100 books like Just a Regular Boy

Found family changed my life, allowing me to find acceptance for the real, messy, complicated me. I believe everyone should have that experience. I’ve struggled with anxiety and panic disorder for my entire life, something that was never understood by my family growing up. As I worked to understand my own mental health struggles, it was the people who came into my life with love and compassion who helped me accept that I was never broken. I want every reader to feel that when they read one of my books. Chasing Eleanor was inspired by all five of these book recommendations, with adventure and found family at its heart.

I've had a fifteen-year job in the corporate world doing business system analysis and design. I never connected with capitalists and I can see that the environmental and economic damage is the byproduct of the capitalist society we live in. Our detached way of life has created horrific climate change and a brutal class system where the wealthy are separated from everyone else. These are both worsening by the year. Capitalism is one of the main culprits because the oligarchy running things (W.E.F.) is not going to relinquish power or control. My book, Pulse, is a merge between corporate greed, environmental activism, and technology with a scary creature that brings it all together.

I also produce original music inspired by my novels. If you want a taste, go find "Requiem" on my YouTube channel.

My maternal great-grandparents were Irish immigrants. My paternal grandfather left Liverpool in the late 19th century to go to Australia. I’d love to know their children’s stories! Some of the families I visited as a social worker (mid-1960s) were immigrants, struggling to make sense of a new language and a new culture. I met a child who had come here alone as an illegal immigrant and had been a house slave until the social services settled her with a foster family. I met author Hanna Jansen and her many adopted children from war-torn countries. Fiction gives us many powerful stories about children forced to flee from their homes because of war, tyranny, hunger, poverty, natural disasters.

I write historical YA in verse—pretty much the niche of the niche. Before I was published, I spent many years writing and querying various YA projects in prose, but it wasn’t until I decided to try a project in verse that I really found my groove. Nowadays, everything I write falls under that same (small) umbrella, so I really looked to novels like the ones here to learn from the best. These days, I still love reading YA historicals and anything in verse, but YA historicals in verse remain forever my favorite.

I went through some very tough times growing up. I was an undiagnosed autistic teen, terribly shy, with no real guidance, and I was often bullied and bewildered. But my heart was filled with only goodwill and good intentions, and a yearning to connect meaningfully with others. So, stories of adversity, of characters making it through very tough times, through trauma—these stories were like shining beacons that said, “survival is possible.” Now that I’m a grownup writer, it’s at the root of what I want to offer—hope—to today’s kids who may be going through similar tough stuff. Survival is possible.

Like most people, I started to think about the end of the world during the COVID-19 pandemic. Instead of learning how to bake sourdough bread, I read stories and made art about the apocalypse. The true and catastrophic experiences of people throughout history interested me so much that the project turned into a book. My background in printmaking and illustration has formed my approach to visualizing narrative scenes using crisp black and white linocut prints. My current position as a studio art professor has given me practice in providing information concisely. I try to entertain as much as inform. 

I worked as an industrial electrician for over two decades. At one point during a meeting to discuss an upcoming project, a question was posed about the delivery time of a specific piece of equipment. When the answer was given that it would be about a year away, it got me thinking: what if a specialized piece of equipment—critical to the grid and with an equally long lead time—was destroyed, how would the grid survive? More importantly; how would we survive? That single statement was the spark that ignited the fire in me to learn all about the grid, and to write Dark State.   

I'm a huge self-proclaimed history dork. I love reading real stories of how God uses the ones that no one would expect in extraordinary ways. I love hearing how God turns horrible situations around. Even in my own manuscripts, from a historical fiction perspective, I love to immerse it in such truth that you think, “That couldn’t really happen... Could it?” I have an ongoing phrase in ministry and life that you need to take “The poo you walk through and let God turn it into fertilizer.” These book recommendations definitely do that. Bad things do happen. They don’t come from God but through Him we can overcome them.

Not only have I been a fan of the genre since my early childhood, I’ve also submerged myself from an author's perspective. I've honed my craft through several courses, research, and networking so that I know what I’m putting out is the best work I can produce. I love the familiar style of description and a plot woven into a well-versed tale of good versus evil, especially if the reader is left questioning whether it really was good that won in the end. My love for horror started young when I delved into Stephen King’s Bag of Bones, and I have devoured a lot of classic horror fiction since then.

In my poetry, stories, novels, and scripts, I have long been drawn to the workings of chance: how it can charm characters by the opportunities it appears to offer; how it can turn attractive prospects inside out; and how it can so often force characters to confront realities which, perhaps for a long time, they have sought to avoid. Through different genres—science fiction, mainstream literary, lyric poetry, and realistic drama—I have, over the years, explored the notion of the fork in the road. Will a character choose their path wisely? Will they choose foolishly but press on against all odds? In literature, in lfe, such questions are crucial.