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I think there’s a little voyeur in all of us, which is why we love reading memoirs. These stories typically are written by people who’ve wrestled with a life-changing event and emerged on the other side with wisdom to share. Whether they’ve grappled with a heartbreaking loss, a debilitating illness, or an unsettling change in circumstances that left them reeling, authors who temper their truth with humor are the ones who inspire me most. Finding hilarity in the midst of hardship is no easy feat, but it reminds us that humor is a great coping skill.
When my book club read this, we were universally blown away by Augusten Burroughs’ humor. Mining his tumultuous childhood, Burroughs paints a vivid and unforgettable picture of life with the ultimate dysfunctional family.
I went on to read the author’s other memoirs, and while I always enjoy his one-of-a-kind spin on the world, this remains my favorite of his works.
This is the true story of a boy who wanted to grow up with the Brady Bunch, but ended up living with the Addams Family. Augusten Burroughs's mother gave him away to be raised by her psychiatrist, a dead ringer for Santa Claus and a certifiable lunatic into the bargain. The doctor's bizarre family, a few patients and a sinister man living in the garden shed completed the tableau. The perfect squalor of their dilapidated Victorian house, there were no…
Having known families affected by substance abuse, I’ve long been fascinated by the resiliency of addicts’ relatives and close friends. Equally compelling to me, as a one-time wannabe psychologist, was how living with substance abusers shaped people’s characters and lives. But while the search for a recovering addict drives Beyond Billicombe’s plot, the book is also an ode of sorts to North Devon, the area of England where I spent three of the happiest years of my life. Though I now live outside New York City, I haven’t given up hope on being able to move back there someday.
Shuggie Bain invades the senses: You smell the sour breath of Shuggie’s mum as she snores, open-mouthed, in a drunken stupor; you feel the stiffness of the rug where endless spilled drinks were left to dry. Just as important, you feel the push-and-pull of love and despair, hope and anger, as Shuggie grows up, the youngest child of an alcoholic who is ultimately abandoned by the rest of their family. The final chapters, as Shuggie moves into adolescence and struggles to break from the burden of becoming caretaker to the woman who should have been taking care of him, are exceptional.
WINNER OF THE BOOKER PRIZE NEW YORK TIMES BESTSELLER FINALIST FOR THE NATIONAL BOOK AWARD
A stunning debut novel by a masterful writer telling the heartwrenching story of a young boy and his alcoholic mother, whose love is only matched by her pride.
Shuggie Bain is the unforgettable story of young Hugh “Shuggie” Bain, a sweet and lonely boy who spends his 1980s childhood in run-down public housing in Glasgow, Scotland. Thatcher’s policies have put husbands and sons out of work, and the city’s notorious drugs epidemic is waiting in the wings.
I'm a stage and television actress who, after getting married and having two children, turned to writing in my forties as my “second act”. I started writing about being a mom in Hollywood, and being raised by a mom who was—well, nuts. For years I dined out on crazy stories of my childhood: breakfasting on cold, half-eaten hors d'oeuvres strewn across our Park Avenue room from my crazy mom's all-night cocktail parties, falling asleep on banquets at nightclubs, skipping school to sneak into a swanky hotel in London and meet the Osmonds. The final result was my memoir, Chanel Bonfire. I believe it has the power to inspire and give hope, as well as entertain.
I’m a big believer in self-help books. This was recommended to me by a therapist who basically saved my life, navigating me through a very difficult time in my life in my twenties. The author, Victoria Secunda, breaks down all the different dysfunctional types of mothers, with chapters titled “The Avenger”, “The Doormat”, “The Critic”, in an easy-to-understand way. Reading this book helped me “diagnose” my mother, who never took responsibility for her mental illness, always blaming her behavior on her kids or others. This book helped me to understand her more fully, perhaps even feel compassion for her. I often recommend it to anyone who, like me, has or had a troubled relationship with their mother.
“A book of great value for every daughter and every mother; useful for sons, too.”—Benjamin Spock, M.D.
From the Introduction: The goal of this book is to help readers achieve that separation so that they can either find a way to be friends with their mothers, or at least recognize and accept that their mothers did the best they could—even if it wasn't “good enough”—and to stop blaming them. Among the issues to be covered:
• To understand how a daughter's attachment to her mother—more so than her relationship with her father—colors all her other relationships, and to analyze why…
I'm a stage and television actress who, after getting married and having two children, turned to writing in my forties as my “second act”. I started writing about being a mom in Hollywood, and being raised by a mom who was—well, nuts. For years I dined out on crazy stories of my childhood: breakfasting on cold, half-eaten hors d'oeuvres strewn across our Park Avenue room from my crazy mom's all-night cocktail parties, falling asleep on banquets at nightclubs, skipping school to sneak into a swanky hotel in London and meet the Osmonds. The final result was my memoir, Chanel Bonfire. I believe it has the power to inspire and give hope, as well as entertain.
I chose this quietly devastating first novel by Susan Minot because it is a delicate family story, thought to be based on her own childhood of growing up as one of seven children. When it came out, many of her siblings became upset with her portrayal of events; a few even wrote their own novels with their version of what they perceived as “the truth”. My own sister stopped speaking to me when I sent her my first memoir to read. She eventually came around, and told me she was glad I’d told our story. I believe that the truth is not a solid, but a liquid. Truth is personal—it’s what we see, assume or believe filtered through our own lens and experience.
Minot’s bestselling debut: A moving novel of familial love and endurance in the face of shattering tragedy Monkeys is the remarkable story of a decade in the life of the Vincents, a colorful Irish Catholic family from the Boston suburbs. On the surface, they seem happy with their vivacious mother Rosie at the helm. But underneath, the Vincents struggle to maintain the appearance of wealth and stability while dealing with the effects of their father’s alcoholism. When a sudden accident strikes, their love for one another is tested like never before. Written by the bestselling author of Evening, Monkeys is…
I was drawn to the topic because I love everything about New York City. But, I also loved how the topic seemed at odds with itself. New York City wildlife felt like a contradiction of terms. Sure, there might be some rats, pigeons, and cockroaches here, but that was it. Well I was very wrong. Learning about the city’s natural history and legacy of wildlife allowed me to learn about the city in a whole new way. It’s also a great comeback story and it has been so inspiring to learn – and see! – how effective a few short decades of environmental regulations have been in making this a greener city.
Gotham Unbound tells the story of the 400 years since Europeans settled and urbanized New York City and what impact that has had on the ecosystem. Spanning from Henry Hudson’s arrival in 1609 to Hurricane Sandy in 2012, this book is crucial in understanding how New York City has physically and fundamentally changed in a relatively short amount of time, including the many men from Peter Stuyvesant to Robert Moses to Donald Trump who tried to shape and mold the city to their vision.
A "fascinating, encyclopedic history...of greater New York City through an ecological lens" (Publishers Weekly, starred review)-the sweeping story of one of the most man-made spots on earth.
Gotham Unbound recounts the four-century history of how hundreds of square miles of open marshlands became home to six percent of the nation's population. Ted Steinberg brings a vanished New York back to vivid, rich life. You will see the metropolitan area anew, not just as a dense urban goliath but as an estuary once home to miles of oyster reefs, wolves, whales, and…
I grew up a farm kid and then worked as a park ranger fresh out of college. This background draws me to the history of American preservation, where so much that seems natural also has deep cultural roots. I find the American South—with its combination of irony and tragedy, beauty, and flaws—the most fascinating place on earth to study. Or maybe I’m just pulling for the home team.
What’s not to love about a book that starts with the release of invasive starlings and ends with Donald Trump’s New York real estate deals? (And along the way describes a thousand equally fascinating events.) Throughout this richly detailed history of the nation’s most famous urban park, Rosenzweig and Blackmar always keep everyday New Yorkers in focus, highlighting how they shaped the park as surely as did urban elites. The result is one of the city’s most democratic spaces.
This "exemplary social history" (Kirkus Reviews) is the first full-scale account of Central Park ever published. Elizabeth Blackmar and Roy Rosenzweig tell the story of Central Park's people-the merchants and landowners who launched the project; the immigrant and African-American residents who were displaced by the park; the politicians, gentlemen, and artists who disputed its design and operation; the German gardeners, Irish laborers, and Yankee engineers who built it; and the generations of New Yorkers for whom Central Park was their only backyard. In tracing the park's history, Blackmar and Rosenzweig give us the history of New York, and bring to…
No matter the genre, I have always loved surprises in a story. I want characters to do the unexpected and plots to take me to, “Oh, I didn’t see that one coming.” Because that’s how life is, how my own life has been. Due to connections we didn’t understand and secrets people around us have kept (or we didn’t bother to uncover) the unexpected always jumps out in front of us. I also like characters who are either discovering or re-focusing their power in ways that are beneficial to themselves and others. Again, this has been my life’s story and I want my characters to search for that same balance.
Claire is seven years old when her college-age sister is found dead at a resort on the Caribbean island of Saint X.
Years later, Claire is living and working in New York City when a brief but fateful encounter brings her together with a man originally suspected of murdering her sister. This book is not your standard Thriller; the cast of characters is large and the plot complex, but the author pulls it off.
It’s also not a book to keep you up all night. Try three or four nights. The writing is brilliant in ways not often seen in the genre and I was forced to slow down and give myself over to the story. It’s one I will never forget.
'Hypnotic, delivering acute social commentary on everything from class and race to familial bonds and community . . . I devoured Saint X in a day.' Oyinkan Braithwaite (author of My Sister, the Serial Killer), New York Times
Claire is only seven years old when her college-age sister Alison vanishes from the luxury resort on the Caribbean island of Saint X on the last night of her family's vacation. Several days later Alison's body is found in a remote spot on a nearby cay, and two local men, employees at the resort, are arrested. But the evidence is slim, the…
I fell in love with understanding cities toward the end of my college studies. It was the late 1960s and urban issues were foremost in the nation’s consciousness. The times were difficult for cities and many of the problems, seemingly intractable. That drew me to graduate work in urban studies and afterward, teaching about real estate development and finance. My work on public/private partnerships and the political economy of city building has drawn a wide audience. In explaining how cities are built and redeveloped, my goal has been to de-mystify the politics and planning process surrounding large-scale development projects and how they impact the physical fabric of cities.
It’s near impossible not to fall for the lure of urban history when a skilled writer brings to light compelling stories of the men (atlas no women in this book) who transformed New York into an economic powerhouse, the capital of capitalism, in the late 19th century.
Their names are familiar but not so their complete stories: J.P. Morgan, Andrew Carnegie, John D. Rockefeller, Jay Gould, Samuel Gompers, Theodore Roosevelt. The writing is so good, it’s hard to put the book down.
Describes the emergence of post-Civil War New York City, as it evolved from a port city to metropolis via the birth of capitalism, and how such moguls as Rockefeller, Carnegie, and J. P. Morgan helped define the foundation of twentieth-century financial institutions. By the author of Fiorello H. LaGuardia and the Making of Modern New York.
I’ve written fourteen historical novels now and most of them include real historical characters. I particularly like writing about women I feel have been misjudged or ignored by historians, and trying to reassess them in the modern age. Fiction allows me to imagine what they were thinking and feeling as they lived through dramatic, life-changing experiences, giving more insight than facts alone could do. Sitting at my desk in the morning and pretending to be someone else is a strange way to earn a living but it’s terrific fun!
While I was writing my novel about Elizabeth Arden and Helena Rubinstein, I heard that Renée Rosen was writing about Estée Lauder and couldn’t wait to read it.
She perfectly captures the pushy, driven, hilarious character of Estée, who was known for accosting strangers in the street to tell them they were wearing the wrong shade of lipstick for their skin tone. Renée Rosen is one of the authors whose books I always preorder: I love everything she writes.
It’s 1938, and a young woman selling face cream out of a New York City beauty parlor is determined to prove she can have it all. Her name is Estée Lauder, and she’s about to take the world by storm, in this dazzling new novel from the USA Today bestselling author of The Social Graces and Park Avenue Summer.
In New York City, you can disappear into the crowd. At least that’s what Gloria Downing desperately hopes as she tries to reinvent herself after a devastating family scandal. She’s ready for a total life makeover and a friend she can…
I have spent my professional career attempting to reform the justice system and create safer communities. For nearly two decades, I served as the executive director of the Center for Court Innovation (now the Center for Justice Innovation). Now, I co-edit a policy journal called Vital City that attempts to spark new thinking about how to achieve public safety. Over the years, I have worked with numerous city, state, and federal officials. I have seen that most of the people working within government are trying their best in difficult circumstances. I have also seen that it is enormously difficult to change government systems and solve complicated social problems.
Like many New Yorkers, I am fascinated by the history of the city.
The Cost of Good Intentionsdetails the run-up to a crucial turning point for the city: the fiscal crisis of 1975.
Written by a high-ranking city official after the fact, the book is an insightful analysis of how local government, particularly under Mayor John Lindsay, attempted to respond to a range of significant challenges, including the civil right movement, rising crime, and changing economic conditions.
Despite the best of intentions, the administration’s reach ended up exceeding its grasp, laying the groundwork not only for the fiscal crisis and for an era of declining public trust in government.
This book is about public policy making in New York during the zenith of the great liberal experiment, from 1960, Mayor Robert Wagner's third term, through John V. Lindsay, Abraham Beame, and, finally, to Edward Koch and the inevitable return of fiscal conservatism.
The bigger they come the harder they fall. When New York City fell and its intricate, often exotic, budget gimmickry came unstuck, they foundations of every other large city in America shook. If we are not to relive this history it is important to learn the lessons taught so cogently and entertainingly in this book.
