Here are 99 books that Dear Miss Metropolitan fans have personally recommended if you like
Dear Miss Metropolitan.
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I’m a writer fascinated by landscape and history—and the American West is my magnet. I’ve set three books in the West. I can’t get enough of the place. An entire national myth is enshrined “where the deer and the antelope play.” Independence. Freedom from the past. Land we can supposedly call our own. The West is so beautiful and also so scarred. I love to read books that deepen my experience of the deserts, mountains, and rivers. I also love to learn about the people who were here before me, those who have hung on, and those who hope to heal the scars. These books are great stories about a bewitching place.
Hernán Díaz’s first novel,In the Distance, was a finalist for the Pulitzer Prize. The book is gorgeously written and meticulously researched. The West’s huge, startling landscapes loom on every page. But the real genius here is the novel’s “reverse epic” structure—how Díaz takes a young Swedish immigrant who gets off his ship at the wrong port (San Francisco) and sends him traveling east, against the migrant tides, in search of his brother. The journey doesn’t go as planned. Håkan makes friends and stymies enemies. Stereotypes warp and tumble as Håkan (and the reader) are forever transformed. The descriptions of California gold fields, science expeditions, questing Mormons, and other frontier communities delight and confound. You’ll never cross a Western desert the same way again.
A young Swedish immigrant finds himself penniless and alone in California. The boy travels East in search of his brother, moving on foot against the great current of emigrants pushing West. Driven back again and again, he meets naturalists, criminals, religious fanatics, swindlers, Indians, and lawmen, and his exploits turn him into a legend. Diaz defies the conventions of historical fiction and genre, offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.
Hernan Diaz is the author of Borges, Between History and Eternity (Bloomsbury 2012), managing editor of RHM, and associate director…
Within the caste into which I was born, daughter of a daughter of a daughter, I was ‘nobody’—no dowry, an awkward brain, and unfashionable looks—dark hourglass, not blonde beanpole. Unless I married the right kind of man, of course–an eldest son with a big house. This was the 70s, and you probably don’t believe me, but many girls still went the full Jane Austen. So I’m perfectly qualified to tell you about the best books that centre on a big house as metaphor, a major character or a massive plot point in a novel. And, reader, I swerved marrying a man for his house too.
I’ve loved this book since I was a teenager, but I always feel frustrated and angry at Miss Havisham’s entrapment of Estella and Pip. Central to the story is Satis House, a metaphor for getting stuck in life—its name is very close to Stasis.
The original end of the novel works much better for me. Pip and Estella meet by chance in the street and part for the last time. The ‘new’ ending has them go off together against a backdrop of burned-down Satis House, thus removing the irony of the book’s title. Although there is the heavy-handed metaphor of the death of the house freeing them, I prefer that it retains its static power and condemns their expectations forever.
'His novels will endure as long as the language itself' Peter Ackroyd
Dickens's haunting late novel depicts the education and development of a young man, Pip, as his life is changed by a series of events - a terrifying encounter with an escaped convict in a graveyard on the wild Kent marshes; a summons to meet the bitter, decaying Miss Havisham and her beautiful, cold-hearted ward Estella; the sudden generosity of a mysterious benefactor - and he discovers the true nature of his 'great expectations'. This definitive edition includes appendices on Dickens's original ending, giving an illuminating glimpse into a…
One of my favorite bits of praise for my books was Michael Silverblatt, of KCRW, saying, "There is no one else like her—she invents a new improvised form for her fiction." The last five books of fiction I’ve written (my total is nine) have been webs, spinning out from one character to another, across different times and places. It lets me be intimate and distant both at once. So I’ve naturally loved reading writers who’ve done this in various ways. People like to quote John Berger saying, “Never again shall a single story be told as though it were the only one,” and I’m in line with that.
This novel takes place in Kamchatka, in Far East Russia, and begins with the abduction of two young sisters. Each chapter then carries us into the life of a whole other character, and we get engrossed in her fate, as events move through the course of a year. The shadow of the missing girls arises every so often, and then we forget them, until they appear with brilliant drama toward the end of the book. The novel becomes a whodunit—and I suppose all mysteries are tasked with connecting improbables—that links its sequences in deep and moving ways.
One of The New York Times 10 Best Books of the Year
National Book Award Finalist Finalist for the National Book Critics Circle John Leonard Prize Finalist for the Center for Fiction First Novel Prize Finalist for the New York Public Library's Young Lions Fiction Award
Spellbinding, moving--evoking a fascinating region on the other side of the world--this suspenseful and haunting story announces the debut of a profoundly gifted writer.
One August afternoon, on the shoreline of the Kamchatka peninsula at the northeastern edge…
One of my favorite bits of praise for my books was Michael Silverblatt, of KCRW, saying, "There is no one else like her—she invents a new improvised form for her fiction." The last five books of fiction I’ve written (my total is nine) have been webs, spinning out from one character to another, across different times and places. It lets me be intimate and distant both at once. So I’ve naturally loved reading writers who’ve done this in various ways. People like to quote John Berger saying, “Never again shall a single story be told as though it were the only one,” and I’m in line with that.
The novel is set in three end-of-century time-frames—1893, 1993, and 2093. In the opening, set in a mansion on Washington Square in New York, we discover we’re in an America where same-sex marriage has been legal for a long time, and a young man is about to run off with a suitor his father distrusts (a new version of a Henry James plot). The next section is in Hawaii, the colonized Paradise, where descendant characters (with the same set of names, juggled) stumble and grab what they can of freedom and love. My favorite section is the last, where characters with those recurring names are in a New York of “cooling suits” and “decontamination chambers” and totalitarian rule. This is a wild and really quite brilliant book, whose sprawling parts are fueled by a searing vision.
'This magisterial follow-up to A Little Life offers three books in one . . . Yanagihara weighs up damage and privilege - social, emotional, political, colonial in a gripping, immersive ride through alternative Americas.' - The Guardian 'Best Reads For Summer'
'After the painfully affecting [A Little Life] To Paradise gives us three stories far apart in space and time but each unique in their power to summon the joy and complexity of love, the pain of loss. I'm not sure I've ever missed the world…
When I was a kid, my biggest escape was my father’s record collection. Growing up in 1990s NJ, music was a huge part of my experience. Springsteen was from a few miles south, Bon Jovi was from the town next to mine, and Whitney Houston was from the same state but a different county. Music told stories. Inspired my the music of my youth, I now make my living as a storyteller— I tell stories onstage, write books about storytelling and teach others how to tell stories effectively. I have no musical gifts except for the mass consumption of any book with juicy tales about the world of music. Here are a few of my favorites.
New Jack Swing is one of the most distinctive eras of music and is also rich with behind-the-scenes stories. Brown was there for all of it, from New Edition to his solo career to his very public marriage to Whitney Houston, “Every Little Step” weaves stories from his wild personal life with stories from his lengthy music career.
In Every Little Step, Bobby Brown tells the full story of his life and sets the record straight, particularly about his relationship with Whitney Houston.
Bobby Brown has been one of the most compelling American artists of the past thirty years, a magnetic and talented figure who successfully crossed over many musical genres, including R&B and hip hop, as well as the mainstream. In the late 1980s, the former front man of New Edition had a wildly successful solo career—especially with the launch of Don't Be Cruel—garnering multiple hits on the Billboard top ten list,…
I’m an urban planner and educator who is fascinated not just by cities and the experience of place, but also by the ideas and actions that go on “behind the scenes” in the planning of cities. Almost all US cities are guided by some sort of local plan and, while no plan is perfect, my hope is always that inclusive planning can help communities solve their problems to make any place a better place. I was raised in Cleveland, Ohio, and have lived mostly in the eastern US – from Michigan to Alabama – where I'm constantly intrigued by the everyday “nooks and crannies” of the places and communities where I live, work, and play.
This book is a call to action for communities to create more diverse housing opportunities. Missing middle housing refers to a wide range of housing types that are gradually disappearing from US cities, including duplexes, smaller homes, and garden apartments. These types of housing have traditionally represented an affordable option within cities that also promotes a sense of community. The book’s premise falls in line with my own experience growing up in an inner-ring suburb of Cleveland, Ohio, where there were single-family homes, duplex and triplex houses, small apartment buildings, and a genuine Rockefeller mansion all in the same thriving neighborhood. The book goes beyond design with lots of “how to” advice on building local support for city leaders, real estate developers, and residents to work together to create stronger and more affordable communities.
Today, there is a tremendous mismatch between the available housing stock in the US and the housing options that people want and need. The post-WWII, auto-centric, single-family-development model no longer meets the needs of residents. Urban areas in the US are experiencing dramatically shifting household and cultural demographics and a growing demand for walkable urban living.
Missing Middle Housing, a term coined by Daniel Parolek, describes the walkable, desirable, yet attainable housing that many people across the country are struggling to find. Missing Middle Housing types, such as duplexes, fourplexes, and bungalow courts, can provide options along a spectrum of…
I spent a career as a television film editor, crafting other writers’ words and directors’ visions to help tell a story. I’ve always loved mysteries and the good ones always have clues that only the savviest of sleuths can figure out. When humor is added it’s even better. That’s what I’ve tried to do with my writing.
This debut novel from former Magnum P.I. writer and producer Reuben Leder is a tale of surgery gone wrong and the length it takes to affect revenge. Based on true medical misdeeds, the author indeed gets his revenge in this fast-paced story about a former baseball player, Nick Glass, whose surgery ruins a promising career. With the help of his fiancé, Dr. Julie Toffoli, they turn the tables on the medical profession in a gory yet humorous manner.
A screaming snowman plummets from the top floor of Cleveland Mercy Hospital—a decaying relic built before the first pandemic—and disappears into the snow drifts below. By the time his thawed corpse is discovered the following spring, a body count of incompetents, frauds, and crooks who call this chamber of horrors home, has snowballed.
Could these "disappearances" have anything to do with the bogus—and disastrous—spine operation performed on local hero Nick Glass, a former ballplayer? Or the wrongful termination of Nick's fiancé, Dr. Julie Toffoli, an idealistic intern not afraid to speak truth to power? It's up to celebrity Homicide cop,…
There was a time when women had to use pseudonyms or otherwise pretend to be men to get published. These days, especially in the urban fantasy genre, it seems like there are more female authors and female main characters than male ones! I love dynamic main characters, male or female, and every one of these books has stellar characters with a great story. I wanted to mention so many other authors, but I have narrowed it down to these five. I hope you enjoy my list.
There are a few good men out there who fight for the underdog. The main is bound by a powerful overlord. He’s good at his job but doesn’t have a choice. His only friend appears to live inside a ring he wears (djinn). The bad work environment doesn’t mean he doesn’t fight for what is right, even as he tries to figure out a way out of his predicament.
This is a thriller-level urban fantasy with solid plotting and lots of twists and turns. It is about as far from romantasy as you can get, and the hero has a great story to tell. McClellan is better known for his fantasy, but I absolutely love this urban fantasy series.
Alek Fitz is a reaper, a collection agent who works for the supernatural elements of the world, tracking down debtors and solving problems for clients as diverse as the Lords of Hell, vampires, Haitian loa, and goblins. He’s even worked for the Tooth Fairy on occasion. Based out of Cleveland, Ohio, Alek is the best in the game. As a literal slave to his job, he doesn’t have a choice. When Death comes looking for someone to track down a thief, Alek is flung into a mess of vengeful undead, supernatural bureaucracy, and a fledgling imp war. As the consequences…
I’ve been fascinated fairy tales, folklore, and horror since I was a child, drawn to these strange stories in which wondrous and terrifying things happen. In many of these tales, the women often lack a sense of agency or control over their lives and work for a better life within the limitations of their situation. The act of retelling these stories provides space to explore this lack of power and how these women might find clever or unusual ways to reclaim it. In particular, I’m interested in the ways characters might make use of the danger or darkness around them to carve their own path in the world.
Set in Cleveland, Ohio, in 1980, The Rust Maidens is about a sudden change that overcomes several teenage girls in the community. Out of nowhere a metamorphosis begins to take place, the teens’ bodies transform into rusted metal and broken glass—reflecting the decaying factories and communities around them. As word of the transformations spread, the event takes on the power of an urban legend, but the girls have their own secret plans, which they share only with themselves.
What is beautiful and striking about this book is that the body horror at its center becomes a means for these girls to find their own power. Despite the fear of suddenly finding their bodies shifting into a form they cannot recognize as their own, the transformation also provides a means of escape and defiance against a community that would balk at them being anything other than what they are expected to…
Something’s happening to the girls on Denton Street.
It’s the summer of 1980 in Cleveland, Ohio, and Phoebe Shaw and her best friend Jacqueline have just graduated high school, only to confront an ugly, uncertain future. Across the city, abandoned factories populate the skyline; meanwhile at the shore, one strong spark, and the Cuyahoga River might catch fire. But none of that compares to what’s happening in their own west side neighborhood. The girls Phoebe and Jacqueline have grown up with are changing. It starts with footprints of dark water on the sidewalk. Then, one by one, the girls’ bodies…
My passion for the mystery genre began when I read Nancy Drew back in second grade. I chain read the series. I think it’s a natural impulse to want to understand mysteries and the one thing we can solve is a mystery on paper since so many things don’t lend themselves easily to explanations. The first incarnation of my writing career was as an M/M romance author and one of my romantic suspense novels, Acts of Passion, featured Dr. Michael DiSanto, a genius, quirky, and handsome profiler with a fascinating past. I grew to love that character so much that his backstory was born in The Boy on the Lawn.
I love mysteries with a sensitive protagonist who sees what no one else sees and cares enough to get at the truth when everyone else has dismissed it. Penelope Marin is dealing with grief by collecting trinkets. When she recognizes a trinket in a market stall that had belonged to a murdered young woman, she becomes obsessed with finding out the truth of what happened to her, even though it means putting herself into dangerous situations. Penelope (“Lo”) is brave and determined and doesn’t let anyone else’s disbelief stop her from caring about a murdered woman whom no one else cares about and has written off as unsolved. This is the kind of story that always has me riveted.
Penelope (Lo) Marin has always loved to collect beautiful things. Her dad's consulting job means she's grown up moving from one rundown city to the next, and she's learned to cope by collecting (sometimes even stealing) quirky trinkets and souvenirs in each new place - possessions that allow her to feel at least some semblance of home.
But in the year since her brother Oren's death, Lo's hoarding has blossomed into a full-blown, potentially dangerous obsession. She discovers a beautiful, antique butterfly pendant during a routine scour at a weekend flea market, and recognises it as having been stolen from…
