100 books like A Week in the Life of Rome

The action in this book just keeps pumping.

Each of the heroes is a deep, fully realized person, plagued with flaws, some of them almost unforgiveable. Each character must face their own demons in this fast-paced, mysterious adventure. This book has espionage, swordplay, constant danger, friendship, even romance, everything you could wish for.

It is a swashbuckling tale following the impetuous and brave-to-a-fault D’Artagnan as he grows from an idealistic boy to a man, chasing his calling to fight among the hallowed ranks of the King’s musketeers. 

Again, a much-loved childhood favourite – two strong female leads and demonstrates leading with empathy for others and kindness, which can sometimes be missing from adult adventure stories.

While there have been a number of television and film adaptations, nothing compares to reading this story and getting lost in the magic of the words that conjur their own power and charm.

In this book, the author speculates about the events that could give rise to the anti-Christ, and a few brave souls who might try to stop his rise to power.

But this is not your grandfather’s end-times fiction. It’s deeply entrenched in actual events of the late twentieth and early twenty-first century, and the story is eminently plausible.

It’s not about world wars or secret underground Christian armies – it’s about how pride is conquered by humility, how the biggest things the devil can throw at us are defeated by the holiness of unknown saints.

This is the real deal. You will not want to put it down!

This book is a masterful mix of mystery and the miraculous!

Set in Paris, in the early twentieth century, the author will take you on a wild ride, something like a cross between Indiana Jones and National Treasure – and it’s not a long book, so it’s a great way to introduce yourself to this prolific author.

If you’ve never heard of Davis Bunn, he’s more famous than you would guess, and a best-selling author. Do yourself a favor, and introduce yourself to his work.

And speak Caesar Augustus does with a number of prominent figures, including Cleopatra, Mark Anthony, Tiberius, Cicero, and even Virgil. His comments and asides let us know what he really thinks of them. He lets you know that the war with Pompey is a distraction and a bore. His comments are blunt and reveal a strong, wily individual completely in control of the Latin empire, and written in a way that, at times, you forget you’re not reading a history book but fiction.

It was comments like this regarding his meeting with Cleopatra that make the book rewarding: 

“I felt her power, her quite remarkable seductiveness. It was like listening to the deepest, most desirable temptation; it held promises of bliss and power. I understood how Anthony had found himself caught like a beast in a net. I looked away…”

The title of this book, written by one of my colleagues at Royal Holloway, recalls the classic work of Ronald Syme, whose The Roman Revolution appeared in 1939 against the backdrop of the rise of Nazi Germany. Alston narrates in detail the crucial period from Caesar’s murder on the Ides of March 44 BC through to the death of the first emperor Augustus (Caesar’s adopted son) more than half a century later. This was the time of Brutus, Antony, and Cleopatra which so appealed to Shakespeare, and Alston disentangles skillfully the complex political and military events and demonstrates the achievement of Augustus who claimed to restore the Republic while establishing the Empire which ruled the Mediterranean world for the next 400 years.

I never miss an opportunity to recommend this book for its broad scope and human courage.

It’s such an immersive and very human story full of adventure, challenge, will, and passion. Auriane is brought to such exquisite life as a woman born to a destiny meant to free the people she loves.

This book lands on my list for a call to destiny answered by love because Auriane’s life is an example of how we can’t see ourselves, or how we often don’t know where to fit, whom to challenge, and where to connect—but we find our way by being relentlessly devoted to doing what feels right to us, guided by that internal flame until we unite with the force that gives us a purpose, place, meaning.

Often, if not always, that destiny is deeply anchored in love. 

For Auriane, that love is her tribe, and her community, family, friends,… show more.

Kleiner's Cleopatra and Rome is an essential Cleopatra book for art lovers.

It combines Cleopatra's story with an excellent introduction to the art history of the ancient Mediterranean world. One of the most interesting aspects of Kleiner's work is the effect she describes Cleopatra having on her Roman conqueror.

Although Augustus presented Cleopatra as a dangerous enemy of Rome, the iconography he used to present his family as a kind of "first family" for Rome borrowed from the visual language Cleopatra created to communicate with her Egyptian subjects.

This enthralling evocation of the long life of Rome’s first emperor, Augustus, uses fictional letters and other invented documents to tell his story, from the point when, as a teenager, he found himself the heir of the assassinated dictator Julius Caesar, to his final days as sole ruler of a vast empire. Emerging as victor from a protracted civil war, Augustus managed to impose a degree of stability across the Roman world, though at a cost. Could the bloodthirsty youth have really turned into the modest statesman? His contemporaries found him hard to read. Williams charts with subtlety and insight the phases in Augustus’ self-reinvention, shining a particular spotlight on his fraught relationship with Julia, his daughter, whom he found himself obliged to send into exile, as a conspicuous offender against his flagship legislation on adultery.

The Roman poet Ovid was one of the most popular writers of his day, but the defining tragedy of his life – his lifelong exile from Rome at the very height of his powers – remains as mysterious today as it was in his own time. In The Love-Artist, Jane Alison provides that tragedy with a back story, when Ovid, on holiday on the shores of the Black Sea, meets and is enchanted by the witch-like Xenia and persuades her to return with him to Rome, with dire consequences. But it’s the book’s dream-like atmosphere – the sense that we are seeing the world through the eyes of a great poet with one foot in the ambitious world of empire and the other in an unstable netherworld of imagination and mythology – that will remain with the reader.