100 books like Counterfeit

In this book, Lisa See drops us into the lives of three young women of Asian descent who were fighting to make their way in a city and society that saw them as “dolls” rather than people. The friendship at the heart of the novel is compelling, but I am equally impressed by See’s historical research.

She weaves her fictional characters through real events, people, places, and cultures. I often shy away from “historical fiction” as a genre, cringing at the license some authors take with the history side of things, but See is an excellent social historian and storyteller. I loved this opportunity to visit World War II America, the entertainment industry, and, most especially, San Francisco’s Chinatown through the eyes of these women. 

I was completely immersed in this novel. Through her exploration of Chinese-American culture, Amy Tan draws us deeply into the intricate relationships between the mothers in this book and their daughters.

Cross-generational and cross-cultural, Tan skillfully portrays the conflicts within these friendships—both among the mothers and between mothers and daughters—ultimately demonstrating the power of understanding and forgiveness.

A much more recent book that can be read in conjunction with The Handmaid’s Tale.

I had no idea what to expect from this novel and was truly gripped by the unfolding tale of a world in which women are incarcerated for being deemed bad mothers. I am not going to give away any of the plot here, as the power of the book depends on its unfolding horror.

D W Winnicott's definition of the ‘good enough' mother resonated with me throughout this book, and I do worry that we are facing this dystopian reality in a 21st-century America that puts fetal rights before those of women and families. 

Noteworthy is a pitch-perfect novel set in the elite a capella group of a selective performing arts boarding school. Undistinguished Alto 2 Jordan Sun disguises herself as a guy to land a spot in the all-male Sharpshooters a capella group, only to realize she has to keep up the act for the remainder of her Junior and Senior years. Hijinks ensue as Jordan finds herself questioning her identity, her sexuality, and her place in the world. The writing in this book is crisp and funny, and I enjoyed learning a bit about how a capella works. Most of all, I enjoyed watching Jordan become more sure of herself even as her ruse starts to wear thin. This is a light-hearted read with some heavier discussions of race, class, gender, and sexuality deftly woven throughout. If you like voice-driven music books as much as I do, add Noteworthy to your list. 

The stories in Thank You, Mr. Nixon combine history and family, characters reflecting on the ravages of time and how their lives have been buffeted by world events outside their control. There’s even a ghost of a Chinese girl writing from the afterlife to President Nixon in Hell. She thanks him for his historic decision to establish diplomatic ties with the People’s Republic of China, a decision that changed her family’s life forever. The story is profound, moving, and very funny all at once. Jen is a master of the short story form, and this collection is superb.

Taking a transnational frame and drawing on English- and Chinese-language sources by and about Eurasians, this book uses juxtaposition to bring different perspectives to bear on each other. People’s lives, the choices they make amid various external limitations, are at the heart. The book takes a unique structural approach, with a prologue before each main chapter that describes a central story and helps ground and guide the larger narrative. In exploring interracial marriages and the lives of couples and children, the work shows how Eurasians have been producers of knowledge. Through highly diverse sources from the era, the author demonstrates that Eurasians have engaged in self-representation in complex ways and a broad range of voices and experiences comprise the category “Eurasian.”

The railroad worker and the interpreter; The Hong Kong beauty/midwife and the fishmonger’s daughter; the Kung fu master’s family turned tong bosses and the civic leaders and charity organizers; the merchants and the opium dealers; the church ladies and the rice wine hooch brewers; the lofan (white) Aunt Elva with a painful secret….

These are some of the unforgettable characters from Chin’s sprawling family. I loved this glimpse into the Chinese American experience in New York City during the same time my family was muddling through in Georgia. I also have reason to believe my grandfather knew some of these characters personally through his correspondence and Chinese liberation work. Chin did honor to all of the ancestors with this skillful weaving of history, memory, anecdote, and a daughter/granddaughter’s loving intuition.

Among U.S. immigrants and racially and culturally marginalized peoples, Asian Americans have a particularly complicated history in our national culture. Chinese and other ethnic Asians are still less than 7% percent of the U.S., a modicum at least partly conditioned by Chinese Exclusion, a federal law that for more than sixty years (from 1882-1943) severely restricted ethnic Asians from immigrating to and settling within the U.S.

But just as Neil Gabler and Lin-Manuel Miranda emphasize the migrants and racial-ethnic minorities at the core of America’s founding myths, novelist Lisa See details an eclectic group of artists, movie stars, and other creatives who gathered in Los Angeles Chinatown since the 1930s. This multimedia, multicultural milieu included both whites and ethnic Asians and spanned Hollywood, fine art, and commercial design.

Now a classic Asian American history, See's bestselling 1995 family history documents the enduring impact of the Chinatown residents and creatives who… show more.

This book surprised me a lot. I was expecting a gory, grimdark, good-for-her revenge story—and it is that—but this book is also darkly funny! It gives What We Do in the Shadows vibes, but with demons.

The comic follows a duo of hapless twin siblings who are way over their heads, coming to terms with their demonic heritage, coping with emotionally unavailable parents, and running the family restaurant. I feel it perfectly balances dark comedy and gripping horror in its themes. (CW: gore)

An absolute tour de force from the author of The Joy Luck Club. This novel is not as famous, but it’s actually my favourite Tan book. It has that epic sweep across history that I adore, whereby the movement of history catches people in its wake and hurls them hither and thither, uncaring of the consequences of its wreckage. The novel follows the experiences of a Chinese woman before and after Japan’s invasion of China in the 1930s and 40s and on to her move to America after the war. Reading this novel was truly immersive and fueled my interest in writing about war and showing how my own characters are caught up in its inexorable flow. A brutal and beautiful novel.