90 books like Murder at an Irish Bakery

I can’t even tell you how much I love Aunt Ginny in Libby Klein’s Poppy McAllister Mystery series! She is an absolute hoot. While I love the whole series, the first introduction to Aunt Ginny in this book remains my favorite. 

Poppy is newly widowed and a grief-stricken disaster when she receives an invitation to her high school reunion. She heads home to Cape May and her eccentric Great Aunt Ginny’s house. As they do in cozy mysteries, a murder happens, and Poppy and Aunt Ginny are on the case.

Poppy and her aunt’s relationship, paired with Aunt Ginny’s crazy antics, always leaves me wiping tears of mirth out of my eyes. Such a fun read!

In this book by Jennifer J. Chow, I loved how the differences between Yale Yee, the sleuth, and her cousin, Celine, not only created tension throughout the book but ultimately played on each of their strengths to solve the mystery. 

The two cousins are thrown together when quiet Yale is tapped by her dad to run the family bubble tea stand at L.A.’s night market. Loud and flamboyant Celine, a social media influencer, arrives in L.A. and gets tasked with helping Yale out.

Chow does a great job of showing the two girls' very different personalities and adding in that family tension. On top of that, the L.A. night market is fascinating! I hope this will be a long-running series!  

This book gives me everything I want in a cozy mystery—Christmas, a snowy Montana village, killer chocolates, a mystery bookstore, and a protagonist with an identical twin sister! What more could you want?

I love the dynamics between twin sisters Hanna and Alex as they juggle duties in Murder and Mayhem, the book and chocolate shop they own together. Romeril delivers humor and the quirkiness of small-town life like a pro. I loved all the twists and turns that kept me guessing to the sweet end! 

I adored Sarah E. Burr's book. Hazel and her Aunt Poppy each have their own magical “whim” that has been passed down in their bloodline. 

The characters are perfectly quirky, the setting is quaint, and the mystery has enough twists and turns to leave me satisfied. I loved that the book started out with Hazel and Poppy, but by the end, the family had grown. So, I won’t spoil anything; I’m not going to say more about that! It was a fantastic read, and I’ll be gobbling down the rest of the series. 

Spanning the decades between the 1920s and 1980s, this is the story of the Quintons of Kilneagh, County Cork, Protestant mill-owners but supporters of the Irish independence cause; of the revenge taken on them by the Black and Tans; and of its life-skewing consequences for the survivors of Kilneagh. The Quintons’ son, Willie, is confronted with an almost indescribable fork in the road: should he avenge the family for the Black and Tans’ atrocities? Or should he search his heart for forgiveness? His decision takes an enormous toll on his character, with ramifications for his ability to be truly close to any other human being, including his lover Marianne.

I wholeheartedly recommend this entire short story collection, but the title story, which centers on a recent high school grad, is a standout. While her architect father gallivants around Spain, Sara is left alone in his cold, modernist home on the coast of County Cork and battles her compulsion to self-harm.

This is a delicate subject matter, but it’s another example of an adult man inhabiting the mind of a teenage girl with a surprising facility. Kevin Barry is hands-down one of the best contemporary writers working today—no one uses language quite so inventively. Not for nothing, he’s one of the funniest writers, too, and his humor works to temper the melodrama that might arise in the hands of another writer.

Brian McGilloway’s novel is told in the first person from the perspective of a grieving mother who tries to pick through the lies and secrets to uncover what happened to her only child. On her journey she uncovers the brutal truth; everybody lies. The book takes a realistic look at Dora Condron’s emotional descent into a bleak world where she comes to believe that no one will tell the truth. I like most of all that it is crime novel, a mystery, and a family drama that is told from the single perspective. The mother’s introspection about her failings as a parent really hits home when we consider what our own last words might have been to a loved one who walks out the door and never walks back in. 

A man found hanging sparks suspicion so, just to check all is okay, the cops hang him again. Well, not him. A stand-in. But it’s a fine little detail that sums up this shrewd book – cold, hard, well-researched, loaded with bold ideas. This is Northern Ireland crime fiction as it should be, the procedural narrative we once struggled to host. Policing took place when cops were pretty much soldiers. Nowadays it’s different. And Dempsey’s crime fiction is second to none. The aftermath of the Troubles – and its socio-political complexity – is sewn in here, used to both enhance tension and amplify relationships. So, a forensic shrink and a cop explore the creepy case of a missing girl after the aforementioned hanging. Get your seat belt on – this thing twists.

McGilloway writes a taut, intricate novel, his focus is on story and character.

We see an Ireland torn by the Troubles and how all this affects and plays into everyday life. His settings are concise and spare. Here is a novel with a strong and engaging protagonist who solves several disturbing murders by not giving in to outside pressures. A terrific read. 

A man is found stabbed to death. Garda Inspector Ben Devlin is shocked to learn that he’s heard of him. The victim has just been released from prison after spending twelve years inside. As a young lad he was jailed for the rape and murder of a teenage girl.

Devlin’s beliefs are tested when the current opinion is that the man got what was coming to him, but is that justice? Devlin doesn’t think so.

In 1899, the Irish novelist, Hannah Lynch wrote her memoir Autobiography of a Child. She caused controversy in Ireland and abroad by attempting to represent her childhood up to the age of twelve narrated through the child’s voice, a strategy I adopted but from the ageing child’s point of view where the language and thought process become more complex as I grow older. Her use of adult reflection upon the child’s unstable memory demonstrates an original understanding of the child’s point of view and its representation. Hannah uncovered the inescapable cycle of harsh treatment by her parents within a large family and the physical abuse by nuns at school. Her book reinforces the unreliability of memory for autobiography and helped me to accept that total veracity is not possible.