Here are 100 books that Aftermath fans have personally recommended if you like
Aftermath.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I grew up in part in Chile, and when the Pinochet dictatorship started killing and torturing people, I wanted to do something about it. Years later, as a professor of international law, I helped countries figure out what to do after mass atrocities. Seeing how trials in other countries – or in international criminal courts – could break through barriers and make it possible to bring those who killed, tortured, or disappeared thousands of people to justice gave me hope. I wanted to tell the stories of the brave people who overcame the odds to do justice, in a readable and exciting way that also explained the legal and political issues involved.
The grandmama of human rights-related trial accounts, and for good reason. Arendt covered the trial of Nazi official Adolf Eichmann in Jerusalem in the 1960s. Eichmann had been living in Argentina, and was kidnapped and taken to Israel, where he was tried and condemned for his role in the Holocaust. Arendt raises profound questions about the value of trials in the face of overwhelming evil, about how trials structure narratives, and about memory. Still issues we grapple with today.
'A profound and documented analysis ... Bound to stir our minds and trouble our consciences' Chicago Tribune
Hannah Arendt's authoritative and stunning report on the trial of German Nazi SS leader Adolf Eichmann first appeared as a series of articles in The New Yorker in 1963. This revised edition includes material that came to light after the trial, as well as Arendt's postscript commenting on the controversy that arose over her book. A major journalistic triumph by an intellectual of singular influence, Eichmann in Jerusalem is as shocking as it is informative - a meticulous and unflinching look at one…
I’m passionate about the theme of this list because I’ve experienced a lot in life already, even though I’m only 24 years old, and I know about the different situations that these books describe well. I’ve experienced a few traumatic situations later in my life (after I read these books) that these books have, it has turned me into somewhat of a realist over time, and I like to use my own talent of writing and creating characters to create, teach, and make people aware of scary and traumatic situations that can happen to anyone in real life. I hope more people will see the valuable lessons in these books.
This book is nonfiction, so it’s about real people rather than fictional characters. I love this book because it gives a descriptive perspective on what was happening and what was going on in Nazi-occupied Germany and Poland during World War II, and the horrors of the concentration camps (mainly Auschwitz) that were built and used to kill everyone the nazis hated for whatever insane reasons they had.
I’ve always had an almost alarming interest in World War II. It was my favorite lesson from the history classes I’ve taken, and this book really put some of the evil things that were done during that time into perspective.
Born into a Jewish ghetto in Hungary, as a child, Elie Wiesel was sent to the Nazi concentration camps at Auschwitz and Buchenwald. This is his account of that atrocity: the ever-increasing horrors he endured, the loss of his family and his struggle to survive in a world that stripped him of humanity, dignity and faith. Describing in simple terms the tragic murder of a people from a survivor's perspective, Night is among the most personal, intimate and poignant of all accounts of the Holocaust. A compelling consideration of the darkest side of human nature and the enduring power of…
I am the child of refugees from the Holocaust, so displacement and the effects of war and violence have been part of my personal experience. My book, Only the River, is loosely based on my mother’s story. She and her family escaped from Vienna in 1938 and spent the war years in Bolivia, the only country that would give them visas. I am also a high school teacher who works with immigrant students, who have fled violence and poverty. It is my vocation to offer them hospitality and help them find a sense of home here, in an environment that is often hostile. These books bring the stories of the displaced and dispossessed alive.
This is a beautiful book about a retired academic and widower who finds himself embroiled in the lives of young African refugees trying to seek asylum in Berlin. What I love about this book, besides the beautiful writing, is that neither the widower nor the refugees are portrayed as saints and neither really finds redemption. It is, rather, a very real story of fragile yet real connections between people who, for entirely different reasons, are very much alone. I love this book because it holds us all accountable as human beings and asks us how we can retain our humanity, our moral center when power is so unequally distributed.
Go, Went, Gone is the masterful new novel by the acclaimed German writer Jenny Erpenbeck, "one of the most significant German-language novelists of her generation" (The Millions). The novel tells the tale of Richard, a retired classics professor who lives in Berlin. His wife has died, and he lives a routine existence until one day he spies some African refugees staging a hunger strike in Alexanderplatz. Curiosity turns to compassion and an inner transformation, as he visits their shelter, interviews them, and becomes embroiled in their harrowing fates. Go, Went, Gone is a scathing indictment of Western policy toward the…
I am the child of refugees from the Holocaust, so displacement and the effects of war and violence have been part of my personal experience. My book, Only the River, is loosely based on my mother’s story. She and her family escaped from Vienna in 1938 and spent the war years in Bolivia, the only country that would give them visas. I am also a high school teacher who works with immigrant students, who have fled violence and poverty. It is my vocation to offer them hospitality and help them find a sense of home here, in an environment that is often hostile. These books bring the stories of the displaced and dispossessed alive.
This book is for all of us who escaped the small-mindedness of the world in which we were raised and about the places that took us in. The book’s hero is Aaron Englund, a gay, bookish, and much-misunderstood boy who grows up in a small town in rural Minnesota. It is about his struggles in that hostile world and the other outsiders he encounters as he tries to figure out who he is. It is about saving oneself and finding one’s place, and it is in some ways a homage to my adopted home, San Francisco. It is also a book about love, about falling in love and falling out of love, and is full of humor and compassion.
The debut novel from award-winning author Lori Ostlund—“smart, resonant, and imbued with beauty” (Publishers Weekly) that “provides considerable pleasure and emotional power” (The New York Times Book Review)—about a man who leaves his longtime partner in New Mexico for a tragicomic road trip deep into the mysteries of his own Midwestern childhood.
Sensitive, bighearted, and achingly self-conscious, forty-year-old Aaron Englund long ago escaped the confinements of his Midwestern hometown, but he still feels like an outcast. After twenty years under the Pygmalion-like care of his older partner, Walter, Aaron at last decides it is time to take control of his…
From childhood on, I’ve been drawn to storytellers, especially those who use their imagination to captivate and question. My favorite stories twist and turn, and throw light on the every day to reveal what is inexplicable, weird, wondrous, and often heartrending. My taste runs wide, and I could list dozens of favorite collections. Having released my own debut book of stories during the pandemic, I learned firsthand how difficult it can be to find readers for story collections, especially when those collections are published by smaller presses. For that reason, I’ve chosen five recent debuts from masterful authors I hope more readers will discover.
I cannot think of a more perfect title for Michael Wang’s Further News of Defeat. Imminent loss haunts the edges of each story, ready to pounce on Wang’s indelible characters. In America, we’re often uncomfortable with this kind of storytelling. We prefer our characters to be redeemed, to either prevail over calamity or to fail due to their own weaknesses. Wang’s characters are both at the mercy of outside events and circumstances andparticipants in their own fates. Most of the stories are set in fictional cities and rural villages in China. War, regime and societal changes, poverty, immigration, and identity are running themes. Several of these stories are so gripping I could imagine them as longer works. Further News of Defeat is a beautifully rendered and well-researched book.
Steeped in a long history of violence and suffering, Michael X. Wang's debut collection of short stories interrogates personal and political events set against the backdrop of China that are both real and perceived, imagined and speculative. Wang plunges us into the fictional Chinese village of Xinchun and beyond to explore themes of tradition, family, modernity, and immigration in a country grappling with its modern identity. Violence enters the pastoral when Chinese villagers are flung down a well by Japanese soldiers and forced to abandon their crops and families to work in the coal mines, a tugboat driver dredges up…
I am the child of refugees from the Holocaust, so displacement and the effects of war and violence have been part of my personal experience. My book, Only the River, is loosely based on my mother’s story. She and her family escaped from Vienna in 1938 and spent the war years in Bolivia, the only country that would give them visas. I am also a high school teacher who works with immigrant students, who have fled violence and poverty. It is my vocation to offer them hospitality and help them find a sense of home here, in an environment that is often hostile. These books bring the stories of the displaced and dispossessed alive.
This book by Canadian writer Marina Endicott is quirky in all the best ways—smart, tender, heart-wrenching, and quietly hopeful. It is about a lonely, divorced accountant who takes in a homeless family after crashing into their car. The book is gorgeous on the sentence level and the way Endicott writes about the connections and lack of connections between the characters in the book is full of wisdom and pathos. Though the premise is quite simple, the book is full of surprises.
Absorbed in her own failings, 43-year-old Clara Purdy crashes her life into a sharp left turn, taking the young family in the other car along with her. When bruises on the mother, Lorraine, prove to be late-stage cancer, Clara moves the three children and their terrible grandmother into her own house while Lorraine undergoes treatment at the local hospital.
We know what is good, but we don't do it. In Good to a Fault, Clara decides to give it a try, and then has to cope with the consequences : exhaustion, fury, hilarity, and unexpected love. But she questions her…
Professor Elie Wiesel was instrumental in my translating and researching my mother’s journals. My awakening to the dark period in the chapter of the Jewish history happened between 1971-1974 at CCNY, when our paths crossed while I was taking his classes at the department of Jewish studies. It was in his classes that the things that bewildered me as a child growing up in communist Poland in the shadows of the Holocaust aftermath started to make sense. I asked my mother to commit to paper the painful memories, she buried deep inside her. She and the next generations have an obligation to bear witness, to be this history's keepers.
The famous Hannah Arendt coined “the banality of evil." Not monsters, but ordinary people were able to follow Hitler’s murderess ideology. Ordinary Men clearly shows how men and women from all walks of life were capable of becoming cold-blooded killers. Ordinary Men were the Nazi mobile gas units and death squads responsible for the murder of 1.5 million Jews in Eastern Poland & Ukraine.
Having lost relatives in the Holocaust, and also a scholar of twentieth-century history, I have a special interest in attempting to understand how Germany turned from one of the most literate and advanced countries into the barbarism we call Nazi Germany. In the course of teaching and writing for the past 50 years, I have written/edited some nine books on modern Jewish history-including four on the Holocaust and hundreds of articles and reviews in such publications as Virginia Quarterly, Tablet, Holocaust and Genocide Studies, The Forward, Midstream, Commonweal, Congress Monthly, Choice, among many other publications.
In my many years of teaching the Holocaust, I discovered that many students learn about the Holocaust from films. The problem is that many films are not accurate and in our age of Holocaust denial it is imperative that films be as accurate as possible in their depiction of the SHOAH. Browning’s book is by far the best available guide to films—the good, the bad, and the inaccurate, that depict the Holocaust.
Holocaust movies have become an important segment of world cinema and the de-facto Holocaust education for many. One quarter of all American-produced Holocaust-related feature films have won or been nominated for at least one Oscar. In fact, from 1945 through 1991, half of all American Holocaust features were nominated. Yet most Holocaust movies have fallen through the cracks and few have been commercially successful. This book explores these trends-and many others-with a comprehensive guide to hundreds of films and made-for-television movies.
From Anne Frank to Schindler's List to Jojo Rabbit, more than 400 films are examined from a range of…
I was born in East Germany and experienced the disappearance of that country and the huge changes that followed as a child. My history teachers reflected this fracture in the narratives they constructed, switching between those they had grown up with and the new version they had been told to teach after 1990. It struck me how little resemblance the neat division of German history into chapters and timelines bears to people’s actual lives which often span one or even several of Germany’s radical fault lines. My fascination with my country’s fractured memory has never left me since.
Wilhelm II, the last German emperor, has always been a subject of fascination to me. Often portrayed as a caricature of the archetypical Prussian and blamed single-handedly for the outbreak of the First World War, the man behind the historical figure has remained an enigma. Very little has been written about him in Germany itself. Christopher Clark, who is perhaps better known for his seminal work The Sleepwalkers and his excellent biography of Prussia, Iron Kingdom, has done a great job tackling this delicate subject. Neither tied down by the weight of German memory culture nor by the constraints of academic writing, Clark’s biography of Kaiser Wilhelm is readable, informative and well-balanced. I would highly recommend it to anyone who seeks to understand Germany before and during the First World War.
Christopher Clark's Kaiser Wilhelm II: A Life in Power is a short, fascinating and accessible biography of one of the 20th century's most important figures.
King of Prussia, German Emperor, war leader and defeated exile, Kaiser Wilhelm II was one of the most important - and most controversial - figures in the history of twentieth-century Europe. But how much power did he really have? Christopher Clark, winner of the Wolfson prize for his history of Prussia, Iron Kingdom, follows Kaiser Wilhelm's political career from his youth at the Hohenzollern court through the turbulent decades of the Wilhelmine era into global…
I was born in East Germany and experienced the disappearance of that country and the huge changes that followed as a child. My history teachers reflected this fracture in the narratives they constructed, switching between those they had grown up with and the new version they had been told to teach after 1990. It struck me how little resemblance the neat division of German history into chapters and timelines bears to people’s actual lives which often span one or even several of Germany’s radical fault lines. My fascination with my country’s fractured memory has never left me since.
Growing up in rural Brandenburg, just outside of Berlin, the towering figure of Frederick the Great accompanied my childhood. One of my earliest memories is running down the endless steps of the vineyard terraces at his summer palace of Sanssouci, excited by the splendour of the landscaped gardens below. On these family outings, my father would tell me tales about how ‘Old Fritz’ introduced the potato in Germany and how he won many wars by whipping the Prussian army into shape. But Frederick was also a complicated and troubled man. A patron of the arts and fascinated by the ideals of the Enlightenment, he could also be ruthless in pursuing his ambition to make Prussia a European power. Blanning’s excellent biography captures Frederick in all his complexity.
'Highly readable and deeply researched' - Andrew Roberts
'Masterful ... brilliantly brings to life one of the most complex characters of modern European history' - Sunday Telegraph
'It is sure to be the standard English-language account for many years. It instructs; it entertains; and it surprises' - Philip Mansel, The Spectator
Frederick the Great, King of Prussia, dominated the eighteenth century in the same way that Napoleon dominated the start of the nineteenth. He was a force of nature, a ruthless, brilliant, charismatic military commander, a monarch of exceptional energy and talent, a gifted composer, performer, poet and philosopher, and…
