Here are 33 books that The Black Interior fans have personally recommended if you like
The Black Interior.
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I am a scholar of African Diaspora cultural studies, which means I spend a lot of time analyzing texts in various forms: books, art, film, music, and even laws and legal documents. The cultural texts I study were produced by people. I am passionate about Black popular culture, because it dismantles some of the enduring divisions between academic institutions and the people who live beyond their walls. It is a field of study that is always in flux, especially now with twenty-first-century advances that position popular culture as almost always at our fingertips.
I am recommending this book, because it is the first edited volume, and, really, the first academic book to directly engage black popular culture as a field of study. It was avant-garde. It gave a name to cultural productions that, at that time, during my first semester of graduate school in 1997, I had no idea had a collective name. I love this book, because I encountered it simultaneously to learning concepts like “high” and “low” art. The book, in my opinion, made a compelling argument for why the popular, the folk, the vernacular, and so-called “low” art matters.
I’m Black, and I’m a horror movie fan, two things that, per the well-worn trope that “the Black guy dies first,” don’t seem to go together. However, I’ve been able to use the treatment that Black characters have received in horror to explore the ways in which Black people have been marginalized in Hollywood, placed into specific roles in which they served as expendable, ancillary characters rather than stars. While things have improved dramatically in recent years, that makes it all the more important to not forget how much Black progress there has been in film, because those who forget the past are condemned to repeat it.
While the Bogle and Cripps books were written during the 1970s Blaxploitation era, this one emerged during the next great Black film movement, the “urban cinema” era of the 1990s, triggered by movies like Do the Right Thing and Boyz n the Hood.
Particularly influential for my book is the chapter “Slaves, Monsters, and Others,” which touches upon the racialized metaphors and allegories in horror, fantasy, and science fiction.
Even if you don’t agree with its assertions, the book provides fascinating food for thought.
From D.W. Griffith's The Birth of a Nation to Spike Lee's Malcolm X, Ed Guerrero argues, the commercial film industry reflects white domination of American society. Written with the energy and conviction generated by the new black film wave, Framing Blackness traces an ongoing epic-African Americans protesting screen images of blacks as criminals, servants, comics, athletes, and sidekicks.
These images persist despite blacks' irrepressible demands for emancipated images and a role in the industry. Although starkly racist portrayals of blacks in early films have gradually been replaced by more appealing characterizations, the legacy of the plantation genre lives on in…
I am a scholar of African Diaspora cultural studies, which means I spend a lot of time analyzing texts in various forms: books, art, film, music, and even laws and legal documents. The cultural texts I study were produced by people. I am passionate about Black popular culture, because it dismantles some of the enduring divisions between academic institutions and the people who live beyond their walls. It is a field of study that is always in flux, especially now with twenty-first-century advances that position popular culture as almost always at our fingertips.
I am recommending this book because it took me back to Wallace and Dent’s Black Popular Culture when I was struggling to understand why my doctoral program frowned upon interdisciplinarity. This book helped me understand why I was not interested in just writing literary criticism. It gave me methodological tools and language to articulate why the research I wanted to do matters. Importantly, it also gave me a definition of the term “post-soul” that during the early 2000s was bandied about but rarely defined. I love this book because Neal was the first scholar I encountered who unapologetically claimed to be a scholar of Black popular culture.
In Soul Babies, Mark Anthony Neal explains the complexities and contradictions of black life and culture after the end of the Civil Rights era. He traces the emergence of what he calls a "post-soul aesthetic," a transformation of values that marked a profound change in African American thought and experience. Lively and provocative, Soul Babies offers a valuable new way of thinking about black popular culture and the legacy of the sixties.
I am a scholar of African Diaspora cultural studies, which means I spend a lot of time analyzing texts in various forms: books, art, film, music, and even laws and legal documents. The cultural texts I study were produced by people. I am passionate about Black popular culture, because it dismantles some of the enduring divisions between academic institutions and the people who live beyond their walls. It is a field of study that is always in flux, especially now with twenty-first-century advances that position popular culture as almost always at our fingertips.
I am recommending this book because I fell in love with the way duCille weaves cultural critique and personal experience in one of her earlier books, Skin Trade. The invention of streaming services has made televisual representation more accessible, which can be both good and bad. I love how this book demonstrates the way in which culture informs the lived experience and the way in which lived experiences can shape culture. And duCille is an excellent storyteller.
From early sitcoms such as I Love Lucy to contemporary prime-time dramas like Scandal and How to Get Away with Murder, African Americans on television have too often been asked to portray tired stereotypes of blacks as villains, vixens, victims, and disposable minorities. In Technicolored black feminist critic Ann duCille combines cultural critique with personal reflections on growing up with the new medium of TV to examine how televisual representations of African Americans have changed over the last sixty years. Whether explaining how watching Shirley Temple led her to question her own self-worth or how televisual representation functions as a…
I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
With a range of strong personal essays by some of Basquiat’s closest friends, family, and business colleagues, this elegantly designed art book is a good balance of early Basquiat art, documentary photography, and attractive film stills.
It is extra special because it centers on and helps explain the ways Basquiat and his artist peers were influenced by the streets and hyperactive socio-cultural experiences of the late 1970s and early 1980s in New York City. This includes the rich and fascinating music, art, club, and gallery scenes.
The book features wonderful reproductions of some of Basquiat’s most stunning early works (both written and figurative). I enjoy having this book on my shelf due to its high-quality presentation, uniqueness, and historic appeal.
In 1981 Jean-Michel Basquiat made the momentous transition from the street to the studio. He had attracted considerable attention with his Times Square Show the summer before, and reinforced that nascent notoriety with a wall of phenomenal works in Diego Cortez's New York/New Wave at P.S. 1, which opened the following winter. A few months later, the dealer Annina Nosei offered Basquiat an independent space in which to prepare work for her September group show, Public Address. He was only 20. Between the world of spray-painted poetry and what critic Peter Schjeldahl called "New York big-painting aesthetics" lies a fantastic…
I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
This book makes the top of my list simply for the very practical reason that it gathers the majority of available images spanning Basquiat’s entire body of work.
Its small size makes it accessible and affordable, however for that same reason, the images are not reproduced as largely as in other art books. At a chunky 512 pages, this stylish art book is the definitive volume for seeing high-quality reproductions of all of Basquiat’s documented work organized in one volume. It also includes some decent text content.
As a scholar or collector this is a very useful book but it’s also fun for anyone who wants to see comprehensive, or key, specific Basquiat works for an affordable price.
The legend of Jean-Michel Basquiat is as strong as ever. Synonymous with New York in the 1980s, the artist first appeared in the late 1970s under the tag SAMO, spraying caustic comments and fragmented poems on the walls of the city. He appeared as part of a thriving underground scene of visual arts and graffiti, hip hop, post-punk, and DIY filmmaking, which met in a booming art world. As a painter with a strong personal voice, Basquiat soon broke into the established milieu, exhibiting in galleries around the world.
Basquiat's expressive style was based on raw figures and integrated words…
I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
No single book on my list is the perfect gateway to Basquiat, but taken as a group, you have a strong primer.
This recommendation includes abundant personal memories, photos, ephemera and artworks from the private collection of Jean-Michel Basquiat, his family, and close associates. After so many publications without input, Basquiat’s sisters finally come out here and share some personal experiences.
Research-wise this book is somewhat useless as his estate was not able to catalog much detailed substance. Yet the works within, which Basquiat withheld in his personal collection—are some of his most brilliant, especially the drawings, dated or not.
Organised by the family of Basquiat, the exhibition and accompanying catalogue feature over 200 never before and rarely seen paintings, drawings, ephemera, and artifacts. The artist s contributions to the history of art and his exploration into our multi-faceted culture incorporating music, the Black experience, pop culture, African American sports figures, literature, and other sources are showcased alongside personal reminiscences and firsthand accounts providing unique insight into Basquiat s creative life and his singular voice that propelled the social and cultural narrative that continues to this day. Structured around key periods in his life, from his childhood and formative years,…
I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
I am conflicted recommending this book. I detest this bestselling biography’s gossipy tone concerning Jean-Michel Basquiat’s personal and professional drama.
Yet many of these disturbances are unpleasantly true, and Hoban extensively, tediously researched her book. When I forget key names, or need to reference milestones, I look in the glossary and chapters. Chronologically it is helpful, but loosely delivered.
A revised edition would make a lot of sense, with so much discovery since its publication. The expansiveness, thoroughness, and ambition keep this book useful to me. Readers should take this exhaustive bio with a grain of salt, because of its biased fixation on the negative curiosities of Basquiat’s legacy.
In addition, with so much new information being revealed, researchers must cross-reference all facts taken from this title.
The tragic story of the talented painter Jean-Michel Basquiat details his turbulent childhood, explosive dealings with the elite art world, relationships with such figures as Andy Warhol and Madonna, and rise to fame, which led to his death from a drug overdose at the age of twenty-seven. 12,000 first printing.
I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
Its prose channels the powerful yet painful relationship of Suzanne Mallouk and Jean-Michel Basquiat as seen through Suzanne’s wise sensitivity, artistic nature, and unconditionally honest heart. Clement is a rich, sentient, masterful poet, and close friend of Suzanne.
I love that the story reads with mysterious, potent fluidity and is peppered with odd, lesser-realized personality traits and historic Basquiat facts.
Widow Basquiat is the unfiltered story of lovers living amidst an 80s NYC cultural renaissance. Their small joys and quirky character traits feel heroically familiar while the poetic style traverses select, revealing content that strikes chords.
Having personally known Suzanne for many years as a scholar and friend, this book generously and deeply shares her authentic human experience.
The beautifully written, deeply affecting story of Jean-Michel Basquiat's partner, her past, and their life together
An NPR Best Book of the Year Selection
New York City in the 1980s was a mesmerizing, wild place. A hotbed for hip hop, underground culture, and unmatched creative energy, it spawned some of the most significant art of the 20th century. It was where Jean-Michel Basquiat became an avant-garde street artist and painter, swiftly achieving worldwide fame. During the years before his death at the age of 27, he shared his life with his lover and muse, Suzanne Mallouk.
I was born and raised in Durham, North Carolina where I was loved, nurtured, and mentored by several brilliant, creative, and powerful Black women. One of those women was Dr. Maya Angelou, who was close with my Grandmother, Queen Mother Frances Pierce, and was my mom's God-Mother. She and the other authors on this list are all women who I respect professionally and love dearly. I am a picture book author, a Grammy-nominated children's musician, and a father of two. I have read these stories to my children and am so proud to live in the great state of North Carolina with so many talented, genuine, and inspirational Black women.
The late Dr. Maya Angelou, or "Auntie Maya" as we called her in our household, is one of the most brilliant and iconic authors in American history.
One of her lesser-known publications is her 1993 picture book, Life Doesn't Frighten Me, illustrated by the legendary artist Jean Michel Basquiat. This book is a work of art for all ages! Dr. Angelou's bold and beautiful poetry paired with Basquiat's genius is a love letter to the human spirit.
Shadows on the wallNoises down the hallLife doesn't frighten me at all Maya Angelou's brave, defiant poem celebrates the courage within each of us, young and old. From the scary thought of panthers in the park to the unsettling scene of a new classroom, fearsome images are summoned and dispelled by the power of faith in ourselves.Angelou's strong words are matched by the daring vision of artist Jean-Michel Basquiat, whose childlike style reveals the powerful emotions and fanciful imaginings of childhood. Together, Angelou's words and Basquiat's paintings create a place where every child, indeed every person, may experience his or…
