Here are 100 books that I Heart Robot fans have personally recommended if you like
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I was a bookseller specializing in SFF for around 13 years, during which I wrote two novels and many short stories, and I ran a review blog for many years. My love of SFF and Horror began when I was around nine years old, at which time I read Pet Sematary, which opened up the world of ‘grown-up’ books for me. I’m proud to say that I read more speculative fiction than anything else, and I love discovering new voices and visions in Science Fiction, Fantasy, and Horror.
This book took me to a twisted, hidden world full of very creepy scenes and characters, and since I worked in a mall for over a decade, showed me what true horror in a mall could be like.
The whole book is like being trapped in a strange nightmare, and the authors went to some twisted places to imagine what it would be like in their horror-mall. This book also kicks off the series, so there’s more to read after it.
Dan works at a bookstore in a deadly dull shopping mall where nothing ever happens. He's an angsty emo-kid who sells mid-list books to mid-list people for the minimum wage. He hates his job.
Rhoda has dragged her babysitting charge to the mall so she can meet her dealer and score some coke. Now the kid's run off, and she has two hours to find him. She hates her life.
Rhoda bullies Dan into helping her search, but as they explore the neon-lit corridors behind the mall, disturbing text messages lure them into the bowels of the building, where old…
I was a bookseller specializing in SFF for around 13 years, during which I wrote two novels and many short stories, and I ran a review blog for many years. My love of SFF and Horror began when I was around nine years old, at which time I read Pet Sematary, which opened up the world of ‘grown-up’ books for me. I’m proud to say that I read more speculative fiction than anything else, and I love discovering new voices and visions in Science Fiction, Fantasy, and Horror.
While this book is more literary than plot- or character-driven, it deals with the loss of memory and self, and the struggles to reclaim those parts of oneself. It reads like a dream, or a series of dreams – as the reader you’re not entirely sure what is important and what isn’t, but the beautiful prose and interesting situations keep things going.
"The day every person on earth lost his and her memory was not a day at all. In people's minds there was no actual event. . . and thus it could be followed by no period of shock or mourning. There could be no catharsis. Everyone was simply reset to zero."
On Day Zero, the collapse of civilization was as instantaneous as it was inevitable. A mysterious and oppressive movement rose to power in the aftermath, forcing people into isolated communes run like regimes. Kayle Jenner finds himself trapped on a remote beach, and all that remains of his life…
I was a bookseller specializing in SFF for around 13 years, during which I wrote two novels and many short stories, and I ran a review blog for many years. My love of SFF and Horror began when I was around nine years old, at which time I read Pet Sematary, which opened up the world of ‘grown-up’ books for me. I’m proud to say that I read more speculative fiction than anything else, and I love discovering new voices and visions in Science Fiction, Fantasy, and Horror.
One of the best Horror novels I’ve read – very unsettling and creepy, and eminently memorable.
This novel won’t be for everyone; it’s brutal, pulls no punches, and is evocative of the risks writers like Clive Barker take in their writing. Shadows is one of the best examples of South African (that is, written by a South African) horror that I’ve read.
Sarah is forced to the edge of sanity by the ghosts of her family's past. Suffering from violent and bloody hallucinations, she seeks the help of psychiatrist and friend, Michael Brink. After being sent to an institution in a catatonic state covered in blood - from stabbing her unfaithful boyfriend - Sarah is forced to confront the truth about her father's death and the demon, Jack, who caused her father's suicide and who is now the reason for her horrific hallucinations. Unlike her father, Sarah refuses to kill herself. She bargains for her life and succeeds. In Sarah's struggle to…
I was a bookseller specializing in SFF for around 13 years, during which I wrote two novels and many short stories, and I ran a review blog for many years. My love of SFF and Horror began when I was around nine years old, at which time I read Pet Sematary, which opened up the world of ‘grown-up’ books for me. I’m proud to say that I read more speculative fiction than anything else, and I love discovering new voices and visions in Science Fiction, Fantasy, and Horror.
I enjoyed the local setting, the intensity of the novel, and its unflinching exploration of South Africa’s violent crime problems and how crime ties into cultural beliefs.
The novel goes to some dark places, in terms of events and character arcs, and the pacing and well-written scenes keep the reader nailed to the story – you’ll see a side of South Africa which is very real, but perhaps largely unknown to the rest of the world.
Erin du Toit's 9-year old daughter has been kidnapped by Johannesburg's most powerful witchdoctor. Can Erin save her child before she's chopped up for muthi? Erin’s first instinct is to go to the police, but the South African Police Force is paralyzed by corruption and overwhelmed by hundreds of open cases. Cases just like Erin’s. Erin delves into the dark underbelly of Johannesburg to find the man who took her daughter. When she realizes that the police are protecting him, she must decide between disobeying a violent police force and giving up on her daughter. *** "Strong Medicine is an…
As an African speculative fiction writer who had long hoped to see the development of African speculative fiction being embraced by the larger SFF community, it was a joy to see all these anthologies showcasing the works of Africans and platforming them for a larger audience to see. And it's been a joy as well to contribute to this growth both as an award-winning writer and editor of African speculative short fiction.
AfroSF is the first ever anthology of Science Fiction by African writers only open to submissions of original fiction works from Africa and abroad. It was one of the pioneering anthologies of African science fiction and published a number of household names in African speculative fiction in both this and its subsequent volumes.
AfroSF is the first ever anthology of Science Fiction by African writers only that was open to submissions from across Africa and abroad. It is comprised of original (previously unpublished) works only, from stellar established and upcoming African writers: Nnedi Okorafor, Sarah Lotz, Tendai Huchu, Cristy Zinn, Ashley Jacobs, Nick Wood, Tade Thompson, S.A. Partridge, Chinelo Onwualu, Uko Bendi Udo, Dave de Burgh, Biram Mboob, Sally-Ann Murray, Mandisi Nkomo, Liam Kruger, Chiagozie Fred Nwonwu, Joan De La Haye, Mia Arderne, Rafeeat Aliyu, Martin Stokes, Clifton Gachagua, and Efe Okogu.
My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
I knew the film Blade Runner before I read this, the novel upon which it's based, but I was not prepared for the richer complexities of the novel.
My favorite parts of the novel, a bizarre new religion and the extinction of all but human and animal life, barely make it into the film. Even the androids, built to be slaves, are much more nuanced and complex than in the film. I loved the conclusion of the book, which affirms the beauty of life, both natural and mechanical.
As the eagerly-anticipated new film Blade Runner 2049 finally comes to the screen, rediscover the world of Blade Runner . . .
World War Terminus had left the Earth devastated. Through its ruins, bounty hunter Rick Deckard stalked, in search of the renegade replicants who were his prey. When he wasn't 'retiring' them with his laser weapon, he dreamed of owning a live animal - the ultimate status symbol in a world all but bereft of animal life.
Then Rick got his chance: the assignment to kill six Nexus-6 targets, for a huge reward. But in Deckard's world things were…
You get more mums than dads in books for young readers. Perhaps that’s understandable. Mums still loom largest in the lives of younger children. One way or another, it would be good to have more fathers present in the lives of children, and it would be good to have more fathers in children’s books. So I’ve chosen five books featuring fathers who are both at the centre of the story and more alive than the caricatures. The books are ordered roughly by age of the reader: younger first, older last. I hope there’s something new for you to find and enjoy.
A brilliant book (who would dare publish this today?) by the author of the equally brilliant Ben’s Trumpet. In a South African township, some children expect their migrant-labourer fathers to arrive home after 10 months away. They wait, in a celebratory mood at first, but with increasing tiredness and uncertainty as the day and the night go by. They tell stories to stay awake. But the youngest falls asleep. A truck pulls up. It’s not their dads. Then the day dawns. And, with it, the fathers arrive.
There’s hardly any characterisation of the dads. They come to life through the children’s excitement and persistence. So does the deep emotion of an absent father returning. My boys have often chosen this book at bedtime. And they know it well enough to look up curiously when the dads arrive - to check if there are tears of happiness in my eyes.…
The children of a South African village eagerly gather at the crossroads to welcome their fathers, who have been away for months working in the mines. The children wait, but the men don't come. So the children keep waiting. And waiting. They wait all through the night, until the dawn brings both the day and the longed-for loved ones.A "lively portrayal of young children in a South African village eagerly awaiting their fathers' homecoming after ten months of working in the mines....A unique glimpse...and one that deserves a place in all collections."--School Library Journal
I grew up in Nepal, where politics was part and parcel of everyday life. During my childhood and teenage years, we lived under a monarchy, where the king was supreme. Yet there was always a simmering tension between what was a mildly authoritarian rule and what the people’s aspirations were. As I grew into adulthood, Nepal saw a massive uprising that ushered in a multiparty system, then later, after a bloody Maoist civil war, the overthrow of the crown. Yet, even amidst all these political upheavals, people do live quotidian lives, and the space between these two seemingly disparate things has always felt like a literary goldmine to me.
While I was a graduate student of writing, I devoured every novel and story by Nadine Gordimer, whose body of work is astounding in how it combines artistic sensibility with a moral vision. Most important, Gordimer, with her unflinching and unrelenting gaze at the horror of apartheid in South Africa, taught me the value of passion in writing. Gordimer is known mostly for her novels, but her short stories are equally sharp and biting in their critique, and she uses the form’s precision to devastating effect. What is striking in Jump and Other Stories is the diversity of her characters and situations, thereby illuminating every corner of the racial injustices in her country.
War is a horror story, laying bare the harm that humankind is capable of. Being a stubborn historian, I set myself the task of finding humanity in the face of conflict. I am especially intrigued by first-hand accounts that leave little to the imagination, yet I am not drawn to record the distress of the individual, but rather the ability to live through a war and find peace. I am a South African historian with a PhD from Stellenbosch University. I write about individuals in war, and I am determined to give a voice to those South African servicemen who were forgotten when they came home in 1945.
The South African contribution to the Second World War is small compared to that of Britain, the US, and others, yet those South Africans who volunteered to fight did so with commitment, humor, and even a sense of destiny.
This is what I found so fascinating in David Katz’s book, while analyzing military strategy, he never neglected the humanity behind the battles.
After bitter debate, South Africa, a dominion of the British Empire at the time, declared war on Germany five days after the invasion of Poland in September 1939. Thrust by the British into the campaign against Erwin Rommel's German Afrika Korps in North Africa, the South Africans fought a see-saw war of defeats followed by successes, culminating in the Battle of El Alamein, where South African soldiers made a significant contribution to halting the Desert Fox's advance into Egypt. This is the story of an army committed somewhat reluctantly to a war it didn't fully support, ill-prepared for the battles…
While my childhood in a coastal community in South Africa contributed to my deep appreciation and love for nature, I was born and grew up as a person of colour in the apartheid era when barricades divided humans, the land, and the sea. I developed a profound understanding, rooted in my lived experience, of the interlinkages between justice, equity, and sustainability. I've remained actively involved and interested in developing and profiling transformative and inclusive approaches to sustainability from community to the international level. I've maintained this focus on the nexus between climate, nature, and inequality throughout my career, where I've led transformative and inclusive approaches to nature and climate policy and practice for 20+ years.
This is a foundational book if you’re interested in understanding the green economy discourse in South Africa.
It tackles the challenges facing the country in addressing poverty, inequality, and unemployment and how a green transition must deliver both social and environmental outcomes.
Contributors are drawn from leading thinkers on sustainability issues in South Africa.
The depletion of South Africa's (and in some cases the world's) natural resources and the degradation of environmental sinks (including the atmosphere, lakes and rivers, and land) are continuing at such a rate that natural resource prices are climbing and many critical ecosystem services that underpin human welfare are increasingly threatened.
The concept of the `green economy' has gained increasing traction in South African policy discourses over the past few years. However, in much of this discourse it is viewed in a piecemeal way as one part or sector of the economy (e.g. an industrial sector dealing with manufacture and…
