100 books like How to Make an American Quilt

Rummer Godden’s autobiography A Time to Dance, No Time to Weep offers the stories, context, and sense of place for many of her novels. I so enjoyed her ability to write like a bright child thinks about the world, as well as how she is feeling. It is laugh-out-loud funny in spots, despite describing the dislocation of war.

Kadya Molodowsky’s book of stories, A House with Seven Windows are stories mostly set one half of a generation off of my own, just far enough to be recognizable. There is one story about parents investing in a stylish winter coat for their daughter in order to render her more marriageable in appearance for the “market.” My own parents did the same for me when I left for college!

Mothers Matter Too is an extraordinary compendium of stories, thoughts, and statistics about women at home with children. Her helpful chart of the “rules” applicable to each stage and “role” of a woman’s life (from girlhood to cronehood) is still revelatory even years after the resurgence of the Women’s Movement. This book is also about the active listening skills critical to supporting a new mother as she struggles to regain her confidence.

I love the stories presented in Dr. Remen’s book. They are simple yet profound.

Her stories are centered on the concepts of healing, kindness, compassion, love, and living which she learned from her grandfather. She emphasizes the value of helping others as a way to help ourselves and find meaning in the world.

I became a vegetarian at age 13, and although my parents grumbled about having to prepare different foods, they certainly did not react as strongly as Yeong-hye’s family, who treats her decision as a kind of mental illness.

The book starts off like a dark fable, as Yeong-hye pares down her diet and believes she is turning into a tree. As the book progresses, though, it becomes a feminist allegory that asks questions that have only become more urgent since its publication: Who has the right to say what a woman does with her body?

This crazy quilt of a novel, set in San Francisco, chronicles the liberation of Lizzie, a forty-year-old spinster who is swept into the intrigues of the mysterious Mrs. Pleasant. Mrs. Pleasant, who works as a housekeeper, is rumored to be as rich as a railroad magnate, an angel of charity, a practitioner of voodoo, among other tantalizing (and some substantiated) possibilities.

As enthralled as Lizzie becomes with Mrs. Pleasant, what Lizzie discovers in this story is her own independence and authority. Several real historical figures, including Mary Ellen Pleasant, appear in the book. I love the way Fowler weaves fact with fiction, and how she places badass women at the center of the story.

In Suicide Blonde, the lead character Jesse tries to sustain a connection with her beautiful bisexual boyfriend, Bell, who though he loves her, cannot refuse the allure of sex with strange men and seems to be regularly “dipped in sleaze.” Jesse becomes caretaker of Madam Pig, an old obese beauty queen who lives in a crumbling old house. The paint peels in the wind with only vacant lots and industrial buildings nearby, as Madam Pig swills red wine and vomits down staircases. I loved this book for the lonely dystopian feel and the way Jesse seems utterly alone in the world. I also loved the natural way Stienke writes about sex. I learned a great deal from her graphic content, learning how to actually write sex into litertaure. The book is not for the faint of heart and does not have a happy ending, but in its way, it… show more.

Jessica Sewell’s book Women and the Everyday City makes us feel like we’re walking the streets of turn-of-the-century San Francisco. She combines traditional architectural history sources like floor plans, maps, and historic photographs with diaries written by women from varied class and ethnic backgrounds to piece together their experiences of the city. My favorite section uses advertisements and published memoirs to demonstrate that women without the economic means and cultural capital to be welcomed in downtown department stores or even some of the local grocery stores had much more complicated choices to make as they navigated everyday needs like finding transportation, buying food, and creating community. She compares the urban public imagination with how the city was actually built and experienced—just like theorist Henri Lefebvre suggests!

Another classic dystopian novel, The Trial, is also something that could easily happen. Kafka’s timeless character, K, wakes up one morning and is simply arrested for an unknown reason. K spends the rest of the novel trying to decipher what happened in a world of endless bureaucracy.

Although I haven’t been arrested, I can definitely identify with the sometimes ludicrous measures we go through for bureaucracy. When I moved to Tel Aviv, I had to fill out seemingly endless forms over and over again, go to offices that were only open for a few hours a day, and stand in queues for a stamp or whatever.

K’s struggle is also a kind of dark prophecy of the Holocaust and persecution of the Jews which starts with innocuous measures like wearing star badges and ends with mass murder. Sadly, this is also too close to today’s world.

When I first started publishing my writing, my editor told me my writing reminded her of Frank Peretti.

Then readers started saying the same thing. I had no idea who Frank Peretti was, so imagine my surprise when I read This Present Darkness and saw that Peretti had brought the concept of spiritual warfare to life in a book with several plots that weave together seamlessly.

Often referred to as “the Stephen King of Christian fiction,” Peretti is a genius with the written word. His novels have a way of immersing you into the story from the first line, and by the time they let you escape back to reality, you’re a different person. At least I am.

With so many Christian stories getting a rightfully earned reputation for being cheesy, it’s refreshing for a true storyteller to give us truth.