peasants, praised or condemned the attempts by the Tsar and the Bolsheviks to modernize Russia by force, and marbled at the Russian “national character.” Engerman in a masterly fashion reveals how prejudices have shaped American views of Russia.

The Charm School was written at the height of the Cold War and is the story of a young American aspiring to drive a Pontiac Trans Am into and across Russia. After not many days of arduous travel—after all Russian roads and gasoline access points were not built for a Pontiac Trans Am muscle car of the 1960s—he accidentally comes across a Russian village unlike any he has seen thus far—a village far into the pinewoods that looked as if it had been plucked out of New England America with its residents speaking perfect American English free of Russian accents and filled with typical Americanisms. He knows he must reach the American Embassy in Moscow and alert the CIA station chief.  

Given the current state of affairs with Russia, there may not be a more informative book to read. The Charm School is simply the #1 spy novel ever written.… show more.

This is the perfect primer for anyone trying to get an understanding of the Korean War. It is a concise history (just 96 pages) but is packed with essential information, laying out the background to the conflict before chronologically guiding the reader through the main battles, with clear portraits of the main protagonists along the way.

This group of interconnected stories—set mostly in Russia and Chechnya—take place before, during, and after the Cold War. In the opening story, “The Leopard,” Anthony Marra perfectly captures the suffocating terror of life under Stalin. 

The narrator is a disillusioned Soviet censor whose job is editing images of disgraced victims of Stalinist show trials out of official photographs and despoiling many other works of art for propaganda purposes.

Lines between work and life start to blur. The censor finds it increasingly hard to discern fact from fiction.

Things turn deadly when he himself becomes a victim and the truth (as he knows it) becomes irrelevant in the struggle against counter-revolutionaries.

From these troubled origins the Cold War began. The ability to discern truth from falsehood seems in our present times more pressing than ever.