Love Dark Entries? Readers share 88 books like Dark Entries...

It is impossible to talk about haunted house books and not mention the foremother of them all, The House of the Haunted Hill. I love everything about it from its brilliant use of setting as a character to its tone of creeping unease to the way the readers are slowly drawn into its madness.

This book is a UR-text in the genre and quite revolutionary for its time in many ways: being authored by a female writer, featuring a queer icon of Theodora, etc. But most of all, it’s just a really great read and a true classic. Granted, the characters in it are not exactly on vacation, but all the same, in the end they probably wish they had spent their summer in a different house.

I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."

It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child," and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.

Are there any ghosts in the most famous ghost story of all time, "The Turn of the Screw"? Fans have been debating that for over a century. I am awed and frequently challenged by James’ prose style, in which so much is rendered carefully ambiguous.

In his greatest offerings—"The Jolly Corner," "The Real Right Thing," and, a personal fave, "The Friends of the Friends"—he was able to elevate Gilded Age ghost stories to the realm of high art. Among his most central gifts was a Hawthorne-inspired interest in the nature of guilt, self-deception, and the spectral world inside our minds.

I recently visited Henry James’ grave in Cambridge and found that anonymous fans continue to leave him little tributes to this day.

She’s more famous for novels like Ethan Frome and The Age of Innocence, but I love Edith Wharton above all for her ghost stories. I especially admire "Afterward," which, for my candy corn, is the greatest literary ghost story ever written. It both chills me and makes me ponder; the emotions inside this complex tale of secret lives are so real that, after I’ve put it down, I find I want to talk to anyone else who has read it about what just happened.

Wharton handles both language and imagery with a deft touch, all while drawing the reader into a haunting that has more than one dimension.

This book is, hands-down, one of my top “Stranded on a Desert Island” books. Why? Let me count the ways! For one, the author himself is a walking encyclopedia—trust me, I’ve spent time with him! John-Michael is also a practicing Druid and is a member of various occult orders and fraternal lodges. Basically, he’s a genius.

I adore this monumental book’s approachability and depth of knowledge. The information is academic but easy to read. Regardless of a person’s mystical, metaphysical, or occult leanings, there’s a rabbit hole of wisdom waiting to be uncovered. The investigation of one topic quickly leads to another. In fact, I’ve found myself (on numerous occasions) researching one occult term, only to realize that hours had passed; studying one fascinating entry led to another, and another, and another!

This is an indispensable book for spiritual seekers of all ages and all varieties. Without question, I’ll continue… show more.

Carl Jung is the person who actually coined the term “synchronicity” and was the first to recognize it as an important connecting principle between the unconscious and the outer world. He observed that such events occur when the archetypal processes of the collective and personal unconscious correspond to objective events in the real world. Here, for example, he reports the now-famous case of the patient who dreamed of a scarab beetle, a creature that represented transformation to the ancient Egyptians, only to find a similar beetle tapping on Jung’s consultation room window the next day, as the patient described the dream to him.

For Jung, virtually all authentic instances of synchronicity involve the archetypal unconscious and reflect mythic themes. This book includes a number of the first and best examples in synchronicity literature.

My favorite thing about magical realism is that it is often used to discuss social and cultural issues, colonialism, the powerful and elite, environmental issues, racism, war, homophobia, genocide, and more. It can also be used to talk about social issues that are equally as important but maybe not as heavy. That’s why I love Melmoth by Sarah Perry – because magical realism is used to cover a gambit of social and historical issues. 

In the novel, Perry focuses on a mythical figure called Melmoth the Witness who preys upon people in the darkest moments of their lives. Through this mythical figure, Perry discusses everything from Nazi Germany to fear, sins, loneliness, and self-loathing with a magical lens. I loved the grit and darkness of this magical realism story and I know you will too.

I know, I know—this one’s YA urban fantasy. What’s this book doing on this list? It is one of my all-time favorites, and it has the heart of a dark academia story.

It sweeps you up in its magic and doesn’t let you go. The book itself is like a spell. I can’t even fully articulate why I love it so much. The characters are obsessive and flawed and so wonderfully written I can’t get them out of my head. Because of it, I own a version of Gansey’s multimedia, research-driven, Welsh king-hunting journal. Now, if that’s not the spirit of dark academia, I don’t know what is.

Lobsang Rampa was a Tibetan Monk that took over the body of an Englishman in order to accomplish his destiny in teaching Westeners the Wisdom of the Ancients.

I found this book at 18 years old while searching for the meaning of life, needing to know that what I experienced and could do was not an overactive imagination. As I read the book, a great calmness settled into my soul. All the information related was confirmation that I knew all these concepts already. Now I had the terminology to go with it. It was such an exciting discovery.

If you wish to learn ancient knowledge in a nutshell, this is the book to start with.

1987’s Communion made Whitley Strieber the world’s most famous alien abductee. Since then, many have derided him as a fantasist or even a charlatan.

Most attacks stem from his critics’ insistence on viewing Strieber’s experiences literally. Few stop to consider whether or not that approach may be misguided. In this collaboration with Rice University professor Dr. Jeffrey Kripal, Strieber’s firsthand accounts are placed in dialogue with religious scholarship, providing a useful framework for navigating the treacherous waters between the objective and subjective.

The Super Natural acknowledges that these things are—at least partially—"real" in a sense that modern culture would recognize. Their meaning, however, may well be something else entirely, best apprehended through our never-ending attempt to make sense of our place in the cosmos.