100 books like Caged Ocean Dub

I really enjoyed this playful, ethereal, experimental collection of seventeen stories from prolific Tanzania-Australian author Eugen Bacon.

Her work often defies genre, spanning science fiction, horror, fantasy with a strong literary sensibility. These are poetic, evocative stories, about migration and displacement, about climate change and technology, about blackness and womanhood, about politics and community.

Adding up to more than just the sum of its parts, I could not help but be impressed. As a whole, with each story allowed to resonate with the other, it’s an excellent, inventive collection.

The late Nick Wood, a science fiction writer, clinical psychologist, former journalist, humanitarian, and anti-apartheid activist born in Zambia and raised in South Africa, was always learning.

This is reflected in all his writing, including most of the stories in his collection. Largely science fiction stories in a variety of settings: from post-apocalyptic worlds, settled moons, and climate-changed earths, these stories are highly focused on the social and environmental aspects of humanity even in the most science fictional scenarios.

These stories, intersectional, emotionally resonant, exciting, thoughtful, and varied. Learning Monkey and Crocodile is a wonderful way to sample some of South Africa’s interesting science fiction corpus from a voice that has now left us, but which will not be forgotten.

Jackal Jackal is an entertaining collection of eighteen stories that includes two originals and sixteen reprints of relatively new stories, most of which are riffs on some classic fairytales or have the quality of such tales, by Nigerian author Tobi Ogundiran.

It’s a great showcase of Ogundiran’s consistency and strengths as a storyteller and dark fabulist. Every story is crafted to elicit a strong, visceral reaction. These are stories that you’re meant to feel. In my review for Locus Magazine, I said that you should think of this as The Brothers Grimm by way of Amos Tutuola. Or Stephen King meets Cyprian Ekwensi.

With its steady themes of repetition, transformation, and revelation, its consistently good, direct and effective prose and delightfully creepy delivery this is a strong collection that is worth reading.

As a Zimbabwean sarungano, Ndlovu is an expert storyteller, and that skill truly shows in this collection of fourteen stories chronicling the strangeness and surrealism of the lives of African women at home and abroad.

Exploring everything from the legacy of colonization to cultural appropriation and from literalized metaphors to exploring the nature of time in African thought, this is a collection that is clever and funny and emotionally astute, rendered in poetic and clear prose.

As a collection, the stories reinforce each other making this an experience to read. I highly recommend it.

This Nommo-award-winning collection is experiential in its offerings of literary fragments yet bold and playful—a clean taste of Wole Talabi’s creativity and curiosity on genre and reimagining a future Africa. Talabi is unlike your typical short story writer, if there’s ever one. His stories are sharp, brisk, hauling the reader to mindful captivation. The collection is a transcultural odyssey into Yoruba mythology in stories of logic, illogic, the known and unknown, relationship and fallout, trust and betrayal, transposition, exposition, and much escapade. Virtual reality has a role here, as do gods and goddesses, victors, and survivors. Incomplete Solutions is a cross-genre degustation of possibilities and impossibilities that deconstruct the reader’s mindset. 

Unimpressed by Amos Tutuola’s debut novel, I approached My Life in the Bush of Ghosts with caution. However, I’m glad I took the leap. Tutuola’s vivid descriptions of supernatural entities from Yoruba tradition appealed to both the avid fantasy reader and the cultural historian in me.

The narrative of a young boy’s journey through a mystical forest paints an uncluttered picture of postcolonial Nigerian life. Despite my preference for complex prose, this simple storytelling evokes memories of time spent in my ancestral village, listening to tales told by the elders. Tutuola’s writing style, influenced by oral tradition, captivated my imagination, taking me on a uniquely Nigerian adventure.

This is a classic by the late folklorist, Harold Courlander. If you want to get a basic understanding of the stories that make up the Orishas of Yoruba mythological tradition, this is the go-to book. Here is the story of how the Orishas come to earth, and the powers and power struggles of the Yoruba pantheon. Appendices give a quick overview of Orishas in Cuba and the Americas.

This is far more than a colonial era whodunit, a recounting of yet another colonial atrocity – though it is that in spades.  Yes, in 1897 the British occupation army reacted to the killing of a a few colonial officials by razing an empire to the ground, careless of its causes and its effects. So much, so commonplace. But what an empire! The Benin artworks the army looted, subsequently dispersed to museums around the globe, were and still are a revelation to those whose notions of African art were to that point limited to masks and fetishes. A mere catalogue of the pieces would be enough to explain why Picasso, among other artists, was captivated by the art of Africa, but Philips has done more than that – he puts the looted artifacts into their context and into their culture. There is nothing didactic or preachy about this book, but… show more.

Visceral, immediate, and engrossing, Adenle’s debut novel features two main characters embroiled in a murder in Lagos. British journalist Guy Collins, an alien in a dangerous, fast-paced city is implicated in a gruesome crime. Amaka, a woman who has devoted herself to the protection of the city’s working girls, speaks for him, hoping that her intervention will be re-payed by Collins in the form of global publicity for her campaign against the people traffickers and body-parts smugglers. Both out of their depth, at great peril, and at the mercy of Nigeria’s mega-city and its huge cast of characters, they find themselves caught in a maze from which there appears no escape.

Exquisitely written and profoundly wise, this is one of my all-time favorite novels. Ifemulu and Obinze meet in high school, forming a deep attachment that continues into university. When political turmoil in Nigeria forces them to emigrate to separate countries, their love story comes to an unexpected halt.

As I read this book, I was moved by Ifemulu’s struggle to recapture her sense of self and stirred by the grief she felt, both for her broken relationship and for her country. Alternating between Nigeria and the USA, the novel transported me into Ifemulu’s world, making me reflect anew on questions of race, identity, and belonging.