Here are 100 books that A Shout in the Ruins fans have personally recommended if you like
A Shout in the Ruins.
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I’m an accidental historian, one that stumbled over a love of history in spite of myself. In school, history was all just dates and places—not the kind of thing to inspire a kid that loved stories about people, not dusty old battles. But then a funny thing happened on the way to an English degree. A few history electives suddenly seemed way more appealing than another round of Austen, and led me to a BA History with Distinction. The first half of the twentieth century is a favorite period, but I say bring on the Renaissance and Viking ships too!
Sarah’s Keykeeps us hoping in spite of ourselves—and despite the terrible odds facing a Jewish family in Paris, 1942. When the police come knocking one night, ten-year-old Sarah has no idea that her family is being rounded up for transport to an internment camp. She locks her little brother in a closet to save him, certain she’ll return the next day. That fateful choice will echo from WWII into the present, where the apartment’s new occupant uncovers long-ago choices and secrets in her own family. For me, though, the real question isn’t whether Sarah can rescue her brother. It’s about the many ways we justify our own ‘us’ and ‘them,’ and the hope that we can learn from history’s lessons.
Paris, July 1942: Sarah, a ten year-old girl, is arrested with her family by the French police in the Vel' d'Hiv' roundup, but not before she locks her younger brother in a cupboard in the family's apartment, thinking that she will be back within a few hours. Paris, May 2002: On Vel' d'Hiv's 60th anniversary, journalist Julia Jarmond is asked to write an article about this black day in France's past. Through her contemporary investigation, she stumbles onto a trail of long-hidden family secrets that connect her to Sarah. Julia finds herself compelled to retrace the girl's ordeal, from that…
I grew up as a closeted homosexual in a fundamentalist Christian home, enduring nearly two decades in a crisis of faith. Sermons frequently warned of damnation for my natural inclinations, pushing me to fast, pray, and achieve to resist temptation. This crisis gradually resolved over the eight years I spent writing Playing by the Book, the first coming-out novel to win a National IPPY Medal in religious fiction. Although I don’t consider myself a spiritual writer, I am drawn to stories that explore existential struggles and triumphs, including those related to a crisis of faith—much like the characters in the novels on this list.
I love this book because it shows that being different does not exclude one from being an instrument of God. Owen Meany, with his unusual voice and diminutive stature, is an unforgettable character who, despite seeming out of place, becomes integral to a grander plan. His story resonated deeply with me, reminding me of my journey as a closeted gay man.
Like Owen, I felt different from everyone else and struggled with feelings of unworthiness—feelings that are now far behind me. This book celebrates the unusual and beautifully illustrates that every life has meaning and every person has a role to play.
'Marvellously funny . . . What better entertainment is there than a serious book which makes you laugh?' Spectator
'If you care about something you have to protect it. If you're lucky enough to find a way of life you love, you have to find the courage to live it.'
Summer, 1953. In the small town of Gravesend, New Hampshire, eleven-year-old John Wheelwright and his best friend Owen Meany are playing in a Little League baseball game. When Owen hits a foul ball which kills John's mother, their lives are changed in an instant.
I’m an accidental historian, one that stumbled over a love of history in spite of myself. In school, history was all just dates and places—not the kind of thing to inspire a kid that loved stories about people, not dusty old battles. But then a funny thing happened on the way to an English degree. A few history electives suddenly seemed way more appealing than another round of Austen, and led me to a BA History with Distinction. The first half of the twentieth century is a favorite period, but I say bring on the Renaissance and Viking ships too!
In The Inheritors, William Golding brings to life a creature from the distant past: Lok, a hairy, barely verbal hominid whose small band is the last of their kind. New words and thoughts confuse him, flashes of logic slip out of his grasp, and he discovers the existence of mysterious Others; invaders with the formidable technology of bow and arrow. But The Inheritorsis much morethan an exciting adventure. The story stays with me because Lok is a mirror of us—of the human urge to try, to fail, to push on despite the odds. We have no idea what the next thousand years will hold. Neither did Lok. But just like him, we can’t help moving forward.
Hunt, trek, and feast among Neanderthals in this stunning novel by the radical Nobel Laureate and author of Lord of the Flies, introduced by Ben Okri.
This was a different voice; not the voice of the people. It was the voice of other.
When spring comes, the people leave their winter cave, foraging for honey, grubs, and the hot richness of a deer's brain. They awaken the fire to heat their naked bodies, lay down their thorn bushes, and share pictures in their minds. But strange things are happening: inexplicable scents and sounds. Imaginable beasts are half-glimpsed in the forest;…
I’m an accidental historian, one that stumbled over a love of history in spite of myself. In school, history was all just dates and places—not the kind of thing to inspire a kid that loved stories about people, not dusty old battles. But then a funny thing happened on the way to an English degree. A few history electives suddenly seemed way more appealing than another round of Austen, and led me to a BA History with Distinction. The first half of the twentieth century is a favorite period, but I say bring on the Renaissance and Viking ships too!
The story sounds like legend: three young girls flee their captors and survive a thousand-mile trek across the Australian desert. Sadly, Follow the Rabbit-Proof Fenceis all too true. It traces the real-life journey of Molly, Gracie, and Daisy, three Aboriginal Australian children forcibly removed from their families in 1930, part of a racist government strategy to wipe out Aboriginal culture. It’s an amazing tale of survival, but what really inspires me is Molly’s story after that fateful journey: her refusal to give in to a system bent on crushing her. Remarkably, almost a hundred years later, her fight for human rights still echoes in the headlines of today.
I am a Lebanese-born, New York-based Caterer, Chef, and Owner of Edy’s Grocer in Greenpoint, Brooklyn. Born and raised in Lebanon, I have a passion for Middle Eastern food, culture, and, cookbooks. Growing up with a grandmother who never wrote one recipe down, it's been a journey to nail each recipe she used to make. When I moved to America, it was so hard to find good Middle Eastern cookbooks. Fast forward to 2024, a plethora of talented chefs have written books to help transport me back to Lebanon, sharing our Middle Eastern cultures, flavors, and heritage in such a beautiful way. I am proud of these cookbooks representing the Middle East.
What Dina Macki did with this book is beautiful, specifically the visuals and how she showcases the food. Many people, myself included, don’t know much about Omani food specifically, and this book dives deep into the unique food, culture, and region, including beautiful photos taken locally throughout her travels and mini-history lessons.
This is the first Omani cookbook ever written, and she did it well.
With honesty and curiosity, British-born Omani-Zanzibari chef Dina Macki explores the unique foodscape of Oman, in the first Omani cookbook to be written by an Omani chef.
Bahari, meaning "ocean" in Swahili, is a culinary exploration of the rich flavors and history of Omani cuisine, a food culture shaped by boundless coastlines and complex maritime history, with origins and influences spanning Pakistan, Iran, India, the Swahili coast, and Portugal.
In this distinctive cookbook, Dina Macki travels across Oman and Zanzibar, unearthing regional delicacies and recreating the food of her heritage. With more than 100 recipes for meat, fish, vegetables, homemade…
Like most writers, I’m intoxicated by stories, and when I first learned about the all-but-unknown country of Oman—once a major maritime power in the Indian Ocean—and its involvement in the East African slave trade, I was hungry to discover more. That “more” soon catapulted me into an extraordinary world filled with romance, beauty, violence, cruelty, and larger-than-life characters I had never heard of before. I was eager to share that world with others and so wrote this book. I am also the author of two other books about the Middle East and am deeply interested in writing about the region’s people, history, and culture, rather than its politics.
In 1979 anthropologist Eickelman, together with her husband and 19-month-old daughter, took up residency in Hamra, a small village on the edge of the Jabal al-Akhdar mountains in Oman’s interior.
Here she befriended the village women, witnessed their daily lives and traditions, and learned about how they were coping with the modernization rapidly overtaking their society. The women she describes are self-confident, reserved, thoughtful, and polite—much like the women I met while traveling in Oman.
Eickelman’s book is a valuable record of a disappearing world.
Before 1970 Oman was one of teh more isolated countries on the Arab peninsula. The growth of the oil economy during the seventies, however, has brought rapid change to the small towns and villages that make up the country.
In Women and Community in Oman Chritine Eickelman captures the tone and feel of this desert culture on the verge of substantial, and probably irreversible, change. During 1979 and 1980 she lived in Hamra, an oasis of 2,500 persons and the capital of the Abriyin tribe. Situated on the western edge of the Jabal al-Akhdar region of inner Oman, this was…
I ‘fell’ into being at sea by chance, through my father’s insistence I join him on a Scottish fishing boat for a week. I discovered I adored exploring unknown islands and lonely beaches, discovering wildlife and resilient small communities. In the 1990’s a female working amongst fishermen and commercial shipping was unknown, it was a wholly male, chauvinistic world. Using these skills I found a job being paid to explore – a dream job, pioneering but frequently lonely and dangerous. It resulted in my expanding the range and world of small expedition ships into areas with no infrastructure, unexplored and uncharted, lonely, empty coasts from the Arctic to Singapore.
In this entertaining book Jan Morris crosses the Oman desert travelling as one of the Sultan’s entourage.
I know Oman well, having visited long before the country was ‘open’ to tourism. I have slept on just a blanked on the sand with the huge bowl of Arabian stars sliding across a black sky above me so the delightful prose brings this all to life again. The early days of the oil business, whilst unfashionable these days are historic, the descriptions are vivid and highly amusing.
Desert life, campfires, camels, and Bedouin are all colourfully brought to life, with descriptions of the superb mud forts and sands so frequent in the mountains and sands of Oman.
In 1955 the Sultanate of Muscat and Oman, southeast of Saudi Arabia on the Arabian Sea, was a truly medieval Islamic State, shuttered against all progress under the aegis of its traditionalist and autocratic ruler. But it was also nearly the end of an imperial line, for in those days the British Government was still powerful in Arabia. Rumors of subversion and the intrigues of foreign powers mingled with the unsettling smell of oil to propel the sultan on a royal progress across the desert hinterland. It was an historic journey--the first crossing of the Omani desert by motorcar. Jan…
Like most writers, I’m intoxicated by stories, and when I first learned about the all-but-unknown country of Oman—once a major maritime power in the Indian Ocean—and its involvement in the East African slave trade, I was hungry to discover more. That “more” soon catapulted me into an extraordinary world filled with romance, beauty, violence, cruelty, and larger-than-life characters I had never heard of before. I was eager to share that world with others and so wrote this book. I am also the author of two other books about the Middle East and am deeply interested in writing about the region’s people, history, and culture, rather than its politics.
In this, one of the few general history books about modern Oman, Jones and Ridout give a comprehensive overview of the country’s last two centuries.
Though scholarly and somewhat dry in tone, it provides solid background information on the country’s politics, economy, religion, and culture. I found the sections on Ibadism (the branch of Islam practiced in Oman and almost nowhere else), Dhofar (where a rebellion occurred in 1963–1976), and Sultan Qaboos, who ruled the country for fifty years (1970–2020), to be especially helpful for understanding Oman.
The ideal introduction to the history of modern Oman from the eighteenth century to the present, this book combines the most recent scholarship on Omani history with insights drawn from a close analysis of the politics and international relations of contemporary Oman. Jeremy Jones and Nicholas Ridout offer a distinctive new approach to Omani history, building on postcolonial thought and integrating the study of politics and culture. The book addresses key topics including Oman's historical cosmopolitanism, the distinctive role of Omani Islam in the country's social and political life, Oman's role in the global economy of the nineteenth century, insurrection…
Like most writers, I’m intoxicated by stories, and when I first learned about the all-but-unknown country of Oman—once a major maritime power in the Indian Ocean—and its involvement in the East African slave trade, I was hungry to discover more. That “more” soon catapulted me into an extraordinary world filled with romance, beauty, violence, cruelty, and larger-than-life characters I had never heard of before. I was eager to share that world with others and so wrote this book. I am also the author of two other books about the Middle East and am deeply interested in writing about the region’s people, history, and culture, rather than its politics.
In this scholarly yet quite readable deep dive into Oman’s history, Wilkinson, an Oxford professor and former oil executive, explores the country’s two traditions: its closed, isolated, tribal interior, which until the 1950s was governed by an elected Iman of Ibadi Islam; and its more secular, multiethnic coastal region, which operated as a major maritime power for over 1,000 years.
I was especially interested to learn about the disastrous effects of Western interference in the region—which still reverberate today—and rival oil companies’ battles with traditional Omani leaders to gain control of the country’s oil reserves.
At the core of this book is an attempt to explain a conflict in Oman in the 1950s and 1960s between two claimants to authority: the Imam of the Ibadi sect in the interior and the Sultan with his capital at Muscat on the coast. The crisis, precipitated by two rival oil companies, acquired wider dimensions because the Sultan was supported by the British, whilst the Imam was eventually backed by Saudi Arabia. In his analysis of the roots of this conflict John Wilkinson traces the themes of regional identity, tribal organization and political authority over some 1200 years of…
Like most writers, I’m intoxicated by stories, and when I first learned about the all-but-unknown country of Oman—once a major maritime power in the Indian Ocean—and its involvement in the East African slave trade, I was hungry to discover more. That “more” soon catapulted me into an extraordinary world filled with romance, beauty, violence, cruelty, and larger-than-life characters I had never heard of before. I was eager to share that world with others and so wrote this book. I am also the author of two other books about the Middle East and am deeply interested in writing about the region’s people, history, and culture, rather than its politics.
In this lyrical novel, winner of the 2019 Man Booker International Prize (the first novel in Arabic to do so), the Omani writer Altharthi captures the rich complexity of a country caught between the past and the future.
Her characters embody various aspects of Oman’s history—its slave trade, its maritime prowess, its close-knit village life, its rapid modern development—while at the same time debunking Western stereotypes about Arab women, society, and culture.
I visited Oman in early 2023 and everywhere I went, I saw Alharthi’s novel brought to life. Time and memory, religion and magic, poetry and proverbs—all swirl hypnotically together in this book, brilliantly translated by Marilyn Booth.
This winner of the 2019 Man Booker International Prize and national bestseller is “an innovative reimagining of the family saga . . . Celestial Bodies is itself a treasure house: an intricately calibrated chaos of familial orbits and conjunctions, of the gravitational pull of secrets" (The New York Times Book Review).
In the village of al-Awafi in Oman, we encounter three sisters: Mayya, who marries after a heartbreak; Asma, who marries from a sense of duty; and Khawla, who chooses to refuse all offers and await a reunion with the man she loves, who has emigrated to Canada.
