100 books like Butterflies Belong Here

I love this book because it features one of my favorite kinds of nonfiction children’s books–female scientists who make important contributions to understanding and enlightening people about little-known animals.

Eugenie loved sharks from childhood. Her curiosity about them made her face any challenges, and with courage and passion, she pursued her dream of studying sharks and eventually, fearlessly swimming with them! In her early years, people didn’t encourage girls to be scientists, and it was commonly thought that sharks were evil and dumb. She proved them wrong on all counts. This book inspires girls–and boys–to pursue their passion with perseverance and courage.

I love this book. I visited Zoo Miami when the author and Italian illustrator launched their beautiful collection. I don’t get tired of leafing through the pages and gazing at Daniele Guido’s art. He uses human hands as his canvas, turning them into wild and wonderful animals. The author, Silvia Lopez, brings insightful facts to raise awareness and awe for Earth’s precious wildlife. Sure to be appreciated by both animal lovers and artists, this inspiring collection showcases sixteen amazing animals, such as pythons, Komodo dragons, and polar bears incredibly lifelike on the hands. Silvia Lopez provides insightful facts about each and has received a BookList starred review and a few other awards for it. 

One look at the cover of this visually stunning, expertly crafted nonfiction picture book sparks the notion that the elusive giant squid has much more to teach us than what meets the eye.

Next, this opening line from the prologue plunges the reader into the squid’s mysterious world so the rest of the book can fulfill the cover’s promise:

"Down, down in the depths of the sunless sea, deep, deep in the cold, cold dark, creatures, strange and fearsome, lurk."

I was hooked from the get-go, and I know Fleming and Rohmann’s innovative pairing of poetic expository text with darkly arresting illustrations—with every word and brushstroke remaining faithful to the facts—will engage any reader lucky enough to pick up this book.

Who doesn’t like chocolate? No Monkeys, No Chocolates explains to the reader how we lucky humans ended up with what has to be one of the most popular treats in the world. Although the author writes about the entire process, starting with cocoa beans and ending with trees, wildlife plays an important part in our final chocolate treats, hence, the title. Midges, anoles, maggots, lizards, and of course, monkeys all play a part in getting the cocoa beans to grow, pollinate, and become new trees. One part of the book is straight nonfiction with serious explanations about the process, but illustrations of bookworms on the bent corner of the book give it that bit of metafiction to delight the younger readers who may not want to sit through every word.

I will remain forever astonished at the epic feat of world-building in The Arrival. It thoroughly pulls me into an immersive experience where I am learning along with the main character how to navigate the new world into which he has immigrated. As he learns, we learn. I find myself so emotionally involved with his success in his hopeful new reality. The art is amazingly detailed and conveys the complex and richly visual world, yet also sets a strong emotional tone that brings us into the action.

I am actually only part-way into this book, but I love it so far. I have always loved Charles Dickens, and learning more about his family interests me. This book is about his 10th child, Edward. He was a difficult child and was sent to the Outback. He lived among the aborigines and mostly convicts. It is a life story about how he handled it and tried coming out on top. I recommend this book because it gives hope and encouragement to all people. Young and old.

When workers organize, it’s not only for themselves and for generations to come, but also a response to suffering by generations past.

Thomas Bell (born Adalbert Belacyk) brings this to light in his saga of Slovak-American life in steel town of Braddock, Pennsylvania, where he grew up in a family much like the one at the novel’s center. The story stretches from the 1880s into the mid-1930s, culminating with the unionization of U.S. Steel, a megacorporation that had previously crushed all efforts at labor organizing.

No book offers a more intimate view of what it took to bring this company to the bargaining table, and the unforgettable chapters on family members who didn’t live to see that victory make clear that the fight for a contract manifested a longer, more fundamental struggle for justice and human dignity.   

If character-driven fiction is a hallmark of the modern, Western, realist novel, here’s a community-driven novel recounted in the first-person plural narration for all of its 200 pages. As the title suggests, Brown Girls is a coming-of-age story of brown girls, children of immigrants, who grow up in Queens, New York, although the novel’s biggest innovation lies in the way it makes it impossible to nail down the protagonist. The book’s narrator-protagonist, the “we” who continues to talk in the book, refers to a consistently fluid, changing, and inclusive community of straight and queer brown girls from NYC who share a South or Southeast Asian, Middle Eastern, Latinx, biracial or other kinds of mixed-race identity, a narrative feat I haven’t yet encountered in another novel. 

Migration from Eastern Europe has played a defining role in US history and in the history of the region itself. It is all the more surprising that there was no comprehensive book on this “great departure” of tens of millions of people since the end of the 19th century until Tara Zahra wrote this magnificent monograph.

It covers more than a century of emigration, immigration, and return migration across the Atlantic, straddling the end of empires, wars, expulsion, the Cold War, and the end of communism in 1989. It always combines micro- and macro-levels, weaving individual stories in with great narratives of a "long twentieth century."

Early on David Levinsky, the immigrant Yeshiva boy, the budding intellectual, learns that America is the land of winners and losers, and if he is to be the former, he has to abandon his old self like the ear-locks he left on a barbershop floor in his first days in this new world. To be an alrightnik he must learn to dance the American dance. And dance he does, but his fabulous success as a garment manufacturer has left something unresolved in himself. His search for love at a Jewish resort in the Poconos is a chapter better than anything Philip Roth ever wrote.