Here are 100 books that Ghosts fans have personally recommended if you like
Ghosts.
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In almost all of my eighteen published novels, animals have played a central role. When my first novel (No Sign of Murder) was published, The NY Times gave it a standalone review with the headline, “Even the Gorilla is a Suspect.” My wife was working with gorillas when I wrote the book. In Multiple Wounds, I cribbed a real-life experience of a double-homicide in our neighborhood, with the only survivor being a cat. We adopted that cat, and I had my protagonist do the same in telling the circumstances of her story to the world. Because animals play a big part in my own life, I feel the need to incorporate them into my words.
Yes, this novel is about life, death, and love, but if you’re envisioning a Bergman film full of angst, think again. For nineteen years, Jonathan Rebeck has been living in an abandoned mausoleum at Bronx’s Yorkchester Cemetery. Finding a way home has been as challenging for Rebeck as it was for Odysseus. Rebeck has spent his time at the cemetery talking to ghosts, and to a raven quite the opposite of Poe’s. Usually, the human sees to the needs of the animal. In this instance, it is the raven who brings Rebeck pilfered food, and his unique wisdom.
As a romance blossoms between two of the ghosts at the cemetery, Rebeck and a widow he has become friendly with, try to help the spirits belatedly find love, and give Rebeck his own way back to life.
A kindly raven brings food to and is the companion of a man who has taken refuge in an abandoned mausoleum in a New York City cemetery for nineteen years. Title: A Fine & Private Place Author: Beagle, Peter S. Publisher: Tachyon Publications Publication Date: 2007/05/28 Number of Pages: 264 Binding Type: PAPERBACK Library of Congress: bl2007019271
I’ve written and published one hundred very short ghost stories, plus a handful of longer ones, and have spent a lifetime reading and watching and thinking about stories of ghosts and the afterlife. My expertise, such as it is, involves ghosts as beings of narrative and metaphor. I’ve encountered great numbers of them on the page and on the screen—nowhere else—but I confess that I would love someday (though don’t expect) to encounter them in the flesh. My flesh, that is to say; their fleshlessness.
This, Dorst’s first novel, adopts the trappings of a police procedural but is at heart a character drama seasoned with elements of the supernatural. It follows the fortunes of a rookie cop in the “cemetery city” of Colma, California, whose charges, he quickly discovers, include both the living and the dead. Recommended if you like your ghosts eerie and your human beings haunted not only by wakeful spirits but by their own personal blunders and false starts.
A "dark and funny debut"(Seattle-Times) about a young police officer struggling to maintain a sense of reality in a town where the dead outnumber the living.
Colma, California, the "cemetery city" serving San Francisco, is the resting place of the likes of Joe DiMaggio, Wyatt Earp, and William Randolph Hearst. It is also the home of Michael Mercer, a by-the-book rookie cop struggling to settle comfortably into adult life. Instead, he becomes obsessed with the mysterious fate of his predecessor, Sergeant Wes Featherstone, who spent his last years policing the dead as well as the living. As Mercer attempts to…
I’ve written and published one hundred very short ghost stories, plus a handful of longer ones, and have spent a lifetime reading and watching and thinking about stories of ghosts and the afterlife. My expertise, such as it is, involves ghosts as beings of narrative and metaphor. I’ve encountered great numbers of them on the page and on the screen—nowhere else—but I confess that I would love someday (though don’t expect) to encounter them in the flesh. My flesh, that is to say; their fleshlessness.
Harington was one of the great unheralded—or at least under heralded—novelists of the last fifty years, bursting with stories and whole populations of flawlessly captured human voices, and With was one of his highest achievements. It follows the fortunes of a kidnapped girl in the Arkansas Ozarks who befriends the woods’ menagerie of animals, as well as the ghost (or, as Harington would style it, the “in-habit”) of a twelve-year-old boy whose body did not die but moved away and abandoned him. Recommended if you like your ghosts warm-hearted and aching for home.
With is the sensual, suspenseful and irresistible tale of Robin Kerr, a young girl abducted from her family and brought to a remote Ozark mountaintop, where she is left to fend for herself. Over the course of a decade, Robin grows up without human relationship, but with the company of animals and an inhabit, the half-living ghost of a young boy. In this magical novel in the Stay More series, Harington gives us one of the most original survival, coming-of-age, and love stories ever told.
I’ve written and published one hundred very short ghost stories, plus a handful of longer ones, and have spent a lifetime reading and watching and thinking about stories of ghosts and the afterlife. My expertise, such as it is, involves ghosts as beings of narrative and metaphor. I’ve encountered great numbers of them on the page and on the screen—nowhere else—but I confess that I would love someday (though don’t expect) to encounter them in the flesh. My flesh, that is to say; their fleshlessness.
One of the most inventive novels of recent years, Leanne Shapton’s Guestbook uses prose, photographs, and illustrations to find thirty-three ways of approaching the ghost story. The book moves swiftly and exhilaratingly through its pages, which are knit together by a sense of what it means for spirits to fasten themselves unexpectedly to people and what it means for people to feel haunted. Recommended if you like your ghosts both abundantly imagined and abundantly pictured.
'Shapton has created a mystical territory - a performance, an exhibition, a guestbook - in which I felt the ghost within myself; the thing that will outlive me. A fearless and exquisite book' Miranda July
Guestbook explores the glimmering, unsettling things that haunt us in the midst of life, combining stories, vignettes and an evocative curiosity cabinet of artifacts and images - found photographs, original paintings, Instagram-style portraits - to transform the traditional ghost story into something else entirely.
'Leanne Shapton has a way of making books entirely new, surreal, and uncanny ... Guestbook contains ghost stories for a world…
All the best books have a cat sidekick. Over and over, when people talk to me about my book, they pause in the middle of whatever they were about to say and go, “Oh my gosh, Biscuits,” and then launch into a list of things Biscuits the cat does, and how they are similar to things their cats have done, presumably up to and including throwing hands (paws?) with horrifying monsters that want to eat your heart. Biscuits is the latest in a long and proud tradition of literary feline companions, an essential element of many of my favorite and formative texts growing up.
Mr. Cat is a ride-or-die. Mr. Cat walks the line that all cats do in the real world, in that he doesn’t actually have magic powers and he can’t actually talk, he is at the end of the day a little animal that lives in Jenny’s house, but also he would bite a ghost without hesitation. It’s Peter S. Beagle’s complete mastery of voice and tone that enable Jenny and Mr. Cat to walk that line so effortlessly. Because the fantastical is grounded so deeply in the real world, the stakes feel so high that I first read this book in one breathless sitting, afraid to look away.
Arriving in the English countryside to live with her mother and new stepfather, Jenny has no interest in her surroundings until she meets Tamsin. Since her death over 300 years ago, Tamsin has haunted the lonely estate without rest, trapped by a hidden trauma she can't remember, and a powerful evil even the spirits of night cannot name. To help her, Jenny must delve deeper into the dark world than any human has in hundreds of years, and face danger that will change her life forever.
I am interested in the history of people on the move, and in particular how migrants and refugees negotiated the upheavals of war and revolution in the 20th century. Originally, I turned to these topics as a specialist in Russian history, but I have since broadened my perspective to consider the causes and consequences of mass population displacement in other parts of the world. I have just retired from the History faculty at the University of Manchester, where I taught since 1976. In 2019 I was elected a Fellow of the British Academy, the UK’s national academy for the humanities and social sciences.
Berger published this in 1975 at a time when Turkish, Greek, and Portuguese guest workers were arriving in Western Europe, having been recruited by employers to fill vacancies in factories during the years of sustained economic growth. Berger succeeds in humanising these workers, helped by photos taken by his long-term collaborator, the Swiss photographer Jean Mohr. Berger could not anticipate that these young men would later be joined by their families and put down roots. His book speaks of adventure and opportunity, but also of exploitation and humiliation. Numerous memorable vignettes stick in my mind, including his observation about migrant workers from Portugal, governed by the dictatorship of António de Oliveira Salazar:
Before leaving they had their photographs taken. They tore the photograph in half, giving one half to their ‘guide’ and keeping the other themselves. When they reached France, they sent their half of the photograph back to their…
"Why does the Western world look to migrant laborers to perform the most menial tasks? What compels people to leave their homes and accept this humiliating situation? In A Seventh Man, John Berger and Jean Mohr come to grips with what it is to be a migrant worker--the material circumstances and the inner experience--and, in doing so, reveal how the migrant is not so much on the margins of modern life, but absolutely central to it. First published in 1975, this finely wrought exploration remains as urgent as ever, presenting a mode of living that pervades the countries of the…
Growing up in Brooklyn, New York, I was acutely aware of the way my non-white and non-citizen classmates were treated differently by police and other authorities. Studying racial inequality in the War on Drugs as an undergraduate and graduate-level Sociology student, I began to understand the many links between the criminal and immigration systems, and how often the stories of criminalized people are left behind. I became committed to bringing attention to the racially inequalities that shape these systems. In doing so, I aim to uplift resistance to the “good immigrant/bad immigrant” binary that frames non-citizens with criminal records as undeserving and disposable.
Deported was one of the first books I read that fully explained the links between deportation and inequality, in both readable and evidence-backed ways.
I appreciate it for the way it uses riveting narratives from deportees themselves, to demonstrate how the unequal conditions of global capitalism spur migration in the first place, while inequality in the United States leads to the criminalization and deportation of men of color.
This book stands out to me in its focus on Black and Afro-Latinx immigrants from the Caribbean, a group known to be targeted by the US War on Drugs, who are often left out of the literature on immigration enforcement and deportation.
Winner, 2016 Distinguished Contribution to Research Book Award, given by the American Sociological Association Latino/a Section
The intimate stories of 147 deportees that exposes the racialized and gendered dimensions of mass deportations in the U.S.
The United States currently is deporting more people than ever before: 4 million people have been deported since 1997 -twice as many as all people deported prior to 1996. There is a disturbing pattern in the population deported: 97% of deportees are sent to Latin America or the Caribbean, and 88% are men, many of whom were originally detained through the U.S. criminal justice system.…
I’m a political philosopher who lives in Seattle. I teach and write about political ethics, and the ways in which moral concepts change when they get applied to the relationships between states—and to the complicated borders that define where states end. I tend to write about what puzzles me, and many of these puzzles come from my personal life; I’m a migrant myself, and the experience of migrating to the United States led me to write about what sorts of values a country can rightly pursue through migration policy—and what sorts of things, more generally, it can and can’t do to migrants themselves.
This book helped me to understand the reasons people choose to migrate—and, in particular, how big structural changes in the policies and law of the United States can lead to changes elsewhere that makes it hard to avoid migrating. It’s easy to focus either on the particular stories of individual people, or on the big picture of global economics; it’s a rare thing to see these two done together, and done in such a skillful way.
For two decades veteran photojournalist David Bacon has documented the connections between labor, migration, and the global economy. In Illegal People Bacon explores the human side of globalization, exposing the many ways it uproots people in Latin America and Asia, driving them to migrate. At the same time, U.S. immigration policy makes the labor of those displaced people a crime in the United States. Illegal People explains why our national policy produces even more displacement, more migration, more immigration raids, and a more divided, polarized society.
Through interviews and on-the-spot reporting from both impoverished communities abroad and American immigrant workplaces…
I have been fascinated by the paranormal since I was young: always a lover of ghost stories, I have long felt the spiritual resonance in certain places; the energy and spirits of the past remain trapped within the fabric of certain buildings and the land, waiting for the sensitive to come along. I developed this passion by reading classic and modern-day ghost stories, going on ghost tours, and visiting haunted places. I listen to and record people recounting their experiences of real-life encounters. I write nonfiction books about the paranormal, specifically about Shakespeare’s ghosts and spirits in his county of Warwickshire, and novels that develop this theme.
I imagined myself in the desolate place on the Essex coast where the main protagonist had gone, and I felt an invidious sense of dread as the atmosphere built up. The air of supernatural menace seems to breathe out of this story: the threat and the fear crept into me as if I were there myself, knowing something terrifying would happen, willing the main protagonist to get out and save themselves but knowing that I, just like them, would be held fast by those invisible and supernatural tentacles.
Don't miss this stunning novel from the Sunday Times bestselling author of Lady of Hay - a gripping tale of secrets, betrayal and revenge...
After a broken love affair, biographer Kate Kennedy retires to a remote cottage on the wild Essex coast to work on her new book, until her landlord's daughter uncovers a Roman site nearby and long-buried passions are unleashed...
In her lonely cottage, Kate is terrorized by mysterious forces. What do these ghosts want? Should the truth about the violent events of long ago be exposed or remain concealed? Kate must struggle for her life against earthbound…
I’ve been a fan of horror stories since I was a kid. As an introverted and shy kid, I used to joke with my best friend about how I felt like a ghost and wished I had the power to be invisible. After I became a children’s book author/illustrator, I became fascinated with ghost picture books and started collecting them. Ghost picture books not only fulfilled my spooky necessities but also gave me warmth and heartfelt emotions.
A delightful, funny story of friendship, ghost chores, a spooky house and a professional haunter.
Meet Sir Simon, Super Scarer. He's a professional ghost who has been transferred to his first house. And just in time! He was getting tired of haunting bus stops and forests and potatoes. And to top it off, this house is occupied by an old lady -- they're the easiest to haunt!
But things don't go as planned when it turns out a KID comes with this old lady. Chester spots Simon immediately and peppers him with questions. Simon is exasperated. . . until he…
