Fans pick 100 books like Gratitude

The Unwanted is perhaps the best all-around book explaining the crisis faced by Jewish refugees trying to escape to the United States. Dobbs merges the intimate histories of members of the Jewish community in the small German town of Kippenheim, the work of the US State Department officials in Germany and France, American refugee aid workers, and President Roosevelt. By utilizing both personal and official sources, Dobbs allows all the people he writes about to speak for themselves. It’s beautifully written and heartbreaking, and whatever you think about this history when you start the book, those thoughts will be more nuanced and complicated when you’re finished.

Appelfeld is considered one of Israel’s foremost writers. He writes fluidly in beautiful, spare, fable-like prose. Appelfeld himself was a child survivor who escaped a camp and hid in the countryside and woods, making his “faction” all the more authentic and powerful. The title character, Tzili, is a young Jewish girl who hides from the Germans in a country not specified (but is likely Ukraine). This novel brings to light the harsh conditions and horrors that “free” survivors faced, both during and after the war. 

When I read They Were Like Family to Me (originally titled In the Land of Armadillos), I came to understand how magic realism can be used to illuminate that which ultimately cannot be described—in this case, the horror of human depravity during the Holocaust.

This technique also reflects the inability of the victims to grasp what is happening around them, causing them to escape into a world of fantasy. The novel is comprised of a series of interconnected tales about victims and perpetrators, with each chapter telling a story that is simultaneously realistic and dreamlike. It is utterly unique and unlike most other books in this genre.

A longtime friend introduced me to this novel after he found out that I had some interest in the subject. I’m so glad he did because, after the first reading, I’ve never forgotten it. This slim volume is a masterpiece of deft description and character development. A resort town, somewhere near Vienna, is peopled with colorful residents, tourists, and later the forced resettlement of Jews. “The light stood still. There was a frozen kind of attentiveness in the air. An alien orange shadow gnawed stealthily at the geranium leaves.” Such is Appelfeld’s sparse, beautiful prose. Disaster looms, tension builds, and people disappear...slowly, inexorably. The chilling ending is a tour de force of writing.

The authors spent three years interviewing 105 rescuers from ten countries to compile this extraordinary portrait of individual rescuers. This large coffee table edition is beautifully illustrated with historical photographs, and color portraits. Each rescuer explains how he or she came to the decision to shift from being a bystander to being a rescuer. By reading their accounts, we are continuing to hold their actions in the front of our minds. We are witnesses to their heroic deeds. Irene Gut Opdyke is also interviewed.

Kraft has drawn on 200 hours of testimony by Holocaust survivors to demonstrate how memory responds to atrocity. His juxtaposition of accounts allows one individual to be presented in relation to others, showing personal tragedies as well as the collective atrocity from the insights of multi-voice narratives.

This is required reading to understand the Russo-German War.

This two-volume masterpiece was written by Paul Schmidt, who was actually Hitler’s Press Secretary during the war. Schmidt used the nom de plume of “Paul Carrell”, and although one would, at first glance, imagine that this author might write a biased and pro-Nazi apologetic study, that could not be further from the truth.

Carrell/Schmidt actually wrote a very truthful account of the war, pulling no punches and even criticizing Hitler’s leadership and his ideology throughout the study.

Carrell/Schmidt also happens to be an eloquent storyteller. He is the type of author who can manage to place the reader in the middle of the story, as if he/she is witnessing the events live. Very few authors can do this.

A lot of Inga Clendinnen’s work dealt with what happens when two very different cultures and ways of making sense of things come into contact. In the subtitle of her book Aztecs: An Interpretation, she boldly asserted her method for approaching history. It is not merely a recitation of facts, it is an elucidation of those facts by an expert steeped in the knowledge of a particular past. Having written about the Maya and the Aztecs, Reading the Holocaust was a departure, topically, geographically, historically. What I found so extraordinary about the book was precisely Clendinnen’s decision to look anthropologically at staggering events historians had often written about in “functional” terms (who did what, when, and where). In so doing, she tried to offer insight into something unthinkable (what the perpetrators thought they were doing) and something unimaginable (what the victims experienced).

I read this magical, mystical novel on an airplane, and had to retrieve a spare t-shirt from my suitcase to sob into! A beautiful, heart-wrenching work about family history, memory, and the power of imagination, the story is narrated by a girl, Lena, who leads her village to imagining their way out of the reality of the Holocaust's horrors. For a time, the villagers are spared, even repaired, until the outside world presses its way in and the myths crack, then shatter.  

I can’t understand why this book isn’t better known. It is an actual diary that survived by chance. It was written by a young woman of twenty-one from a wealthy Jewish family long-established in France and not thinking of themselves as anything but French. I found it gripping and harrowing, all the more so because when the Nazis conquer France and start to impose restrictions on Jews, Hélène cannot grasp what is happening or what lies ahead. She has had a happy, secure life, but now these hideous indignities are being imposed on her.

When she is forced to wear the yellow star, she is horrified by the jeers and insults directed at her in the streets by passers-by whom she has always thought of as fellow citizens. The diary brings home, like almost nothing else I’ve read, the way in which the ordinary life of the intended victims turned… show more.