Here are 73 books that How to Read a Book fans have personally recommended if you like
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I am an award-winning author who grew up in a family of painters, poets, sculptors, and novelists; people who designed their lives around, and dedicated their lives to, artistic expression. I knew I wanted to be a writer at age three when I began dictating a poem every day to my mom. I first fell in love with Jane Austen as a student at Oxford, where I read my favorite of her novels, Persuasion.
I love this subversive, touching, and weird picture book biography about the author of Goodnight, Moon (and more than 100 other books). In 42 pages, Mac has managed to question the whole concept of biography and traditional notions about what children’s books (and all books) should be like—both sentiments reflected in Margaret life and work—while at the same time providing a perfect portrait of the aspects of the author’s life most relevant to her writing, and probing questions of censorship and tastemaking. Among other things, Mac shows young creators how to live in a celebratory manner even if the world seems to have turned its back on their work. He does all this while keeping the reader curious (there’s tension!), engaged (there’s storytelling!), and happy (it’s funny!)—but not too happy (the ending is tragic and philosophical!). This might be my favorite picture book biography of all time.
An exceptional picture book biography of Margaret Wise Brown, the legendary author of Goodnight Moon, The Runaway Bunny, and other beloved children's classics, that's as groundbreaking as the icon herself was-from award-winning, bestselling author Mac Barnett and acclaimed illustrator Sarah Jacoby.
What is important about Margaret Wise Brown?
In forty-two inspired pages, this biography artfully plays with form and language to vivdly bring to life one of greatest children's book creators who ever lived: Margaret Wise Brown.
Illustrated with sumptuous art by rising star Sarah Jacoby, this is essential reading for book lovers of every age.
I am an English teacher who is the child of an English teacher. I majored in comparative literature at college and went on to earn a PhD in English Literature. But the experience of reading picture books to my own children was more important to me than any fancy degree. I fell in love with books all over again, with the shape and feel of them, with the fonts, with the way the words sounded out loud, with the way the images extended and commented on the story. “Ah!” I thought, “I should write my own picture book.” So began a long and not so simple journey. I hope my own books foster a love of words, art, and creativity in both adult and child readers.
There are lots of books out there about Emily Dickinson, but this is my favorite one. Why? Because it challenges the myth of Emily as a lonely recluse. (After all, what child wants to read about a depressed lady who never leaves the house?) Marty Rhodes Figley humanizes Dickinson by focusing on her love for her dog. Children will identify with Emily as someone who needs a companion to help her navigate the big world. They will also love the rambunctious Carlo as much as she did. I did not know about Carlo before I read this book and as an adult reader, I came away with a more nuanced picture of this most mysterious and mercurial of poets.
When Emily Dickinson was given a puppy by her father, the two were instant best friends. She named him Carlo, after a dog in one of her favorite books, and she delighted in the growing dog’s antics. Carlo, a Newfoundland (and possibly part Saint Bernard), grew to a rather large size and was full of energy. He loved his adventures with Emily. They were an odd pair—a tiny woman and a large, galumphing dog. But they were devoted to one another. Carlo gave Emily confidence to wander and explore the woods and hills near her home, and he listened to…
I am an English teacher who is the child of an English teacher. I majored in comparative literature at college and went on to earn a PhD in English Literature. But the experience of reading picture books to my own children was more important to me than any fancy degree. I fell in love with books all over again, with the shape and feel of them, with the fonts, with the way the words sounded out loud, with the way the images extended and commented on the story. “Ah!” I thought, “I should write my own picture book.” So began a long and not so simple journey. I hope my own books foster a love of words, art, and creativity in both adult and child readers.
This biography focuses on one moment, one lunch, and one poem in Neruda’s long and prolific career. And yet it captures so much! Giardino manages to suggest all of the paradoxes in Neruda’s life and work—the sadness and the joy, the grand themes of labor and oppression, and the ordinary sensuous details of daily life. The story arc begins with gloom and the solitary work of writing, but ends with a celebration and a shared meal. The end pages are papery onion skin that the child reader will want to touch. Neruda’s poem, “Ode to an Onion,” is printed in the back in Spanish and English. I can see children being inspired to write their own odes to ordinary objects.
A poetic, beautifully illustrated picture book inspired by Ode to the Onion by Chilean poet Pablo Neruda (1904-1973). Pablo has a lunch date with his friend Matilde, who shows the moody poet her garden. Where Pablo sees conflict and sadness, Matilde sees love and hope. The story is less a biography of Neruda and his muse, Matilde Urrutia (1912-1985), and more a simple ode to a vegetable that is humble and luminous, dark and light, gloomy and glad, full of grief and full of joy-just like life.A Junior Library Guild Selection
I’m a picture-book author who wrote about Mahalia Jackson so more people would feel the sense of awe about her that I do. When I first read how she was treated by our own country, I was furious. But her amazing grace allowed me to focus on the positive aspects of her life, like she did.
The life of Zora Neale Hurston, the extraordinary novelist and first female African-American anthropologist, was bigger than words. But this picture book catches the uncatchable. The words are gorgeous. And the illustrations further illuminate the portrait, including delightful hats on the endpapers (a hat-tip to Ms. Hurston’s “HATitude”).
From the Newbery Honor-winning author of Genesis Begins Again comes a shimmering picture book that shines the light on Zora Neale Hurston, the extraordinary writer and storycatcher extraordinaire who changed the face of American literature.
Zora was a girl who hankered for tales like bees for honey. Now, her mama always told her that if she wanted something, "to jump at de sun", because even though you might not land quite that high, at least you'd get off the ground. So Zora jumped from place to place, from the porch of the general store where she listened to folktales, to…
As an American who writes about the history of the Soviet Union, I am constantly trying to understand people separated from me by identity, ideology, language—and time. Applying strategies for empathizing across political, cultural, and linguistic boundaries is, in many ways, the basic task of historical research. At a moment of intense political polarization, the task has become more necessary than ever. My most recent book examines this process by retracing the American journey of two Soviet travelers. Their willingness to laugh at themselves allowed them, at least sometimes, to set aside their presuppositions and see the alien land of the capitalists and the world of socialism anew.
The poet Langston Hughes’s autobiography engagingly recounts his travels to Cuba, Haiti, Japan, and Spain during the Civil War. The book's centerpiece is his 1931-1932 trip to the Soviet Union. He visited as part of a contingent of twenty-two African Americans hired to make a film on race relations in the United States.
The film project never panned out, but Hughes took advantage of the situation to visit Soviet Central Asia. He understood that his hosts tried too hard to convince American visitors of the progress made under the Soviet regime. But his autobiography also conveys the wonderful strangeness of being in a country officially committed to antiracism, where people of color had opportunities for education and advancement.
In I Wonder as I Wander, Langston Hughes vividly recalls the most dramatic and intimate moments of his life in the turbulent 1930s.
His wanderlust leads him to Cuba, Haiti, Russia, Soviet Central Asia, Japan, Spain (during its Civil War), through dictatorships, wars, revolutions. He meets and brings to life the famous and the humble, from Arthur Koestler to Emma, the Black Mammy of Moscow. It is the continuously amusing, wise revelation of an American writer journeying around the often strange and always exciting world he loves.
Several months before the Covid-19 pandemic upended the world as we knew it, my life was turned upside-down by reports of suicide rates and attempted suicides doubling for Black children. In fact, during late Fall 2019, Congress established an Emergency Task Force on Youth Suicide and Mental Health. I’d already been reading accounts of Black children ending their lives on social media, and as a writer, decided to leave a legacy of books that helped armor Black children with love as they navigated spaces that would not always welcome their brilliance and beauty. I wanted to help encourage them to embrace life’s joys and to love themselves, always.
Kwame Alexander is a creative force of nature, an award-winning author of poetry and children’s fiction, such as Out of Wonder: Poems Celebrating Poets, Becoming Muhammad Ali, co-authored with James Patterson, andThe Crossover, soon to be a Disney+ television series. InThe Undefeated, Alexander displays masterful lyrical language skills, and by telling us what we are not, shows us what we are: resilient, strong, and brave. Read this book to Black children and bask in the love.
Originally performed for ESPN's The Undefeated, this poem is a love letter to black life in the United States. It highlights the unspeakable trauma of slavery, the faith and fire of the civil rights movement, and the grit, passion, and perseverance of some of the world's greatest heroes. The text is also peppered with references to the words of Martin Luther King, Jr., Langston Hughes, Gwendolyn Brooks, and others, offering deeper insights into the accomplishments of the past, while bringing stark attention to the endurance and spirit of those surviving and thriving in the present.
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
On top of having written one of the most profound novels of the 20th century, Zora Neale Hurston was a fierce and fearless proponent of authenticity in literature and art – and she paid the price for that.
Boyd’s biography of her is the best, delving into this complex woman who was both deeply of her time and way ahead of it. Boyd quotes Hurston in one of my all-time favorite lines by a writer responding to a demeaning critic: “I will send my toe-nails to debate him…” An inspiration for all creative people facing rejection for being true to themselves!
From critically acclaimed journalist Valerie Boyd comes an eloquent profile of one of the most intriguing cultural figures of the twentieth century—Zora Neale Hurston.
A woman of enormous talent and remarkable drive, Zora Neale Hurston published seven books, many short stories, and several articles and plays over a career that spanned more than thirty years. Today, nearly every black woman writer of significance—including Maya Angelou, Toni Morrison, and Alice Walker—acknowledges Hurston as a literary foremother, and her 1937 masterpiece Their Eyes Were Watching God has become a crucial part of the modern literary canon.
I love sharing poetry with children! I became inspired to write poetic picture books during my 20-year career as an elementary school librarian. In class, we often read aloud, discussed, and performed poems. My students considered word choices, identified alliteration, metaphor, and simile, and developed a sophisticated vocabulary of “beautiful” words. They delighted in using their senses to write about special places and moments and did research to create and illustrate fact-based poems about people and animals. In exploring poetry and biographies of poets, students found inspiration and used their authentic voices to craft their own funny, engaging, and thoughtful poetry.
If you doubt poetry’s power to sweep you up and bring you to tears, you must read Burleigh’s deep dive into Langston Hughes’ inspiration for his famous poem, “The Negro Speaks of Rivers”. You’ll take this story to heart and keep it there. I got the chills from the author’s note, which explains that Burleigh’s goal was to explore “the moment when Langston Hughes came to believe in himself as a writer” – and have that moment inspire others. In vibrant, poetic prose perfect for reading aloud, Burleigh begins with Hughes celebrating his first book.
In a flashback, Hughes, on a train, muses over his personal history. As the train crosses the Mississippi, he reaches further back into his people’s history, until he entwines those strands into one gorgeous, resonant work of art.
Robert Burleigh's inspiring text captures the magical moment when Langston Hughes came to believe in himself as a writer, as he first wrote "The Negro Speaks of Rivers."
Clackety clack clack clack... Can you hear the rhythm of the train? Langston Hughes did. Traveling to see his father in 1920, as he listened to the sounds of the train -- metal on metal, wheels on rails -- Hughes's imagination took flight. On that ride, he was inspired to write his first famous poem, "The Negro Speaks of Rivers." This picture book tells the story of Langston Hughes's rise to accomplishing…
I am a scholar of African Diaspora cultural studies, which means I spend a lot of time analyzing texts in various forms: books, art, film, music, and even laws and legal documents. The cultural texts I study were produced by people. I am passionate about Black popular culture, because it dismantles some of the enduring divisions between academic institutions and the people who live beyond their walls. It is a field of study that is always in flux, especially now with twenty-first-century advances that position popular culture as almost always at our fingertips.
This book focuses mostly on literary criticism, but I chose it because of the theoretical work Alexander does in defining “the black interior.” The concept of the black interior unpacks the ways in which Black bodies and blackness have been devalued and dehumanized. This book and its theoretical underpinnings insist upon recoupling the “human” with blackness. I love how the book challenges viewing and spectatorship and calls upon readers to recognize black life and creativity beyond stereotypes that guide the limited imaginations of the dominant culture that relentlessly misrepresents and maligns blackness.
Legendary poet Elizabeth Alexander turns her finely-honed sensibilities to the subject of blackness and the interior world of the modern African-American. Intelligent, perceptive and keenly observed, this collection of essays traces a thoughtful path through music, poetry and the outstanding social issues of the last 200 years to synthesise a remarkable picture of the modern African-American psyche. From Langston Hughes to the Rodney King video, Alexander leads her reader effortlessly over the complex terrain of art and politics to a new vision of the black interior.
All of my books and stories have at least one thing in common: strong women. I’ve always been fascinated by women who are fighters and who aren’t afraid to challenge the status quo. Astra, the main character in A Bright Young Thing, is definitely not alone in pushing back against society’s expectations: the women in these books (and many in real life in the 1930s) also find the strength to say no, to stand in their power, and truly live life their way.
The most famous short story in this collection is about Cora, whose whole life is spent in drudgery first to her own family, and then to the locally prominent Studevants. In her own life, Cora is somewhat unconventional—she feels no shame for having an illegitimate child at a time when that was frowned upon, to say the least—but she’s quietly obedient to her difficult employers. Until, that is, one of them causes a tragedy, and Cora feels compelled to speak up very publicly. And, oh, when she does it is immensely satisfying! (TW: racially charged language and abortion)
THE CELEBRATED SHORT STORY COLLECTION FROM THE AMERICAN POET AND WRITER OFTEN CALLED THE 'POET LAUREATE OF HARLEM'
A black maid forms a close bond with the daughter of the cruel white couple for whom she works. Two rich, white artists hire a black model to pose as a slave. A white-passing boy ignores his mother when they cross each other on the street.
Written with sardonic wit and a keen eye for the absurdly unjust, these fourteen stories about racial tensions are as relevant today as the day they were penned, and linger in the mind long after the…
