36 books like A Line to Kill

I’m a sucker for great stories well-told. My criteria are simple: ignore the tropes, genres, and categories and read the words. It’s up to the author’s prose to keep me engaged until I’m immersed in the story. In most books, I don’t get past page one. Cormac McCarthy nails it with his opening line: “I sent one boy to the gas chamber at Huntsville.”  How could I resist?

True, the Cohen Brothers' film adaptation is one of my favorites, as are a few of their movies. While the adaptation follows the book closely, the dark humor overlay of the Cohen Brothers gives it a different spin. McCarthy’s book far exceeds anything that could be shown on film, both in terms of impact and realism. As I mentioned previously, realism in fiction is a basic component of good storytelling.  

When I think of the classic mysteries of the Golden Age, I automatically picture an English country house. In Deborah Crombie’s A Bitter Feast, Scotland Yard Detective Superintendent Duncan Kincaid and his wife, Detective Inspector Gemma James, are invited for a fall getaway at Beck House a country estate in the Cotswolds. When a posh charity luncheon catered by brilliant young chef Viv Holland turns deadly, Duncan and Gemma are pulled into the investigation. While I enjoyed the masterful unfolding of the investigation and the fascinating behind-the-scenes look into a high-end restaurant kitchen, it was the iconic setting that hooked me. Worthy of Miss Marple herself.

“‘Well, my dear,’ said Miss Marple, ‘human nature is much the same everywhere, and, of course, one has opportunities of observing it at closer quarters in a village.'” (The Thumb Mark of St. Peter) An Irish village is the setting for Gordon’s fourth Gethsemene Brown mystery. When African-American violinist Gethsemane Brown takes a job leading the orchestra at a boys’ school in the village of Dunmullach, she has no idea her cliffside cottage comes complete with a resident ghost, Eamon McCarthy. Nor does she imagine she’ll become the village’s amateur sleuth—with a little help from Eamon, of course. When a wedding party descends on the village, Gethsemane learns the groom-to-be once jilted her friend Frankie’s new girlfriend, Verna. When the groom turns up dead, Verna is the logical suspect. 

Since the publication of Dorothy L. Sayer’s The Unpleasantness at the Bellona Club in 1928, London’s gentlemen’s clubs, bastions of upper-class male privilege, have been fertile ground for murder and mayhem. Huang’s debut novel is set in 1924. With the memory of the Great War still fresh in everyone’s minds, the prestigious soldiers-only Britannia Club is rocked by the stabbing of a member within the club vaults. The killer must be a fellow club member, but when Eric Peterkin, descendant of one of the club’s founders, witnesses the Scotland Yard detective tampering with evidence, he is forced to launch an investigation of his own.

For my last pick, I’ve chosen a novel published near the end of the Golden Age (roughly the 1920s through the 1950s). Author and solicitor Michael Gilbert set his novel in the chambers of Horniman, Birley, and Craine. After the death of the firm’s senior partner, a hermetically sealed deed box is opened, revealing the corpse of Marcus Smallbone, a co-trustee with the late Mr. Horniman of the valuable Ichbod Trust. With the help of newly qualified solicitor Henry Bohun, Chief Inspector Hazelrigg sorts through a maze of lies and misdirection to uncover the surprising perpetrator and motive. Martin Edwards, in the foreword to the Poisoned Pen Press edition, said, “The book blends in masterly fashion, an authentic setting, pleasingly differentiated characters, smoothly readable prose, and a clever puzzle.” 

Having worked bank robberies as a former FBI Special Agent, I have a keen sense as to what makes these people tick. Most are quite ignorant, however, occasionally clever planning takes place by those as brazen as Hogan has portrayed here. A true masterpiece, Chuck Hogan does a splendid job bringing his characters to life in all the real-life depictions you will enjoy. This is a gut-wrenching roller coaster mixing crime with romantic infatuation to the point you can’t stop reading. I’ll admit, once the movie came out, I had to get the book and now it’s one of my all-time favorite crime thrillers.

My Clive Cussler favorite, The Chase kept me in pursuit of the villain with all the suspense and adventurous imagination I’ve come to expect from Cussler’s long line of good guy/bad guy novels. I identified with Detective Isaac Bell as I, too, once pursued bank robbers and killers from one State to another while employed as an FBI agent. In this story, Bell is put to the challenge in an audacious plot of robbery and murder. To identify this despicable felon, Bell finds that a woman plays into it adding intrigue to the outcome.

Having read the series out of order, The Cartel was my first Winslow book. His story was so captivating that I needed to go back and read how it all started.

The fact that I could start with The Cartel without having read the origin story is an example of Winslow’s talent. The Cartel is a great stand-alone story, made even better when its two companion books are added together. Winslow has developed compelling characters, and it's enjoyable to watch how they evolve and face new challenges.

The Irene Adler books mirror the Holmes-Watson relationship—brilliant detective, adoring documenter—centering Holmes’s famously successful adversary.

This story builds a much more interesting narrative into the original Adler story, changing the way we understand the stakes and the outcome, and then continues, lifting Irene Adler into a fascinating character in her own right.

This is not the first book in which Lord Peter appears, but it is the first of the books that include Harriet Vane, with whom he falls hopelessly in seemingly unrequited love when he saves her from the noose. Written in 1930, Lord Peter is an actual gentleman with all the deceptively shallow mannerisms and slang of a young Bertie Wooster about him, but he of course is covering up his blinding intelligence and his very vulnerable heart. Besides collecting rare books, playing faultless Bach on the piano ,and struggling with bouts of shell shock from the trenches in France, his great joy is solving murders. And he has beautiful manners. When asked why she had invented Lord Peter, Dorothy L. Sayers answered, “I wanted to create the perfect man.”