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When my daughter was three years old, I enrolled her in a “creative movement” class. I had taken dance lessons for ten years when I was younger, so this felt like an obvious choice. At age eleven, her teacher suggested that she had the facility, talent, and drive to pursue a career in ballet. What followed was seven years of being a “ballet mom,” as she studied, performed, competed, and ultimately left home to pursue her career. The Still Point comes from this experience. It's a novel about dark ambition, but it's also a love letter: to my daughter, to ballet, and to the mothers who became my closest friends inside the ballet studio walls.
This luminous novel, written by former professional Joffrey Ballet dancer, Meg Howrey, follows the life of a dancer, beginning in NYC’s West Village in the 1980s.
It is a beautifully written rumination on not only dance but ambition, family, and secrets as well. Meg and I met for the first time when my daughter had just started on her pre-professional path, and her writing about dance is unmatched.
'A luminous chronicle of betrayal, sacrifice and creative ambition'
The Observer
'Lush and enjoyable... a glossy, fast-paced family drama'
The Times
'My idea of a perfect book'
Jami Attenberg
'By the book's close, readers will be clamouring for an extra curtain call'
Guardian
Once a year, ballet-obsessed Carlisle Martin spends a few precious weeks with her father Robert and his partner James at their enchanted apartment in Greenwich Village. Time spent with them is impossibly glamorous, filled with art, dance, beauty, books, and grown-ups who take her seriously as they battle the AIDs crisis and
Then, one summer, a devastating…
When my daughter was three years old, I enrolled her in a “creative movement” class. I had taken dance lessons for ten years when I was younger, so this felt like an obvious choice. At age eleven, her teacher suggested that she had the facility, talent, and drive to pursue a career in ballet. What followed was seven years of being a “ballet mom,” as she studied, performed, competed, and ultimately left home to pursue her career. The Still Point comes from this experience. It's a novel about dark ambition, but it's also a love letter: to my daughter, to ballet, and to the mothers who became my closest friends inside the ballet studio walls.
This book! I received this gorgeous black and white photobook as a gift when I was an aspiring dancer myself in the 1970s.
I was obsessed with the story of a young girl cast as Marie in the New York City Ballet’s Nutcracker. The story is told primarily through Krementz’s photos of a young dancer’s life in New York City: ballet classes, auditions, rehearsals, backstage moments, and performances.
This book is one of the most magical and special books of my childhood – which appealed to me as a dancer back then but later heavily influenced my work as a photographer as an adult.
A ten-year-old student at the School of American Ballet in New York describes her classes and the preparation for and performance of her role in the ballet "The Nutcracker."
When my daughter was three years old, I enrolled her in a “creative movement” class. I had taken dance lessons for ten years when I was younger, so this felt like an obvious choice. At age eleven, her teacher suggested that she had the facility, talent, and drive to pursue a career in ballet. What followed was seven years of being a “ballet mom,” as she studied, performed, competed, and ultimately left home to pursue her career. The Still Point comes from this experience. It's a novel about dark ambition, but it's also a love letter: to my daughter, to ballet, and to the mothers who became my closest friends inside the ballet studio walls.
This novel, besides having a gorgeous cover, offers a sneak peek through the window into the lives of professional dancers at the Paris Opera Ballet.
It follows three young women from their days as students into adulthood. The plot has many twists and turns, but it is primarily a novel about female relationships in the cutthroat world of professional ballet.
Thirteen years ago, Delphine Leger abandoned her prestigious soloist spot at the Paris Opera Ballet for a new life in St. Petersburg -- taking with her a secret that could upend the lives of her best friends, fellow dancers Lindsay and Margaux. Now thirty-six years old, Delphine has returned to her former home and to the legendary Palais Garnier Opera House, to choreograph the ballet that will kickstart the next phase of her career -- and, she hopes, finally make things right with her former friends. But Delphine quickly discovers that things have changed while she's been away...and some secrets…
When my daughter was three years old, I enrolled her in a “creative movement” class. I had taken dance lessons for ten years when I was younger, so this felt like an obvious choice. At age eleven, her teacher suggested that she had the facility, talent, and drive to pursue a career in ballet. What followed was seven years of being a “ballet mom,” as she studied, performed, competed, and ultimately left home to pursue her career. The Still Point comes from this experience. It's a novel about dark ambition, but it's also a love letter: to my daughter, to ballet, and to the mothers who became my closest friends inside the ballet studio walls.
Ballet has come under much scrutiny in the last decade: from the perpetuation of racial stereotypes to the abuse of power by directors to the promotion of damaging physical behaviors.
This non-fiction book by a former student at the School of American Ballet balances the problematic elements of ballet with the author’s love affair with it. Filled with both history and her own personal story, I found this book to be not only educational but also deeply moving.
It will resonate with not only dancers but anyone who has abandoned a childhood passion.
"Neither romanticizing or decrying the dance world, Robb beautifully explores the push-pull of masochism and perfectionism—preoccupations not just relevant to aspiring dancers, but to anyone who's ever pursued an almost-impossible dream." ?— Ada Calhoun, New York Times bestselling author of Why We Can't Sleep and Also a Poet
An incisive exploration of ballet’s role in the modern world, told through the experience of the author and her classmates at the most elite ballet school in the country: the School of American Ballet.
Growing up, Alice Robb dreamed of becoming a ballet dancer. But by age fifteen, she had to face…
I'm an Englishman who fell in love with a 300-year-old former sausage curing hut on the side of a Slovenian mountain in 2007. After years of visits spent renovating the place, I moved to Slovenia, where I lived and worked for many years, exploring the country, customs, and culture, learning some of the language, and visiting its most beautiful places. I continue to be enamored with Slovenia, and you will regularly find me at my cabin, making repairs and splitting firewood.
In contrast to Slovenology, this book digs deeper into Slovenia. A memoir by an American who moved to the country in the mid-1990s after falling for a handsome Slovene poet, Debeljak tells the story of her life as she takes on the head-twisting nature of Slovenian, and gets to grips with a culture that is often quite different to that of her homeland.
Debeljak does not hold back on personal details, and I loved how she pours her heart into the story, sharing so much of her inner feelings with us. She also writes with humor and beauty. I think Slovenia has changed quite a lot since Debeljak's story, but it's still a great read for any Slovenia fan.
"[A] sunny, can-do look at intense culture shock. Debeljak makes a humorous, self-effacing guide to her own story and the only complaint I have is that I wish she’d told us more. I hope someday she gives us a sequel."—Christian Science Monitor • "Witty and warm."—Kirkus Reviews
Forbidden Bread is an unusual love story that covers great territory, both geographically and emotionally. The author leaves behind a successful career as an American financial analyst to pursue Ales Debeljak, a womanizing Slovenian poet who catches her attention at a cocktail party. The story begins in New York City, but quickly migrates,…
I love a romance where the hero has his viewpoint changed by the woman he falls in love with. He might become a better family man, or transform his politics, or change his priorities, but it all cases loving her alters him. Additionally, I love a heroine who is exceptional in a distinct way but overlooked or dismissed by others. They can be bluestockings or spinsters, reformers or quiet and shy, but they’re all steadfast and they all derive strength from the hero’s support. In short, the love they find together makes them better people.
This is a great book because love makes Mulligan reevaluate what matters most.
Mulligan isn’t a villain exactly, but he does less than admirable things. He believes money is the way to accrue power, and he tries to fix Justine’s problems with bribery. She can’t accept his methods as a way to solve problems, and he is faced with the choice to either rule the criminal world or love the girl.
Obviously, he picks the girl. His story arc is so satisfying because he will do anything for her!
"Nothing makes me happier than a new book from Joanna Shupe!"-Sarah MacLean
The final novel in Joanna Shupe's critically acclaimed Uptown Girl series about a beauitful do-gooder who must decide if she can team up with one of New York's brashest criminals without losing something irreplaceable: her heart.
Manhattan kingpin.
Brilliant mastermind.
Gentleman gangster.
He's built a wall around his heart...
Orphaned and abandoned on the Bowery's mean streets, Jack Mulligan survived on strength, cunning, and ambition. Now he rules his territory better than any politician or copper ever could. He didn't get here by being soft. But in uptown…
Like many of us over (ahem…we’ll say) 40, I grew up reading historical romance—those were the first full-length romance novels on store shelves. My mum is British and visits there added to my interest in Regency England. Then 50 Shades exploded and people’s spice level tolerance increased. But mainly in contemporary romance, with all the tools and toys. Curious as to how spice in the Regency would look, I went searching. I found a few of these fabulous authors, but not many choices, so I decided to write one. Now there are more authors published in this subgenre, and I’m proud to be one of them.
While I found Joanna Shupe from her Regency books, I heard an interview with her in which she talked about trying to write about the Gilded Age, but no publisher would take it. So to support her dream, I choose the first of her Gilded Age series—an opposites attract novel between an uptown girl and a downtown guy who works for her father and has some secrets. The spice level in this is steamy rather than erotic. I picked this because I will read a Robin Hood story with romance every time.
Silver-tongued lawyer. Keeper of secrets. Breaker of hearts.
He can solve any problem . . .
In serving the wealthy power brokers of New York society, Frank Tripp has finally gained the respectability and security his own upbringing lacked. There's no issue he cannot fix . . . except for one: the beautiful and reckless daughter of an important client who doesn't seem to understand the word danger.
She's not looking for a hero . . .
Excitement lies just below Forty-Second Street and Mamie Greene is determined to explore all of it-while playing a modern-day Robin Hood along the…
I teach writing and children's literature at the University of Wisconsin, Stevens Point, and for many years worked as a librarian. (Once a librarian, always a librarian!) First and foremost, I'm a reader. The real world can be an unpleasant and depressing place, so I regularly escape inside books. Although serious books are great, it's also nice to escape to a world where you can laugh and not worry about anything too bad happening.
Let me introduce you to the wonderful world of Turano's historical romances. Playing the Part is my favorite; it is about a 19th-century New York City actress who hides away at a friend's country estate. Every character is quirky and engaging. I laughed out loud, over and over, at the myriad of crazy situations they got themselves into.
"One of the funniest voices in the inspirational genre."--Booklist
Lucetta Plum is an actress on the rise in New York City, but is forced to abandon her starring role when a fan's interest turns threatening. Lucetta's widowed friend, Abigail Hart, is delighted at the opportunity to meddle in Lucetta's life and promptly whisks her away to her grandson's estate to hide out.
Bram Haverstein may appear to simply be a somewhat eccentric gentleman of means, but a mysterious career and a secret fascination with a certain actress mean there's much more to him than society knows.
I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
I was obsessed with this novel when it first came out, and every time I go back to it, it offers me another gift.
The writing is lean yet elegant, a perfect combination to tell such a heartbreaking story—of three women connected through time by Virginia Woolf’s singular novelMrs. Dalloway.
It’s a book about how to sustain ourselves through challenging times—how to literally survive—but it’s also a treatise on creating remarkable characters, the call to be an artist, and a rare glimpse into the imagined writing process of one of the English language’s greatest wordsmiths. (I’m referring to Woolf, but I could just as easily be talking about Cunningham.)
The structure is inventive and compelling, but it is really what he shows us of the characters, how he opens their hearts and whispers their secret sorrows into our eager ears, desires they barely understand themselves, that makes this…
Winner of the 1999 Pulitzer Prize and Pen Faulkner prize. Made into an Oscar-winning film, 'The Hours' is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf.
In 1920s London, Virginia Woolf is fighting against her rebellious spirit as she attempts to make a start on her new novel.
A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of 'Mrs Dalloway'.
And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party…
I am a musician and writer who has always loved mysteries. Main character-sleuths who are likable and sometimes get in over their heads are my favorites, both as a reader and a writer, especially if they contribute something positive to their world in addition to solving the crime. If their careers or hobbies – anything from the arts to small customer-service businesses – offer joy to themselves and to others, so much the better. Since I grew up in the New York area, I like books that are set there, but am open to a good story set anywhere in the world.
I loved Ella Shane who rose from Lower East Side poverty to success.
She directs and performs in her own opera company – most unusual for a woman in 1899, even in New York. Never forgetting where she came from, she is grateful for all she’s achieved. In this first of a three-part series, Ella turns sleuth after one of her young singers dies mysteriously onstage.
When the singer’s cousin (a Duke, no less) arrives to investigate, the promise of romance is definitely in the air. The contrast between late 1890s protocols versus the changing attitudes of the coming new century is fascinating. The main characters are beautifully and compassionately drawn, and the story has an action-packed finale.
On the cusp of the twentieth century, Manhattan is a lively metropolis buzzing with talent. But after a young soprano meets an untimely end on stage, can one go-getting leading lady hit the right notes in a case of murder?
New York City, 1899. When it comes to show business, Gilded Age opera singer Ella Shane wears the pants. The unconventional diva breaks the mold by assuming “trouser roles”—male characters played by women—and captivating audiences far and wide with her travelling theatre company. But Ella’s flair for the dramatic takes a terrifying turn when an overacting Juliet to her Romeo…
