Here are 62 books that By The River fans have personally recommended if you like
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Iâm a Canadian kidsâ author, and Iâve written a few books about kids longing for absent parents. Thereâs nothing more compelling and powerful for me than a book about a young person searching for a significant adult. It wasnât part of my growing-up experience, but I know it is the truth for so many kids who would identify with the kids in these novels. There are so many excellent MG novels on this topic that it was hard for me to narrow it down to these five books. I love cheering on kids who struggle, and Opal, Chirp, David, Lucky, and Parvana are among my favorite book kids.
This is the middle-grade novel that I so wish I had written. Kate DiCamillo is the best kidsâ author writing today, and I devour everything she writes. She really gets kids, and Winn Dixie is my favorite dog in books.
The story of ten-year-old Opal and her found dog, Winn Dixie, makes me laugh, want to snuggle my dog, cry and reach out to hug motherless Opal every time I read it (usually once a year). I love the remarkably imperfect people Opal and her dog befriend, and the language is rich and authentic to the story. This is an unforgettable story about making a home for yourself against the odds.
Funny and poignant, this 2001 Newbery Honor novel captures life in a quirky Southern town as Opal and her mangy dog, Winn-Dixie, strike up friendships among the locals.
One summer's day, ten-year-old India Opal Buloni goes down to the local supermarket for some groceries - and comes home with a dog. But Winn-Dixie is no ordinary dog. It's because of Winn-Dixie that Opal begins to make friends. And it's because of Winn-Dixie that she finally dares to ask her father about her mother, who left when Opal was three. In fact, as Opal admits, just about everything that happens thatâŚ
Working in schools, I was surrounded by young people facing challenges and finding their place in the world. Their lives were affected by various relationships, family, and their own personalities. I thrived on their energy and was privileged when they shared their stories, hopes, fears, and uncertainties. I witnessed hearts captured by young love that wasnât always returned and marvelled at how those without good family support still managed to stay true to themselves no matter what life threw at them. Thank goodness for human resilience. Iâm no poet but enjoy language and using poetic devices. I became a writer when teen characters insisted that I give voice to their stories.
Iâm a sucker for endpapers so, with inside covers that appear browned with age, this book instantly grabbed me. I was even more drawn in by the edges of all pages looking aged, with the bookâs title repeatedly running along the bottom of each one like a handwritten footer. Once I was reading, the flavour of classics like those by the Bronte sisters and Jane Austin meant I couldnât put it down.
Set in the later part of the 20th century, Kateâs story explores self-worth and finding purpose. First-person narrative uses language cleverly. It is easy to read, the voice unpretentious. I felt like I knew Kate. We have so much in common, including the ability to write in the dark and a penchant for taking laneways rather than main roads.
SHORT-LISTED: CBCA Book of the Year, Older Readers, 2005'My name is Kate O'Farrell and I am seventeen years old. I am in my last year of school, and when that is over I will be leaving this place for good - going to a real city, where I will begin my new life.'I have long red hair and pale skin. I like staying up very late at night. It is my ambition to see the sun rise, but sadly I am always asleep by then. I love eating and reading, preferably at the same time.'I am very tall, and tooâŚ
Working in schools, I was surrounded by young people facing challenges and finding their place in the world. Their lives were affected by various relationships, family, and their own personalities. I thrived on their energy and was privileged when they shared their stories, hopes, fears, and uncertainties. I witnessed hearts captured by young love that wasnât always returned and marvelled at how those without good family support still managed to stay true to themselves no matter what life threw at them. Thank goodness for human resilience. Iâm no poet but enjoy language and using poetic devices. I became a writer when teen characters insisted that I give voice to their stories.
I picked this up at a jumble sale. It sat on my shelves unread for years, many associates in publishing telling me it was still their favourite book. Supernatural romance isnât my thing but respect for others is, so I was delighted when finally reading it. Not only about good versus evil, it showcases relationships of all kinds. Without any didacticism, it compares right from wrong, particularly with regard to not crossing lines for personal gratification.
Sorensen, who joins protagonist Laura in her journey, is an admirable and timeless role model for every male. Despite fighting his own demons, he behaves honourably. His interactions with Laura revolve around the dangers of inviting trouble upon yourself. Each of them learns to value the magic within themselves and to accept who they are. No wonder it won the 1984 Carnegie Medal.
Carnegie medal-winning supernatural romance from Margaret Mahy. The face in the mirror. From the moment she saw it, Laura Chant knew that something dreadful was going to happen. It wasn't the first time she'd been forewarned. But never before had anything so terrible happened. The horrifyingly evil Carmody Braque touched and branded her little brother -- and now Jacko was very ill, getting steadily worse. There was only one way to save him. Laura had to change over: had to release her supernatural powers. And that meant joining forces with the extraordinary and enigmatic Sorenson Carlisle!
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: âAre his love songs closer to heaven than dying?â Others wonder how he wrote a song so sad, everyone who heard itâŚ
Working in schools, I was surrounded by young people facing challenges and finding their place in the world. Their lives were affected by various relationships, family, and their own personalities. I thrived on their energy and was privileged when they shared their stories, hopes, fears, and uncertainties. I witnessed hearts captured by young love that wasnât always returned and marvelled at how those without good family support still managed to stay true to themselves no matter what life threw at them. Thank goodness for human resilience. Iâm no poet but enjoy language and using poetic devices. I became a writer when teen characters insisted that I give voice to their stories.
Thank goodness those in Nashvilleâs world are nurturing and full of common sense. Heâs like no other child but his story shows that difference doesnât need fixing. His adoptive family doesnât always expect him to adapt to the way they do things, sometimes adapting their own behaviour. I love how Nashville and his sister bake cake every night because there are 364 non-birthdays to celebrate each day.
Nashvilleâs tale embraces the idea that impossible is a ridiculous little word and shows that no matter how different we are, we share the same hopes, fears and a need to stay true to ourselves. One of my favourite lines in the book relates to a life-changing injury Nashville accidentally causes to another being. The vet says this little bird will just have to make do. Itâs true for any of us in many situations.
Ten year old Nashville doesn't feel like he belongs with his family, in his town, or even in this world. He was hatched from an egg his father found on the sidewalk and has grown into something not quite boy and not quite bird. Despite the support of his loving parents and his adoring sister, Junebug, Nashville wishes more than anything that he could join his fellow birds up in the sky. After all, what's the point of being part bird if you can't touch the clouds?
I've written more than 100 books including the counting booksDinner at the Panda Palace(HarperCollins / PBS StoryTime) andDozens of Dachshunds(Bloomsbury / Scholastic Book Clubs). I also write easy readers such asStomp! (Ready-to-Read / JLG) and early chapter books including the Our Principal series and, with Magic School Bus author Joanna Cole,The Adventures of Allie and Amyseries. As a former early childhood teacher and children's book editor, I'm a big fan of counting books and look forward to writing â and reading â many more.
On Monday, a tiny, very hungry caterpillar ate through one apple.
"But he was still hungry."
On Tuesday, he ate through two pears, on Wednesday, three plums, and so on through the week.
When he gets to Saturday, he eats way too much, starting with one piece of chocolate cake and ending with one slice of watermelon.
That night he has a stomach ache! The caterpillar recovers on Sunday and, no longer tiny and no longer hungry, he builds a small house around himself called a cocoon.
In time, he becomes a beautiful butterfly.
With cutout pages and gorgeous Eric Carle art, this book is a joy to share with young children.
There are so many ways to spend a sunny summer day. Join The Very Hungry Caterpillar and explore everything the season has to offer!
Celebrate summer with The Very Hungry Caterpillar and his friends in this exploration of the season. Young readers can learn all about seasonal sensory experiences, like listening to noisy bugs, feeling the warm sunshine, smelling the yummy scents of a cookout, and so much more!
My passion for stories began while I was still in elementary school. I was an avid reader, taking the tram to the library whenever I could. I read biographies, short stories, comic books, and novels of all kinds. In college I studied comparative literature focusing on novels of the 19th and 20th century in English and Spanish. I met many authors and was inspired to write my own stories. Eventually, this led to screenwriting as a career and then teaching and writing about screenwriting. I never abandoned my love of novels, publishing one of my first novels as a magazine for which I sold advertising to pay for printing.
MĂĄrquez is most famous for One Hundred Years of Solitude, but I like this book better because itâs less dense but more emotional. Itâs also shorter and easier to follow. Obviously a love story, it stands out because it takes place during a difficult time demonstrating that love, again, can conquer all, even death.
Again, I have a personal tie to the author as I stayed in what had been his apartment at Cubaâs film school, EICTV when I taught a seminar there. Many of his possessions were still there, and I could feel inspired just by being there.
There are novels, like journeys, which you never want to end: this is one of them. One seventh of July at six in the afternoon, a woman of 71 and a man of 78 ascend a gangplank and begin one of the greatest adventures in modern literature. The man is Florentino Ariza, President of the Carribean River Boat Company; the woman is his childhood sweetheart, the recently widowed Fermina Daza. She has earache. He is bald and lame. Their journey up-river, at an age when they can expect 'nothing more in life', holds out a shimmering promise: the consummation ofâŚ
Arizona Territory, 1871. Valeria ObregĂłn and her ambitious husband, RaĂşl, arrive in the raw frontier town of Tucson hoping to find prosperity. Changing Woman, an Apache spirit who represents the natural order of the world and its cycle of birth, death, and rebirth, welcomes Nest Feather, a twelve-year-old Apache girl,âŚ
Iâm a writer who values telling difficult stories that donât always cohere to the idea of the âlight, fluffyâ romance. I write about social issues, grief, trauma, and do my utmost to research whatever topics my characters endure in order to do justice to readers who share these experiences. Having suffered a major trauma myself (my eldest daughter passed away at the age of ten), Iâm very interested in stories that deal with characters overcoming tremendous obstacles in order to reach their happily ever afters. I love writing (and reading) stories that go outside the box, that give the reader something more than what they were expecting, couched in solid writing, and possessing all the feels.
This novel is a taboo, student-teacher, forbidden love read, but those are tag words only. Iâm a little obsessed with it because the writing. This book is alive. It's electric. The words jump off the page and sink claws into your skin. The author, at the end, laments that she's not poet enough to write her heroâs poems. I beg to differ. This entire book is a poem if you go by my preferred definition, which is a string of words meant to evoke. That's all this book does. Evokes, stirs, and is unapologetic in its heroine, Layla. She is no blushing rose, but a tornado of unapologetic desire, and who defies genre tropes. Her character renders this book more than a romance novel, but a force of nature.
Layla Robinson is not crazy. She is suffering from unrequited love. But it's time to move on. No more stalking, no more obsessive calling.
What she needs is a distraction. The blue-eyed guy she keeps seeing around campus could be a great one--only he is the new poetry professor--the married poetry professor.
Thomas Abrams is a stereotypical artist--rude, arrogant, and broody--but his glares and taunts don't scare Layla. She might be bad at poetry, but she is good at reading between the lines. Beneath his prickly façade, Thomas is lonely, and Layla wants to know why. Obsessively.
I like to believe that my own characters struggle with being human. They struggle with their bitterness, their relations to others (or lack thereof), and their unresolved guilt. What happens when guilt is left unresolved? What happens when someone enters into a state of self-imposed isolation? These are topics I enjoy exploring in my work. Iâve enjoyed writing since I was a child. My mother deserves all the credit. At bedtime, rather than reading bedtime stories to me from a book, she would make up a story and then ask me to do the same. This helped me to develop a lifelong love for reading and writing.
Sputnik Sweetheart was the first Murakami book I had ever read. The book had such an impact on me that I almost immediately went out and purchased his other titles.
It is perhaps more experimental than other titles Iâve recommended here, but I enjoyed its non-linear plot and the surreal elements included in the story. Reality and irreality become indistinguishable, and I found myself wanting to know more about Sumireâs haunting disappearance.
A beautifully packaged hardback edition of Haruki Murakami's classic mystery story about love, the cosmos and other fictional universes, now with a new introduction by the author
Sumire is in love with a woman seventeen years her senior. Miu is glamorous and successful. Sumire is an aspiring writer who dresses in an oversized second-hand coat and heavy boots like a character in a Kerouac novel.
Sumire spends hours on the phone talking to her best friend K about the big questions in life: what is sexual desire, and should she ever tell Miu how she feels for her? Meanwhile KâŚ
Although I currently write romantic womenâs fiction, because I came up in the Literary Fiction community, I frequently have writer friends ask me to recommend well-written Romance. Leaving aside the subjectivity of well-written and the snobbery inherent in the suggestion that Romanceâa category theyâve admitted to never having readâisnât generally well-written, I first have to explain that Romance has rules: While we often associate Romance with sex on the page, technically, itâs not a requirement. There are only two requirements, according to the Romance Writers of America: the love story has to be the central storyline of the book; and there has to be a happily ever after (HEA).
You like your small, introspective, architecture-of-a-marriage stories? Well, hereâs the Romance version. Nothing really happens, plot-wise. It is simply a masterclass of two characters matched in every way that matters, ready to destroy everything they could potentially have because theyâre scared of getting hurt. Humorous. Hot. Nerdy. Incisive. Affecting. This will introduce you to the basic foundation of Historical Romanceâessentially, âthe marriage plotââin the quiet way youâre looking for.
From the superbly gifted Sherry Thomas comes this beautifully written romance about a marriage of convenience that turns inconveniently passionate...
Felix Rivendale, the Marquess of Wrenworth, is The Ideal Gentleman, a man all men want to be and all women want to possess. Even Felix himself almost believes this golden image. But underneath is a damaged soul soothed only by public adulation.
Louisa Cantwell needs to marry well to support her sisters. She does not, however, want Lord Wrenworthâthough he seems inexplicably interested in her. She mistrusts his outward perfection, and the praise he garners everywhere he goes. Still, whenâŚ
Arizona Territory, 1871. Valeria ObregĂłn and her ambitious husband, RaĂşl, arrive in the raw frontier town of Tucson hoping to find prosperity. Changing Woman, an Apache spirit who represents the natural order of the world and its cycle of birth, death, and rebirth, welcomes Nest Feather, a twelve-year-old Apache girl,âŚ
While growing up in Spain, history was not my favorite subject. As told at school, it was a dreadful, long list of kings and battles. But, from time to time, I discovered, among the dry facts, a legend, a romanticized story of an event long past that ignited my imagination. Among these legends, the defeat of the last Visigoth king by the Arabs and the Asturian chieftain Pelayoâs consequent victory over them were my favorites. I believe these two stories, that figure so predominantly in my writing, are behind my love for books full of romance and adventure that take place in ancient worlds, like the ones I recommend here.
One of my all-time favorite series, The Shamer Chronicles, forces us to take a harder look at the nature of power and the real meaning of courage.
In The Shamerâs War, Dina, our protagonist, is thirteen and in love for the first time. The object of her unrequited affections is none other than Nico, the rightful heir to Dunark who has taken refuge with her family. When Nico decides to challenge his half-brother to stop his thirst for blood, Dina follows him. But this time, even her powers may not be able to protect them from the war thatâs coming.
Unrequited love, dragons, magical powers, a reluctant hero, a strong antagonist, and a well-plotted story makes The Shamerâs War a worthy conclusion to this series.
The Dragon Lord of Dunark will stop at nothing in his persecution of Shamers, and he is determined to crush any community that shelters them. Those struggling to resist his cruel power have realised that hiding won't work any more. It's time to fight back.
But as preparations for the rebellion begin, Dina starts to have doubts - can she really be part of a plan to unleash war? There must be another way, but can she find it before her world is torn apart?