100 books like Beware the Woman

French’s Dublin Murder Squad series introduces readers to the Dublin-based Gardai, who investigate and solve violent crimes in and around Dublin, Ireland. What I love most about this series is that each book follows a different detective within the same unit and their unique relationships with Dublin and the surrounding areas. French explores not just the crime but also the men and women who solve it. I love how these people are flawed, and they make mistakes while doing their jobs. 

In this installment, Rob Ryan returns to the site of his own childhood trauma to investigate a repeat of a twenty-year-old crime. I love a facing-one-demons plot, and this one doesn’t disappoint. 

Even though I read this novel many years ago, this book still sticks with me. I’ve always liked novels that update Greek mythology and rituals, but it’s rare to find one that creates a fresh, contemporary, and riveting story. This novel does that—and it’s also a thriller, one of my favorite genres.

The characters, led by the brilliant and enigmatic Henry Winter, delve into ancient rites, leading to deadly consequences. The novel beautifully captures the atmosphere of an elite college and the psychological complexities of being an outsider at such a school. Each twist in the plot reveals a new secret that’s both fascinating and unsettling. The novel is a spellbinding journey into the depths of human nature and intellectual obsession.

I love all of Rebecca Makkai’s work, but this novel, published earlier this year, absolutely blew me away.

Makkai is adept at keeping the pages turning, but it wasn’t just the story of podcaster Bodie Kane and the murder of her high school classmate that drew me in as much as the atmosphere. The novel is set in a New England winter, and Makkai does a fantastic job of using the darkness and isolation of the season to create thematic resonance.

I’ve only been to New England a few times and don’t know it well at all, but this novel makes me feel like I’ve been there.

I think I’ve read all of Laura Lippman’s novels, both the Tess Monaghan series and the standalones, but this is hands-down my favorite.

On the surface, it’s high-concept subject matter: the story of a girl who was abducted by a serial killer and then let go, told in dual timelines. I was compelled by the thrilling and fast-paced plot, but again, the scenes I remember best are of the main character’s childhood in the 1980s, as she attempts to maneuver an adult world she can’t yet understand.

The novel is set in a part of southern Maryland that resembles my home state of Virginia, and I love the way Lippman evokes a bucolic landscape turned suddenly sinister.

I loved this book because it caught me completely off guard with just how dark and twisted it turned out to be. The twist was shocking and unexpected, and the characters' motives and the depths of depravity they went to to get what they wanted were just mind-blowing.

Liz Nugent is a master at these types of psych thrillers, and I am such a huge fan. 

There’s no place like home, especially when it’s Wakefield Manor, where ghosts and memories are trapped in an endless loop. When the introverted, quirky protagonist Sam (who reminded me of my favorite Shirley Jackson character—Merricat Blackwood) is forced to welcome her estranged, pregnant sister back to the decaying family manor, Sam’s already-frayed nerves are pushed to the limit. But when her sister’s arrival becomes the catalyst for disturbing visions of a faceless boy with a penchant for cruelty, Sam seeks answers in the claustrophobic halls of her ancestral home. Who is this monstrous, cruel boy? What does he want? Seething with tumultuous family dynamics and a plot as complex as it is unsettling, the atmosphere of It Will Just Be Us had me enraptured from the very first pages and didn’t let go until the gasp-inducing ending. 

Everyone knows Agatha Christie’s most famous novels but when you dig a little deeper, you start to really uncover her genius. 

The Hollow is slow, careful, and spectacularly mature for a genre novel.  Legend has it that Christie didn’t like her detective, Hercule Poirot, so maybe that’s why she stuck him in such a difficult situation. A murder occurs right before his eyes, and the killer is there, holding a gun. 

The killer has motive, opportunity, and, of course, Poirot watched her do it.  But why is the gun the wrong caliber? And why is everyone except the murderer acting so suspicious?  

This one plays against convention, so even when you think you know what is going to happen next, you probably don’t.

I really don't know how Catriona Ward manages to balance the languid sadness and unrelenting tension so well.

Ward's profound empathy for every single character, no matter how flawed, is what twists your heart. At the same time, you feel as though you're on a roller coaster barreling at breakneck speed through pitch-black tunnels.

I wasn't always sure I understood what was going on from moment to moment, and that seems very much by design because, wow, what a twist! And the deeply felt depiction of the characters never made me feel like I was truly lost. I will indulge a great deal of mystery as long as it is presented by such a steady and skillful hand.

When it comes to Constance Greene, I hardly know where to begin.

She’s certainly the oldest and most deadly character in fiction writing today. I say she’s the oldest because she’s trapped in the body of a thirty-something-year-old woman even though she was born in 1873, long story.

She appears as a supporting character in multiple novels, as the love interest of Detective Aloysius Pendergast, but she is so much more than that. She’s eloquent, brilliant, and does not succumb to emotional distress under any threat of death.

In Blue Labyrinth, eight highly trained mercenaries pursue her and none of them live to tell the tale. At her most ruthless, she can kill with any tool at her disposal and she is loyal to the man she loves.

Sarah Pinborough made the leap from horror to thrillers and has hit it big with this incredible read. This was made into a popular Netflix series, and in this rare instance, the film remains true to the story told in the book.

With twists and turns, clever fast-paced writing, and a bit of sexiness to it, this book was also very influential in my switch from horror to erotic thrillers.