100 books like Hands Around the Library

I love that this book is based on the true story of a former garbage collector who became famous for building his own library… starting with a discarded copy of Anna Karenina that he’d found on his route.

The story tells of “two Josés” who lived in Bogotá, Colombia—a young one and an old one. We follow them throughout the week, until their favorite day—library day, when the older José welcomes the younger one and other children into his hand-collected library.

As someone who loves thrifted, upcycled, and re-used treasures, I felt delighted by this heart-warming and inspiring story for book-lovers of all ages.

A non-fiction picture book that reads like poetry, this gorgeous book describes the author’s own journey from Mexico to the U.S. with her young son. The illustrations are as poetic as the language, which infuses English with Spanish words, simple words with more challenging ones, and words of pain with those of pride, resilience, and creativity. The book explores not only the refugee’s journey, but also, and most especially, the challenges and small victories of integrating and trying to make a new life in a new land. I also love the central role that books, words, and libraries play in paving the way toward this new life. Language is power, but it is also magic.

As my kids are getting older, I keep my eyes open for longer, more complex picture books – and this book attracted my attention. It’s a great non-fiction biography for kids who like learning about notable historical personalities. It took roughly 45 minutes to read this book with the kids, and we all learned so much about Schomburg and his quest to collect literature by and about people of African descent worldwide. One thing that really impressed the kids and me was how he managed to keep this humongous collection in his home. (The kids and I were wondering if the whole family was sleeping on books instead of beds)!

All those numbers on the spines of library books? This book tells the story of the man who invented the first widely-used library cataloguing system: Melvil Dewey. Sometimes biographies gloss over difficult personalities, but this one doesn’t pretend Dewey was always admirable. Instead, it suggests that his bull-headedness might have been part of the reason his decimal cataloguing system was ultimately adopted. And Fotheringham manages to make a book about books lively and fun in the illustrations.

Many have studied how in 1963 African Americans marched to gain equality, especially in southern towns, like Birmingham, Alabama. But I never knew that the first main march involved thousands of children and teens who marched so their parents wouldn’t lose their jobs. These brave youth found the courage to face their fears and the hatred of whites who fought to keep them separate and unequal. Their protest march encouraged adults to join them. Hateful efforts to stop the march were broadcast across the country, ultimately changing the direction of the civil rights movement. Bold pictures show everyday children and civil rights leaders finally gaining rights to playgrounds and diners and eventually better schooling. An important story, simply written—and about children who made a difference.

In Malala’s own kid’s eye view of the world, she tells how she yearned for a magic pencil, like the boy in a TV show she watched, so she could magically make the world a better place. One of the fortunate girls in Afghanistan who was sent to school because her parents believed strongly in education for women, she eventually realized she had that magic pencil already. Her words, her voice, could bring change. This is an empowering book for kids to see that they can make a difference in their world from one of the heroes of their time.

For kids who think that "history" is made only by old people who lived long ago, this accessible anthology showcases fourteen of today's young people who are speaking up. It profiles a diverse range of contemporary activists (starting at eight years old) throughout the United States, kids who have worked on issues from climate change to safe water to social justice.

The book's creative format is particularly engaging for children and educators and makes it stand out in the field of anthologies. It provides a brief biography of every young person included, followed by a poem. Each poem is written by a different poet (including such excellent writers as Nikki Grimes and Lesléa Newman) and in a different form. The back matter explains the various poetic forms used and provides additional information about the editors' research and ideas about how young people can improve their communities.

While I'm a big fan of nonfiction, I had to include this fabulous tale. With its folktale-style illustrations, the book recounts how the joyful and very noisy village of La Paz decides there's too much commotion. The villagers elect Don Pepe as mayor when he pledges to bring peace and quiet. Then new edicts go out: "No Singing."

When Rooster moves into the silent village and starts his song, things get interesting. Children will appreciate the courage and commitment of the obstinate rooster who remains faithful to his song in the face of Don Pepe's escalating threats and punishments. And ultimately the villagers come out in support of the rooster. Because, as he says, a song never dies as long as there's someone to sing it. This is a delightful fable about freedom of expression, the perils of authoritarianism, and using your voice against mean and bossy people.

I have to admit that it’s the title that drew me to this book in the first place. As a retired English teacher, the word Librarians intrigued me. A true story, The Bad-Ass Librarians opened up a whole new world of manuscripts over 500 years that I never knew existed! The courage of the preservers of these works surprised and humbled me. But, it is also a historical history of smugglers and the heroic actions of the dedicated people of Timbuktu to preserve their heritage even if it meant their death. You won’t be able to put this down.

This very well-researched and gripping book taught me the meaning of the term “laundering” in the art market and revealed the duplicity of the late art dealer, Larry Fleischman, who both collected and sold stolen antiquities and marketed undocumented works taken from Edward Hopper’s estate.

He didn’t care about provenance or history of ownership and is quoted in this book as saying: “Everything comes from somewhere.”

Although I knew and dealt with Fleishman, I trusted him and was tricked by him.