Here are 15 books that Dark Lies the Island fans have personally recommended if you like
Dark Lies the Island.
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As a writer, I’ve always been drawn to exploring the teenage experience. Maybe that’s because my experiences in high school and college were rife with the highest of highs and the lowest of lows—everything was intensely beautiful and painful at once. That tension played a major role in my self-discovery process, and story-wise, it makes for a compelling character. But in a lot of literature, I find the depiction of teenage characters to be either sensationalized or infantilizing, melodramatic, or unconvincingly flat. When writing my own adolescent subjects in The Wayside, I turned often toward the rich, complex characters in the stories here.
Along with Anthropology of an American Girl, this is one of the books that made me want to become a writer. More specifically, it opened my eyes to what a writer can do with a teenage subject.
The story follows a prep-school student, Lee, but Sittenfeld handles her experience with all the nuance of “adult” subjects. I also admire how Sittenfeld captures the labyrinthine social politics of an elite boarding school and comments on class and race hierarchies without ever feeling didactic.
I think people mistake this book as YA—I certainly did when I first picked it up as a thirteen-year-old—but don’t be fooled by that candy-colored ribbon belt on the cover. This is as complex a novel as they come.
An insightful, achingly funny coming-of-age story as well as a brilliant dissection of class, race, and gender in a hothouse of adolescent angst and ambition.
Lee Fiora is an intelligent, observant fourteen-year-old when her father drops her off in front of her dorm at the prestigious Ault School in Massachusetts. She leaves her animated, affectionate family in South Bend, Indiana, at least in part because of the boarding school’s glossy brochure, in which boys in sweaters chat in front of old brick buildings, girls in kilts hold lacrosse sticks on pristinely mown athletic fields, and everyone sings hymns in chapel.…
As a writer, I’ve always been drawn to exploring the teenage experience. Maybe that’s because my experiences in high school and college were rife with the highest of highs and the lowest of lows—everything was intensely beautiful and painful at once. That tension played a major role in my self-discovery process, and story-wise, it makes for a compelling character. But in a lot of literature, I find the depiction of teenage characters to be either sensationalized or infantilizing, melodramatic, or unconvincingly flat. When writing my own adolescent subjects in The Wayside, I turned often toward the rich, complex characters in the stories here.
I originally read Thayer Hamann when I was in high school and identified so deeply with Evie, the protagonist, and also saw in her the person I yearned to become. Evie shares the intricacies of the teenage girl experience, beginning with her high school career in East Hampton and spanning through her undergraduate years at NYU.
Her perspective is graceful, smart, and deeply feeling, with her heart fully exposed on her sleeve—much in the way mine was as a teenager (and still is, in many ways). There’s an epic love story at the heart of the novel, as well (even though I wrote a thriller, I am a romantic to my core), and I’m not too proud to say that the love interest, Roarke, continues to be one of my favorite “book boyfriends.” I reread this every couple of years and can confirm it stands the test of time.
This is what it’s like to be a high-school-age girl. To forsake the boyfriend you once adored. To meet the love of your life, who just happens to be your teacher. To discover for the first time the power of your body and mind.
This is what it’s like to be a college-age woman. To live through heartbreak. To suffer the consequences of your choices. To depend on others for survival but to have no one to trust but yourself.
This is Anthropology of an American Girl. A literary sensation, this extraordinarily candid novel about the experience of growing up…
As a writer, I’ve always been drawn to exploring the teenage experience. Maybe that’s because my experiences in high school and college were rife with the highest of highs and the lowest of lows—everything was intensely beautiful and painful at once. That tension played a major role in my self-discovery process, and story-wise, it makes for a compelling character. But in a lot of literature, I find the depiction of teenage characters to be either sensationalized or infantilizing, melodramatic, or unconvincingly flat. When writing my own adolescent subjects in The Wayside, I turned often toward the rich, complex characters in the stories here.
I can’t talk about notable adolescent protagonists without mentioning Blue van Meer. Marisha Pessl’s cult-favorite debut made an impact on me as a teenage reader, but I recently picked it back up on a whim and was just as enthralled as an adult.
This is a formally inventive novel interspersed with hand-drawn illustrations and pop quizzes. It also defies generic categorization, weaving in elements of murder mystery, campus novel, and coming-of-age saga. It’s a lot to take in (and it clocks in at a door-stopping 540 pages), but Blue’s always-surprising observations keep the pages turning.
The mesmerizing New York Times bestseller by the author of Night Film
Marisha Pessl’s dazzling debut sparked raves from critics and heralded the arrival of a vibrant new voice in American fiction. At the center of Special Topics in Calamity Physics is clever, deadpan Blue van Meer, who has a head full of literary, philosophical, scientific, and cinematic knowledge. But she could use some friends. Upon entering the elite St. Gallway School, she finds some—a clique of eccentrics known as the Bluebloods. One drowning and one hanging later, Blue finds herself puzzling out a byzantine murder mystery. Nabokov meets Donna…
As a writer, I’ve always been drawn to exploring the teenage experience. Maybe that’s because my experiences in high school and college were rife with the highest of highs and the lowest of lows—everything was intensely beautiful and painful at once. That tension played a major role in my self-discovery process, and story-wise, it makes for a compelling character. But in a lot of literature, I find the depiction of teenage characters to be either sensationalized or infantilizing, melodramatic, or unconvincingly flat. When writing my own adolescent subjects in The Wayside, I turned often toward the rich, complex characters in the stories here.
It’s not often that a thirty-something man nails the depiction of the interior life of a seventeen-year-old girl, but Jesse Ball did exactly that in his 2016 novel. Scrappy, arson-obsessed Lucia Stanton just might be my favorite literary teenage hero of all time. I think of her as a mix between Holden Caulfield’s charming disaffection and Juno’s precocious wit.
Ball imbues Lucia’s voice with intelligence and a hint of world-weariness, but he still manages to convey her innocence. You learn a lot from her, but you also want to protect her. My copy is dog-eared and underlined into oblivion. It’s one of those books I think is woefully underrated, and I recommend it any chance I get.
“Ball has created a voice that echoes the beloved narrators of J. D. Salinger and John Green. . . . With her tragic past, brilliant mind and subversive potential, Lucia could be thought of as a young Lisbeth Salander, or a high-IQ, antiheroic Katniss Everdeen, but with a better sense of humor.” —Newsday
Lucia Stanton’s father is dead, her mother is in a mental hospital, and she’s recently been kicked out of school—again. Living with her aunt in a garage-turned-bedroom, and armed with only a book, a Zippo lighter, and a pocketful of stolen licorice, she spends her days riding…
I’m a cozy mystery writer and reader who loves to suss out family dynamics in the books I’m devouring. My love of genealogy and turning family stories into fiction played a large role while writing my first book, Hammers and Homicide. Wherever my husband and I travel, we search for ancestors in ancient cemeteries and try to find out more about their stories. You’ll find a few of them between the pages of my books. I hope you’ll enjoy these books, all featuring some level of family ties, as much as I did!
Every time a new Irish Village Mystery by Carlene O’Connor comes out, I’m first in line at the bookstore.
I love Garda Siobhan O’Sullivan and her siblings, whom she fondly refers to as the O’Sullivan Six. In this book, the ninth in the series, I was delighted to revisit the village of Kilbane in County Cork as Siobhan and her swoon-worthy husband, Garda Macdera Flannery, follow the clues to catch a murderer who took out one of the contestants of a televised baking show.
The humor in this series always leaves me laughing out loud and ready for another visit with the O’Sullivans.
Hailed as “queen of the cozy police procedural” (Publishers Weekly), USA Today bestselling author Carlene O’Connor returns to County Cork in Ireland’s lush countryside, where locals are simmering with excitement over the reality TV baking contest coming to town —until someone serves up a show-stopping murder that only Garda Siobhan O’Sullivan can solve.
“Distinctive, captivating characters match a gripping plot full of surprises. O’Connor reinforces her place among the top rank of cozy writers.” —Publishers Weekly STARRED REVIEW
In Kilbane, opinions are plentiful and rarely in alignment. But there’s one thing everyone does agree on—the bakery in the old flour…
I was a teenager when I discovered that my grandfather was an Irish rebel during the War of Independence. As a Canadian, I was astounded by the stories he told me when we were alone during my first visit to Dublin. At 16, I promised him I would write a book about him. Alas, he was long gone when I got started. Researching, I would think of him, whispering anecdotes to me he never told his children. I discovered the stories were much worse than he let on. I could not stop until I got the whole story down on paper. I think he is smiling.
I love the voice of authenticity that emanates from this story. The location is what was once considered one of the most remote, poor parts of Ireland, West Cork.
The author is a mere teenager at the time of the Rising. I love his deep regard for the men and women of his community, his understanding of the simple pleasures of their hard lives, his ability to communicate their stoic determination to fight the enemy in the face of possible disaster, particular cruelty, and severe punishment if they are caught.
I love how, without even trying, the author presents an explanation of how the rebel mindset permeated whole swathes of the country.
Where Mountainy Men have Sown gives a first-hand account of the fight for freedom in West Cork from 1916-21. It chronicles the social and military aspects of the War of Independence and describes the IRA's activities in the area, from Macroom to as far west as Ballingeary and Coolea, and covering Inchigeelagh to Ballyvourney and the Derrynasaggart Mountains. Micheal O Suilleabhain joined the armed struggle for freedom in his local area of Kilnamartyra at the age of thirteen and describes attacks on armed police patrols, barracks and a large-scale engagement against the elite of Britain's specially recruited fighting forces in…
I’ve been a writer of nonfiction and fiction and full-time editor since my college years, and a publisher (Smart Rhino Publications). I’ve read horror and suspense fiction all my life, but it’s only been in the past decade or so that my reading has turned more and more toward police procedurals, noir, and crime fiction. It was only natural that I’d turn to writing a police procedural series, starting with Harvester of Sorrow. I hope you’ll read all the wonderful books I’ve recommended!
Graham Masterton grew to fame with his horror novels, including the best-selling novel The Manitou. It was only decades later that he began his Katie Maguire series of police procedurals, which have been equally successful. Having read Masterton over the years, I was fascinated by his shift from horror to crime fiction, often incorporating horror elements into his work. I started primarily as a horror writer, but have now shifted toward crime fiction. Masterton’s novels have been great “guides” in this respect.
In the middle of winter, a fire blazes through a dance studio.
Seventeen young dancers die. Their promising careers cut short by a tragic accident. But where others see tragedy, DCI Katie Maguire sees murder.
This is not the first fire to sweep through Cork. And in one recent case, the victims were dead before the fire was lit. Katie Maguire is determined to see justice done, unaware she's about to face her most chilling killer yet...
I’m a Minnesota writer who loves to read and write books set in places I’ve spent time in. The Upper Peninsula is a favorite vacation destination. It has so much history to unearth, quaint towns and woods to explore, and giant mosquitoes to avoid. I’ve traveled along Lake Superior in all seasons. Lake Superior covers 31,700 square miles and holds more water than all the other Great Lakes combined, so there's a lot to see and enjoy. After my first visit to the U.P., I began to write the Double Barrel Mysteries series. Set in the tiny fictional town of Port Scuttlebutt, Lake Superior isn’t just a backdrop, but part of the story.
This is the first book I’ve read by William Kent Krueger, but it made me want to read the whole series. Set during a miserably cold winter in the northeast corner of Minnesota, a stone’s throw from Lake Superior, this mystery about a brutal murder and a missing native American boy will make you fear frostbite just from turning pages.
Cork O’Connor is a complicated character in a seemingly downward spiral. Once the sheriff of this small town, he’s since lost his wife, his job, and is worried about losing his children. His mixed heritage of Irish and Ojibwe makes him see things a little differently than the new sheriff, but not having a badge won’t stop him from taking action when people he cares about are in danger.
The 20th anniversary edition of the first novel in William Kent Krueger's beloved and bestselling Cork O'Connor mystery series-includes an exclusive bonus short story!
"A brilliant achievement, and one every crime reader and writer needs to celebrate." -Louise Penny, #1 New York Times bestselling author of Glass Houses
"A master craftsman [and] a series of books written with a grace and precision so stunning that you'd swear the stories were your own." -Craig Johnson, author of the Walt Longmire series
"Among thoughtful readers, William Kent Krueger holds a very special place in the pantheon." -C.J. Box, #1 New York Times…
I’ve always enjoyed mystery and suspense stories—Agatha Christie and Mary Higgins Clark being two of my all-time favorite authors. Throw in some legends and folklore, and I’m hooked. I like well-crafted stories that keep me turning the pages. Those that stump me in figuring out the mystery are a plus for me. I love books with descriptive settings that place me, as the reader, in the heart of the action.
After reading the first book of the Cork O’Connor series some twenty years after its initial publication date, I got hooked and quickly devoured the other books.
I’ve come to love many of Krueger’s recurring characters. Not only does he weave a good mystery but paints vivid descriptions of the Minnesota wilderness. This nineteenth book of the series is my favorite so far.
The latest in the New York Times bestselling Cork O'Connor Mystery Series from the "master storyteller" (Kristin Hannah, #1 New York Times bestselling author) follows Cork in a race against time to save his wife, a mysterious stranger, and an Ojibwe healer from bloodthirsty mercenaries.
The ancient Ojibwe healer Henry Meloux has had a vision of his death. As he walks the Northwoods in solitude, he tries to prepare himself peacefully for the end of his long life. But peace is destined to elude him as hunters fill the woods seeking a woman named Dolores Morriseau, a stranger who had…
I was born a polymath in Cheam, Surrey, England. Even as a child I had a passionate interest in music, architecture, film, poetry, drama, and storytelling. I lived very much in the world of my imagination and was able to apply it to a wide variety of projects. I have worked in Film, TV, Theatre, and have written scripts, plays, novels, songs, a musical, and an opera, all different in feeling. I have therefore had a special interest in innovative artistic work, and story-telling which pushes the boundaries of the imagination.
Another example of Irish ingenuity, FitzJames O’Brien had a wider breadth of imagination even than his mentor Edgar Allen Poe, and a pin-sharp focus in his writing.
His stories are better known in the U.S.A., but I came upon them by accident, and was amazed. Stories such as the Wondersmith, the Lost Room, and the Diamond Lens were inspirational to other writers and filmmakers, but what is so wonderful is the variety in his storytelling. Each work is different.
He emigrated from Cork to America, where he got caught up in the Civil War and died all too soon at 35. It was a great loss. The picture he paints of the dark side of nineteenth century New York is not easily forgotten, and the tales he creates there are both inspiring and disturbing.
