100 books like Eternity's Escape

Since Capsule was actually written by a teenager, anyone from Generation Z will be able to relate to this gut-wrenching tale about friendships and memories better left forgotten. Each character is both unique and human, and the writing makes you stare into space in awe. This novel throws difficult-to-swallow truths at the reader, and leaves them without oxygen with a fantastic ending. For anyone who has struggled, this book is for you.

This group of interconnected stories—set mostly in Russia and Chechnya—take place before, during, and after the Cold War. In the opening story, “The Leopard,” Anthony Marra perfectly captures the suffocating terror of life under Stalin. 

The narrator is a disillusioned Soviet censor whose job is editing images of disgraced victims of Stalinist show trials out of official photographs and despoiling many other works of art for propaganda purposes.

Lines between work and life start to blur. The censor finds it increasingly hard to discern fact from fiction.

Things turn deadly when he himself becomes a victim and the truth (as he knows it) becomes irrelevant in the struggle against counter-revolutionaries.

From these troubled origins the Cold War began. The ability to discern truth from falsehood seems in our present times more pressing than ever.

As befitting the cheeky title, this book – about what it means to be, and to become, a gay man – is incisive, erudite, and a lot of fun to read. A pioneer of queer theory (and with this intervention, I suspect, a renegade from it), David Halperin is an unapologetic camp. He challenges received wisdom about how gay sensibility supposedly is misogynist, passé, irrelevant or dead, and his reflections on everything from Joan Crawford’s pizazz, to the current state of gay marriage, vacillate between being capacious and withering. “Sometimes I think homosexuality is wasted on gay people” he sniffs at one point, dispensing a delightful, and typically barbed, aperçu.

A unicorn believes she’s the last of her kind and undertakes a quest to find where the others have gone. This might be my favorite book!

It plays with the fantasy genre in a way that few books can. It seamlessly mixes the whimsical with the mundane and it gives us memorable characters who are unique twists on old tropes.

What I love most about this book is seeing life through the eyes of the unicorn protagonist. She’s a timeless creature—unaging, unchanging—who finds navigating a mortal world to be puzzling, inconvenient, and, at times, terrifying.

Can you imagine being immortal and suddenly being forced to confront your own impossible mortality? Read this book and you will.

This gorgeous book is both metaphoric and literal. A young boy learns about dragons (and himself, his grandmothers, and life) on a mythical bedtime story-walk to find two very different paths.

I love the message here (and that it isn’t too in-your-face message-y; the story is really primary). But the art is so gorgeous that I could dive back into it over and over again for that alone. 

I remember reading this slim volume for the first time and being amazed by its clarity. For elegance and power of explanation, it is impossible to beat. For me, it was the bridge between my understanding of the individual human mind and minds in societies and in culture—especially ancient and prehistoric societies. I have always been fascinated by the evolution of the mind, and books that dare to deal with that topic are rare indeed. This one stunned me with its sophisticated descriptions of the types of myth we use throughout our lives, a sophistication matched with clarity of vision rarely put down on paper. It has always been a profound inspiration to the themes of my novels.

Another story we discuss in my mental health and literature class, and easily found in any collection of Dostoevsky, The Dream of the Ridiculous Man recounts one desperate and momentous night in the life of the titular depressive and proto-absurdist. His experience revolves around a faith-restoring dream in which (spoiler alert) the narrator shoots himself, is buried alive, pulled from the grave by a black angel, then flown through outer space to an alternate sun with an alternate earth where the local population is enjoying a shamelessly Edinic existence—that is, until the narrator contaminates them with his ego, causing them all to fall from grace, the description of which provides Dostoevsky the opportunity to recap the whole of human history in roughly three pages. Accurately no less. It’s a bravura performance.

This short book takes a deep dive into the nature of mythology and its relationship to the human mind. As well as the mythologies of past civilizations, Leeming examines modern-day myths and cultural beliefs and shows how myths are living and evolving things that serve a human need to understand the universe. If you have ever wondered what makes a myth a myth, or why everyone seems to have them, this book has some interesting answers.

This book has long been a favorite of spiritual seekers, with its sweeping panoply of stories from antiquity’s gods and goddesses to the world’s wisdom traditions and more.

This is a book for those interested in the universality of human experience across time and culture—which I am. But even more, it opens our minds to the importance of a story itself.

Campbell helps readers understand that truth and fact are different—indeed, there are several kinds of truth: empirical truth, which depends on objective data, and also mythopoetic and narrative truth, which rely on symbols and stories to provide meaning.

This popular text on screenwriting relates films to narrative ideas found in ancient myths around the world.

Vogler does an excellent job in demonstrating how films often use elements of plot and character that have proven to be universal characteristics of stories for centuries. He applies these concepts not only to fantasy films but standard Hollywood dramas such as Titanic.