100 books like The Book of Onions

Vulnerability is My Superpower does something really well that I’ve always struggled to do in my own work—be vulnerable.

Jackie’s autobiographical comics are charming, honest, and a joy to read. I think it’s a brave move to put your life on paper and bare it for the internet, a historically critical bunch, and this collection does it in a beautifully illustrated manner.

I think comics are best read printed on paper instead of on a phone, but this series is especially suited to print, since it reads as a diary of sorts.  

Joshua has a really unique sense of humor that’s accompanied by absolutely stunning art.

The comics are really worth admiring in print, not to get lost amongst the sea of online ‘content’.

Both Joshua and I write comics that give readers a glimpse into the animal kingdom and I love seeing how our interpretations of the same world can differ, through our comedic voices and art… and yes, his work is art.

If you’re a parent, Fowl Language comics are really relatable, almost too relatable.

I think that a lot of stuff on the internet coasts on just being relatable and nothing else, but Brian doesn’t simply present us with a familiar situation, he makes it funny.

The observation isn’t what’s unique, it’s the unexpected joke and comedic tone that makes Brian’s comics so great.

I remember discovering The Perry Bible Fellowship while I was in college.

It was like nothing I had ever seen before, like some underground secret being passed between friends. The comics were clever, vulgar, sometimes graphic, and always funny.

As a long-time reader of the Funnies Pages in newspapers, Nicholas’ comics opened my eyes to what comics could be in the age of the internet. The Perry Bible Fellowship inspired me, along with an entire generation of cartoonists, to start their own comics.

My comic might not look like it was influenced by Nicholas’ work, but it sparked my imagination and led me to rediscover my love for comic strips.

I’ll admit that I don’t like the term ‘webcomic’, they’re all comics, whether they’re online or in print. And while I might have a preference, one format isn’t inferior to the other, after all—the internet has been an invaluable tool… show more.

This one may surprise you, but I assure you that Understanding Comics is an absolute gem!

McCloud has crafted an intellectual yet accessible guide that is not just a study of comics but a masterclass in communication and the art of storytelling. This book provides a rich fusion of insightful theory and practical advice, all conveyed through the very medium it discusses, making it a uniquely immersive experience. 

McCloud’s engaging style and profound understanding of the mechanics of comics didn't just educate me;  they enchanted me. His deep dives into the psychology behind why we connect with comics pair perfectly with his diegetic examples of framing, composition, and visual motivation. It’s a journey through the mechanics of comics that turns into a deeper exploration of visual expression and human perception.

Art is, in essence, a storytelling medium, making this book as invaluable for artists and writers as it is for… show more.

The subtitle to Making Comics is: Storytelling Secrets of Comics, Manga, and Graphic Novels. In this book, Scott gets practical, and shows you how to apply what you learned from his previous volumes. In his introduction, he writes, “The comics industry is changing fast. Old formats die and new ones are born. Whole industries come and go. But these storytelling principles always apply. They mattered fifty years ago and they’ll matter fifty years from now.” To quote Stan Lee, ‘nuff said.

The author of this book is a working cartoonist and illustrator and that makes this one of the best books out there. The book packs an immense amount of practical information about how to draw cartoons into easy, fun worksheet-style activities. Different styles of writing, as well as complex concepts, are communicated in simple visually striking lessons. I have to admit if I was giving a young artist a book (and they already had both of mine) I would definitely give them this book. It’s comprehensive, fun, and simple. It also allows the young artist room to draw in their own style, instead of copying a given drawing. That’s one of my pet peeves!

In his foreword, Eisner writes: “In this work, I hope to deal with the mission and process of storytelling with graphics.” Where McCloud shows you different options and tools for how to choose images to explore ideas, Eisner gets specific, and shows you how he does it. This book, along with the four others I recommend, and mine, gives you all the tools you need to choose your own path for effectively working as a writer and/or artist in the sequential art medium.  

This is the backstory of Spiegelman’s two-volume masterpiece.

What was the impetus for MAUS? How did comic creatures find their way into a Holocaust narrative?  What were the reactions to such a unique merging of cartoons and historical horror? How has Spiegelman dealt with the book’s tremendous reception?

The book answers these questions with many interviews, photos, explanations, and reflections. Even agent and publisher rejection letters are included.

This book makes me smile because it's filled with a plethora of the cutest cartoons to draw step by step, from rainbows to cupcakes. Sometimes a person will tell me they don't like to draw certain types of cartoons, such as a cat. Still, I remind them that drawing something you are not interested in broadens your horizons and deepens your understanding of the world as you step out of your comfort zone. I like how author Takeshi Sugimori reminds artists to believe in themselves. Plus, he covers the artform of sketch hatching or shading, which is rarely covered in books. When I taught kids how to draw on my It's Curtoon Time TV show, I would remind them to add shading at the end of each cartoon. Sometimes life is about rainbows and unicorns!