86 books like Murder at an Irish Bakery

I can’t even tell you how much I love Aunt Ginny in Libby Klein’s Poppy McAllister Mystery series! She is an absolute hoot. While I love the whole series, the first introduction to Aunt Ginny in this book remains my favorite. 

Poppy is newly widowed and a grief-stricken disaster when she receives an invitation to her high school reunion. She heads home to Cape May and her eccentric Great Aunt Ginny’s house. As they do in cozy mysteries, a murder happens, and Poppy and Aunt Ginny are on the case.

Poppy and her aunt’s relationship, paired with Aunt Ginny’s crazy antics, always leaves me wiping tears of mirth out of my eyes. Such a fun read!

In this book by Jennifer J. Chow, I loved how the differences between Yale Yee, the sleuth, and her cousin, Celine, not only created tension throughout the book but ultimately played on each of their strengths to solve the mystery. 

The two cousins are thrown together when quiet Yale is tapped by her dad to run the family bubble tea stand at L.A.’s night market. Loud and flamboyant Celine, a social media influencer, arrives in L.A. and gets tasked with helping Yale out.

Chow does a great job of showing the two girls' very different personalities and adding in that family tension. On top of that, the L.A. night market is fascinating! I hope this will be a long-running series!  

This book gives me everything I want in a cozy mystery—Christmas, a snowy Montana village, killer chocolates, a mystery bookstore, and a protagonist with an identical twin sister! What more could you want?

I love the dynamics between twin sisters Hanna and Alex as they juggle duties in Murder and Mayhem, the book and chocolate shop they own together. Romeril delivers humor and the quirkiness of small-town life like a pro. I loved all the twists and turns that kept me guessing to the sweet end! 

I adored Sarah E. Burr's book. Hazel and her Aunt Poppy each have their own magical “whim” that has been passed down in their bloodline. 

The characters are perfectly quirky, the setting is quaint, and the mystery has enough twists and turns to leave me satisfied. I loved that the book started out with Hazel and Poppy, but by the end, the family had grown. So, I won’t spoil anything; I’m not going to say more about that! It was a fantastic read, and I’ll be gobbling down the rest of the series. 

Spanning the decades between the 1920s and 1980s, this is the story of the Quintons of Kilneagh, County Cork, Protestant mill-owners but supporters of the Irish independence cause; of the revenge taken on them by the Black and Tans; and of its life-skewing consequences for the survivors of Kilneagh. The Quintons’ son, Willie, is confronted with an almost indescribable fork in the road: should he avenge the family for the Black and Tans’ atrocities? Or should he search his heart for forgiveness? His decision takes an enormous toll on his character, with ramifications for his ability to be truly close to any other human being, including his lover Marianne.

Brian McGilloway’s novel is told in the first person from the perspective of a grieving mother who tries to pick through the lies and secrets to uncover what happened to her only child. On her journey she uncovers the brutal truth; everybody lies. The book takes a realistic look at Dora Condron’s emotional descent into a bleak world where she comes to believe that no one will tell the truth. I like most of all that it is crime novel, a mystery, and a family drama that is told from the single perspective. The mother’s introspection about her failings as a parent really hits home when we consider what our own last words might have been to a loved one who walks out the door and never walks back in. 

McGilloway writes a taut, intricate novel, his focus is on story and character.

We see an Ireland torn by the Troubles and how all this affects and plays into everyday life. His settings are concise and spare. Here is a novel with a strong and engaging protagonist who solves several disturbing murders by not giving in to outside pressures. A terrific read. 

A man is found stabbed to death. Garda Inspector Ben Devlin is shocked to learn that he’s heard of him. The victim has just been released from prison after spending twelve years inside. As a young lad he was jailed for the rape and murder of a teenage girl.

Devlin’s beliefs are tested when the current opinion is that the man got what was coming to him, but is that justice? Devlin doesn’t think so.

A man found hanging sparks suspicion so, just to check all is okay, the cops hang him again. Well, not him. A stand-in. But it’s a fine little detail that sums up this shrewd book – cold, hard, well-researched, loaded with bold ideas. This is Northern Ireland crime fiction as it should be, the procedural narrative we once struggled to host. Policing took place when cops were pretty much soldiers. Nowadays it’s different. And Dempsey’s crime fiction is second to none. The aftermath of the Troubles – and its socio-political complexity – is sewn in here, used to both enhance tension and amplify relationships. So, a forensic shrink and a cop explore the creepy case of a missing girl after the aforementioned hanging. Get your seat belt on – this thing twists.

Let’s be clear: the title is ironic. This is a love story, told mostly in retrospect. Well, it’s not love exactly. It’s sex. Or a kind of twisted idea of romance. It’s attraction anyway, not quite obsessive, but close.  And it’s mysterious. Who are these people? How do they connect to each other? How do they know each other? Do they even like each other? Why/why not?

The answers, if readers can identify them, are not reassuring. And yet... I loved this book, read it twice, straight off. It’s partly the descriptions of the physical world – natural and constructed – always partial, never conclusive, that are so attractive to read. 

And it’s a very young book. Exhilarating. 

David has lost his wife far too early. A man in mourning, he relives their twenty years together and sees that the ground beneath them had shifted and he had simply not noticed, or was it more that he had chosen not to. The writing here is spectacular and the theme of love and loss so very moving. Set between Ireland and Spain, McMahon captures the sublime and mundane nature of long-term love with exceptional skill. Another reason I like this book is that in my debut novel, my main character Maurice Hannigan, while very different from David, was also a widower, and naturally, the issue of loss figured heavily so I feel a bond to this book that is very special.