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War is a horror story, laying bare the harm that humankind is capable of. Being a stubborn historian, I set myself the task of finding humanity in the face of conflict. I am especially intrigued by first-hand accounts that leave little to the imagination, yet I am not drawn to record the distress of the individual, but rather the ability to live through a war and find peace. I am a South African historian with a PhD from Stellenbosch University. I write about individuals in war, and I am determined to give a voice to those South African servicemen who were forgotten when they came home in 1945.
The South African contribution to the Second World War is small compared to that of Britain, the US, and others, yet those South Africans who volunteered to fight did so with commitment, humor, and even a sense of destiny.
This is what I found so fascinating in David Katz’s book, while analyzing military strategy, he never neglected the humanity behind the battles.
After bitter debate, South Africa, a dominion of the British Empire at the time, declared war on Germany five days after the invasion of Poland in September 1939. Thrust by the British into the campaign against Erwin Rommel's German Afrika Korps in North Africa, the South Africans fought a see-saw war of defeats followed by successes, culminating in the Battle of El Alamein, where South African soldiers made a significant contribution to halting the Desert Fox's advance into Egypt. This is the story of an army committed somewhat reluctantly to a war it didn't fully support, ill-prepared for the battles…
I must be something of a specialist on the impact of conventional and guerrilla warfare on the civilian population. Truth is, leaving school, I never intended to have anything to do with war beyond the books I enjoyed reading. On leaving the military in my 30s I employed the only skills I had and managed organisations and mostly news teams operating in conflict zones all over the world. I matured into a crisis manager, responding and consulting to crisis situations such as kidnap & ransoms, and evacuations from conflict zones. Most of the characters in my books are real, good and bad, taken from the vast theatre of my own experiences.
This is the remarkable, true story about an upper-class English woman, Susan Travers, who was chauffeur to French General Pierre Koenig during his North Africa campaign leading the Free French Foreign Legion while attached to the British 8th Army. Koenig became famous for holding out against German General Erwin Rommel at the battle of Bir Hakiem. Susan chose to remain at Bir Hakiem when all other women had been evacuated. At the height of the battle, running out of ammunition, Koenig ordered the evacuation and she drove him through machine-gun fire and a minefield, spearheading the hair-raising escape for the 3,000 soldiers. Susan was my friend and I was the first person to whom she revealed her secret love affair with Koenig, the basis of this book.
It was early spring 1942, and under the pitiless sky of the Libyan desert the climax of the great siege of Bir Hakeim was about to begin. General Koenig, the commander of the Free French and the Foreign Legion in North Africa, and his two thousand troops had been surrounded for fifteen days and nights by Rommel's Afrika Corps. Outnumbered ten to one, pounded by wave after wave of Stuka and Heikel bombers, the general and his men seemed doomed. Though their situation was hopeless, they chose to reject the Desert Fox's demand for surrender. Instead, one moonless night, the…
In 2003-4 I spent a year in the British Army between school and university. Ten years later, having become a journalist, I returned to investigate what a decade of war had done to the institution I knew as an adolescent. In the years I spent researching and writing The Changing of the Guard I read reams of non-fiction. However, novels retain an ability to hit wider – or harder truths – and some of our greatest writers have fictionalised British Army life. Here is a selection of British Army novels, well-known and less so. They take in conflicts ranging from the First and Second World Wars through to Northern Ireland and Afghanistan.
I have a theory that great fiction about the British Army may require conscription – that system propelled individuals who otherwise would have never joined the military into the institution. They could then respond in writing in a manner that peacetime volunteers were never able to.
Evelyn Waugh, already in his late 30s when the Second World War was declared in 1939, was an unlikely soldier. However, he turned his experiences – notably in West Africa, Crete, and Yugoslavia – into a trio of fine fiction centered on a somewhat Waugh-like character, Guy Crouchback.
Waugh’s genius is to capture some of the eccentricities of army life – the discussion about the merits of porpoise skin as a material for boots will echo with anyone who has ever overheard, or participated in, an earnest discussion about the minutiae of kit.
Jeremy Black is a prolific lecturer and writer, the author of over 100 books. Many concern aspects of eighteenth-century British, European, and American political, diplomatic and military history but he has also published on the history of the press, cartography, warfare, culture, and on the nature and uses of history itself.
Already a published expert on air power, armour, and the Normandy campaign, Buckley went on to produce a well-considered and ably researched evaluation of the British army in 1944-5, one that rescued it from the deeply-flawed criticism by Max Hastings of its relative effectiveness.
Historian John Buckley offers a radical reappraisal of Great Britain's fighting forces during World War Two, challenging the common belief that the British Army was no match for the forces of Hitler's Germany. Following Britain's military commanders and troops across the battlefields of Europe, from D-Day to VE-Day, from the Normandy beaches to Arnhem and the Rhine, and, ultimately, to the Baltic, Buckley's provocative history demonstrates that the British Army was more than a match for the vaunted Nazi war machine. This fascinating revisionist study of the campaign to liberate Northern Europe in the war's final years features a large…
Anthony Tucker-Jones, a former intelligence officer, is an author, commentator, and writer who specializes in military history, with well over 60 books to his name. His work has also been published in an array of magazines and online. He regularly appears on television and radio commenting on current and historical military matters.
Churchill is perhaps best remembered for his bulldog premiership during the Second World War. Max Hasting’s excellent study graphically portrays the enormous political and strategic stresses and strains endured by Churchill. Coalition warfare was one of vigorously competing interests and Hastings shows how Churchill achieved a quite remarkable juggling act.
'I would choose this account over and above the rest. It is a fabulous book: full of perceptive insight that conveys all the tragedy, triumph, humour and intense drama of Churchill's time as wartime leader; and it is incredibly moving as a result' James Holland, Literary Review
In this vivid biography, #1 bestselling historian Max Hastings tells the story of how Churchill led a nation through its darkest hour.
A moving, dramatic narrative of crisis and fortitude, Hastings offers one of the finest biographies of one of Britain's finest men.
When Churchill took power as Prime Minister in 1940, it…
I spent my twenties mostly devouring women’s fiction and romance novels with female leads, but I also stepped outside my preferred genre. Being a strong lead doesn’t necessarily mean saving the world or doing something heroic (though obviously that helps!), it’s about strength of character, being real, and being able to fight on when things get difficult. I always dreamt of being an author, but only started writing properly when I developed a debilitating long-term health condition. I used writing to support my rehabilitation and this led to me finally achieving that dream – so in a way, I see myself as a strong female lead in my own story.
Andie Newton writes historical fiction with strong female leads, set during World War II. In The Girls from the Beach, Kit, an American nurse, is sent behind enemy lines to infiltrate the Reich and steal something critical to the outcome of the war. It’s a gripping, edge-of-your-seat story that’s guaranteed to have you bawling by the end.
Obviously, I’d need a time machine to have dinner with Kit as a young woman, but she could still be around today, recounting heroic tales from that awful time. Kit is super brave and she’s persevered through unimaginable circumstances. Even if she didn’t want to share her stories, I’d invite her as a thank you for the sacrifices she and all service people made so we have the freedom we have today.
'We'd heard stories about the nurses in tent seven. A secret mission, stolen money, and spies...'
In 1944, four American nurses disappeared for five days. No one knew what happened to them. Until now.
When Kit and Red set foot on French soil during the Normandy landings, they know they have to rely on each other. As they head for the battlefield, their aim is simple: save lives. But when they're called away on a top-secret mission to patch up a few men behind enemy lines, everything changes.
Alongside fellow nurses, Roxy and Gail, they're told to…
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.
The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.
Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.
It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing.
In my “day job” I write about architecture, which means I often write about things I see in photos. When I began writing fiction, I continued using photos as inspiration and research. My novels are inspired by my family’s circumstances at the end of World War II and my fascination with the work of the Monuments Men. Photos show me details like a little girl playing with her doll under a sign that declares her building to be at risk of collapse, or a woman using the ruins of a building to hang out the wash. I love finding ways to use these elements in my writing.
Technically about World War II, this work covers Chim’s work depicting culture, politics, and life before and after the war, so the circumstances leading to conflict and its aftermath. Chim was the co-founder of Magnum Photos, so his contribution to photojournalism is immense, and his photos are beautifully lit and composed even as they capture fleeting moments: Polish school children waiting for a bus in the rain, a baby reaching for bread at a displaced person’s camp or a boy playing in the ruins of a bombed building. The book also includes later photos of celebrities and movie stars, which, when seen alongside his earlier work creates an interesting narrative of a world putting itself back together and once again seeking out joy and beauty.
Born Dawid Szymin in Warsaw, Chim began his career in the early 1930s photographing for leftist magazines in Paris. In 1936, one of these magazines, Regards, sent him to the frontlines of the civil war in Spain, along with comrades Robert Capa and Gerda Taro. Although war formed the backdrop of much of his reportage, Chim was an astute observer of twentieth-century European politics, social life, and culture, from the beginnings of the antifascist struggle to the rebuilding of countries ravaged by World War II. Like millions of other Europeans, Chim had suffered the pain of dislocation and the loss…
Virtually my entire professional life has involved the Middle East and North Africa (MENA). As an author, teacher, public speaker, and historian, I’ve worked with everyone from school children to retirees, via university students and hundreds of American and British diplomats. One era I'm still in thrall to is the first half of the Twentieth century in Egypt, from Cairo to the Sahara. In part because of European involvement in the country at this time, this was a very important period for the country, the wider Middle East, and the post-war trajectory of the region. Taken together, the five books I recommend offer different but complementary sides of a fascinating, multi-faced place and time.
Khan al-Khalili is a famous bazaar in the historic heart of Cairo, and the setting of this powerful and thought-provoking novel by Naguib Mahfouz. One of the most important Egyptian and Arab authors of the Twentieth century, in 1988, Mahfouz became the first Arabic-language writer to be awarded the Nobel Prize in Literature. Mahfouz spent much of his life in and around Khan al-Khalili, which gives this novel an intimacy and sense of place akin to Dicken's writing about Victorian London. It is 1942, and Egypt is tense as the war moves closer and closer to the capital, and Cairenes from different generations thrust together in the crowded neighborhood variously argue for and against tradition, modernity, religious faith, and secularism. This is a great read, and even better if you’re able to read it while sitting in a café in Khan al-Khalili.
Khan al-Khalili, by Egyptian Nobel Laureate Naguib Mahfouz, portrays the clash of old and new in an historic Cairo neighborhood as German bombs fall on the city. The time is 1942, World War II is at its height, and the Africa Campaign is raging along the northern coast of Egypt. Against this backdrop, Mahfouz’s novel tells the story of the Akifs, a middle-class family that has taken refuge in Cairo’s colorful and bustling Khan al-Khalili neighborhood. Believing that the German forces will never bomb such a famously religious part of the city, they leave their more elegant neighborhood and seek…
I lived in London for eighteen years and acquired an abiding affection for my nation’s capital. I wanted to write a sequel to Bluebirds and jumped at the chance of giving Bryan Hale an adventure where he could walk the streets that I knew and loved. The scars caused on the fair face of London by sticks of Nazi bombs landing in ragged lines across the streets and terraces may still be discerned from the incongruity of the buildings that have since risen to fill the gaps. London heals and thrives. Ultimately, I believe every English writer harbours an ambition to write a London novel. I did, and I did.
British Radio Direction Finding stations (RDF), later to be dubbed Radar, with their iconic arrays of masts along England’s south coast, contributed greatly to the RAF’s success in the Battle of Britain by detecting approaching raids and giving early warning. Both sides in the European war possessed similar technologies operated from ground stations. The race to miniaturise RDF sets for airborne interception, once realised, would have devastating consequences for intruding bomber crews facing A.I. equipped night fighters over Britain and Germany. Price takes an even-handed approach in relating the development of these technologies in Britain, Germany, the US, and Japan, making this an absorbing and enjoyable read that demystifies an aspect of the war that is usually only mentioned in passing.
The rapid evolution of radio and radar systems for military use during World War II, and devices to counter them, led to a technological battle that neither the Axis nor the Allied powers could afford to lose. The result was a continual series of thrusts, parries, and counter-thrusts, as first one side then the other sought to wrest the initiative in the struggle to control the ether. This was a battle fought with strange-sounding weapons-"Freya," "Mandrel," "Boozer," and "Window"-and characterized by the bravery, self-sacrifice, and skill of those who took part in it. During the war, however, and for many…
