Here are 100 books that How to Make an American Quilt fans have personally recommended if you like
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"Two tickets to ride!" Most people get only one life.... and on only one coast. This book is an overview of an era 1948-2020 of cultural shifts and expectations for "girls". At seventeen I left my family and NYC for college, a commune, and then art school on the West coast.Visual artist, woman, mother, and descendant, Joan describes the lifetime challenges that she has met with creativity, humor, and resilience. Two NW cities, two marriages, and two sons born 23 years apart inspire many of her stories.
Rummer Godden’s autobiography A Time to Dance, No Time to Weep offers the stories, context, and sense of place for many of her novels. I so enjoyed her ability to write like a bright child thinks about the world, as well as how she is feeling. It is laugh-out-loud funny in spots, despite describing the dislocation of war.
"Two tickets to ride!" Most people get only one life.... and on only one coast. This book is an overview of an era 1948-2020 of cultural shifts and expectations for "girls". At seventeen I left my family and NYC for college, a commune, and then art school on the West coast.Visual artist, woman, mother, and descendant, Joan describes the lifetime challenges that she has met with creativity, humor, and resilience. Two NW cities, two marriages, and two sons born 23 years apart inspire many of her stories.
Kadya Molodowsky’s book of stories, A House with Seven Windows are stories mostly set one half of a generation off of my own, just far enough to be recognizable. There is one story about parents investing in a stylish winter coat for their daughter in order to render her more marriageable in appearance for the “market.” My own parents did the same for me when I left for college!
A House of Seven Windows by Kadya Molodowsky is the famed Yiddish poet's only collection of short stories. Written in simple prose, these stories are subtle portraits - tragic-comic, bittersweet, always generous spirited - of ordinary people: Jews in pre-World War II Eastern Europe and Jews struggling to adjust to life in America. A traditional-minded husband is defeated by his wife who wants only the latest fashion. A community leader's position is supported and maintained by his more energetic and political-minded wife. A couple, ardent supporters of the newly formed state of Israel, nevertheless find themselves at odds with their…
"Two tickets to ride!" Most people get only one life.... and on only one coast. This book is an overview of an era 1948-2020 of cultural shifts and expectations for "girls". At seventeen I left my family and NYC for college, a commune, and then art school on the West coast.Visual artist, woman, mother, and descendant, Joan describes the lifetime challenges that she has met with creativity, humor, and resilience. Two NW cities, two marriages, and two sons born 23 years apart inspire many of her stories.
Mothers Matter Too is an extraordinary compendium of stories, thoughts, and statistics about women at home with children. Her helpful chart of the “rules” applicable to each stage and “role” of a woman’s life (from girlhood to cronehood) is still revelatory even years after the resurgence of the Women’s Movement. This book is also about the active listening skills critical to supporting a new mother as she struggles to regain her confidence.
I am a Full Professor of Leadership within the Faculty of Education, University of Ottawa, Canada. I am the recipient of the 2020 Research Excellence Award. My research, funded by the Social Sciences and Humanities Research Council of Canada (SSHRC) and the Ontario Ministry of Education, Canada, is international in scope. I am also the founder of the Equitable Leadership Network at the University of Ottawa.
I love the stories presented in Dr. Remen’s book. They are simple yet profound.
Her stories are centered on the concepts of healing, kindness, compassion, love, and living which she learned from her grandfather. She emphasizes the value of helping others as a way to help ourselves and find meaning in the world.
In My Grandfather's Blessings, Rachel Naomi Remen, a cancer physician and master storyteller, uses her luminous stories to remind us of the power of our kindness and the joy of being alive.
Dr. Remen's grandfather, an orthodox rabbi and scholar of the Kabbalah, saw life as a web of connection and knew that everyone belonged to him, and that he belonged to everyone. He taught her that blessing one another is what fills our emptiness, heals our loneliness, and connects us more deeply to life.
Life has given us many more blessings than we have allowed ourselves to receive. My…
I studied psychology in college and am fascinated with the human mind. The psyche holds so many joys, wonders, and the deepest horrors imaginable, all compact and functioning within our skulls. My love for psychology grew into the horror realm, where I read and watched anything revolving around the character study of an individual driven to the brink. Now, I write stories about the morality of actions taken by those who have found themselves in a peculiar position. I believe there is more to the clean-cut view of right versus wrong regarding the decision-making of one’s self-preservation.
Like meat, this book was hard to digest. It made me feel anxiety, turmoil, and pain despite my uncertainty as to what exactly triggered these responses. The isolated experience of a woman believing herself to be a tree, attempting to achieve spiritual happiness while others overstepped their boundaries, felt so very violating and personal.
I love it when stories slice me down raw, revealing wounds I did not know existed beneath my skin.
Yeong-hye and her husband are ordinary people. He is an office worker with moderate ambitions and mild manners; she is an uninspired but dutiful wife. The acceptable flatline of their marriage is interrupted when Yeong-hye, seeking a more 'plant-like' existence, decides to become a vegetarian, prompted by grotesque recurring nightmares. In South Korea, where vegetarianism is almost unheard-of and societal mores are strictly obeyed, Yeong-hye's decision is a shocking act of subversion. Her passive rebellion manifests in ever more bizarre and frightening forms, leading her bland husband to self-justified acts of sexual sadism. His cruelties drive her towards attempted suicide…
I don’t write about well-behaved women. I prefer rebels and outcasts, women who, by choice or circumstance, live outside of social norms. 19th-century American history is full of such women—if you know where to look. Hint: not in most public-school textbooks. They’re found, instead, in archives and libraries, in old newspapers and journals, in family letters and autobiographies. The characters in my most recent novel, Reliance, Illinois, were inspired by badass 19th-century women, such as Victoria Woodhull, Mary Livermore, and Olympia Brown. Each of the novels in the list below were inspired by or based on audacious women. I hope you enjoy them as much as I have!
This crazy quilt of a novel, set in San Francisco, chronicles the liberation of Lizzie, a forty-year-old spinster who is swept into the intrigues of the mysterious Mrs. Pleasant. Mrs. Pleasant, who works as a housekeeper, is rumored to be as rich as a railroad magnate, an angel of charity, a practitioner of voodoo, among other tantalizing (and some substantiated) possibilities.
As enthralled as Lizzie becomes with Mrs. Pleasant, what Lizzie discovers in this story is her own independence and authority. Several real historical figures, including Mary Ellen Pleasant, appear in the book. I love the way Fowler weaves fact with fiction, and how she places badass women at the center of the story.
'Words were invented so lies could be told' Mary Ellen Pleasant
San Francisco in the 1890s is a town of contradictions, home to a respectable middle class, but with the Wild West lingering in the imagination, and even the behaviour, of some residents. Lizzie Hayes, a seemingly docile, middle-aged spinster, is praised for her volunteer work with the Ladies' Relief and Protection Society Home, or the Brown Ark. She doesn't know it, but she's waiting for the spark that will liberate her from convention.
When the wealthy and well-connected but ill-reputed Mary Ellen Pleasant shows up at the Brown Ark…
When I was a kid I would cut out graph paper to design my ideal house. When I was in college, I walked into a class called American Material Life and had my eureka moment: “This is how I want to learn about people in the past!” I realized. I’ve been doing that ever since, first as a museum curator and now as a history professor. Houses, furnishings, and the way people interact with the built environment can reveal the complexity, diversity, and beauty of human lives.
Jessica Sewell’s book Women and the Everyday City makes us feel like we’re walking the streets of turn-of-the-century San Francisco. She combines traditional architectural history sources like floor plans, maps, and historic photographs with diaries written by women from varied class and ethnic backgrounds to piece together their experiences of the city. My favorite section uses advertisements and published memoirs to demonstrate that women without the economic means and cultural capital to be welcomed in downtown department stores or even some of the local grocery stores had much more complicated choices to make as they navigated everyday needs like finding transportation, buying food, and creating community. She compares the urban public imagination with how the city was actually built and experienced—just like theorist Henri Lefebvre suggests!
In Women and the Everyday City, Jessica Ellen Sewell explores the lives of women in turn-of-the-century San Francisco. A period of transformation of both gender roles and American cities, she shows how changes in the city affected women's ability to negotiate shifting gender norms as well as how women's increasing use of the city played a critical role in the campaign for women's suffrage. Focusing on women's everyday use of streetcars, shops, restaurants, and theaters, Sewell reveals the impact of women on these public places-what women did there, which women went there, and how these places were changed in response…
When I think of who I am, as a writer and a human being, I remember the words of prolific Portland poet Dan Rapheal, who wrote the foreword to my book of poetry, Blue Reverie in Smoke: “...the reader must look carefully to get a full picture of the poet herself—tender, no nonsense, quietly observing and juggernauting to make things as she thinks they should be.” I’ve never forgotten Dan’s astute appraisal of me, and it surprised me. It seems that's how I’ve always been—someone who quietly observes, never unmoved by what I see, just trying to make sense of it, sometimes successful in that endeavor, and oftentimes, not successful at all.
In Suicide Blonde, the lead character Jesse tries to sustain a connection with her beautiful bisexual boyfriend, Bell, who though he loves her, cannot refuse the allure of sex with strange men and seems to be regularly “dipped in sleaze.” Jesse becomes caretaker of Madam Pig, an old obese beauty queen who lives in a crumbling old house. The paint peels in the wind with only vacant lots and industrial buildings nearby, as Madam Pig swills red wine and vomits down staircases. I loved this book for the lonely dystopian feel and the way Jesse seems utterly alone in the world. I also loved the natural way Stienke writes about sex. I learned a great deal from her graphic content, learning how to actually write sex into litertaure. The book is not for the faint of heart and does not have a happy ending, but in its way, it…
Jesse is a twenty-nine-year-old adrift in San Francisco's demi-monde of sexually ambiguous, drug-taking outsiders, desperately trying to sustain a connection with her bisexual boyfriend. She becomes caretaker and confidante to Madame Pig, a grotesque, besotted recluse. Jesse also meets Madison - Pig's daughter or lover or both - who uses others' desires for her own purposes, and who leads Jesse into a world beyond all boundaries.
As startling, original and vital as it was when first published, Suicide Blonde is an intensely erotic story of one young woman's sexual and psychological odyssey, and a modern cult classic.
Throughout my life, I’ve moved around quite a bit, and in the process, members of my family and I have encountered many wildly strange people and things. The universe itself is a wild place when you delve into the more exotic aspects: black holes, quantum physics, and measurable differences in subjective realities. It’s hard to say what the real boundaries are, and so I look for stories that stretch my ability to conceive what could be–and that help me find wonder in all the darkness and strangeness around me.
This book by Franz Kafka may well be the OG book in the pursuit of weirdness in long-form fiction. Telling the harsh and anxious story of Joseph K’s unexplained arrest, Kafka brilliantly creates a universal allegory for the way we often feel like we must defend ourselves against a world that feels impossible to understand.
"Someone must have been telling lies about Josef K., he knew he had done nothing wrong but, one morning, he was arrested." From its gripping first sentence onward, this novel exemplifies the term ""Kafkaesque." Its darkly humorous narrative recounts a bank clerk's entrapment — based on an undisclosed charge — in a maze of nonsensical rules and bureaucratic roadblocks. Written in 1914 and published posthumously in 1925, Kafka's engrossing parable about the human condition plunges an isolated individual into an impersonal, illogical system. Josef K.'s ordeals raise provocative, ever-relevant issues related to the role of government and the nature of…
As much as I enjoy traveling to real places in fiction, I find that authors who ask me to inhabit a world of their own making make me think more deeply, and these are also the novels I dream about when I’m not actually reading them, the pages I cannot wait to return to when I can pick up the book again. By exiting the world we inhabit, and occupying a world very much like our own, I end up reflecting more thoughtfully about the contemporary moment, and in a way, feel more connected. I tried to create such a world in The Stranger Game, and this is something I hope to do again in a future novel.
In conjuring a nation's refugees and writing in his typically austere style, the South African Nobelist JM Coetzee asks us to reflect on our current world with all of its harsh and maddening disparities. In three novels, Coetzee tells a fable-like story of one charismatic boy who can never be understood, never followed, never appreciated fully for his wisdom. Coetzee’s distillation of everyday suffering is haunting, yet ultimately cathartic.
From the Nobel Prize-winning author of Waiting for the Barbarians, The Life & Times of Michael K and Disgrace.
Nobel laureate and two-time Booker Prize winner J. M. Coetzee returns with a haunting and surprising novel about childhood and destiny that is sure to rank with his classic novels.
Separated from his mother as a passenger on a boat bound for a new land, David is a boy who is quite literally adrift. The piece of paper explaining his situation is lost, but a fellow passenger, Simon, vows to look after the boy. When the boat docks, David and Simon…
