Here are 100 books that Butterflies Belong Here fans have personally recommended if you like
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I love the ocean—the awesome power of the waves, the shifting of tides, the beauty of life below the surface, and the infinite freedom of the boundless horizon. I feel free when I walk along the ocean, at one with wild nature of which human nature is a part. I respect the life-giving force of the water that covers most of Earth’s surface, water that made life possible billions of years ago and that sustains life today. As a science writer, I feel it is my responsibility to convey my passion for the ocean and the importance of protecting it for the health of our planet and future generations.
I am inspired by people who break barriers to succeed. Ichthyologist (fish biologist) Eugenie Clark is such a person. She became a deep-sea diver at a time when not many women were in the water actively doing ocean research. All ocean creatures interested her, but her specialty was sharks! During her 92-year lifespan, she made many dives both in submersible vehicles and with SCUBA.
Because of her work, she became known as the “Shark Lady.” Once, while diving, she rode on the back of a 50-foot whale shark. I have only seen sharks in large aquariums, such as the Monterey Bay Aquarium in California, but thanks to Eugenie Clark’s underwater research, I have learned many surprising things about them in the wild.
One of New York Times' Twelve Books for Feminist Boys and Girls! This is the story of a woman who dared to dive, defy, discover, and inspire. This is the story of Shark Lady. One of the best science picture books for children, Shark Lady is a must for both teachers and parents alike! An Amazon Best Book of the Month Named a Best Children's Book of 2017 by Parents magazine Eugenie Clark fell in love with sharks from the first moment she saw them at the aquarium. She couldn't imagine anything more exciting than studying these graceful creatures. But…
My love for wildlife has produced several award-winning nonfiction books about animals for children (bats, lizards, dragonflies, hummingbirds, and more). To observe wildlife, I travel often to wild areas, such as the Amazon, Galapagos Island, the Pantanal. A former full professor at Miami Dade College, I taught Creative Writing, English Composition, and Survey of Children’s Literature and was an adviser to the college’s award-winning literary magazine. My children’s nonfiction picture books about wild animals have won several awards: Silver Eureka for nonfiction, Silver Nautilus, two Bronze Florida Book Awards, and a Purple Dragonfly honor. Born in Brazil, I have lived in Miami for most of my life.
I love this book. I visited Zoo Miami when the author and Italian illustrator launched their beautiful collection. I don’t get tired of leafing through the pages and gazing at Daniele Guido’s art. He uses human hands as his canvas, turning them into wild and wonderful animals. The author, Silvia Lopez, brings insightful facts to raise awareness and awe for Earth’s precious wildlife. Sure to be appreciated by both animal lovers and artists, this inspiring collection showcases sixteen amazing animals, such as pythons, Komodo dragons, and polar bears incredibly lifelike on the hands. Silvia Lopez provides insightful facts about each and has received a BookList starred review and a few other awards for it.
Discover the beauty of Handimals: hands modeled and painted into animals paired with facts and photos of the corresponding animals in nature.
With a gift for fine art and a lifelong love of nature, Guido paints magnificent animal subjects on an unconventional canvas―human hands. This awe–inspiring collection showcases sixteen creatures ranging from polar bears to alpacas to Komodo dragons and provides factual information about the various species.
Silvia Lopez brings her sharp eye to these important animals with insightful facts to raise awareness and appreciation for Earth’s precious wildlife. A perfect choice for artists and environmentalists of all ages.
I’ve always been an animal lover who's also interested in what makes different creatures tick: how they’ve evolved as living beings, where and how they exist, and what role any given one plays in our world at large. I also find bodies of water calming to gaze at, fun to splash in and sail on, and it’s intriguing to study them as ecosystems. Each type—from small transient sidewalk puddles to vast enduring seas—can support some form of animal life under the right circumstances. And, for me, the fact that we humans spend most of our time experiencing life on land makes marine life that much more mysterious and magical to learn and write about.
One look at the cover of this visually stunning, expertly crafted nonfiction picture book sparks the notion that the elusive giant squid has much more to teach us than what meets the eye.
Next, this opening line from the prologue plunges the reader into the squid’s mysterious world so the rest of the book can fulfill the cover’s promise:
"Down,
down
in the depths
of the sunless sea,
deep,
deep
in the cold,
cold dark,
creatures,
strange
and fearsome,
lurk."
I was hooked from the get-go, and I know Fleming and Rohmann’s innovative pairing of poetic expository text with darkly arresting illustrations—with every word and brushstroke remaining faithful to the facts—will engage any reader lucky enough to pick up this book.
The giant squid is one of the most elusive creatures in the world. As large as whales, they hide beyond reach deep within the sea, forcing scientists to piece together their story from those clues they leave behind.
An injured whale's ring-shaped scars indicate an encounter with a giant squid. A piece of beak broken off in the whale's belly; a flash of ink dispersed as a blinding defense to allow the squid to escape-- these fragments of proof were all we had . . . until a giant squid was finally filmed in its natural habitat only two years…
My love for wildlife has produced several award-winning nonfiction books about animals for children (bats, lizards, dragonflies, hummingbirds, and more). To observe wildlife, I travel often to wild areas, such as the Amazon, Galapagos Island, the Pantanal. A former full professor at Miami Dade College, I taught Creative Writing, English Composition, and Survey of Children’s Literature and was an adviser to the college’s award-winning literary magazine. My children’s nonfiction picture books about wild animals have won several awards: Silver Eureka for nonfiction, Silver Nautilus, two Bronze Florida Book Awards, and a Purple Dragonfly honor. Born in Brazil, I have lived in Miami for most of my life.
Who doesn’t like chocolate? No Monkeys, No Chocolates explains to the reader how we lucky humans ended up with what has to be one of the most popular treats in the world. Although the author writes about the entire process, starting with cocoa beans and ending with trees, wildlife plays an important part in our final chocolate treats, hence, the title. Midges, anoles, maggots, lizards, and of course, monkeys all play a part in getting the cocoa beans to grow, pollinate, and become new trees. One part of the book is straight nonfiction with serious explanations about the process, but illustrations of bookworms on the bent corner of the book give it that bit of metafiction to delight the younger readers who may not want to sit through every word.
Everyone loves chocolate, right? But how many people actually know where chocolate comes from? How it’s made? Or that monkeys do their part to help this delicious sweet exist?
This delectable dessert comes from cocoa beans, which grow on cocoa trees in tropical rain forests. But those trees couldn’t survive without the help of a menagerie of rain forest critters: a pollen-sucking midge, an aphid-munching anole lizard, brain-eating coffin fly maggots—they all pitch in to help the cocoa tree survive. A secondary layer of text delves deeper into statements such as "Cocoa flowers can’t bloom without cocoa leaves . .…
My passion for the topic of migration was kind of overdetermined, given that my grandparents were refugees, my father is an immigrant, and I have been on the move quite a bit myself. It might not have been a conscious choice to study something so close to home, but the more I think about it, the less likely it seems that this was all a coincidence. This personal dimension might also explain my choice of books, which all combine scholarly-analytics with deeply human perspectives on the topic of migration.
Histories of migration to Germany are often stories of problems and failure, of racism and troubled integration. This book does not negate these problems but consciously strives to develop a positive narrative of how migration–both emigration and immigration–is an integral part of German history.
Unlike most other scholars of migration, who envisage a post-national future of German society, Jan Plamper tries to develop a vision of positive national identification with a modern German nation that builds on the insight that “we are all migrants.” It is the last book the author, a dear friend of mine, wrote before his untimely passing in 2023 and will hopefully be his lasting legacy.
In 2015, Germany agreed to accept a million Syrian refugees. The country had become an epicenter of global migration and one of Europe's most diverse countries. But was this influx of migration new to Germany? In this highly readable volume, Jan Plamper charts the groups and waves of post-1945 mobility to Germany. We Are All Migrants is the first narrative history of multicultural Germany told through life-stories. It explores the experiences of the 12.5 million German expellees from Eastern Europe who arrived at the end of the Second World War; the 14 million 'guest workers' from Italy and Turkey who…
I’ve been fascinated by "sea stories" since I could read, maybe before. I was born in Liverpool, my dad was in the navy, my family ran an 18th-century inn named the Turk’s Head after a nautical knot, and I’ve directed or written more than twenty films, plays, and novels with the sea as their setting. But they’re not really about the sea. For me, the sea is a mirror to reflect the human condition, a theatre for all the human dramas I can imagine. More importantly, I’ve read over a hundred sea stories for research and pleasure, and those I’ve chosen for you are the five I liked best.
Golding will forever be remembered for Lord of the Flies, but I think this is better (and so did he, apparently, a lot better).
It’s the story of people on a seemingly endless voyage from England to Australia in the 19th century, but for me, it’s like a spaceship on a voyage to another planet, like the spaceship in Alien with its own monsters aboard, the social mores, the injustices, the class privileges and prejudices, the sexual hangups, and the guilty secrets they carry with them. Pity poor Australia!
For me, it demonstrates that the sea can be a metaphor for reading (and writing). You embark on a journey, and you want to get to the end, but in a way, you want it to last forever.
Sailing to Australia in the early years of the nineteenth century, Edmund Talbot keeps a journal to amuse his godfather back in England. Full of wit and disdain, he records the mounting tensions on the ancient, stinking warship, where officers, sailors, soldiers and emigrants jostle in the crammed spaces below decks.Then a single passenger, the obsequious Reverend Colley, attracts the animosity of the sailors, and in the seclusion of the fo'castle something happens to bring him into a 'hell of self-degradation', where shame is a force deadlier than the sea itself.
As the Black American daughter of Jamaican immigrants born and raised in Anchorage, Alaska, I love stories that depict the beauty of being multifaceted human beings. Stories steeped in broad understandings of place and home. Stories that encourage us to delight in being the people we are. I also believe our children are natural poets and storytellers. Lyrical picture books filled with rich language and sensory details encourage the thriving of such creativity. In addition to writing All the Places We Call Home, I'm the author ofAll the Colors We Will See, an essay collection about race, immigration, and belonging.
The Day You Beginis a lovely, lyrical reminder that we all have unique experiences and moments of not belonging, but we find connections through sharing our stories. Jacqueline Woodson’s repetitive phrase, “There will be times,” paired with the use of a 2nd person narrator, instantly draws us into the story. As a result, we feel part of the story as we think of times when we didn’t fit in or people didn’t understand our experience. So powerful!! I am a huge proponent of the power of sharing personal stories, and I often speak to groups about how sharing stories can serve as a bridge that might connect us. The Day You Begin is a glorious reflection of this truth.
There will be times when you walk into a room and no one there is quite like you.
There are many reasons to feel different. Maybe it's how you look or talk, or where you're from; maybe it's what you eat, or something just as random. It's not easy to take those first steps into a place where nobody really knows you yet, but somehow you do it.
Jacqueline Woodson's lyrical text and Rafael Lopez's dazzling art reminds us that we all feel like outsiders sometimes and how brave it is that we go forth anyway. And that sometimes, when…
Ellen Cassedy explores the ways that people, and countries, can engage with the difficult truths of the Holocaust in order to build a better future. She researched Lithuania’s encounter with its Jewish heritage, including the Holocaust, for ten years. Her book breaks new ground by shining a spotlight on how brave people – Jews and non-Jews – are facing the past and building mutual understanding. Cassedy is the winner of numerous awards and a frequent speaker about the Holocaust, Lithuania, and Yiddish language and literature.
Mimi Schwartz’s Jewish father grew up in a German town where Jews and gentiles got along – until the Nazi era put extraordinary strains on their ability to coexist peaceably. Schwartz explores how people who were not unusually brave managed to perform small acts of kindness and defiance. Her book offers important lessons for our time.
Mimi Schwartz's father was born Jewish in a tiny German village thirty years before the advent of Hitler when, as he'd tell her, "We all got along." In her original memoir, Good Neighbors, Bad Times, Schwartz explored how human decency fared among Christian and Jewish neighbors before, during, and after Nazi times. Ten years after its publication, a letter arrived from a man named Max Sayer in South Australia. Sayer, it turns out, grew up Catholic in the village during the Third Reich and in 1937 moved into an abandoned Jewish home five houses away from where the family of…
I’m a children’s book writer from Frisco, Texas. I’ve published two middle grade chapter books, Pippa Park Raises Her Game and Pippa Park Crush at First Sight. I’ve always been captivated by novels that make me hungry; you can blame formative children’s books like If You Give a Mouse a Cookie or Stone Soup for that. That’s why today I’m sharing my top 5 favorite middle grade books that have a foodie twist. Some of them revolve entirely around food; others simply offer a notable scene. Either way, I hope you’ll find them as delectable as I do!
This isn’t a book about food. Instead, it’s about middle grader Yumi Chung, who, in a case of mistaken identity, stumbles upon the opportunity to join a comedy camp taught by her favorite YouTuber.
Even so, I included it on this list because not only does Yumi’s family own a Korean barbeque restaurant, but the other kids at school even call her “Yu-MEAT” because of it. Comedy plus cooking? No wonder I had to include this gem!
One lie snowballs into a full-blown double life in this irresistible story about an aspiring stand-up comedian.
On the outside, Yumi Chung suffers from #shygirlproblems, a perm-gone-wrong, and kids calling her "Yu-MEAT" because she smells like her family's Korean barbecue restaurant. On the inside, Yumi is ready for her Netflix stand-up special. Her notebook is filled with mortifying memories that she's reworked into comedy gold. All she needs is a stage and courage.
Instead of spending the summer studying her favorite YouTube comedians, Yumi is enrolled in test-prep tutoring to qualify for a private school scholarship, which will help in…
I live in California and write novels based on my grandmother’s stories of our female ancestors. I love tales of everyday women who lived normal lives (according to them) but were quite remarkable to my 21st-century eyes. I wrote The Aloha Spirit about my husband’s grandmother, who was an amazing woman. His family is from Hawaii, and we visit there frequently. Anyone who spends time in the islands experiences the warm welcome of the people, which we know as the aloha spirit. I know Grandma had a difficult life, and I wrote the novel to explore how she might have overcome those difficulties to find her aloha spirit.
This is one of three historical novels by Alan Brennert set in Hawaii. I like this one best because it is set in 1914, not long before my own novel opens in Honolulu. It portrays a very different side of the city, however. Brennert’s novel features a Korean picture bride who is married off to a poor laborer who mistreats her. She and her fellow picture brides come together to improve their lives, resulting in a unique portrayal of Waikiki before the highrises, of the tenements in Chinatown, and the plantations before powerful unions.
'In Korea in those days, newborn girls were not deemed important enough to be graced with formal names, but were instead given nicknames, which often reflected the parents' feelings on the birth of a daughter: I knew a girl named Anger, and another called Pity. As for me, my parents named me Regret.' "HONOLULU" is the rich, unforgettable story of a young 'picture bride' who travels to Hawai'i in 1914. Instead of the affluent young husband and chance at an education that she has been promised, she is married off to a poor, embittered labourer who takes his frustrations out…
