Here are 100 books that Browse at Your Own Risk fans have personally recommended if you like
Browse at Your Own Risk.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.
I read this powerful graphic novel series when the first collections came out in the 1980s.
It shows the horrors of the Holocaust and the impact it has on the families of the survivors. Maus is best known for depicting Jews as mice and Nazis as cats, but Art’s troubled relationship with his father Vladik and the death of his mother Anja by suicide frame the story.
Maus is my favorite graphic novel series and a must-read for understanding the Holocaust and how it shaped Jewish life since.
The bestselling first installment of the graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker) • PULITZER PRIZE WINNER • One of Variety’s “Banned and Challenged Books Everyone Should Read”
A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.
Maus is a haunting tale within a tale, weaving the author’s account of his…
Out of all the flattering reviews of my books, my favourite is of a reader choking on her lunch. My book was about death. The reader, who survived, said it made her laugh so hard. I write about tough times by bringing out the it’s okay to smile now bits. The Midnight Years is about teen mental health, Happily Never After is about loneliness, and Flyaway Boy is about stereotyping. Making people laugh through tears is a tough task. Here are some books that cracked it.
Fun home is what the author and her family call the funeral home they were raised in. I was drawn into this graphic memoir of the author’s relationship with her father, with disturbing themes of suicide, unaccepted gender identities, and domestic abuse.
The story manages to stay buoyant despite it all, and the observations are funny. The author’s ability to capture her most painful memories in bright light and intricate detail catapulted this read to the top for me.
DISCOVER the BESTSELLING GRAPHIC MEMOIR behind the Olivier Award nominated musical.
'A sapphic graphic treat' The Times
A moving and darkly humorous family tale, pitch-perfectly illustrated with Alison Bechdel's gothic drawings. If you liked Marjane Satrapi's Persepolis you'll love this.
Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high-school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and the family babysitter. When Alison comes out as homosexual herself in late adolescence, the denouement is…
I had been an exhibiting painter and an editorial cartoonist for years, but never a graphic book artist. Not until A Revolution in Three Acts. I was fortunate to have great guidance: my buddy David Hajdu (Positively Fourth Street, Lush Life, The Ten Cent Plague) wrote the words, did the research, and created the blueprint of every page and panel. My job was to lock myself up in my studio and draw, draw, draw. I think David and I did justice to three amazing figures of the American stage who dealt with the shifting societal forces of race, femininity, and gender: Bert Williams, Eva Tanguay, and Julian Eltinge.
This is the backstory of Spiegelman’s two-volume masterpiece.
What was the impetus for MAUS?
How did comic creatures find their way into a Holocaust narrative? What were the reactions to such a unique
merging of cartoons and historical horror? How has Spiegelman dealt with the
book’s tremendous reception?
The book answers these questions with many interviews,
photos, explanations, and reflections. Even agent and publisher rejection
letters are included.
NATIONAL JEWISH BOOK AWARD WINNER • Visually and emotionally rich, MetaMaus is as groundbreaking as the masterpiece whose creation it reveals.
In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize–winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago.
He probes the questions that Maus most often evokes—Why the Holocaust? Why mice? Why comics?—and gives us a new and essential work about the creative process.
Compelling and intimate, MetaMaus is poised to become a classic in its own right.
I had been an exhibiting painter and an editorial cartoonist for years, but never a graphic book artist. Not until A Revolution in Three Acts. I was fortunate to have great guidance: my buddy David Hajdu (Positively Fourth Street, Lush Life, The Ten Cent Plague) wrote the words, did the research, and created the blueprint of every page and panel. My job was to lock myself up in my studio and draw, draw, draw. I think David and I did justice to three amazing figures of the American stage who dealt with the shifting societal forces of race, femininity, and gender: Bert Williams, Eva Tanguay, and Julian Eltinge.
This is Bill Mauldin’s illustrated, autobiographical account
of his experiences documenting the foot soldier in Europe in WWII. The cartoons
were initially published in the military newspaper, Stars and Stripes.
The
drawings are gorgeous examples of brush and ink—fluid, lyrical, and gritty. Patton
hated Mauldin’s depictions of two scruffy,
unshaved infantrymen—Willie and Joe—and told Mauldin to clean his
characters up. Mauldin (and Ike) knew better.
"The real war," said Walt Whitman, "will never get in the books." During World War II, the truest glimpse most Americans got of the "real war" came through the flashing black lines of twenty-two-year-old infantry sergeant Bill Mauldin. Week after week, Mauldin defied army censors, German artillery, and Patton's pledge to "throw his ass in jail" to deliver his wildly popular cartoon, "Up Front," to the pages of Stars and Stripes. "Up Front" featured the wise-cracking Willie and Joe, whose stooped shoulders, mud-soaked uniforms, and pidgin of army slang and slum dialect bore eloquent witness to the world of combat…
My journey as a writer began in correlation with my career as a family doctor. After reading Dr. Jacques Ferron’s, books, I knew I wanted to be an author as well as a doctor. While pursuing my medical career, I wrote medical articles and books. My husband and I have also been featured in Chicken Soup for the Soul of Quebecers with the story Witness of the Last Breath. This is the story of the last night of my daughter-in-law dying of lung cancer. Before she died, I promised Marie-Noëlle that I would pursue my writing career to change the world one young reader at a time. And I did.
If you are looking for a book to make children laugh without any other intention, this picture book will fulfill your needs.
The author and illustrator combine text with irresistible illustrations. While making children laugh, this book helps them improve their reading skills by using large letters. Be prepared to read this book again and again at bedtime. You may write to the author to write another one like this because your children will love it.
From the bestselling duo behind Cloudy with a Chance of Meatballs comes the long-awaited sequel to Animals Should Definitely Not Wear Clothing, which shows us a hilarious new group of animals that shouldn't, ever ever ever, dress like humans.
Everyone knows that snakes and billy goats and walruses should definitely not wear clothing, but there are actually lots more animals that should definitely not wear clothing...
Because a frog might jump out of it, Because a crab might tear it up, And because a penguin is already formally dressed!
Judi and Ron Barrett, the team behind the Cloudy with a…
I’m a comic fan first, then a comic creator. I grew up on the classics—Calvin and Hobbes and The Far Side and excitedly watched as new comics popped up online. I love comic strips and have rows of collections lining my bookshelves. The coolest part of starting my own series has been becoming a member of a cartoonist community that I have always been a huge fan of.
I immediately loved Jake’s comics. The art style and humor is right up my alley.
They’re a perfect intersection of print comics like The Far Side and online ones like The Perry Bible Fellowship.
The internet seems especially suited for timely comics that don’t always age well, they’re scrolled past and never read again, but this collection is perfect for print because the comics are timeless and worth repeat reading.
The Book of Onions is a collection of darkly funny comics from Jake Thompson, creator of the celebrated bi-weekly webcomic "Jake Likes Onions."
Ranging from the relatable to the utterly nonsensical and bizarre, The Book of Onions focuses on themes of loneliness, desperation, and failure. And misplaced optimism. And perverted talking fruit. Sort of like Gary Larson's "The Far Side," if Gary were way less accomplished and suffered from depression.
I've been cartooning, or "curtooning," my entire life. As a child, I drew cartoons of everything, from animals to dinosaurs, and was the cartoonist for my elementary school, junior high school, high school, and college newspapers. My cartooning style with big eyes and simple lines came from my favorite cartoonists and their cartoon strips that I read every day in the newspapers. However, my most significant influence was reading every cartoon in Mad Magazine, including comics from Don Martin, Sergio Aragonés, and Al Jaffee. When cable came out with multiple channels in the 1980s, I felt there was not enough kid-friendly content, so I created my award-winning cable show titled It's Curtoon Time.
This book makes me smile because it's filled with a plethora of the cutest cartoons to draw step by step, from rainbows to cupcakes. Sometimes a person will tell me they don't like to draw certain types of cartoons, such as a cat. Still, I remind them that drawing something you are not interested in broadens your horizons and deepens your understanding of the world as you step out of your comfort zone. I like how author Takeshi Sugimori reminds artists to believe in themselves. Plus, he covers the artform of sketch hatching or shading, which is rarely covered in books. When I taught kids how to draw on my It's Curtoon Time TV show, I would remind them to add shading at the end of each cartoon. Sometimes life is about rainbows and unicorns!
I've been cartooning, or "curtooning," my entire life. As a child, I drew cartoons of everything, from animals to dinosaurs, and was the cartoonist for my elementary school, junior high school, high school, and college newspapers. My cartooning style with big eyes and simple lines came from my favorite cartoonists and their cartoon strips that I read every day in the newspapers. However, my most significant influence was reading every cartoon in Mad Magazine, including comics from Don Martin, Sergio Aragonés, and Al Jaffee. When cable came out with multiple channels in the 1980s, I felt there was not enough kid-friendly content, so I created my award-winning cable show titled It's Curtoon Time.
This book brings back many fond memories of Saturday mornings as a child when I would watch Popeye and Felix cartoons and The Archie Show on TV. I don’t think we can call a cartoon character Jughead anymore, but you can learn how to draw Jughead step by step and his trademark beanie. This crown-shaped cap, also called a whoopee cap or Jughead cap was popular in the 1930s to 1940s. You’ll go down memory lane with this book and, in a Popeye voice, say, “I yam what I yam.”
Even the youngest artists can make famous characters look great. It is aimed at aged 5 and upwards. "Draw 50 Famous Cartoons" teaches aspiring artists how to draw with easy by following simple, step-by-step instructions. Celebrated author Lee J. Ames shows readers how to draw a myriad of beloved cartoon characters, including Felix the Cat, Tin Tin, Flinstones, Yogi bear, Popeye, Scoobie Doo and many more. Ames' illustration style and renowned drawing method has made him a leader in the step-by-step drawing manual - the twenty-seven books in his "Draw 50" series have sold more than three million copies. It's…
I've been cartooning, or "curtooning," my entire life. As a child, I drew cartoons of everything, from animals to dinosaurs, and was the cartoonist for my elementary school, junior high school, high school, and college newspapers. My cartooning style with big eyes and simple lines came from my favorite cartoonists and their cartoon strips that I read every day in the newspapers. However, my most significant influence was reading every cartoon in Mad Magazine, including comics from Don Martin, Sergio Aragonés, and Al Jaffee. When cable came out with multiple channels in the 1980s, I felt there was not enough kid-friendly content, so I created my award-winning cable show titled It's Curtoon Time.
I enjoy this book because it teaches artists of all ages how to draw various simple facial cartoons in a twelve-step sequential style that is easy to follow. How to draw people with different expressions is essential for any cartoonist. I like how this book takes the artist from drawing happy faces to surprised faces while covering a variety of nationalities. There are many components to drawing faces, such as eyes, a nose, a mouth, ears, and hair, and I like how this book covers it thoroughly in 400 different variations of faces. “Face” the fact that I never take a book at “face” value.
Learn how to draw faces! This book features over 425 easy to follow step-by-step lessons that will capture your imagination and inspire creativity. Happy Drawing!
My name is Art Roche and I've been drawing cartoons and comic strips for over twenty-five years. I wish everyone drew comics! Comic strips are an amazing art form that has been around for thousands of years. With a simple pencil, pen, and paper the artist can tell thrilling stories, make hilarious jokes, or illustrate their own diaries. Once you learn the basic mechanics of how comics are designed and built, anyone can begin drawing them regardless of talent level or experience.
This book features a simple, modern art style that will be appealing to most young artists. It starts out with a nice introduction to drawing tools and basic shapes then moves on to drawing simple objects that can be found around the house. Character design and perspective are also covered and done so with a light, humorous tone. A very comprehensive guide to drawing and an excellent resource!
Enter Planet Cute—where kids can make any drawing absolutely adorable! Draw anything and everything—people, animals, and things—and make it CUTE. It’s easy! Budding artists just have to pick up their pencils, pens, crayons, or gel markers and follow these step-by-step how-to sequences. They’ll learn the basics of Japanese kawaii, which emphasizes simple, rounded shapes; faces with large eyes and sweet expressions; and personifying inanimate objects. They’ll also master animals, mythical creatures, food, plants, vehicles, and more!
