Here are 100 books that Funnybones fans have personally recommended if you like
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I started reading mysteries as a way to avoid studying for final exams as an undergrad. Nemesis by Agatha Christie was my gateway mystery. That was fifty-plus years and many, many mysteries read ago. I managed an independent bookstore for several years and then worked in a public library for twenty more. I especially liked introducing readers to my favorite mysteries in the store and the library. Why mysteries in particular? Because they do something that doesn’t often happen in real life—they restore order. But the best mysteries, to my mind, are the ones that include humor. We need humor in our lives because it restores hope.
I’ve always thought bleached bones are beautiful (there’s a cow skull on the window seat behind me), but imagine my surprise when I fell in love with a walking, talking, wise-cracking human skeleton. That’s what happened when I read this book.
Sid, the skeleton in question, is the literal skeleton in Georgia Thackery’s family closet. She’s known him since she was a child. Neither of them knows why he’s still “alive” or how he died.
I’m jealous because Georgia has a skeleton for a best friend. They make up for that, though, by being a very funny pair of amateur detectives. And lucky for me, they appear in five more books and a short story.
A woman discovers the literal skeleton in her family’s closet in the first Family Skeleton Mystery!
Moving back into her parents’ house with her teenage daughter had not been Georgia Thackery’s “Plan A.” But when she got a job at the local college, it seemed the sensible thing to do. So she settled in and began reconnecting with old friends.
Including Sid. Sid is the Thackery family’s skeleton. He’s lived in the house as long as Georgia can remember, although no one, including Sid, knows exactly where he came from and how he came to be a skeleton.
I’ve been fascinated with the natural world for as long as I can remember, spending many happy hours in my childhood exploring forests, splashing in creeks, and hiking in parks with my family. Devouring books from the local library and participating in workshops at our local science center fed my interest and built a strong foundation in science. As I’ve grown older, I’ve become more and more fascinated by the tension between science’s goal to neatly classify and nature’s riotous complexity. It’s the exceptions, the grey, that keep me interested and draw in my students. I am an experienced science teacher and award-winning author of books for teachers and kids.
Every living thing deserves to be celebrated. I’ve read a lot of children’s books about superlative animals: the fastest, the biggest, the most deadly. But where’s the love for the others? The oddballs, weirdos, eccentrics?
I love to root for an underdog, and reading about how these unusual animals survive was both informative and inspiring.
I have loved stories all my life, not only to read but to write. I have a particular passion for mysteries and will soon be releasing the sixth book in my Meg Sheppard Mystery Series. I read for enjoyment and prefer fast-paced stories with compelling characters. I’ve selected these books because they’re great reads and I hope you find them as entertaining as I did!
I loved this fast-paced mystery with its suspense and captivating characters.
Rotenberg’s experience as a criminal lawyer in Toronto, Canada, provides a richness and believability that I found compelling. The courtroom drama is full of intrigue and is thrilling to read.
I enjoyed the twists and surprises as this captivating whodunit unfolded.
From the bestselling author of Old City Hall comes Robert Rotenberg’s third intricate mystery set on the streets and in the courtrooms of Toronto.
In The Guilty Plea and Old City Hall, critically acclaimed author Robert Rotenberg created gripping page-turners that captured audiences in Canada and around the world.
In Stray Bullets, Rotenberg takes the reader to a snowy November evening. Outside a busy downtown doughnut shop, gunshots ring out and a young boy is critically hurt. Soon Detective Ari Greene is on scene. How many shots were fired? How many guns? How many witnesses?
I have always found that uplifting stories—in which kindness is more powerful than cruelty, and love and friendship blossom in unexpected and even tragic circumstances—give one hope, and hope is the foundation of resilience. Such stories can be set in familiar, comforting places, or new adventurous locales. My own experiences in Uganda, and my husband’s anti-corruption work were the inspiration for one of the locales of my novel about Bennett.
Set in hospice as Queenie awaits Harold’s arrival, her story is one of love, kindness, and acceptance, and fills in details not fully covered in Harold’s story. Though the books can be read independently, I would recommend reading Harold’s story first and then Queenie’s. When you finish you will be in love with Rachel Joyce.
When Queenie Hennessy discovers that Harold Fry is walking the length of England to save her, and all she has to do is wait, she is shocked. Her note had explained she was dying. How can she wait? A new volunteer at the hospice suggests that Queenie should write again; only this time she must tell Harold everything. In confessing to secrets she has hidden for twenty years, she will find atonement for the past. As the volunteer points out, 'Even though you've done your travelling, you're starting a new journey too.' Queenie thought her first letter would be the…
My name is Susan Perrow. I am an Australian whose ‘work’ passion is stories and storytelling. I am an author, storyteller, teacher trainer, and parent educator. For the last 30 years, I have been documenting stories from other cultures, writing stories, and telling stories to groups of children and adults – all this woven in with a career in teaching, lecturing, and consulting in Australia, Africa, Asia, China, Europe, and North America. I currently have four published story collections, in a total of 14 languages. Three of my collections are Healing Stories for Challenging Behaviour, An A-Z Collection of Behaviour Tales, and Stories to Light the Night: A Grief and Loss Collection for Children, Families and Communities.
I have chosen my fourth collection to introduce to you below.
Why do we tell stories? What power lies within storytelling? From the great myths and legends to enchanting fairy tales, parables, fables, and folk tales, stories can have a great healing and educative power. They come from our subconscious and imagination, deep inside us. They have much to teach us about ourselves and the world we create around us.
Described as a manual for ‘soul ecology’, in his book Kornberger first explores this ‘story power’, then explains how to apply it to help a child develop, or to heal and transform a child with difficulties. He then discusses the art and practicalities of creating new stories to help children with particular needs.
This is a valuable and inspiring book for teachers, parents, creative writers, and students of literature.
From the great myths and legends to enchanting fairy tales, parables, fables and folk tales, stories can have a great healing and educative power. They come from our subconscious and imagination, deep inside us. They have much to teach us about ourselves, therefore, and the world we create around us.
Horst Kornberger, a writer, artist and Steiner-Waldorf teacher, first explores the power of particular stories such as Odysseus, Parsifal, Oedipus, Bible stories and fairy tales. He then explains how to apply that power to help a child develop, or to heal and transform a child with difficulties.
I am the bestselling author of more than 46 romance novels. I love history, enjoy research, and am always looking for little-known facts to make my stories more authentic. Some of those facts have revealed that women in the 19th century often took on occupations, hobbies, or causes that challenged them and sometimes placed them in danger. Although seldom acknowledged as such, women in the 19th century were a force to be reckoned with, although their contributions were often overlooked. But through reading personal accounts, letters of the time, biographies, and nonfiction accounts about various women’s roles, I have gained a greater appreciation for how daring women have been throughout history.
Wild at Heartis my #1 favorite historical romance. Unfortunately, it is out of print. The writing is beautiful, the story heart-wrenching, and the heroine adventurous in a subtle way as she challenges those who are studying a man raised by wolves to view him not as an object but as a person. I found this story to be perfection. If you can find a copy, you won’t be disappointed.
I am passionate about the importance of telling stories in the classroom. My career has been as a children’s librarian in public libraries, but with much time spent telling stories in schools. My daughter and her husband followed in my footsteps as storytellers and found that using storytelling in the classroom has so many benefits. We all offer workshops for teachers, write articles encouraging storytelling, and try in any way possible to grow the corps of teachers who discover this joyful addition to the classroom.
I found that owning a collection of tales organized by these themes was very useful. Over 100 short folktales on themes of cooperation, courage, diversity, empathy, friendship, generosity, honesty and fairness, perseverance, respect, responsibility, self-control, and bullying prevention. Pearmain also gives suggestions for telling these and for extending them in the classroom. Wrapping an idea in a story really helps the concept sink in for the listener. Having a collection like this helped me build programs for use in the library.
This book features 99 multi-national and multi-cultural folk tales with familiar character and bullying prevention themes but encapsuled in wonderfully diverse stories. The author, a professional storyteller, provides actual stories plus chapters on how to tell a story, not just read it; activities for students; and bulliten board ideas. She also provides hints and tips for teaching kids the art of storytelling which encourages communication skills and classroom unity.
Ever since my primary school teacher read out my essay about a friendly octopus to the whole class, I’ve known I was a storyteller. I went on to enjoy a long career as a journalist–first, writing stories about rock and pop groups for the music paper Sounds (where I coined the term ‘The New Romantics’), then as editor of the pop magazine Record Mirror, and subsequently as a writer/editor for national newspapers including The Observer and The Sunday Telegraph. After that, I became a coach, a public speaking trainer, and a book editor. However, my most enduring passion is helping people find and tell their most meaningful stories.
I feel deeply connected to this book because it helped me navigate the break-up of my marriage.
It puts into beautifully poetic words what I was feeling on an intuitive level about the transformative power of telling our own stories and the importance of ‘storying out’ unarticulated experiences.
Becoming a "storycatcher" and taking ownership of my story pulled me through a dark time and set me on the path toward a more empowering narrative.
Story is the heart of language. Story moves us to love and hate and can motivate us to change the whole course of our lives. Story can lift us beyond our individual borders to imagine the realities of other people, times, and places. Storytelling — both oral tradition and written word — is the foundation of being human. In this powerful book, Christina Baldwin, one of the visionaries who started the personal writing movement, explores the vital necessity of re-creating a sacred common ground for each other's stories. Each chapter in Storycatcher is carried by a fascinating narrative — about…
I was lucky enough not only to get published in my thirties, I also got a film deal for those first two books. I was flown to Hollywood and it was all very grand. However, what they did to my stories in translating them into film scripts horrified me. And ruined them. And the films never got made. I started to look deeper into what ‘experts’ did, and it was awful. I became obsessed with how stories work, developed my own ‘knowledge gap’ theory, proved it through my Ph.D. research, and became a story consultant in the industry. Story theory has completely taken over my life and I love it!
This book is different. After a slew of books all pedaling the same material based on the dreaded Hollywood formula, it was really good to find something that bucked the trend.
Truby focuses on morality in stories. He maintains that every story is actually a moral argument, and gives his practical steps for harnessing that morality and using it to create a strong story.
I feel there is a lot to be said for this. The only real flaw is that there are actually twelve sensible bases for a story and although the moral argument is undeniably one of those that generates a strong story, it is important for writers to understand all of them.
"If you're ready to graduate from the boy-meets-girl league of screenwriting, meet John Truby . . . [his lessons inspire] epiphanies that make you see the contours of your psyche as sharply as your script." ―LA Weekly
John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and it shares all his secrets for writing a compelling script. Based on the lessons in his…
I am passionate about the importance of telling stories in the classroom. My career has been as a children’s librarian in public libraries, but with much time spent telling stories in schools. My daughter and her husband followed in my footsteps as storytellers and found that using storytelling in the classroom has so many benefits. We all offer workshops for teachers, write articles encouraging storytelling, and try in any way possible to grow the corps of teachers who discover this joyful addition to the classroom.
It is exciting to encourage students to start telling stories too. This book had lots of good ideas that I use in my storytelling classes for children. Kids enjoyed activities like rolling a yarn ball back and forth across a circle as they add to a story. The book includes 25 easy-to-tell tales for student beginners. And I learned from watching the DVD Children Telling Stories: A Storytelling Unit in Action that was included.
The revised edition of this award-winning guidebook on storytelling in the classroom includes over 80% new material. The authors provide compelling rationales for the value of storytelling, links to state standards, detailed storytelling unit tips, uses throughout the curriculum, and bibliographies. Includes a multi-media DVD with demonstrations of storytelling by the authors, teachers and students, plus related materials and resources.
