100 books like Buying Gay

One of the darkest events in gay history has been brought to light in Johnson’s book. During the late 1940s and ’50s, the Federal Government engaged in a purge of gay men (and women) who worked in its offices by linking them to communism, an association politicians strengthened as the Cold War progressed. Fueled by their lies and guided by FBI Director (and closeted gay) J. Edgar Hoover, the persecution, called the “Lavender Scare,” spread from Washington, D.C. across the U.S. The government-sanctioned homophobia cost thousands their jobs, families, and friends when their sexuality was made public. Some committed suicide. Having this book at hand helped me understand the complexities of gay men’s lives during this horrific period.

As with physique photographs, I never associated murder with gay history, but newspapers were full of reports of it, often in coded and lewd language, as early as the 1920s. The cases were virtually identical. An older man meets a younger, attractive one and invites him home. In a fit of “homosexual panic” after the older man’s “indecent advance” toward him, the younger kills the older but, tried, is found innocent, given a light sentence, or paroled. Juries, judges, newspaper reporters, and the police engaged in and promoted such extreme homophobia. Indecent Advances helped me understand a principal excuse our society used in an attempt to cover up its hatred of gay men. 

This book taught me that there are always sources for determined historians to find on any topic. Like most good stories about subcultures, It reveals the influence of the marginalized on the mainstream, even when it’s been hidden from history.

Chauncey explodes the false perception that gay men before the 1960s did not share a common culture but were closeted and isolated from each other. I love his humanizing use of unpublished personal sources like diaries. He also reveals how the pathologizing of homosexuality by medical professionals accidentally supported the creation of vibrant gay communities.

Rarely have I learned so much from such an engaging book. This is my favorite history book of all time.

Gay American History was an epiphany for me and thousands of other gay men and women who were eager to learn about our history because books about it were few. I can’t describe the wonder I felt as I opened the book to thousands of rare documents (letters, diary entries, newspaper articles, book excerpts, medical and legal reports, etc.) that connected me to LGBT individuals who lived centuries earlier. Puritans, indigenous people, cross-dressing (“passing”) women, military personnel, artists of every ilk, government officials—their struggles, their defeats, and their victories, I learned, were no different in essence from those of the LGBT individual of the 21st Century. Gay American History is, in short, a treasure trove of information.

Interest in the German sexologist Magnus Hirschfeld and his Institute for Sexual Science (active 1919–1933 in Berlin) has grown since the television program Transparent included him in its second season in 2015.

Laurie Marhoefer’s new book challenges his status as a queer history hero, highlighting how his views on sexual emancipation, cross-dressing (as drag was then known), and transgenderism were embedded in racism and colonialism. Marhoefer also tells the lesser-known history of Hirschfeld’s companion in later life, Li Shiu Tong, who after Hirschfeld’s death in May 1935 continued his own research on human sexuality. 

Li’s previously unknown manuscript and notes—rescued serendipitously from a waste bin soon after his death in Vancouver in 1993—is a stark reminder of how many histories of sexuality are at risk of being (almost) similarly lost.

This book inspired my own integration of service and Zen. Issan Dorsey is a person who did not hold back. This portrait of a teacher whose creativity, love, honesty, joy, and compassion continues to awaken new possibilities for engaged Buddhism.

One of the qualities of mystery fiction that continues to draw me to the genre is the complex interplay between past and present. Nava’s 8th Rios novel utilizes separate narrative lines that resonate and then, like a parallel perspective drawing, converge in a powerful emotional twist. The first line is the story of Bill Ryan, a young gay man who, after being cast out of his home in Illinois, flees to 1970s San Francisco to discover himself and the gay community. The second line is Rios’s recovery from alcoholism and his investigation of Ryan’s suspicious death during the beginning of the AIDS epidemic. Ryan and Rios serve as foils: Ryan is a man losing the war with his self-loathing. Rios, in contrast, is winning his war.

There are very few books that capture the particular suffering of loving someone and not being loved back.

Greenwell’s powerful debut novel is one of them. Set in the capital city of Bulgaria, the novel begins with an encounter that the narrator, an American teacher working abroad, has with Mitko, a sex worker. It is written in prose whose beauty, beat by beat, is as achingly beautiful as the unrequited love the narrator has for Mitko. This is one to savor slowly.

My copy is heavily underlined. Garth, a trained opera singer, reads like a dream. Accompany your reading with his readings from the work (they’re on YouTube). 

This was the first novel I read about immigration, queerness, and Muslimness, the complex reasons why people choose to live in the Global South, and the complex reasons why people choose to leave.

I love the writing: it is lyrical and intimate, and the characters have stayed with me long since.  

I love novels that pluck figures from the sidelines of history and place them up-front-and-center. In this case, the figure is the real-life Vietnamese-born man who served as Gertrude Stein and Alice B. Toklas’ cook in Paris. Full of atmospheric detail, the writing in this novel is absolutely exquisite. I felt immersed in 1930s Paris, a world that’s long entranced me, but I was seeing it from an entirely new perspective. Truong offers tantalizing glimpses of Bihn’s life in the Stein-Toklas household, but the most memorable scenes happen when he’s alone, walking through the streets of Paris, on his way to meeting a lover, or regaling us with stories of his childhood in Vietnam and his fraught but tender love for his father. It’s a beautiful tale of exile and homecoming.