100 books like Black Popular Culture

While the Bogle and Cripps books were written during the 1970s Blaxploitation era, this one emerged during the next great Black film movement, the “urban cinema” era of the 1990s, triggered by movies like Do the Right Thing and Boyz n the Hood.

Particularly influential for my book is the chapter “Slaves, Monsters, and Others,” which touches upon the racialized metaphors and allegories in horror, fantasy, and science fiction.

Even if you don’t agree with its assertions, the book provides fascinating food for thought.

I am recommending this book because it took me back to Wallace and Dent’s Black Popular Culture when I was struggling to understand why my doctoral program frowned upon interdisciplinarity. This book helped me understand why I was not interested in just writing literary criticism. It gave me methodological tools and language to articulate why the research I wanted to do matters. Importantly, it also gave me a definition of the term “post-soul” that during the early 2000s was bandied about but rarely defined. I love this book because Neal was the first scholar I encountered who unapologetically claimed to be a scholar of Black popular culture.

I am recommending this book because I fell in love with the way duCille weaves cultural critique and personal experience in one of her earlier books, Skin Trade. The invention of streaming services has made televisual representation more accessible, which can be both good and bad. I love how this book demonstrates the way in which culture informs the lived experience and the way in which lived experiences can shape culture. And duCille is an excellent storyteller.

This book focuses mostly on literary criticism, but I chose it because of the theoretical work Alexander does in defining “the black interior.” The concept of the black interior unpacks the ways in which Black bodies and blackness have been devalued and dehumanized. This book and its theoretical underpinnings insist upon recoupling the “human” with blackness. I love how the book challenges viewing and spectatorship and calls upon readers to recognize black life and creativity beyond stereotypes that guide the limited imaginations of the dominant culture that relentlessly misrepresents and maligns blackness.

I know you’re not supposed to judge a book by its cover, but the cover is indeed what got me! I immediately wished someone had captured an image of me looking amazing and strong like the girl featured. I mean, how cool to have a picture that really reflects oneself, so unlike the stiff and awkwardly posed school pics that decorated my home growing up. Her stance and expression just spoke to me and I immediately loved that this book celebrated her strength and presence.  And not just hers! Many, many girls of various ages and backgrounds are photographed doing something that makes them feel good or strong or real. This book is a catalog of photos and words that celebrate girls being their authentic selves. I want that for all the little girls, and all the little girls who have grown up too. 

This book is in a similar vein as Oona finds herself time jumping within her own life, suddenly living it out of sequence as she jumps to a different period in time with each birthday, forcing her to look within and realize what is important and worth holding on to and worth fighting for. I am a sucker for books where characters get the opportunity to experience alternate versions of their personal realities, and I could not put this one down. I’m all about my characters understanding that the choices they make create their ultimate realities. The ultimate messages about the importance of love and family and the choices we make really resonated with me.

Family can be an emotionally charged word, especially for people who come from toxic families or don’t even know their biological families. This is why I appreciate this non-fiction book by Bella DePaulo, which acknowledges that there is more than one way to be a family. She goes well beyond the typical nuclear family of mother, father, and biological children to explore how people are living together in the 21st century. One type of configuration she explores, the multi-generational household, is near and dear to my heart because I grew up like that, and it changed my life for the better.

Where the Girls Are is about a particular generation of women growing up in post War America, and the impact popular media had on their lives, both for good and for bad. It weaves wonderfully smart, often funny, always engagingly written discussions of pop music, movies, and television shows with Douglas’s own experiences at the time. It’s unabashedly feminist—but it isn’t a speech or a political manifesto. It’s an exploration of the push-pull of growing up female at a transitional time, a time in which attitudes toward women were changing, unevenly, and how pop culture reflected the tensions of the times. This book is history, memoir, sociology, media studies, all at once – immensely informative and very entertaining.

Jon Ronson has also written a highly entertaining book about extremism called Them, but I chose this one because it could just as well be called Us. Public shaming on the Internet is almost a sport at this point, but Ronson shows how, after the mob moves on, the target of the virtual stoning has to figure out how to put themselves back together and carry on.

A funny, readable romp, this book also asks the reader to think deeply about how morality plays out online and what we are saying when we use degradation and dehumanization as a way of communicating moral ideas.

Patrick Galbraith is arguably one of the leading experts on all things otaku. He has written dozens of article and essays and a few books on the subject, and choosing one to showcase here was not easy. The Moe Manifesto is not an entry-level work; it’s for hardcore fans who want to dive headfirst into the otaku rabbit hole. Even I often consult it for inspiration when I write about Japanese subcultures. 

The book’s main selling point – especially if you can’t read Japanese – is that Galbraith has assembled a unique lineup of experts (university professors, social and cultural critics, writers, illustrators and other assorted creatives) that he has extensively interviewed about different aspects of otaku culture. There’s a lot of serious food for thought here.