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Like many readers, I am drawn to stories of vengeance. Stories of someone seeking revenge have a built-in tension and narrative drive. But as the saying goes, when you embark on a journey of revenge, dig two graves. Yes, these tales seldom go smoothly. The consequences of this and the violence that ensues are what I wanted to explore in my latest novel, but several books on my shelf make fascinating stories out of this desire for revenge.
This book surprised me with its sharpened steel edge and uncompromising main character. Joe Reddick has lost it all and is, as a result, a very dangerous man you do not want to cross. When his family is threatened, Joe embarks on a mission to bring down the men who dared cross him and show them what mistakes they had made.
That you root for Joe even as he goes about doing terrible things to more terrible people is a testament to the stellar writing of Haywood in this, one of his most compelling standalone thrillers.
The new novel from the critically acclaimed and award-winning author - When Joe Reddick and his family are threatened in their LA home by a masked, knife-wielding intruder, it means serious trouble for a gang of desperate criminals. The threat sends Joe Reddick over the edge. He's lived the nightmare of losing a family to a crazed killer once, and he's not going to let it happen again. After sending his wife and son to safety, he goes to war, determined to kill those responsible. Soon Reddick’s living nightmare will finally be over. One way or the other . .…
Like many readers, I am drawn to stories of vengeance. Stories of someone seeking revenge have a built-in tension and narrative drive. But as the saying goes, when you embark on a journey of revenge, dig two graves. Yes, these tales seldom go smoothly. The consequences of this and the violence that ensues are what I wanted to explore in my latest novel, but several books on my shelf make fascinating stories out of this desire for revenge.
The first of a trilogy about backwoods Florida criminals and the man who wants to leave his life behind, this book shows Post’s talent for real emotion and pathos in the middle of the chaos of a full-on thriller.
Judah Cannon is a man with morals and a will to do the right thing, but he also comes with skills and experience to bring the fight to those who have wronged him. And, of course, any great protagonist needs a great antagonist, and Post writes them as well as anyone. Sister Tulah is a villain for ages.
Judah Cannon is the middle son of the notorious Cannon clan led by Sherwood, its unflinching and uncompromising patriarch. When Judah returns to his rural hometown of Silas, Florida after a stint in prison, he is determined to move forward and live it clean with his childhood best friend and newly discovered love, Ramey Barrow. Everything soon spirals out of control, though, when a phone call from Sherwood ensnares Judah and Ramey in a complicated web of thievery, brutality and betrayal.
Pressured by the unrelenting bonds of blood ties, Judah takes part in robbing the Scorpions, a group of small-time,…
Like many readers, I am drawn to stories of vengeance. Stories of someone seeking revenge have a built-in tension and narrative drive. But as the saying goes, when you embark on a journey of revenge, dig two graves. Yes, these tales seldom go smoothly. The consequences of this and the violence that ensues are what I wanted to explore in my latest novel, but several books on my shelf make fascinating stories out of this desire for revenge.
Charlie Swift takes his criminal life seriously. It’s a job, and he wants to be the best at it. But he can step up and set things straight with the best of them when things go south. Pity the man who gets in his way. Charlie Swift is not someone you betray and get away with it.
This is a new crime classic filled with black humor and thrilling action, in a new edition under the title Fast Charlie (to coincide with the film adaptation). If you can get past the opening page without being hooked, something is wrong with you.
Charlie Swift is an old school kind of guy. Runs a tight ship. Respects his boss. Takes care of his mom and kid brother. And, he's a stone cold killer. When a fancy new-wave hood, hungry for the primo Orlando territory Charlie enforces, offs most of Charlie's boys in a bloody mob takeover, our man steps in to make things right. But when word gets out that his boss has gone missing and there's a traitor among his crew of gun monkeys, Charlie knows payback ain't gonna be easy. Shot up, boozed up, and beaten up, Charlie finds the toughest…
Liza O’Connell was a horror buff in every sense of the word. But there was one deadly nightmare she would never be able to talk about … her own. A friend murdered. A business in trouble. A marriage struggling to survive. And that’s just the beginning.
Like many readers, I am drawn to stories of vengeance. Stories of someone seeking revenge have a built-in tension and narrative drive. But as the saying goes, when you embark on a journey of revenge, dig two graves. Yes, these tales seldom go smoothly. The consequences of this and the violence that ensues are what I wanted to explore in my latest novel, but several books on my shelf make fascinating stories out of this desire for revenge.
The start of a decades-long run of stellar crime novels about the eponymous main character—a hitman who does not suffer fools. Quarry takes his work seriously, and when the trust between the hitman and the handler is broken, he makes it his mission to track down the culprit.
Collins has spun the series into more than a dozen novels, comprising Quarry’s many assignments, his loves, and his struggles to find honor among criminals. What started in 1976 with this novel continues and shows no signs of letting up.
The assignment was simple: stake out the man's home and kill him. Easy work for a professional like Quarry. But when things go horribly wrong, Quarry finds himself with a new mission: learn who hired him, and make the bastard pay.
NOW A CINEMAX TELEVISION SERIES!
The longest-running series from Max Allan Collins, author of Road to Perdition, and the first ever to feature a hitman as the main character, the Quarry novels tell the story of a paid assassin with a rebellious streak and an unlikely taste for justice. Once a Marine sniper, Quarry found a new home stateside…
Within the caste into which I was born, daughter of a daughter of a daughter, I was ‘nobody’—no dowry, an awkward brain, and unfashionable looks—dark hourglass, not blonde beanpole. Unless I married the right kind of man, of course–an eldest son with a big house. This was the 70s, and you probably don’t believe me, but many girls still went the full Jane Austen. So I’m perfectly qualified to tell you about the best books that centre on a big house as metaphor, a major character or a massive plot point in a novel. And, reader, I swerved marrying a man for his house too.
I’ve loved this book since I was a teenager, but I always feel frustrated and angry at Miss Havisham’s entrapment of Estella and Pip. Central to the story is Satis House, a metaphor for getting stuck in life—its name is very close to Stasis.
The original end of the novel works much better for me. Pip and Estella meet by chance in the street and part for the last time. The ‘new’ ending has them go off together against a backdrop of burned-down Satis House, thus removing the irony of the book’s title. Although there is the heavy-handed metaphor of the death of the house freeing them, I prefer that it retains its static power and condemns their expectations forever.
'His novels will endure as long as the language itself' Peter Ackroyd
Dickens's haunting late novel depicts the education and development of a young man, Pip, as his life is changed by a series of events - a terrifying encounter with an escaped convict in a graveyard on the wild Kent marshes; a summons to meet the bitter, decaying Miss Havisham and her beautiful, cold-hearted ward Estella; the sudden generosity of a mysterious benefactor - and he discovers the true nature of his 'great expectations'. This definitive edition includes appendices on Dickens's original ending, giving an illuminating glimpse into a…
I write to learn what I don’t know about myself and our purpose as flawed beings in this Alice-in-Wonderland world. In the documentary about singer/poet Leonard Cohen, creator of the much-covered “Hallelujah” (title of the documentary), to explain the song, he says that life is so impenetrable that the only options are to shake your fist or exclaim “Hallelujah.” I think there is a third option: to laugh. And I prefer to do all three because that is what comes through me: confusion, pain, and hilarity. And hopefully a better understanding of the whole mess once I’ve written about it. And that is what I hope to share with readers.
Not only did I laugh all the way through this rollicking novel, but I felt as if author Steve Toltz is a brother writer from a cousin muse to my own.
Angus Mooney, the protagonist, is a thief, a romantic, and a philosopher who is dedicated to the easier path of not learning or understanding anything. And, not a spoiler, he dies.
If you console yourself that a better life awaits you in heaven, or if you're resigned to life being painful, but after all, it's only temporary, and once it's over, it'll be over, think again.
In this shockingly inventive, wildly funny epic about one man's life, death, and beyond, you may have some epiphanies about existence in general and how you want to spend or squander your time.
A wildly inventive, savagely funny and topical novel about love, mortality and the afterlife, by the Booker-shortlisted author of A Fraction of the Whole.
Angus is a reformed ne'er-do-well looking forward to the birth of his first child when he's murdered by a man who is in love with his pregnant wife Gracie. Having never believed in God, heaven or hell, Angus finds himself in the afterlife - a place that provides more questions than answers. As a worldwide pandemic finally reaches the shores of Australia, the afterlife starts to get…
In 2038 a devastating pandemic sweeps across the world. Two decades later, Britain remains the epicenter for the Fornax variant, annexed by a terrified global community.
David Malik is as careful as any man to avoid contact with the virus. But when his sister tests positive as an asymptomatic carrier,…
As a longtime lover of Gothic literature, I wrote my doctoral dissertation on it, which became my book The Gothic Wanderer: From Transgression to Redemption. My second book on the Gothic, Vampire Groomsand Spectre Brides, explored how French and British Gothic authors influenced each other. The City Mysteries novels were part of that influence, as evidenced by how British author Reynolds borrowed the idea to write The Mysteries of London from French author Sue’s The Mysteries of Paris. After reading so many City Mysteriesnovels, I decided to write my own, complete with crossdressers, prostitutes, criminals, innocents, and the genre’s many other signature elements.
The Mysteries of Paris was so popular that Alexandre Dumas’ publisher wanted him to write a similar novel. The result was this book (1845), which focuses on Edmond Dantès, who is unjustly imprisoned by his enemies. Upon escaping and finding a great treasure, Dantès disguises himself as the Count of Monte Cristo and begins to exact his revenge.
The novel enters the criminal world of both Marseille and Paris. The count creates mystery by being a master of disguise and manipulating events without his victims knowing his identity or why their lives are crumbling. At the same time, the count is not without compassion and questions the morality of his own actions, thereby raising the novel to the status of true literature.
The epic tale of wrongful imprisonment, adventure and revenge, in its definitive translation
Thrown in prison for a crime he has not committed, Edmond Dantes is confined to the grim fortress of If. There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo and he becomes determined not only to escape, but also to use the treasure to plot the destruction of the three men responsible for his incarceration. Dumas' epic tale of suffering and retribution, inspired by a real-life case of wrongful imprisonment, was a huge popular success when it was first serialized…
I’m not sure why the dark side of humanity has always fascinated me, as it does so many others. I’ve read mystery and horror stories ever since I was a young boy, gravitating to ever darker books as I aged. I’m a pantser—that means that I don’t totally know where a story is going when I start, so I discover it right along with the characters. I think evoking emotion is key to writing a riveting tale, so I try to imagine what my character is feeling as I chronicle their experience. Part of being able to do this well is reading other writers who can, such as the authors on this list.
USA Today Best-Selling Author Benjamin Franklin Gold Medal Winner National Indie Excellence Award Winner Kidnapped, pregnant teen plots a calculating escape and merciless revenge Imagine a helpless, pregnant 16-year-old who's just been yanked from the serenity of her home and shoved into a dirty van. Kidnapped . . . Alone . . . Terrified. Now forget her . . . Picture instead a pregnant, 16-year-old, manipulative prodigy. She is shoved into a dirty van and, from the first moment of her kidnapping, feels a calm desire for two things: to save her unborn child and to exact merciless revenge. She…
I’m primarily a science fiction writer and reader, but mystery is my first literary love, and I was the editor-in-chief of the mystery magazine, Plan B. So, I doubly love it when a mystery story takes place in a science fictional world. In my own work, certain themes keep showing up even when I don’t intend them to because I love them as much as I love a juicy mystery: using technology to change our bodies and environments, the struggle that wealth and corporate greed create, how we can learn to understand someone who is radically different from ourselves. These five books hit all those marks for me.
This book treads ground common to books I love to read and write—vivid characters living in a world that is bisected by wealth—in a lushly atmospheric, but emotionally brutal, short read. Jewel is not a detective by trade—she is a courtesan working in one of the high-end houses. When her friend Winfield is murdered by a rich and powerful client, but mysteriously comes back to life—only different—Jewel needs answers. I loved the complex relationships between the characters and their society, and especially loved how the feeling of the world is prioritized, making the setting and its inhabitants richer.
In a far future city, where you can fall to a government cull for a single mistake, And What Can We Offer You Tonight tells the story of Jewel, established courtesan in a luxurious House. Jewel's world is shaken when her friend is murdered by a client, but somehow comes back to life. To get revenge, they will both have to confront the limits of loyalty, guilt, and justice.
San Diego Private Investigator, Brig Ellis, is hired by a wealthy industrialist to help him acquire the final horse in a set of twelve palomino miniatures that once belonged to the last Emperor of China. What begins as a seemingly reasonable assignment quickly morphs into something much more malevolent.
For people who know something about a technical field, there is nothing that can ruin a book or movie faster than inaccuracies about that field. I’ve worked as an armored car driver, police officer, and private investigator in and around Detroit, and have been writing for outdoor magazines for close to twenty years, so not only do I know a lot about the featured subjects/characters of most thrillers, I care about how accurately they’re portrayed, and have brought that passion to my writing. I’ve written five thrillers set in Detroit, many of them featuring a private investigator, and when writing Bestiarii and its sequels did extensive research on dinosaurs.
What Tom Clancy did for submarines with The Hunt For Red October, Stephen Hunter did with rifles and long-range shooting in Point of Impact, which was made into the movie Shooter with Mark Wahlberg in addition to a cable TV show of the same name.
Hunter had already proven himself a talented thriller writer when he penned Point of Impact, but the excellent plot (a famous Vietnam sniper framed for an assassination by a shadowy conspiracy) combined with never-before-seen firearms technical detail that enhanced rather than bogged down the story made this novel a huge success and catapulted Hunter to the A-list.
Bob Lee Swagger is one of the best snipers in the world, but he is about to be set up. In 1963, RamDyne, the illegal sub-agency linked to the CIA, framed Lee Harvey Oswald for J.F. Kennedy's assassination. Now the FBI and RamDyne are after Bob as the potential assassin of the President.
