Here are 74 books that Jean-Michel Basquiat 1981 fans have personally recommended if you like
Jean-Michel Basquiat 1981.
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I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
Its prose channels the powerful yet painful relationship of Suzanne Mallouk and Jean-Michel Basquiat as seen through Suzanne’s wise sensitivity, artistic nature, and unconditionally honest heart. Clement is a rich, sentient, masterful poet, and close friend of Suzanne.
I love that the story reads with mysterious, potent fluidity and is peppered with odd, lesser-realized personality traits and historic Basquiat facts.
Widow Basquiat is the unfiltered story of lovers living amidst an 80s NYC cultural renaissance. Their small joys and quirky character traits feel heroically familiar while the poetic style traverses select, revealing content that strikes chords.
Having personally known Suzanne for many years as a scholar and friend, this book generously and deeply shares her authentic human experience.
The beautifully written, deeply affecting story of Jean-Michel Basquiat's partner, her past, and their life together
An NPR Best Book of the Year Selection
New York City in the 1980s was a mesmerizing, wild place. A hotbed for hip hop, underground culture, and unmatched creative energy, it spawned some of the most significant art of the 20th century. It was where Jean-Michel Basquiat became an avant-garde street artist and painter, swiftly achieving worldwide fame. During the years before his death at the age of 27, he shared his life with his lover and muse, Suzanne Mallouk.
I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
This book makes the top of my list simply for the very practical reason that it gathers the majority of available images spanning Basquiat’s entire body of work.
Its small size makes it accessible and affordable, however for that same reason, the images are not reproduced as largely as in other art books. At a chunky 512 pages, this stylish art book is the definitive volume for seeing high-quality reproductions of all of Basquiat’s documented work organized in one volume. It also includes some decent text content.
As a scholar or collector this is a very useful book but it’s also fun for anyone who wants to see comprehensive, or key, specific Basquiat works for an affordable price.
The legend of Jean-Michel Basquiat is as strong as ever. Synonymous with New York in the 1980s, the artist first appeared in the late 1970s under the tag SAMO, spraying caustic comments and fragmented poems on the walls of the city. He appeared as part of a thriving underground scene of visual arts and graffiti, hip hop, post-punk, and DIY filmmaking, which met in a booming art world. As a painter with a strong personal voice, Basquiat soon broke into the established milieu, exhibiting in galleries around the world.
Basquiat's expressive style was based on raw figures and integrated words…
I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
I am conflicted recommending this book. I detest this bestselling biography’s gossipy tone concerning Jean-Michel Basquiat’s personal and professional drama.
Yet many of these disturbances are unpleasantly true, and Hoban extensively, tediously researched her book. When I forget key names, or need to reference milestones, I look in the glossary and chapters. Chronologically it is helpful, but loosely delivered.
A revised edition would make a lot of sense, with so much discovery since its publication. The expansiveness, thoroughness, and ambition keep this book useful to me. Readers should take this exhaustive bio with a grain of salt, because of its biased fixation on the negative curiosities of Basquiat’s legacy.
In addition, with so much new information being revealed, researchers must cross-reference all facts taken from this title.
The tragic story of the talented painter Jean-Michel Basquiat details his turbulent childhood, explosive dealings with the elite art world, relationships with such figures as Andy Warhol and Madonna, and rise to fame, which led to his death from a drug overdose at the age of twenty-seven. 12,000 first printing.
I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
No single book on my list is the perfect gateway to Basquiat, but taken as a group, you have a strong primer.
This recommendation includes abundant personal memories, photos, ephemera and artworks from the private collection of Jean-Michel Basquiat, his family, and close associates. After so many publications without input, Basquiat’s sisters finally come out here and share some personal experiences.
Research-wise this book is somewhat useless as his estate was not able to catalog much detailed substance. Yet the works within, which Basquiat withheld in his personal collection—are some of his most brilliant, especially the drawings, dated or not.
Organised by the family of Basquiat, the exhibition and accompanying catalogue feature over 200 never before and rarely seen paintings, drawings, ephemera, and artifacts. The artist s contributions to the history of art and his exploration into our multi-faceted culture incorporating music, the Black experience, pop culture, African American sports figures, literature, and other sources are showcased alongside personal reminiscences and firsthand accounts providing unique insight into Basquiat s creative life and his singular voice that propelled the social and cultural narrative that continues to this day. Structured around key periods in his life, from his childhood and formative years,…
I’m the author of five books, the most recent of which is The Strange Case of Dr. Couney: How a Mysterious European Showman Saved Thousands of American Babies. The “doctor” ran infant incubator sideshows for forty years at Coney Island (among other places) where the public would pay to view tiny preemies. Bizarre as it seems, and despite Martin Couney’s many fabrications, he was the rightful father of American neonatology, not only getting rich but also saving thousands of children when the medical establishment couldn’t or wouldn’t do it: Some of his patients are still alive. During my years of research, I needed to immerse myself in the history and culture of America’s trippiest, naughtiest seaside playground, with its amusement parks, freak shows, sideshows, hijinks, and hanky panky. (Sigmund Freud reportedly said that Coney Island was the only thing of interest to him in America). Along with many trips to Coney Island as it is today, including the Coney Island Museum, these were the books that really helped me feel it.
Created in conjunction with a 2015 exhibition, this volume is a visual feast -- a tribute to the way Coney Island inspired artists and endures as part of the public imagination. Paintings, drawings, posters, artifacts, and photographs spanning 1861-2008 fill its pages; artists include Diane Arbus, Jean-Michel Basquiat, Red Grooms, and many others. Accompanying essays explore the seaside resort’s cultural significance.
A captivating look at Coney Island and its iconic place in the history of American art
Called "America's playground," Coney Island is a world-famous resort and national cultural symbol that has inspired music, literature, and films. This groundbreaking book is the first to look at the site's enduring status as inspiration for artists throughout the ages, from its inception as an elite seaside resort in the mid-19th century, to its evolution into an entertainment mecca for the masses, with the eventual closing of its iconic amusement park, Astroland, in 2008 after decades of urban decline. How artists chose to portray…
I am a scholar of African Diaspora cultural studies, which means I spend a lot of time analyzing texts in various forms: books, art, film, music, and even laws and legal documents. The cultural texts I study were produced by people. I am passionate about Black popular culture, because it dismantles some of the enduring divisions between academic institutions and the people who live beyond their walls. It is a field of study that is always in flux, especially now with twenty-first-century advances that position popular culture as almost always at our fingertips.
This book focuses mostly on literary criticism, but I chose it because of the theoretical work Alexander does in defining “the black interior.” The concept of the black interior unpacks the ways in which Black bodies and blackness have been devalued and dehumanized. This book and its theoretical underpinnings insist upon recoupling the “human” with blackness. I love how the book challenges viewing and spectatorship and calls upon readers to recognize black life and creativity beyond stereotypes that guide the limited imaginations of the dominant culture that relentlessly misrepresents and maligns blackness.
Legendary poet Elizabeth Alexander turns her finely-honed sensibilities to the subject of blackness and the interior world of the modern African-American. Intelligent, perceptive and keenly observed, this collection of essays traces a thoughtful path through music, poetry and the outstanding social issues of the last 200 years to synthesise a remarkable picture of the modern African-American psyche. From Langston Hughes to the Rodney King video, Alexander leads her reader effortlessly over the complex terrain of art and politics to a new vision of the black interior.
In the course of everyday life, when I’m writing books for middle grade and young adult readers, board books spring to my mind. Sometimes they come from catching a glimpse of a child hugging a parent, or they may spring from a phrase I overhear or say myself. That sounds like a board book, I think, and I write it down quickly. Sometimes, I’ll wake in the night, and a board book text will come to me in rhyme. Along with writing board books, I’ve been recommending quality works at the readertotz blog since 2009 in order to raise the profile of the format. Authors, illustrators, and publishers must create the very best quality, and then we must support, enjoy, and celebrate the works. A simple eight words may introduce a first reader to a love of books for life.
Part of the This Little series, Joan Holub’s This Little Artist is an introduction to art history for our wee ones. Daniel Roode’s stylized figures with big round eyes illustrate greats such as Michelangelo, Mary Cassatt, and Jean-Michel Basquiat. A rhyme and portrait give an introduction on the left-hand page, and several facts follow to accompany the artist in their own setting on the right page. The book concludes with eighteen other artists and their techniques, as well as questioning what your reader might create. This is a little treasure of creativity and inspiration.
Learn all about artists who changed history in this engaging and colorful board book perfect for creators-in-training!
Painting, shaping, making art. With creative joy, hands, and heart.
Little artists have great big imaginations.
In this follow up to This Little President, This Little Explorer, This Little Trailblazer, and This Little Scientist now even the youngest readers can learn all about great and empowering artists in history! Highlighting ten memorable artists who paved the way, parents and little ones alike will love this creativity primer full of fun, age-appropriate facts and bold illustrations.
I was born and raised in Durham, North Carolina where I was loved, nurtured, and mentored by several brilliant, creative, and powerful Black women. One of those women was Dr. Maya Angelou, who was close with my Grandmother, Queen Mother Frances Pierce, and was my mom's God-Mother. She and the other authors on this list are all women who I respect professionally and love dearly. I am a picture book author, a Grammy-nominated children's musician, and a father of two. I have read these stories to my children and am so proud to live in the great state of North Carolina with so many talented, genuine, and inspirational Black women.
The late Dr. Maya Angelou, or "Auntie Maya" as we called her in our household, is one of the most brilliant and iconic authors in American history.
One of her lesser-known publications is her 1993 picture book, Life Doesn't Frighten Me, illustrated by the legendary artist Jean Michel Basquiat. This book is a work of art for all ages! Dr. Angelou's bold and beautiful poetry paired with Basquiat's genius is a love letter to the human spirit.
Shadows on the wallNoises down the hallLife doesn't frighten me at all Maya Angelou's brave, defiant poem celebrates the courage within each of us, young and old. From the scary thought of panthers in the park to the unsettling scene of a new classroom, fearsome images are summoned and dispelled by the power of faith in ourselves.Angelou's strong words are matched by the daring vision of artist Jean-Michel Basquiat, whose childlike style reveals the powerful emotions and fanciful imaginings of childhood. Together, Angelou's words and Basquiat's paintings create a place where every child, indeed every person, may experience his or…
I am the oldest of four children and was always close to my mom. She was a trailblazer, earning her doctorate in educational psychology in 1963 and teaching at the college level. In her early 70’s her memory started to falter, and she lived with dementia for 10 years before she died. I was a reporter at The New York Times and had published three books by that point. My fourth became All Gone: A Memoir of My Mother’s Dementia. With Refreshments. I spent years in doctors’ and hospital’s waiting rooms and these are some of the books that helped make that time not only tolerable but sometimes, even joyful.
“I saw a little boy on the street today, and he cried so eloquently that I will never forget him.” Maeve Brennan wrote for the New Yorker’s Talk of the Town section as ‘The Long-Winded Lady’ from 1954 to 1968. She roamed the city’s streets, bars, and restaurants, eyes wide open, weaving stories of vivid emotional detail from the most seemingly mundane moments. None of these are too long – in the waiting room concentration can be fleeting – but each sketch engages. Her story of the crying boy ends this way: “He might have been the last bird in the world, except that if he had been the last bird there would have been no one to hear him.”
“Of all the incomparable stable of journalists who wrote for The New Yorker during its glory days in the Fifties and Sixties,” writes The Independent, “the most distinctive was Irish-born Maeve Brennan.” From 1954 to 1981, Maeve Brennan wrote for The New Yorker’s “Talk of the Town” column under the pen name “The Long-Winded Lady.” Her unforgettable sketches—prose snapshots of life in small restaurants, cheap hotels, and crowded streets of Times Square and the Village—together form a timeless, bittersweet tribute to what she called the “most reckless, most ambitious, most confused, most comical, the saddest and coldest and most human…
I have been a Broadway fan since I discovered the 60’s vinyl cast albums my parents collected. Seeing them in person added another level to the magic, and after every show, while still basking in the creative spark, I’m already planning my next visit! Sharing a list of books instead of a playlist is my way of sharing a deeper view of the world we Broadway fans love so much. It’s also the list I used as the basis for my research, while writing my new series (which follows the journey of a fictional Broadway musical from script to opening night)!
The true-life story of the ’70s and ’80s in New York City and the world of theatre—when the Great White Way was basically slated to become a parking lot—as it is saved by a colorful host of characters (and a boardroom coup!) is just begging for a musical of its own. Until that happens, we will have to be content with this page-turning book from a saucy and witty theatre columnist, which chronicles the entire amazing ride of how Broadway was reborn.
Along the way, we get a thorough probing of Broadway history and the highs, lows, and everything in between including some scandal, gossip, and shocking reveals. See? How is this not a musical already?! Riedel is a dramatic and verbose writer who holds back nothing, thankfully. Recommendation: Don’t expect to be using a bookmark too often. I couldn’t put this book down.
"A vivid page-turner" (NPR) detailing the rise, fall, and redemption of Broadway-its stars, its biggest shows, its producers, and all the drama, intrigue, and power plays that happened behind the scenes.
"A rich, lovely, debut history of New York theater in the 1970s and eighties" (Kirkus Reviews, starred review), Razzle Dazzle is a narrative account of the people and the money and the power that turned New York's gritty back alleys and sex-shops into the glitzy, dazzling Great White Way.
In the mid-1970s Times Square was the seedy symbol of New York's economic decline. Its once shining star, the renowned…
