Here are 100 books that Exalted fans have personally recommended if you like
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I’m the descendant of three generations of visual artists, a gene I thought had skipped me. However, art popped up in many of my stories when I started writing fiction. In 2012, I published The Life Story of a Chilean Sea Blob, and to promote it, I launched a street art campaign that included putting plaster blobs on the streets of Washington, D.C. This blossomed into several other street art projects and earned attention from The Washington Postand several D.C. TV news stations. My next two books centered around Frida Kahlo and Edvard Munch.
At the beginning of this book, I recognized the ingredients that make up popular erotic novels. The main character, Edie, a Black woman and struggling artist, is beginning a relationship with an older, wealthy, successful white man in an open marriage. There’s a power imbalance. To a certain extent, this excites Edie, and in this way, the book fits neatly into the parameters of the genre.
However, the relationship becomes messy, and Edie’s life, both with and away from Eric, is fraught with bad decisions. Race, wealth, and gender intersect with sex in a complex and uncomfortable milieu. Through all of this, and with the guidance of Eric’s wife, Edie begins to make progressive, less destructive choices, and as she does, her art progresses.
AN INSTANT NEW YORK TIMES BESTSELLER A New York Times Notable Book of the Year
WINNER of the NBCC John Leonard Prize, the Kirkus Prize, the Center for Fiction First Novel Prize, the Dylan Thomas Prize, and the VCU Cabell First Novelist Award
One of Barack Obama's Favorite Books of 2020 A BEST BOOK OF THE YEAR: NPR, The New York Times Book Review, O Magazine, Vanity Fair, Los Angeles Times, Glamour, Shondaland, Boston Globe, and many more!
"So delicious that it feels illicit . . . Raven Leilani’s first novel reads like summer: sentences like ice that crackle or…
I'm fascinated by stories about complicated friendships because they speak to our eternal need to be part of something. Everyone wants to have friends, especially when we’re young, but what if those friendships aren’t good for us? What happens when self-interest motivates our social choices? It seems there’s often a fragile boundary between love and hate. This volatile intensity becomes addictive. I'm a Canadian writer with a BA in English from the University of Ottawa. When writing fiction, I love exploring the toxic threads of jealousy, ambition, and obsession that both bind us together and tear us apart.
This is a gorgeously written book about two best friends doing nothing in particular. Isa and Gala arrive in New York City intertwined and allied.
They whirl through all the requisite stops of the party girl layabout lifestyle. I was fascinated by the friendship’s closeness; Isa and Gala know each other’s quirks and fears in staggering intimacy. They function as a unit, as a “we.” Isa’s aimlessly wandering through life, but she isn’t in it alone, and that’s comforting to me.
Together, Isa and Gala turn aimlessness into freedom. It’s a detail-packed, slow-burning portrait of how we build identity together, intertwining ourselves and pushing each other forward.
With the verve and bite of Ottessa Moshfegh and the barbed charm of Nancy Mitford, Marlowe Granados's stunning debut brilliantly captures a summer of striving in New York City
Refreshing and wry in equal measure, Happy Hour is an intoxicating novel of youth well spent. Isa Epley is all of twenty-one years old, and already wise enough to understand that the purpose of life is the pursuit of pleasure. She arrives in New York City for a summer of adventure with her best friend, one newly blond Gala Novak. They have little money, but that's hardly going to stop them…
I’ll tell you a secret. I’m obsessed with money—not fast cars, designer labels, and McMansions, but the accumulation of capital: who has it, how they got it, and what lengths they’re willing to go to to keep it. So I’ve always loved novels about work. They cut right to the heart of a character’s true motivations, revealing what they’ll fight for and who they’ll love. Don’t show me what a person looks like, show me how they earn (or don’t earn) their living, and I’ll remember them forever.
I spent my summers during college doing odd jobs as a temp, but even readers who’ve never known anything but “the steadiness” at work will enjoy this mythical look at the gig economy.
The unnamed narrator, born from a long line of temps, takes pride in her ability to “accurately replace a person,” whether that’s a pirate, an assassin, or even the chairman of the board. This book is for anyone who’s ever wondered what it would take not just to survive their job but to transcend it.
In Temporary, a young woman’s workplace is the size of the world. She fills increasingly bizarre placements in search of steadiness, connection, and something, at last, to call her own. Whether it’s shining an endless closet of shoes, swabbing the deck of a pirate ship, assisting an assassin, or filling in for the Chairman of the Board, for the mythical Temporary, “there is nothing more personal than doing your job.”
This riveting quest, at once hilarious and profound, will resonate with anyone who has ever done their best at work, even when the work is only temporary.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I am a novelist with my debut, The One, out in April 2023. I’m interested in stories about the role of gender, technology, and privacy in our contemporary culture.We spend so many hours at work, yet often the literature we read spends so little time discussing what that experience is actually like. As I wrote my own novel with a narrator flailing so aimlessly through her early post-grad years that she ends up on a reality dating show, I craved other books that tackled what it was like to have to earn a living at the forefront of the text, rather than a nebulous character detail in the background.
To close off the list, I picked a novel where the main character ends up becoming energized by her work.
At an otherwise soul-sucking job at a PR firm, Ellinor becomes involved with, and motivated by, a political movement about supporting postal workers in Norway.
For a novel that could have been bogged down by the inner workings of the EU and the Norwegian Postal Service, Hjorth’s writing style is crisp and perfect. She could choose any subject matter and it would be interesting.
Ellinor, a 35-year-old media consultant, has not been feeling herself; she's not been feeling much at all lately. Far beyond jaded, she picks through an old diary and fails to recognise the woman in its pages, seemingly as far away from the world around her as she's ever been. But when her coworker vanishes overnight, an unusual new task is dropped on her desk. Off she goes to meet the Norwegian Postal Workers Union, setting the ball rolling on a strange and transformative six months.
This is an existential scream of a novel about loneliness (and the postal service!), written…
I spent nearly two decades as a highly successful corporate attorney. Or, perhaps I should say, a successful attorney with a crude mouth and a love for all things spandex. And my unabashed personality was a differentiator in my career—it allowed me to cut through the corporate nonsense and personally connect with my opposition. But my career imploded when I became the subject of overt sexual harassment in my workplace and my employer worked harder at a coverup than resolution. Rather than sell back my story through litigation, I decided to write openly about sexual empowerment in the face of systemic slut-shaming.
I am a sucker for any and all sapphic romance but throw in two main characters that are individually powerful before they find love...and I’m done. Stars Collide got to me, folks, and not just for its portrayal of strong female leads.
This book sticks with me because of its thoughtful description of an older woman discovering her sexuality. It challenges the idea that all people are able to define their orientation early in life and allows older people to question their sexuality, despite any past romantic relationships (even, gasp, the infallible institution of marriage!).
From Rachel Lacey, award-winning author of Read Between the Lines, comes a sexy slow-burn romance about two dynamic divas who collide on the world’s biggest stage.
Eden Sands has been a star for twenty years, but it’s lonely at the top. Her mediocre marriage just ended, and her inner circle is smaller than ever. The stage is the only place she’s ever felt like she truly belonged, and yet, her last album flopped, and her upcoming tour hasn’t sold out. Eden’s desperate for her star to shine bright again, but when her team suggests a collaboration with an up-and-coming young…
The ghostly/magical and Taiwan are two of my major interests—I have written about both in my fiction. After living in Taiwan for a few years and getting to know my mother’s side of the family, I gained an appreciation for its complicated history, riveting politics, and the energy of daily life there. Its confluence of people and histories has made it a unique cultural amalgam and these books capture the way folk religion and the spiritual/magical are wedded into the bustling contemporary urban life of Taiwan. I hope you find yourself as enchanted and intrigued by these stories as I have been!
This affecting and disturbing novel about a group of queer friends in late-80s Taiwan was ahead of its time in content, form, and vision. Premised on the idea of a collection of notebooks, the text incorporates multiple literary forms, and the “otherworldly” element is in Qiu’s use of the crocodile as a literalized metaphor for queer identity. A sobering and captivating read.
Winner of the Lucien Stryk Asian Translation Prize
Longlisted for the PEN Translation Prize
A New York Times Editors' Choice The English-language premiere of Qiu Miaojin's coming-of-age novel about queer teenagers in Taiwan, a cult classic in China and winner of the 1995 China Times Literature Award.
An NYRB Classics Original
Set in the post-martial-law era of late-1980s Taipei, Notes of a Crocodile is a coming-of-age story of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan's most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, this cult classic is a…
Crushed under writer’s block and a looming deadline, Mack escapes from New York to Seattle. She meets Charlie, a beautiful, generous, nearly bankrupt coffee shop owner recovering from heartbreak. For the first time, Mack has a muse. And then Mack starts using Charlie’s private stories in her novel…
When I was young and just figuring out the whole gay thing, I had to cross state lines to see the one gay movie and smuggle out the one library book I was too afraid to check out. In the 1970s and 80s I grew up knowing I was part of a group that was rarely talked about, aside from jokes. I've enjoyed so many stories that didn't represent me. If the struggle is real, I want to see, hear, and feel the whole messy bunch of it. I like the uncomfortable process of writing, and make promises that I later break: I can always tone this part down later…and then I never do.
I loved this book because it was the ultimate slow-burn romance coupled with an older woman coming out story, which was truly original at the time. As is almost always the case, the novel is better than the movie, but this one brilliantly made the transition to the film renamed Desert Hearts, which was helped by the amazing chemistry between the actresses and a director that did not shy away from sex scenes which were both graphic, yet beautiful.
Set back in the 1950s, this sizzling & heartwarming matchup is the trifecta of opposites attract: class, age, and attitude towards coming out, this book was a romance with substance, sprinkled with a bit of comedy, my favorite recipe.
Set in the late 1950s, this is the story of Evelyn Hall, an English Professor, who goes to Reno to obtain a divorce and put an end to her disastrous 16-year marriage. While staying at a boarding house to establish her six-week residency requirement she meets Ann Childs, a casino worker and fifteen years her junior. Physically, they are remarkably alike and eventually have an affair and begin the struggle to figure out just how a relationship between two women can last.
Desert of the Heart examines the conflict between convention and freedom and the ways in which the characters…
I’m obsessed with obsession; with the nature of intimate relationships. If I could obsess about a topic as easily and naturally as I can about a human, I’d probably have five or six advanced degrees. As a writer I’m most frequently drawn to third-person limited because I love the marriage of intimacy and distance it can create. It's that marriage that confounds me; the dark inner spaces contained by the people we love.
Christine Snow is a therapist who has her shit together, or does she? When her girlfriend vanishes, it becomes apparent to Chris that, on an emotional level, Taylor was never really there to begin with. Anshaw’s use of a third-person limited point of view and a present tense narrative creates a sense of breathless intimacy. If you’re looking for a thriller, look elsewhere. Seven Moves is a well-observed mediation on the inherent unknowability of an intimate partner. Anshaw does obsession like no one else.
Christine Snow, a Chicago therapist, has at last returned from the margins of her past - a card-sharp father, too many wrong lovers - into comfortable urban domesticity with Taylor Hayes, a travel photographer. The two women share a house, a dog, a life. And then one morning after a minor argument, Taylor disappears, Chris's anger turns to alarm as time passes and still she hears nothing, until she falls across a clue as unsettling in itself as Taylor's disappearance. Following a trail that leads to Morocco and home again, Seven Moves tracks Chris's gradual realisation that one can never…
Out of all the flattering reviews of my books, my favourite is of a reader choking on her lunch. My book was about death. The reader, who survived, said it made her laugh so hard. I write about tough times by bringing out the it’s okay to smile now bits. The Midnight Years is about teen mental health, Happily Never After is about loneliness, and Flyaway Boy is about stereotyping. Making people laugh through tears is a tough task. Here are some books that cracked it.
Fun home is what the author and her family call the funeral home they were raised in. I was drawn into this graphic memoir of the author’s relationship with her father, with disturbing themes of suicide, unaccepted gender identities, and domestic abuse.
The story manages to stay buoyant despite it all, and the observations are funny. The author’s ability to capture her most painful memories in bright light and intricate detail catapulted this read to the top for me.
DISCOVER the BESTSELLING GRAPHIC MEMOIR behind the Olivier Award nominated musical.
'A sapphic graphic treat' The Times
A moving and darkly humorous family tale, pitch-perfectly illustrated with Alison Bechdel's gothic drawings. If you liked Marjane Satrapi's Persepolis you'll love this.
Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high-school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and the family babysitter. When Alison comes out as homosexual herself in late adolescence, the denouement is…
James Malloy is a ferry captain--or used to be, until he was unceremoniously fired and replaced by a "girl" named Courtney Farris. Now, instead of piloting Brenton Island’s daily lifeline to the glitzy docks of Newport, Rhode Island, James spends his days beached, bitter, and bored.
I started in publishing at the Advocate magazine, twenty years ago in its heyday, then moved to Alyson Books, who first published Emma Donoghue among many others, offering a place for queer writers showcasing queer stories to find their audience. Afterwards, I became involved with Gertrude literary journal, a beloved, 25-year-old non-profit, LGBTQA journal that has now evolved to The Gertrude Conference. All the while, I read, wrote, and supported queer stories, like these gems!
This one was made into a long-short documentary (38 minutes) called Jeanne Cordova: Butches, Lies & Feminism that won the Grand Jury Prize at Outfest 2017 for Best Documentary Short, now I’d love to see this as a biopic feature!
Let’s watch Jeanne Cordova come to life—her old school get-er-done butch energy out there in the 1970s fighting for lesbian rights, starting the West Coast Lesbian Conference in 1971 and the first National Lesbian Conference in 1973. Imagine the drama bringing people together and setting the platform for lesbian rights when many were fired if outed.
Maybe Fortune Feimster could play a role!? Oh yes, yes she could.
A sweeping memoir, a raw and intimate chronicle of a young activist torn between conflicting personal longings and political goals. When We Were Outlaws offers a rare view of the life of a radical lesbian during the early cultural struggle for gay rights, Women’s Liberation, and the New Left of the 1970s.
Brash and ambitious, activist Jeanne Córdova is living with one woman and falling in love with another, but her passionate beliefs tell her that her first duty is to the revolution” to change the world and end discrimination against gays and lesbians. Trying to compartmentalize her sexual life,…
