Fans pick 69 books like Death is a Lonely Business

Lemony Snicket is no stranger to unfortunate events, but this standalone book contains perhaps the worst of all: the news that he, the author, has consumed poison while eating the first meal of the day. Of course, this being a Snicket story, there’s more going on. This book is a bit mystery, and a bit philosophy (or is it the other way around?). More importantly, it is also a meditation on the wonderfulness of books and reading, a part of life that remains important even if one is quite sure one has been poisoned and now has an indeterminate amount of time to discover the truth of what happened.

If you aren’t ready for Scandinavian Noir, perhaps you’d like a dose of Scandinavian Blanc. Alexander McCall Smith excels at mysteries on the lighter side—which isn’t to say this book isn’t very strange, with its own hints of darkness. Detective Ulf Varg and his colleagues solve crimes that are deemed too weird for the regular police: a possible werewolf menacing a spa, a non-lethal knee-stabbing, and a missing (imaginary) person. AMS’s great gift is imbuing small puzzles with weight and humanity. And if the human cast here isn’t off-kilter enough for you, be reassured…there’s also a dog who can lipread in Swedish.

Now here’s a fun flip on so-called “cosy” crime. Remember the twist of Columbo, the way the show started with us viewers seeing the murderer commit the crime and then allowing us to watch Columbo slowly assembled his case against them? This book by Helene Tursten and translated to English by Marlaine Delargy offers a similar vibe. Our protagonist Maud has more than one notch on her proverbial belt, and we get to hear about each killing, along with the justification for them all. All the grit you’d expect from Scandinavian crime, but with the delightful slant of this outwardly fragile old lady being the center of it all. From Sweden to South Africa, Maud makes her mark! Plus there are cookie recipes, with a distinctly Scandi-noir flavor.

Flashback to a classic. Not enough people know about the Mysterious Mr. Quin stories by Agatha Christie. They have all the glamour of Poirot, but they’re not quite whodunits. Or are they? Despite the fact that crime is solved in each, they’re a little weird and magical and even melancholy. Our “detective” Mr. Satterthwaite seems to find himself near death over and over, and each time his acquaintance Mr. Quin (who bears a lot of resemblance to the tragic Harlequin figure of commedia dell’arte) arrives to help him to find his way to the truth. Each story is super short, so they’re good for when you can’t muster attention for a marathon reading session. Worth seeking out!

I love the character of Kinsey Millhone because she’s so human and relatable. Her life is messy; she gets herself caught up in situations where she knows she ought to let things drop but just can’t let them go, and she has a kind heart. She also has the endearing quality of being self-deprecating and not taking herself too seriously.

This book is set in the 1980s, and I enjoy seeing Kinsey’s legwork to solve her case without the benefit of mobile phones or the internet. I also love her relationship with her elderly neighbor and how protective she is of him when she feels that new people in the neighborhood are taking advantage of him.

Smarmy personals ads. Daring declarations of love. Freelance writer Jaine Austen has penned them all. But no one needs her help more than geeky, gawky Howard Murdoch. His request is simple enough: a letter proclaiming his undying love for Stacy Lawrence, a gorgeous aerobics instructor. The fact that he's never actually met the woman gives Jaine pause—yet she soon overcomes her misgivings, and the unlikely Romeo lands a date! But his triumph is short-lived. On Valentine's Day, Howard finds Stacy bludgeoned to death with a Thigh Master—and is quickly named the prime suspect.

Jaine is shocked. Sure, Howard's awkward and eccentric. But a murderer? That's hard to believe. Especially after a little sleuthing reveals a plethora of people who harbored less-than-loving feelings towards the svelte Stacy. Now Jaine had better wrangle her clues quickly, before a crafty killer catches on—and puts a whole new spin on her ghost-writing career....

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Although many fans consider Crais’s preceding book, L.A. Requiem, to be his masterpiece, I’ve chosen this because it perfectly encapsulates the relationship between flamboyant Elvis Cole and his partner, the enigmatic Joe Pike.

Pike is the ultimate sidekick. He’s taciturn, monosyllabic, and extremely complex. Dangerous as hell and completely loyal to Cole and anyone in Cole’s life; he’s taken bullets, knives—a whole bunch of weapons during the nineteen-book series.

In The Last Detective, the son of Cole’s girlfriend gets kidnapped and the evidence points to Cole’s service in Vietnam. Cole’s first call isn’t to the LAPD, it’s to Joe Pike. His message: ‘Joe, I’m scared.’ Pike drops everything and together they start hunting...

Pike is the third sidekick on my list to get his own series.

This was James Ellroy’s debut novel and has been all but forgotten compared to the masterpieces he later produced. But there is so much in this book that reveals why Ellroy was destined for greatness: strong plotting, vivid characters, electrifying prose. The plot involves a car repo man who takes on a private eye case for an oddball golf caddy. The plot owes a lot to Raymond Chandler, but it still feels original in Ellroy’s hands. Allow yourself to be swept away by it.

There isn’t a Robert Crais novel I haven’t thoroughly enjoyed, but I especially like the ones featuring PI Elvis Cole and his no-nonsense, stoic buddy Joe Pike. What is especially good about this novel is the character development of the two antagonists. Their personalities, often clashing with each other, make them more than one-dimensional killers, adding spice to the story—something I try to do in my own books.

Elvis Cole is the first-person narrator of a classic private eye series set in Los Angeles.

It is fun and unpretentious while being full of sociological truisms. The novels are first and foremost crime thrillers, but the comedic voice and observations make for a somewhat genre-bending experience every single read.