100 books like Adventures with My Daddies

When my son and son-in-law were getting married back in 2010, my cousin’s four-year-old daughter Emma was excited to be their flower girl. I wanted to buy Emma a book about a flower girl to prepare her for the wedding, but I couldn’t find anything that worked for our situation, since we were having two grooms and no bride—at an otherwise traditional Jewish wedding. Then one day, my cousin called, laughing, and said “Emma said she’s afraid to come to the wedding because of the Ring BEAR!” So I needed to write this for Emma—a story where everything isn’t what the child imagines, but it’s all joyful. 

When my son and son-in-law were getting married back in 2010, my cousin’s four-year-old daughter Emma was excited to be their flower girl. I wanted to buy Emma a book about a flower girl to prepare her for the wedding, but I couldn’t find anything that worked for our situation, since we were having two grooms and no bride—at an otherwise traditional Jewish wedding. Then one day, my cousin called, laughing, and said “Emma said she’s afraid to come to the wedding because of the Ring BEAR!” So I needed to write this for Emma—a story where everything isn’t what the child imagines, but it’s all joyful. 

When my son and son-in-law were getting married back in 2010, my cousin’s four-year-old daughter Emma was excited to be their flower girl. I wanted to buy Emma a book about a flower girl to prepare her for the wedding, but I couldn’t find anything that worked for our situation, since we were having two grooms and no bride—at an otherwise traditional Jewish wedding. Then one day, my cousin called, laughing, and said “Emma said she’s afraid to come to the wedding because of the Ring BEAR!” So I needed to write this for Emma—a story where everything isn’t what the child imagines, but it’s all joyful. 

When my son and son-in-law were getting married back in 2010, my cousin’s four-year-old daughter Emma was excited to be their flower girl. I wanted to buy Emma a book about a flower girl to prepare her for the wedding, but I couldn’t find anything that worked for our situation, since we were having two grooms and no bride—at an otherwise traditional Jewish wedding. Then one day, my cousin called, laughing, and said “Emma said she’s afraid to come to the wedding because of the Ring BEAR!” So I needed to write this for Emma—a story where everything isn’t what the child imagines, but it’s all joyful. 

I'm the daughter of a charismatic and complicated father, the late theater and literary critic and Yale School of Drama professor Richard Gilman. My memoir, The Critic's Daughter, tells the story of how I lost him for the first time when I was ten years old and over and over in the ensuing months and years; the book is my attempt to find him. I'm a former professor of English literature at Yale and Vassar, the mother of two boys, a book critic for the Boston Globe, and a literature, writing, and meditation teacher.

As a shy, dreamy kid, I relied on middle-grade books to learn about the world and feel less alone. That’s why I eventually started writing them. Growing up can be hard. Being grown-up can, too. Fiction can thrill, educate, and stimulate, and I love it for those reasons. But sometimes, I want a book to assure me things are going to be okay. In case you’d forgotten that the world can be scary and unpredictable, the last couple of years probably reminded you. I continue to find comfort in middle-grade books that make my heart feel full, tender, and hopeful. I needed books like these back then, and still need them today.

I grew up in Texas where sex-ed curriculums ranged from spotty and misinformed to totally nonexistent. Therefore, as a teenager, I learned about sex from the novels I read—at that time, I was devouring Meg Cabot and John Green books—and I remember wishing for more tangible information. (This was before Urban Dictionary and Tumblr, unfortunately.) Fast forward a decade, and I’m the one writing YA novels. I no longer live in Texas, but my passion for crafting sex-positive, uplifting, and accessible books for teenagers remains central to my life as a writer and reader.

I’ve been terrified, fascinated, and delighted by scary stories my whole life, and my very favorites dabble in the speculative and supernatural: ghosts, monsters, magic, and worlds beyond our own. Give me all your haunted houses, your warped realities, your inexplicable horrors intruding on the everyday world. These fantastical elements are fraught with the power of nightmares and fairy tales, and that makes them the best tools we have to get around our news-hardened, cynical safeguards and explore what truly frightens us.

In addition to being an author of MG fiction, I run two book groups for kids, which means I spend lots of time in libraries, communing with kids’ librarians, placing wagers on which books will win the Newbery, so that I can pass along great books to my groups. While there are all kinds of terrific MG books out there, I find that boisterous group meetings require something special – i.e. books with a controversial idea or character or act that merits debate/discussion. I remember when we read From the Mixed-Up Files of Mrs. Basil E. Frankweiler -- one girl just could not get past the idea that two kids left home without telling their parents. I love that sort of passionate objection!

I admire the way children tell stories—how their imagination veers here and there, how fantasy and reality intertwine, and how magic can happen at any moment. I wrote stories like this when I was a kid and, fortunately, saved many of them. When writing The Kids of Cattywampus Street (my twentieth book), I went through these stories and recreated this narrator’s voice as the 8-year-old me with absurdity and confidence. I wanted to show a range of characters in a diverse world where kids believe in themselves, have the power to use their imagination, can get into and out of trouble on their own accord, are resilient, adaptable, strong, and just plain funny.